Cinema and spectatorship /:
Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects&...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Routledge,
1993.
|
| Schriftenreihe: | Sightlines (London, England)
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues already discussed, concentrating on textual analysis, the d̀isrupting genre', s̀tar-gazing' and finally the audience itself. Case studies incude the place of the spectator in the textual analysis of individual films such as The Picture of Dorian Gray; the construction of Bette Davis' star persona; fantasies of race and film viewing in Field of Dreams and Ghost; and gay and lesbian audiences as "critical" audiences. The book provides a very thorough and accessible overview of this complex, fragmented and often controversial area of film theory |
| Beschreibung: | 1 online resource (ix, 187 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 173-182) and index. |
| ISBN: | 0203133889 9780203133880 0415034167 9780415034166 9780415034159 0415034159 9786610328246 6610328242 9781134966882 1134966881 9781134966837 1134966830 9781134966875 1134966873 9781138136441 1138136441 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocm50921562 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 021103s1993 enka ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e pn |c N$T |d YDXCP |d OCLCQ |d BTCTA |d OCLCQ |d TUU |d OCLCQ |d TNF |d OCLCQ |d EBLCP |d MT4IT |d UX0 |d QE2 |d IDEBK |d UKTCC |d OCLCQ |d OCLCF |d DKDLA |d COO |d OCLCQ |d TYFRS |d OCLCQ |d AGLDB |d OCLCQ |d OCLCO |d ICA |d OCLCQ |d OCLCO |d PIFBR |d ZCU |d OCLCQ |d MERUC |d COCUF |d OCLCQ |d OCLCO |d WY@ |d U3W |d LUE |d D6H |d INARC |d CN8ML |d OCLCQ |d VTS |d CEF |d ICG |d VT2 |d TOF |d AU@ |d OCLCQ |d LHU |d WYU |d UWO |d STF |d DKC |d OCLCQ |d M8D |d UKAHL |d OCLCQ |d LEAUB |d CNTRU |d HS0 |d UWK |d OCLCQ |d SFB |d U9X |d SNU |d YDX |d OCLCQ |d OCLCO |d LDP |d BRF |d OCLCQ |d BRX |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 85789006 |a 252792918 |a 275184795 |a 437078406 |a 455990336 |a 503064531 |a 696441594 |a 756874090 |a 992106009 |a 1029256972 |a 1044362471 |a 1044613939 |a 1055361185 |a 1056338991 |a 1056344976 |a 1059525998 |a 1060830368 |a 1066435699 |a 1074251304 |a 1081194510 |a 1086529164 |a 1109005340 |a 1110277260 |a 1125419775 |a 1125683169 |a 1136246921 |a 1136436071 |a 1152972871 |a 1154225705 |a 1154898759 |a 1156915908 |a 1206268360 |a 1286901684 |a 1290089042 |a 1300479591 | ||
| 020 | |a 0203133889 |q (electronic bk.) | ||
| 020 | |a 9780203133880 |q (electronic bk.) | ||
| 020 | |a 0415034167 | ||
| 020 | |a 9780415034166 | ||
| 020 | |a 9780415034159 | ||
| 020 | |a 0415034159 | ||
| 020 | |a 9786610328246 | ||
| 020 | |a 6610328242 | ||
| 020 | |a 9781134966882 |q (e-book ; |q PDF) | ||
| 020 | |a 1134966881 | ||
| 020 | |a 9781134966837 |q (e-book ; |q Mobi) | ||
| 020 | |a 1134966830 | ||
| 020 | |a 9781134966875 |q (e-book ; |q ePub) | ||
| 020 | |a 1134966873 | ||
| 020 | |a 9781138136441 |q (hardback) | ||
| 020 | |a 1138136441 | ||
| 020 | |z 0415034159 | ||
| 024 | 7 | |a 10.4324/9780203133880 |2 doi | |
| 035 | |a (OCoLC)50921562 |z (OCoLC)85789006 |z (OCoLC)252792918 |z (OCoLC)275184795 |z (OCoLC)437078406 |z (OCoLC)455990336 |z (OCoLC)503064531 |z (OCoLC)696441594 |z (OCoLC)756874090 |z (OCoLC)992106009 |z (OCoLC)1029256972 |z (OCoLC)1044362471 |z (OCoLC)1044613939 |z (OCoLC)1055361185 |z (OCoLC)1056338991 |z (OCoLC)1056344976 |z (OCoLC)1059525998 |z (OCoLC)1060830368 |z (OCoLC)1066435699 |z (OCoLC)1074251304 |z (OCoLC)1081194510 |z (OCoLC)1086529164 |z (OCoLC)1109005340 |z (OCoLC)1110277260 |z (OCoLC)1125419775 |z (OCoLC)1125683169 |z (OCoLC)1136246921 |z (OCoLC)1136436071 |z (OCoLC)1152972871 |z (OCoLC)1154225705 |z (OCoLC)1154898759 |z (OCoLC)1156915908 |z (OCoLC)1206268360 |z (OCoLC)1286901684 |z (OCoLC)1290089042 |z (OCoLC)1300479591 | ||
| 037 | |a DAWSONERA | ||
| 050 | 4 | |a PN1995.9.A8 |b M28 1993eb | |
| 055 | 1 | 3 | |a PN1995.9.A8 |b M28 1993eb |
| 072 | 7 | |a PER |x 004030 |2 bisacsh | |
| 082 | 7 | |a 791.43/015 |2 20 | |
| 084 | |a 24.39 |2 bcl | ||
| 049 | |a MAIN | ||
| 100 | 1 | |a Mayne, Judith. |0 http://id.loc.gov/authorities/names/n86039415 | |
| 245 | 1 | 0 | |a Cinema and spectatorship / |c Judith Mayne. |
| 260 | |a London ; |a New York : |b Routledge, |c 1993. | ||
| 300 | |a 1 online resource (ix, 187 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Sightlines | |
| 504 | |a Includes bibliographical references (pages 173-182) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Chapter INTRODUCTION -- part Part I THEORIES OF SPECTATORSHIP -- chapter 1 THE SUBJECT OF SPECTATORSHIP -- chapter 2 SPECTATORSHIP AS INSTITUTION -- chapter 3 SPECTATORSHIP RECONSIDERED -- chapter 4 PARADOXES OF SPECTATORSHIP -- part Part II READINGS OF SPECTATORSHIP -- chapter 5 TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP -- chapter 6 STAR-GAZING -- chapter 7 WHITE SPECTATORSHIP AND GENRE-MIXING -- chapter 8 THE CRITICAL AUDIENCE. | |
| 520 | |a Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues already discussed, concentrating on textual analysis, the d̀isrupting genre', s̀tar-gazing' and finally the audience itself. Case studies incude the place of the spectator in the textual analysis of individual films such as The Picture of Dorian Gray; the construction of Bette Davis' star persona; fantasies of race and film viewing in Field of Dreams and Ghost; and gay and lesbian audiences as "critical" audiences. The book provides a very thorough and accessible overview of this complex, fragmented and often controversial area of film theory | ||
| 546 | |a English. | ||
| 650 | 0 | |a Motion picture audiences. |0 http://id.loc.gov/authorities/subjects/sh85088029 | |
| 650 | 0 | |a Film criticism. |0 http://id.loc.gov/authorities/subjects/sh85088039 | |
| 650 | 6 | |a Cinéma |x Publics. | |
| 650 | 6 | |a Critique cinématographique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Film criticism |2 fast | |
| 650 | 7 | |a Motion picture audiences |2 fast | |
| 650 | 1 | 7 | |a Films. |2 gtt |
| 650 | 1 | 7 | |a Publiek. |2 gtt |
| 650 | 1 | 7 | |a Receptie. |2 gtt |
| 653 | 0 | |a Cinema |a Films (Motion pictures) |a Audiences | |
| 758 | |i has work: |a Cinema and spectatorship (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFGYdTRwV8wkxM83fJV3PP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Mayne, Judith. |t Cinema and spectatorship. |d London ; New York : Routledge, 1993 |z 0415034159 |w (DLC) 92024927 |w (OCoLC)26161536 |
| 830 | 0 | |a Sightlines (London, England) |0 http://id.loc.gov/authorities/names/n91051610 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=73051 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH3702451 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH24534040 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH24534041 | ||
| 938 | |a Baker and Taylor |b BTCP |n BK0008774042 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL169503 | ||
| 938 | |a EBSCOhost |b EBSC |n 73051 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n 32824 | ||
| 938 | |a Internet Archive |b INAR |n cinemaspectators00mayn | ||
| 938 | |a Taylor & Francis |b TAFR |n 9780203133880 | ||
| 938 | |a YBP Library Services |b YANK |n 301596459 | ||
| 938 | |a YBP Library Services |b YANK |n 2280094 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm50921562 |
|---|---|
| _version_ | 1816881602877194241 |
| adam_text | |
| any_adam_object | |
| author | Mayne, Judith |
| author_GND | http://id.loc.gov/authorities/names/n86039415 |
| author_facet | Mayne, Judith |
| author_role | |
| author_sort | Mayne, Judith |
| author_variant | j m jm |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.A8 M28 1993eb |
| callnumber-search | PN1995.9.A8 M28 1993eb |
| callnumber-sort | PN 41995.9 A8 M28 41993EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Chapter INTRODUCTION -- part Part I THEORIES OF SPECTATORSHIP -- chapter 1 THE SUBJECT OF SPECTATORSHIP -- chapter 2 SPECTATORSHIP AS INSTITUTION -- chapter 3 SPECTATORSHIP RECONSIDERED -- chapter 4 PARADOXES OF SPECTATORSHIP -- part Part II READINGS OF SPECTATORSHIP -- chapter 5 TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP -- chapter 6 STAR-GAZING -- chapter 7 WHITE SPECTATORSHIP AND GENRE-MIXING -- chapter 8 THE CRITICAL AUDIENCE. |
| ctrlnum | (OCoLC)50921562 |
| dewey-full | 791.43/015 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/015 |
| dewey-search | 791.43/015 |
| dewey-sort | 3791.43 215 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06583cam a2200913 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocm50921562 </controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">021103s1993 enka ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">BTCTA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TUU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TNF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">EBLCP</subfield><subfield code="d">MT4IT</subfield><subfield code="d">UX0</subfield><subfield code="d">QE2</subfield><subfield code="d">IDEBK</subfield><subfield code="d">UKTCC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">DKDLA</subfield><subfield code="d">COO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TYFRS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">ICA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">PIFBR</subfield><subfield code="d">ZCU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MERUC</subfield><subfield code="d">COCUF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">WY@</subfield><subfield code="d">U3W</subfield><subfield code="d">LUE</subfield><subfield code="d">D6H</subfield><subfield code="d">INARC</subfield><subfield code="d">CN8ML</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">VTS</subfield><subfield code="d">CEF</subfield><subfield code="d">ICG</subfield><subfield code="d">VT2</subfield><subfield code="d">TOF</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LHU</subfield><subfield code="d">WYU</subfield><subfield code="d">UWO</subfield><subfield code="d">STF</subfield><subfield code="d">DKC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">M8D</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LEAUB</subfield><subfield code="d">CNTRU</subfield><subfield code="d">HS0</subfield><subfield code="d">UWK</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SFB</subfield><subfield code="d">U9X</subfield><subfield code="d">SNU</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">LDP</subfield><subfield code="d">BRF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">BRX</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">85789006</subfield><subfield code="a">252792918</subfield><subfield code="a">275184795</subfield><subfield code="a">437078406</subfield><subfield code="a">455990336</subfield><subfield code="a">503064531</subfield><subfield code="a">696441594</subfield><subfield code="a">756874090</subfield><subfield code="a">992106009</subfield><subfield code="a">1029256972</subfield><subfield code="a">1044362471</subfield><subfield code="a">1044613939</subfield><subfield code="a">1055361185</subfield><subfield code="a">1056338991</subfield><subfield code="a">1056344976</subfield><subfield code="a">1059525998</subfield><subfield code="a">1060830368</subfield><subfield code="a">1066435699</subfield><subfield code="a">1074251304</subfield><subfield code="a">1081194510</subfield><subfield code="a">1086529164</subfield><subfield code="a">1109005340</subfield><subfield code="a">1110277260</subfield><subfield code="a">1125419775</subfield><subfield code="a">1125683169</subfield><subfield code="a">1136246921</subfield><subfield code="a">1136436071</subfield><subfield code="a">1152972871</subfield><subfield code="a">1154225705</subfield><subfield code="a">1154898759</subfield><subfield code="a">1156915908</subfield><subfield code="a">1206268360</subfield><subfield code="a">1286901684</subfield><subfield code="a">1290089042</subfield><subfield code="a">1300479591</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0203133889</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780203133880</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0415034167</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780415034166</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780415034159</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0415034159</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9786610328246</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">6610328242</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781134966882</subfield><subfield code="q">(e-book ;</subfield><subfield code="q">PDF)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1134966881</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781134966837</subfield><subfield code="q">(e-book ;</subfield><subfield code="q">Mobi)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1134966830</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781134966875</subfield><subfield code="q">(e-book ;</subfield><subfield code="q">ePub)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1134966873</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781138136441</subfield><subfield code="q">(hardback)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1138136441</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0415034159</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4324/9780203133880</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)50921562</subfield><subfield code="z">(OCoLC)85789006</subfield><subfield code="z">(OCoLC)252792918</subfield><subfield code="z">(OCoLC)275184795</subfield><subfield code="z">(OCoLC)437078406</subfield><subfield code="z">(OCoLC)455990336</subfield><subfield code="z">(OCoLC)503064531</subfield><subfield code="z">(OCoLC)696441594</subfield><subfield code="z">(OCoLC)756874090</subfield><subfield code="z">(OCoLC)992106009</subfield><subfield code="z">(OCoLC)1029256972</subfield><subfield code="z">(OCoLC)1044362471</subfield><subfield code="z">(OCoLC)1044613939</subfield><subfield code="z">(OCoLC)1055361185</subfield><subfield code="z">(OCoLC)1056338991</subfield><subfield code="z">(OCoLC)1056344976</subfield><subfield code="z">(OCoLC)1059525998</subfield><subfield code="z">(OCoLC)1060830368</subfield><subfield code="z">(OCoLC)1066435699</subfield><subfield code="z">(OCoLC)1074251304</subfield><subfield code="z">(OCoLC)1081194510</subfield><subfield code="z">(OCoLC)1086529164</subfield><subfield code="z">(OCoLC)1109005340</subfield><subfield code="z">(OCoLC)1110277260</subfield><subfield code="z">(OCoLC)1125419775</subfield><subfield code="z">(OCoLC)1125683169</subfield><subfield code="z">(OCoLC)1136246921</subfield><subfield code="z">(OCoLC)1136436071</subfield><subfield code="z">(OCoLC)1152972871</subfield><subfield code="z">(OCoLC)1154225705</subfield><subfield code="z">(OCoLC)1154898759</subfield><subfield code="z">(OCoLC)1156915908</subfield><subfield code="z">(OCoLC)1206268360</subfield><subfield code="z">(OCoLC)1286901684</subfield><subfield code="z">(OCoLC)1290089042</subfield><subfield code="z">(OCoLC)1300479591</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">DAWSONERA</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1995.9.A8</subfield><subfield code="b">M28 1993eb</subfield></datafield><datafield tag="055" ind1="1" ind2="3"><subfield code="a">PN1995.9.A8</subfield><subfield code="b">M28 1993eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.43/015</subfield><subfield code="2">20</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">24.39</subfield><subfield code="2">bcl</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mayne, Judith.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n86039415</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Cinema and spectatorship /</subfield><subfield code="c">Judith Mayne.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">London ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Routledge,</subfield><subfield code="c">1993.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (ix, 187 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Sightlines</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 173-182) and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Chapter INTRODUCTION -- part Part I THEORIES OF SPECTATORSHIP -- chapter 1 THE SUBJECT OF SPECTATORSHIP -- chapter 2 SPECTATORSHIP AS INSTITUTION -- chapter 3 SPECTATORSHIP RECONSIDERED -- chapter 4 PARADOXES OF SPECTATORSHIP -- part Part II READINGS OF SPECTATORSHIP -- chapter 5 TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP -- chapter 6 STAR-GAZING -- chapter 7 WHITE SPECTATORSHIP AND GENRE-MIXING -- chapter 8 THE CRITICAL AUDIENCE.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues already discussed, concentrating on textual analysis, the d̀isrupting genre', s̀tar-gazing' and finally the audience itself. Case studies incude the place of the spectator in the textual analysis of individual films such as The Picture of Dorian Gray; the construction of Bette Davis' star persona; fantasies of race and film viewing in Field of Dreams and Ghost; and gay and lesbian audiences as "critical" audiences. The book provides a very thorough and accessible overview of this complex, fragmented and often controversial area of film theory</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture audiences.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088029</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Film criticism.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85088039</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="x">Publics.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Critique cinématographique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Film criticism</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion picture audiences</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Films.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Publiek.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Receptie.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="653" ind1="0" ind2=" "><subfield code="a">Cinema</subfield><subfield code="a">Films (Motion pictures)</subfield><subfield code="a">Audiences</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Cinema and spectatorship (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCFGYdTRwV8wkxM83fJV3PP</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Mayne, Judith.</subfield><subfield code="t">Cinema and spectatorship.</subfield><subfield code="d">London ; New York : Routledge, 1993</subfield><subfield code="z">0415034159</subfield><subfield code="w">(DLC) 92024927</subfield><subfield code="w">(OCoLC)26161536</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Sightlines (London, England)</subfield><subfield code="0">http://id.loc.gov/authorities/names/n91051610</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=73051</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH3702451</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH24534040</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH24534041</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Baker and Taylor</subfield><subfield code="b">BTCP</subfield><subfield code="n">BK0008774042</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL169503</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">73051</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">32824</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">cinemaspectators00mayn</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Taylor & Francis</subfield><subfield code="b">TAFR</subfield><subfield code="n">9780203133880</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">301596459</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2280094</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-ocm50921562 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:20Z |
| institution | BVB |
| isbn | 0203133889 9780203133880 0415034167 9780415034166 9780415034159 0415034159 9786610328246 6610328242 9781134966882 1134966881 9781134966837 1134966830 9781134966875 1134966873 9781138136441 1138136441 |
| language | English |
| oclc_num | 50921562 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (ix, 187 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1993 |
| publishDateSearch | 1993 |
| publishDateSort | 1993 |
| publisher | Routledge, |
| record_format | marc |
| series | Sightlines (London, England) |
| series2 | Sightlines |
| spelling | Mayne, Judith. http://id.loc.gov/authorities/names/n86039415 Cinema and spectatorship / Judith Mayne. London ; New York : Routledge, 1993. 1 online resource (ix, 187 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Sightlines Includes bibliographical references (pages 173-182) and index. Print version record. Chapter INTRODUCTION -- part Part I THEORIES OF SPECTATORSHIP -- chapter 1 THE SUBJECT OF SPECTATORSHIP -- chapter 2 SPECTATORSHIP AS INSTITUTION -- chapter 3 SPECTATORSHIP RECONSIDERED -- chapter 4 PARADOXES OF SPECTATORSHIP -- part Part II READINGS OF SPECTATORSHIP -- chapter 5 TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP -- chapter 6 STAR-GAZING -- chapter 7 WHITE SPECTATORSHIP AND GENRE-MIXING -- chapter 8 THE CRITICAL AUDIENCE. Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues already discussed, concentrating on textual analysis, the d̀isrupting genre', s̀tar-gazing' and finally the audience itself. Case studies incude the place of the spectator in the textual analysis of individual films such as The Picture of Dorian Gray; the construction of Bette Davis' star persona; fantasies of race and film viewing in Field of Dreams and Ghost; and gay and lesbian audiences as "critical" audiences. The book provides a very thorough and accessible overview of this complex, fragmented and often controversial area of film theory English. Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Film criticism. http://id.loc.gov/authorities/subjects/sh85088039 Cinéma Publics. Critique cinématographique. PERFORMING ARTS Film & Video History & Criticism. bisacsh Film criticism fast Motion picture audiences fast Films. gtt Publiek. gtt Receptie. gtt Cinema Films (Motion pictures) Audiences has work: Cinema and spectatorship (Text) https://id.oclc.org/worldcat/entity/E39PCFGYdTRwV8wkxM83fJV3PP https://id.oclc.org/worldcat/ontology/hasWork Print version: Mayne, Judith. Cinema and spectatorship. London ; New York : Routledge, 1993 0415034159 (DLC) 92024927 (OCoLC)26161536 Sightlines (London, England) http://id.loc.gov/authorities/names/n91051610 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=73051 Volltext |
| spellingShingle | Mayne, Judith Cinema and spectatorship / Sightlines (London, England) Chapter INTRODUCTION -- part Part I THEORIES OF SPECTATORSHIP -- chapter 1 THE SUBJECT OF SPECTATORSHIP -- chapter 2 SPECTATORSHIP AS INSTITUTION -- chapter 3 SPECTATORSHIP RECONSIDERED -- chapter 4 PARADOXES OF SPECTATORSHIP -- part Part II READINGS OF SPECTATORSHIP -- chapter 5 TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP -- chapter 6 STAR-GAZING -- chapter 7 WHITE SPECTATORSHIP AND GENRE-MIXING -- chapter 8 THE CRITICAL AUDIENCE. Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Film criticism. http://id.loc.gov/authorities/subjects/sh85088039 Cinéma Publics. Critique cinématographique. PERFORMING ARTS Film & Video History & Criticism. bisacsh Film criticism fast Motion picture audiences fast Films. gtt Publiek. gtt Receptie. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088029 http://id.loc.gov/authorities/subjects/sh85088039 |
| title | Cinema and spectatorship / |
| title_auth | Cinema and spectatorship / |
| title_exact_search | Cinema and spectatorship / |
| title_full | Cinema and spectatorship / Judith Mayne. |
| title_fullStr | Cinema and spectatorship / Judith Mayne. |
| title_full_unstemmed | Cinema and spectatorship / Judith Mayne. |
| title_short | Cinema and spectatorship / |
| title_sort | cinema and spectatorship |
| topic | Motion picture audiences. http://id.loc.gov/authorities/subjects/sh85088029 Film criticism. http://id.loc.gov/authorities/subjects/sh85088039 Cinéma Publics. Critique cinématographique. PERFORMING ARTS Film & Video History & Criticism. bisacsh Film criticism fast Motion picture audiences fast Films. gtt Publiek. gtt Receptie. gtt |
| topic_facet | Motion picture audiences. Film criticism. Cinéma Publics. Critique cinématographique. PERFORMING ARTS Film & Video History & Criticism. Film criticism Motion picture audiences Films. Publiek. Receptie. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=73051 |
| work_keys_str_mv | AT maynejudith cinemaandspectatorship |