Singing, acting, and movement in opera :: a guide to singer-getics /
Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student...
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Bloomington, IN :
Indiana University Press,
©2002.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike |
| Physical Description: | 1 online resource (xiii, 154 pages :) |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 0253109396 9780253109392 0253341132 9780253341136 1282063057 9781282063051 |
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| 245 | 1 | 0 | |a Singing, acting, and movement in opera : |b a guide to singer-getics / |c Mark Ross Clark ; Lynn V. Clark, curriculum designer. |
| 260 | |a Bloomington, IN : |b Indiana University Press, |c ©2002. | ||
| 300 | |a 1 online resource (xiii, 154 pages :) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Preparation. Body awareness : stretching for flexibility and power -- Postural : aligning the body -- Expressive face : communicating emotions onstage -- Character study : decoding the clues to character -- Environment : setting the stage -- Integration. Elements of stagecraft : learning the language -- Historical etiquette : bowing to tradition -- Improvisation : unlocking the imagination -- Monologues : talking opera -- Physical analysis : moving in character -- Application. Aria : making choices -- Scene : putting it all together -- Opera : preparing a role -- Performance anxiety : facing fear -- Careers in opera : stepping out. | |
| 520 | 8 | |a Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Acting in opera. | |
| 650 | 0 | |a Singing |x Interpretation (Phrasing, dynamics, etc.) |0 http://id.loc.gov/authorities/subjects/sh85122833 | |
| 650 | 6 | |a Art de l'acteur à l'opéra. | |
| 650 | 6 | |a Chant |x Interprétation. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Opera. |2 bisacsh | |
| 650 | 7 | |a Acting in opera |2 fast | |
| 650 | 7 | |a Singing |x Interpretation (Phrasing, dynamics, etc.) |2 fast | |
| 650 | 7 | |a Ausdruck |2 gnd |0 http://d-nb.info/gnd/4003698-4 | |
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| 700 | 1 | |a Clark, Lynn V. | |
| 758 | |i has work: |a Singing, acting, and movement in opera (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFqCpqpqvRpmgV3HMXTgGb |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| contents | Preparation. Body awareness : stretching for flexibility and power -- Postural : aligning the body -- Expressive face : communicating emotions onstage -- Character study : decoding the clues to character -- Environment : setting the stage -- Integration. Elements of stagecraft : learning the language -- Historical etiquette : bowing to tradition -- Improvisation : unlocking the imagination -- Monologues : talking opera -- Physical analysis : moving in character -- Application. Aria : making choices -- Scene : putting it all together -- Opera : preparing a role -- Performance anxiety : facing fear -- Careers in opera : stepping out. |
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| dewey-search | 792.5/028 |
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| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocm50724033 |
| illustrated | Illustrated |
| indexdate | 2025-03-18T14:13:45Z |
| institution | BVB |
| isbn | 0253109396 9780253109392 0253341132 9780253341136 1282063057 9781282063051 |
| language | English |
| oclc_num | 50724033 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 154 pages :) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2002 |
| publishDateSearch | 2002 |
| publishDateSort | 2002 |
| publisher | Indiana University Press, |
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| spelling | Clark, Mark Ross, 1951- Singing, acting, and movement in opera : a guide to singer-getics / Mark Ross Clark ; Lynn V. Clark, curriculum designer. Bloomington, IN : Indiana University Press, ©2002. 1 online resource (xiii, 154 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. Preparation. Body awareness : stretching for flexibility and power -- Postural : aligning the body -- Expressive face : communicating emotions onstage -- Character study : decoding the clues to character -- Environment : setting the stage -- Integration. Elements of stagecraft : learning the language -- Historical etiquette : bowing to tradition -- Improvisation : unlocking the imagination -- Monologues : talking opera -- Physical analysis : moving in character -- Application. Aria : making choices -- Scene : putting it all together -- Opera : preparing a role -- Performance anxiety : facing fear -- Careers in opera : stepping out. Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike Print version record. Acting in opera. Singing Interpretation (Phrasing, dynamics, etc.) http://id.loc.gov/authorities/subjects/sh85122833 Art de l'acteur à l'opéra. Chant Interprétation. MUSIC Genres & Styles Opera. bisacsh Acting in opera fast Singing Interpretation (Phrasing, dynamics, etc.) fast Ausdruck gnd http://d-nb.info/gnd/4003698-4 Oper gnd Gestik gnd Gesang gnd http://d-nb.info/gnd/4020470-4 Clark, Lynn V. has work: Singing, acting, and movement in opera (Text) https://id.oclc.org/worldcat/entity/E39PCFqCpqpqvRpmgV3HMXTgGb https://id.oclc.org/worldcat/ontology/hasWork Print version: Clark, Mark Ross, 1951- Singing, acting, and movement in opera. Bloomington : Indiana University Press, ©2002 0253341132 (DLC) 2002000416 (OCoLC)48803826 |
| spellingShingle | Clark, Mark Ross, 1951- Singing, acting, and movement in opera : a guide to singer-getics / Preparation. Body awareness : stretching for flexibility and power -- Postural : aligning the body -- Expressive face : communicating emotions onstage -- Character study : decoding the clues to character -- Environment : setting the stage -- Integration. Elements of stagecraft : learning the language -- Historical etiquette : bowing to tradition -- Improvisation : unlocking the imagination -- Monologues : talking opera -- Physical analysis : moving in character -- Application. Aria : making choices -- Scene : putting it all together -- Opera : preparing a role -- Performance anxiety : facing fear -- Careers in opera : stepping out. Acting in opera. Singing Interpretation (Phrasing, dynamics, etc.) http://id.loc.gov/authorities/subjects/sh85122833 Art de l'acteur à l'opéra. Chant Interprétation. MUSIC Genres & Styles Opera. bisacsh Acting in opera fast Singing Interpretation (Phrasing, dynamics, etc.) fast Ausdruck gnd http://d-nb.info/gnd/4003698-4 Oper gnd Gestik gnd Gesang gnd http://d-nb.info/gnd/4020470-4 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85122833 http://d-nb.info/gnd/4003698-4 http://d-nb.info/gnd/4020470-4 |
| title | Singing, acting, and movement in opera : a guide to singer-getics / |
| title_auth | Singing, acting, and movement in opera : a guide to singer-getics / |
| title_exact_search | Singing, acting, and movement in opera : a guide to singer-getics / |
| title_full | Singing, acting, and movement in opera : a guide to singer-getics / Mark Ross Clark ; Lynn V. Clark, curriculum designer. |
| title_fullStr | Singing, acting, and movement in opera : a guide to singer-getics / Mark Ross Clark ; Lynn V. Clark, curriculum designer. |
| title_full_unstemmed | Singing, acting, and movement in opera : a guide to singer-getics / Mark Ross Clark ; Lynn V. Clark, curriculum designer. |
| title_short | Singing, acting, and movement in opera : |
| title_sort | singing acting and movement in opera a guide to singer getics |
| title_sub | a guide to singer-getics / |
| topic | Acting in opera. Singing Interpretation (Phrasing, dynamics, etc.) http://id.loc.gov/authorities/subjects/sh85122833 Art de l'acteur à l'opéra. Chant Interprétation. MUSIC Genres & Styles Opera. bisacsh Acting in opera fast Singing Interpretation (Phrasing, dynamics, etc.) fast Ausdruck gnd http://d-nb.info/gnd/4003698-4 Oper gnd Gestik gnd Gesang gnd http://d-nb.info/gnd/4020470-4 |
| topic_facet | Acting in opera. Singing Interpretation (Phrasing, dynamics, etc.) Art de l'acteur à l'opéra. Chant Interprétation. MUSIC Genres & Styles Opera. Acting in opera Ausdruck Oper Gestik Gesang |
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