Zen and the art of the monologue /:
Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Routledge,
2000.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance. |
| Beschreibung: | 1 online resource (xiii, 162 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 161-162). |
| ISBN: | 0203902300 9780203902301 9780878300938 0878300937 9780878300945 0878300945 9786610407200 6610407207 1135470561 9781135470562 1280407204 9781280407208 |
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| 072 | 7 | |a PER |x 011000 |2 bisacsh | |
| 082 | 7 | |a 792 |2 21 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Sankey, Jay, |d 1963- |1 https://id.oclc.org/worldcat/entity/E39PCjK6PyQY49c7HMCMkvJRXb |0 http://id.loc.gov/authorities/names/n97104852 | |
| 245 | 1 | 0 | |a Zen and the art of the monologue / |c Jay Sankey. |
| 246 | 3 | |a Zen and the art of the monolog | |
| 260 | |a New York : |b Routledge, |c 2000. | ||
| 300 | |a 1 online resource (xiii, 162 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 161-162). | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Chapter 1 The Monologue -- What is a monologue? -- chapter How does a monologue differ from a play? -- chapter What is the difference between a monologue, a soliloquy, and a speech? -- chapter What is the result of this kind of profound theatrical sharing? -- chapter What sort of background do you bring to the study of monologuing? -- chapter Is a speech the ultimate test of an actor's abilities? -- chapter 2 The Script -- How long does it take to write a monologue? -- chapter If I am a strong performer, is my script really that important? -- chapter How should I begin my monologue? -- chapter 3 The Promotion -- How can I promote my monologue? -- chapter Should I enclose a gimmick with my press release and photo? -- chapter How can I use a newspaper article to further promote myself? -- chapter What if I get a good review? -- chapter How do I promote myself to film and television producers? -- chapter 4 The Stage -- Do I need to be standing on a stage to perform a monologue? -- chapter 5 The Rehearsal -- chapter How should I rehearse? -- chapter What can I do to help me remember my lines? -- chapter Should I direct myself or have someone else direct me? -- chapter 6 The Audience -- Who should I invite to my first performance? -- chapter 7 The Performance -- Do I have to be an actor? -- chapter Should I play a "character"? -- chapter How can I give a great performance? -- chapter How should I begin my monologue? -- chapter During my monologue, what should I do when I want to stop talking about one subject and start talking about another? -- chapter What about pacing? -- chapter Do I have to have a "big ego" to perform a monologue? -- chapter 8 The Television Production -- Should I videotape my monologue? -- chapter Interview with Paul McConvey -- chapter What are some of the more common mistakes people make when producing monologues for television? -- chapter A Sitting Meditation -- chapter Fringe Festivals -- United States -- chapter Scotland -- chapter Selected Bibliography and Videography -- Books -- chapter Video. | |
| 520 | |a Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Monologue. |0 http://id.loc.gov/authorities/subjects/sh85086916 | |
| 650 | 0 | |a Dialogue. |0 http://id.loc.gov/authorities/subjects/sh85037531 | |
| 650 | 6 | |a Monologue. | |
| 650 | 6 | |a Dialogue. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a Dialogue |2 fast | |
| 650 | 7 | |a Monologue |2 fast | |
| 655 | 4 | |a Electronic book. | |
| 758 | |i has work: |a Zen and the art of the monologue (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGJ7YpQJFpmBDVccPQ6RDm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Sankey, Jay, 1963- |t Zen and the art of the monologue. |d New York : Routledge, 2000 |z 0878300937 |w (DLC) 00055339 |w (OCoLC)44681728 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=70801 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH12604378 | ||
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| 938 | |a Askews and Holts Library Services |b ASKH |n AH24579263 | ||
| 938 | |a EBL - Ebook Library |b EBLB |n EBL170348 | ||
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| 938 | |a Taylor & Francis |b TAFR |n 9780203902301 | ||
| 938 | |a YBP Library Services |b YANK |n 301596218 | ||
| 938 | |a YBP Library Services |b YANK |n 2288477 | ||
| 938 | |a Internet Archive |b INAR |n zenartofmonologu0000sank | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
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|---|---|
| _version_ | 1816881601590591488 |
| adam_text | |
| any_adam_object | |
| author | Sankey, Jay, 1963- |
| author_GND | http://id.loc.gov/authorities/names/n97104852 |
| author_facet | Sankey, Jay, 1963- |
| author_role | |
| author_sort | Sankey, Jay, 1963- |
| author_variant | j s js |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1530 |
| callnumber-raw | PN1530 .S26 2000eb |
| callnumber-search | PN1530 .S26 2000eb |
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| collection | ZDB-4-EBA |
| contents | Chapter 1 The Monologue -- What is a monologue? -- chapter How does a monologue differ from a play? -- chapter What is the difference between a monologue, a soliloquy, and a speech? -- chapter What is the result of this kind of profound theatrical sharing? -- chapter What sort of background do you bring to the study of monologuing? -- chapter Is a speech the ultimate test of an actor's abilities? -- chapter 2 The Script -- How long does it take to write a monologue? -- chapter If I am a strong performer, is my script really that important? -- chapter How should I begin my monologue? -- chapter 3 The Promotion -- How can I promote my monologue? -- chapter Should I enclose a gimmick with my press release and photo? -- chapter How can I use a newspaper article to further promote myself? -- chapter What if I get a good review? -- chapter How do I promote myself to film and television producers? -- chapter 4 The Stage -- Do I need to be standing on a stage to perform a monologue? -- chapter 5 The Rehearsal -- chapter How should I rehearse? -- chapter What can I do to help me remember my lines? -- chapter Should I direct myself or have someone else direct me? -- chapter 6 The Audience -- Who should I invite to my first performance? -- chapter 7 The Performance -- Do I have to be an actor? -- chapter Should I play a "character"? -- chapter How can I give a great performance? -- chapter How should I begin my monologue? -- chapter During my monologue, what should I do when I want to stop talking about one subject and start talking about another? -- chapter What about pacing? -- chapter Do I have to have a "big ego" to perform a monologue? -- chapter 8 The Television Production -- Should I videotape my monologue? -- chapter Interview with Paul McConvey -- chapter What are some of the more common mistakes people make when producing monologues for television? -- chapter A Sitting Meditation -- chapter Fringe Festivals -- United States -- chapter Scotland -- chapter Selected Bibliography and Videography -- Books -- chapter Video. |
| ctrlnum | (OCoLC)50584041 |
| dewey-full | 792 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792 |
| dewey-search | 792 |
| dewey-sort | 3792 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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I promote my monologue? -- chapter Should I enclose a gimmick with my press release and photo? -- chapter How can I use a newspaper article to further promote myself? -- chapter What if I get a good review? -- chapter How do I promote myself to film and television producers? -- chapter 4 The Stage -- Do I need to be standing on a stage to perform a monologue? -- chapter 5 The Rehearsal -- chapter How should I rehearse? -- chapter What can I do to help me remember my lines? -- chapter Should I direct myself or have someone else direct me? -- chapter 6 The Audience -- Who should I invite to my first performance? -- chapter 7 The Performance -- Do I have to be an actor? -- chapter Should I play a "character"? -- chapter How can I give a great performance? -- chapter How should I begin my monologue? -- chapter During my monologue, what should I do when I want to stop talking about one subject and start talking about another? -- chapter What about pacing? -- chapter Do I have to have a "big ego" to perform a monologue? -- chapter 8 The Television Production -- Should I videotape my monologue? -- chapter Interview with Paul McConvey -- chapter What are some of the more common mistakes people make when producing monologues for television? -- chapter A Sitting Meditation -- chapter Fringe Festivals -- United States -- chapter Scotland -- chapter Selected Bibliography and Videography -- Books -- chapter Video.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. 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| id | ZDB-4-EBA-ocm50584041 |
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| indexdate | 2024-11-27T13:15:19Z |
| institution | BVB |
| isbn | 0203902300 9780203902301 9780878300938 0878300937 9780878300945 0878300945 9786610407200 6610407207 1135470561 9781135470562 1280407204 9781280407208 |
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| physical | 1 online resource (xiii, 162 pages) : illustrations |
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| spelling | Sankey, Jay, 1963- https://id.oclc.org/worldcat/entity/E39PCjK6PyQY49c7HMCMkvJRXb http://id.loc.gov/authorities/names/n97104852 Zen and the art of the monologue / Jay Sankey. Zen and the art of the monolog New York : Routledge, 2000. 1 online resource (xiii, 162 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 161-162). Print version record. Chapter 1 The Monologue -- What is a monologue? -- chapter How does a monologue differ from a play? -- chapter What is the difference between a monologue, a soliloquy, and a speech? -- chapter What is the result of this kind of profound theatrical sharing? -- chapter What sort of background do you bring to the study of monologuing? -- chapter Is a speech the ultimate test of an actor's abilities? -- chapter 2 The Script -- How long does it take to write a monologue? -- chapter If I am a strong performer, is my script really that important? -- chapter How should I begin my monologue? -- chapter 3 The Promotion -- How can I promote my monologue? -- chapter Should I enclose a gimmick with my press release and photo? -- chapter How can I use a newspaper article to further promote myself? -- chapter What if I get a good review? -- chapter How do I promote myself to film and television producers? -- chapter 4 The Stage -- Do I need to be standing on a stage to perform a monologue? -- chapter 5 The Rehearsal -- chapter How should I rehearse? -- chapter What can I do to help me remember my lines? -- chapter Should I direct myself or have someone else direct me? -- chapter 6 The Audience -- Who should I invite to my first performance? -- chapter 7 The Performance -- Do I have to be an actor? -- chapter Should I play a "character"? -- chapter How can I give a great performance? -- chapter How should I begin my monologue? -- chapter During my monologue, what should I do when I want to stop talking about one subject and start talking about another? -- chapter What about pacing? -- chapter Do I have to have a "big ego" to perform a monologue? -- chapter 8 The Television Production -- Should I videotape my monologue? -- chapter Interview with Paul McConvey -- chapter What are some of the more common mistakes people make when producing monologues for television? -- chapter A Sitting Meditation -- chapter Fringe Festivals -- United States -- chapter Scotland -- chapter Selected Bibliography and Videography -- Books -- chapter Video. Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance. English. Monologue. http://id.loc.gov/authorities/subjects/sh85086916 Dialogue. http://id.loc.gov/authorities/subjects/sh85037531 Monologue. Dialogue. PERFORMING ARTS Theater General. bisacsh Dialogue fast Monologue fast Electronic book. has work: Zen and the art of the monologue (Text) https://id.oclc.org/worldcat/entity/E39PCGJ7YpQJFpmBDVccPQ6RDm https://id.oclc.org/worldcat/ontology/hasWork Print version: Sankey, Jay, 1963- Zen and the art of the monologue. New York : Routledge, 2000 0878300937 (DLC) 00055339 (OCoLC)44681728 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=70801 Volltext |
| spellingShingle | Sankey, Jay, 1963- Zen and the art of the monologue / Chapter 1 The Monologue -- What is a monologue? -- chapter How does a monologue differ from a play? -- chapter What is the difference between a monologue, a soliloquy, and a speech? -- chapter What is the result of this kind of profound theatrical sharing? -- chapter What sort of background do you bring to the study of monologuing? -- chapter Is a speech the ultimate test of an actor's abilities? -- chapter 2 The Script -- How long does it take to write a monologue? -- chapter If I am a strong performer, is my script really that important? -- chapter How should I begin my monologue? -- chapter 3 The Promotion -- How can I promote my monologue? -- chapter Should I enclose a gimmick with my press release and photo? -- chapter How can I use a newspaper article to further promote myself? -- chapter What if I get a good review? -- chapter How do I promote myself to film and television producers? -- chapter 4 The Stage -- Do I need to be standing on a stage to perform a monologue? -- chapter 5 The Rehearsal -- chapter How should I rehearse? -- chapter What can I do to help me remember my lines? -- chapter Should I direct myself or have someone else direct me? -- chapter 6 The Audience -- Who should I invite to my first performance? -- chapter 7 The Performance -- Do I have to be an actor? -- chapter Should I play a "character"? -- chapter How can I give a great performance? -- chapter How should I begin my monologue? -- chapter During my monologue, what should I do when I want to stop talking about one subject and start talking about another? -- chapter What about pacing? -- chapter Do I have to have a "big ego" to perform a monologue? -- chapter 8 The Television Production -- Should I videotape my monologue? -- chapter Interview with Paul McConvey -- chapter What are some of the more common mistakes people make when producing monologues for television? -- chapter A Sitting Meditation -- chapter Fringe Festivals -- United States -- chapter Scotland -- chapter Selected Bibliography and Videography -- Books -- chapter Video. Monologue. http://id.loc.gov/authorities/subjects/sh85086916 Dialogue. http://id.loc.gov/authorities/subjects/sh85037531 Monologue. Dialogue. PERFORMING ARTS Theater General. bisacsh Dialogue fast Monologue fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85086916 http://id.loc.gov/authorities/subjects/sh85037531 |
| title | Zen and the art of the monologue / |
| title_alt | Zen and the art of the monolog |
| title_auth | Zen and the art of the monologue / |
| title_exact_search | Zen and the art of the monologue / |
| title_full | Zen and the art of the monologue / Jay Sankey. |
| title_fullStr | Zen and the art of the monologue / Jay Sankey. |
| title_full_unstemmed | Zen and the art of the monologue / Jay Sankey. |
| title_short | Zen and the art of the monologue / |
| title_sort | zen and the art of the monologue |
| topic | Monologue. http://id.loc.gov/authorities/subjects/sh85086916 Dialogue. http://id.loc.gov/authorities/subjects/sh85037531 Monologue. Dialogue. PERFORMING ARTS Theater General. bisacsh Dialogue fast Monologue fast |
| topic_facet | Monologue. Dialogue. PERFORMING ARTS Theater General. Dialogue Monologue Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=70801 |
| work_keys_str_mv | AT sankeyjay zenandtheartofthemonologue AT sankeyjay zenandtheartofthemonolog |