How architecture got its hump /:
"In How Architecture Got Its Hump, Roger Connah explores the "interference" of other disciplines with and within contemporary architecture. He asks whether photography, film, drawing, philosophy, and language are merely fashionable props for architectural hallucinations or alibis for...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. ; London :
MIT Press,
©2001.
|
| Schriftenreihe: | Preston Thomas memorial series in architecture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In How Architecture Got Its Hump, Roger Connah explores the "interference" of other disciplines with and within contemporary architecture. He asks whether photography, film, drawing, philosophy, and language are merely fashionable props for architectural hallucinations or alibis for revisions of history. Or are they a means for widening the site of architecture? Connah shows how these disciplines have not only contributed to new developments in architectural theory and practice, but also have begun to insinuate new possibilities of space. Sometimes seamless, sometimes awkward like the hump acquired by the camel in one of Rudyard Kipling's Just So Stories, these disciplines have had their own responsibilities and excesses grafted onto architecture, just as architecture has tried to shake off their limitations." "Taking interference a step further, Connah also considers the implications of philosophical incongruity and architectural nest. He asks how architecture loses its head, transcends the dead language it now entraps, and houses meanings it wants to contest. Hardly bleak questions, suggests Connah, for they point to ways for architecture to rescue itself."--Jacket |
| Beschreibung: | 1 online resource (xviii, 209 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0585386803 9780585386805 0262287285 9780262287289 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocm49569415 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 011101s2001 maua ob 001 0 eng d | ||
| 010 | |a 00064595 | ||
| 040 | |a N$T |b eng |e pn |c N$T |d OCLCQ |d YDXCP |d OCLCQ |d TUU |d OCLCQ |d TNF |d OCLCQ |d ZCU |d OCLCO |d OCLCF |d OCLCQ |d OCLCO |d NLGGC |d OCLCQ |d MWM |d OCLCQ |d SAV |d QT7 |d LUE |d VTS |d AGLDB |d OCLCQ |d INT |d TOF |d OCLCQ |d STF |d K6U |d CHBRC |d UKSSU |d UKAHL |d OCLCO |d OCLCQ |d LDP |d OCLCO |d OCLCL |d OCLCQ | ||
| 019 | |a 533380732 |a 970802692 |a 1007381150 |a 1053039448 |a 1135414278 |a 1154865452 |a 1156900892 | ||
| 020 | |a 0585386803 |q (electronic bk.) | ||
| 020 | |a 9780585386805 |q (electronic bk.) | ||
| 020 | |a 0262287285 | ||
| 020 | |a 9780262287289 | ||
| 020 | |z 9780585386803 | ||
| 035 | |a (OCoLC)49569415 |z (OCoLC)533380732 |z (OCoLC)970802692 |z (OCoLC)1007381150 |z (OCoLC)1053039448 |z (OCoLC)1135414278 |z (OCoLC)1154865452 |z (OCoLC)1156900892 | ||
| 050 | 4 | |a NA2500 |b .C596 2001eb | |
| 072 | 7 | |a ARC |x 010000 |2 bisacsh | |
| 082 | 7 | |a 720/.1 |2 21 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Connah, Roger. | |
| 245 | 1 | 0 | |a How architecture got its hump / |c Roger Connah. |
| 260 | |a Cambridge, Mass. ; |a London : |b MIT Press, |c ©2001. | ||
| 300 | |a 1 online resource (xviii, 209 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Preston Thomas memorial series in architecture | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Introduction: mind the gap -- |g 1. |t move, every still moment: on film and architecture -- |g 2. |t no text where none intended: interrogating photography and architecture -- |g 3. |t how architecture got its hump: some unlikely scribbles and architecture -- |g 4. |t archobabble: on language and architecture -- |g 5. |t seize the bull: toward the bull and bardo. |
| 520 | 1 | |a "In How Architecture Got Its Hump, Roger Connah explores the "interference" of other disciplines with and within contemporary architecture. He asks whether photography, film, drawing, philosophy, and language are merely fashionable props for architectural hallucinations or alibis for revisions of history. Or are they a means for widening the site of architecture? Connah shows how these disciplines have not only contributed to new developments in architectural theory and practice, but also have begun to insinuate new possibilities of space. | |
| 520 | 8 | |a Sometimes seamless, sometimes awkward like the hump acquired by the camel in one of Rudyard Kipling's Just So Stories, these disciplines have had their own responsibilities and excesses grafted onto architecture, just as architecture has tried to shake off their limitations." "Taking interference a step further, Connah also considers the implications of philosophical incongruity and architectural nest. He asks how architecture loses its head, transcends the dead language it now entraps, and houses meanings it wants to contest. Hardly bleak questions, suggests Connah, for they point to ways for architecture to rescue itself."--Jacket | |
| 546 | |a English. | ||
| 650 | 0 | |a Architecture |x Philosophy. | |
| 650 | 6 | |a Architecture |x Philosophie. | |
| 650 | 7 | |a architectural theory. |2 aat | |
| 650 | 7 | |a ARCHITECTURE |x Urban & Land Use Planning. |2 bisacsh | |
| 650 | 7 | |a Architecture |x Philosophy |2 fast | |
| 650 | 1 | 7 | |a Bouwkunst. |2 gtt |
| 650 | 1 | 7 | |a Interdisciplinaire samenwerking. |0 (NL-LeOCL)095974350 |2 gtt |
| 650 | 7 | |a Art, Architecture & Applied Arts. |2 hilcc | |
| 650 | 7 | |a Architecture. |2 hilcc | |
| 776 | 0 | 8 | |i Print version: |a Connah, Roger. |t How architecture got its hump. |d Cambridge, Mass. ; London : MIT Press, ©2001 |z 0262531887 |w (DLC) 00064595 |w (OCoLC)44883583 |
| 830 | 0 | |a Preston Thomas memorial series in architecture. |0 http://id.loc.gov/authorities/names/n42019668 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=61104 |3 Volltext |
| 936 | |a BATCHLOAD | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37586923 | ||
| 938 | |a EBSCOhost |b EBSC |n 61104 | ||
| 938 | |a YBP Library Services |b YANK |n 2327327 | ||
| 938 | |a YBP Library Services |b YANK |n 10835787 | ||
| 938 | |a Internet Archive |b INAR |n howarchitectureg0000conn | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm49569415 |
|---|---|
| _version_ | 1816881598860099584 |
| adam_text | |
| any_adam_object | |
| author | Connah, Roger |
| author_facet | Connah, Roger |
| author_role | |
| author_sort | Connah, Roger |
| author_variant | r c rc |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | NA2500 |
| callnumber-raw | NA2500 .C596 2001eb |
| callnumber-search | NA2500 .C596 2001eb |
| callnumber-sort | NA 42500 C596 42001EB |
| callnumber-subject | NA - Architecture |
| collection | ZDB-4-EBA |
| contents | Introduction: mind the gap -- move, every still moment: on film and architecture -- no text where none intended: interrogating photography and architecture -- how architecture got its hump: some unlikely scribbles and architecture -- archobabble: on language and architecture -- seize the bull: toward the bull and bardo. |
| ctrlnum | (OCoLC)49569415 |
| dewey-full | 720/.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 720 - Architecture |
| dewey-raw | 720/.1 |
| dewey-search | 720/.1 |
| dewey-sort | 3720 11 |
| dewey-tens | 720 - Architecture |
| discipline | Architektur |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04337cam a2200649 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocm49569415 </controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">011101s2001 maua ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 00064595 </subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TUU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TNF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">ZCU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">NLGGC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MWM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SAV</subfield><subfield code="d">QT7</subfield><subfield code="d">LUE</subfield><subfield code="d">VTS</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INT</subfield><subfield code="d">TOF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">STF</subfield><subfield code="d">K6U</subfield><subfield code="d">CHBRC</subfield><subfield code="d">UKSSU</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LDP</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">533380732</subfield><subfield code="a">970802692</subfield><subfield code="a">1007381150</subfield><subfield code="a">1053039448</subfield><subfield code="a">1135414278</subfield><subfield code="a">1154865452</subfield><subfield code="a">1156900892</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0585386803</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780585386805</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0262287285</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780262287289</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780585386803</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)49569415</subfield><subfield code="z">(OCoLC)533380732</subfield><subfield code="z">(OCoLC)970802692</subfield><subfield code="z">(OCoLC)1007381150</subfield><subfield code="z">(OCoLC)1053039448</subfield><subfield code="z">(OCoLC)1135414278</subfield><subfield code="z">(OCoLC)1154865452</subfield><subfield code="z">(OCoLC)1156900892</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">NA2500</subfield><subfield code="b">.C596 2001eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ARC</subfield><subfield code="x">010000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">720/.1</subfield><subfield code="2">21</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Connah, Roger.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">How architecture got its hump /</subfield><subfield code="c">Roger Connah.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Cambridge, Mass. ;</subfield><subfield code="a">London :</subfield><subfield code="b">MIT Press,</subfield><subfield code="c">©2001.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xviii, 209 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Preston Thomas memorial series in architecture</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Introduction: mind the gap --</subfield><subfield code="g">1.</subfield><subfield code="t">move, every still moment: on film and architecture --</subfield><subfield code="g">2.</subfield><subfield code="t">no text where none intended: interrogating photography and architecture --</subfield><subfield code="g">3.</subfield><subfield code="t">how architecture got its hump: some unlikely scribbles and architecture --</subfield><subfield code="g">4.</subfield><subfield code="t">archobabble: on language and architecture --</subfield><subfield code="g">5.</subfield><subfield code="t">seize the bull: toward the bull and bardo.</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"In How Architecture Got Its Hump, Roger Connah explores the "interference" of other disciplines with and within contemporary architecture. He asks whether photography, film, drawing, philosophy, and language are merely fashionable props for architectural hallucinations or alibis for revisions of history. Or are they a means for widening the site of architecture? Connah shows how these disciplines have not only contributed to new developments in architectural theory and practice, but also have begun to insinuate new possibilities of space.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Sometimes seamless, sometimes awkward like the hump acquired by the camel in one of Rudyard Kipling's Just So Stories, these disciplines have had their own responsibilities and excesses grafted onto architecture, just as architecture has tried to shake off their limitations." "Taking interference a step further, Connah also considers the implications of philosophical incongruity and architectural nest. He asks how architecture loses its head, transcends the dead language it now entraps, and houses meanings it wants to contest. Hardly bleak questions, suggests Connah, for they point to ways for architecture to rescue itself."--Jacket</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Architecture</subfield><subfield code="x">Philosophy.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Architecture</subfield><subfield code="x">Philosophie.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">architectural theory.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ARCHITECTURE</subfield><subfield code="x">Urban & Land Use Planning.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Architecture</subfield><subfield code="x">Philosophy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Bouwkunst.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Interdisciplinaire samenwerking.</subfield><subfield code="0">(NL-LeOCL)095974350</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Art, Architecture & Applied Arts.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Architecture.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Connah, Roger.</subfield><subfield code="t">How architecture got its hump.</subfield><subfield code="d">Cambridge, Mass. ; London : MIT Press, ©2001</subfield><subfield code="z">0262531887</subfield><subfield code="w">(DLC) 00064595</subfield><subfield code="w">(OCoLC)44883583</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Preston Thomas memorial series in architecture.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n42019668</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=61104</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="936" ind1=" " ind2=" "><subfield code="a">BATCHLOAD</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH37586923</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">61104</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2327327</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">10835787</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Internet Archive</subfield><subfield code="b">INAR</subfield><subfield code="n">howarchitectureg0000conn</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-ocm49569415 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:16Z |
| institution | BVB |
| isbn | 0585386803 9780585386805 0262287285 9780262287289 |
| language | English |
| lccn | 00064595 |
| oclc_num | 49569415 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xviii, 209 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | MIT Press, |
| record_format | marc |
| series | Preston Thomas memorial series in architecture. |
| series2 | Preston Thomas memorial series in architecture |
| spelling | Connah, Roger. How architecture got its hump / Roger Connah. Cambridge, Mass. ; London : MIT Press, ©2001. 1 online resource (xviii, 209 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Preston Thomas memorial series in architecture Includes bibliographical references and index. Print version record. Introduction: mind the gap -- 1. move, every still moment: on film and architecture -- 2. no text where none intended: interrogating photography and architecture -- 3. how architecture got its hump: some unlikely scribbles and architecture -- 4. archobabble: on language and architecture -- 5. seize the bull: toward the bull and bardo. "In How Architecture Got Its Hump, Roger Connah explores the "interference" of other disciplines with and within contemporary architecture. He asks whether photography, film, drawing, philosophy, and language are merely fashionable props for architectural hallucinations or alibis for revisions of history. Or are they a means for widening the site of architecture? Connah shows how these disciplines have not only contributed to new developments in architectural theory and practice, but also have begun to insinuate new possibilities of space. Sometimes seamless, sometimes awkward like the hump acquired by the camel in one of Rudyard Kipling's Just So Stories, these disciplines have had their own responsibilities and excesses grafted onto architecture, just as architecture has tried to shake off their limitations." "Taking interference a step further, Connah also considers the implications of philosophical incongruity and architectural nest. He asks how architecture loses its head, transcends the dead language it now entraps, and houses meanings it wants to contest. Hardly bleak questions, suggests Connah, for they point to ways for architecture to rescue itself."--Jacket English. Architecture Philosophy. Architecture Philosophie. architectural theory. aat ARCHITECTURE Urban & Land Use Planning. bisacsh Architecture Philosophy fast Bouwkunst. gtt Interdisciplinaire samenwerking. (NL-LeOCL)095974350 gtt Art, Architecture & Applied Arts. hilcc Architecture. hilcc Print version: Connah, Roger. How architecture got its hump. Cambridge, Mass. ; London : MIT Press, ©2001 0262531887 (DLC) 00064595 (OCoLC)44883583 Preston Thomas memorial series in architecture. http://id.loc.gov/authorities/names/n42019668 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=61104 Volltext |
| spellingShingle | Connah, Roger How architecture got its hump / Preston Thomas memorial series in architecture. Introduction: mind the gap -- move, every still moment: on film and architecture -- no text where none intended: interrogating photography and architecture -- how architecture got its hump: some unlikely scribbles and architecture -- archobabble: on language and architecture -- seize the bull: toward the bull and bardo. Architecture Philosophy. Architecture Philosophie. architectural theory. aat ARCHITECTURE Urban & Land Use Planning. bisacsh Architecture Philosophy fast Bouwkunst. gtt Interdisciplinaire samenwerking. (NL-LeOCL)095974350 gtt Art, Architecture & Applied Arts. hilcc Architecture. hilcc |
| subject_GND | (NL-LeOCL)095974350 |
| title | How architecture got its hump / |
| title_alt | Introduction: mind the gap -- move, every still moment: on film and architecture -- no text where none intended: interrogating photography and architecture -- how architecture got its hump: some unlikely scribbles and architecture -- archobabble: on language and architecture -- seize the bull: toward the bull and bardo. |
| title_auth | How architecture got its hump / |
| title_exact_search | How architecture got its hump / |
| title_full | How architecture got its hump / Roger Connah. |
| title_fullStr | How architecture got its hump / Roger Connah. |
| title_full_unstemmed | How architecture got its hump / Roger Connah. |
| title_short | How architecture got its hump / |
| title_sort | how architecture got its hump |
| topic | Architecture Philosophy. Architecture Philosophie. architectural theory. aat ARCHITECTURE Urban & Land Use Planning. bisacsh Architecture Philosophy fast Bouwkunst. gtt Interdisciplinaire samenwerking. (NL-LeOCL)095974350 gtt Art, Architecture & Applied Arts. hilcc Architecture. hilcc |
| topic_facet | Architecture Philosophy. Architecture Philosophie. architectural theory. ARCHITECTURE Urban & Land Use Planning. Architecture Philosophy Bouwkunst. Interdisciplinaire samenwerking. Art, Architecture & Applied Arts. Architecture. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=61104 |
| work_keys_str_mv | AT connahroger howarchitecturegotitshump |