British science fiction cinema /:
British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative coll...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Routledge,
1999.
|
| Schriftenreihe: | British popular cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British science fiction, from literary adaptions like Nineteen Eighty-Four and A Clockwork Orange to pulp fantasies and 'creature features' far removed from the acceptable face of British cinema. Through case studies of key films like The Day the Earth Caught Fire , contributors explore the unique themes and concerns of British science fiction, from the postwar boom years to more recent productions like Hardware , and examine how science fiction cinema drew on a variety of sources, from TV adaptions like Doctor Who and the Daleks , to the horror/sf crossovers produced from John Wyndham's cult novels The Day of the Triffids and The Midwich Cuckoos (filmed as Village of the Damned ). How did budget restrictions encourage the use of the 'invasion narrative' in the 1950s films? And how did films such as Unearthly Stranger and Invasion reflect fears about the decline of Britain's economic and colonial power and the 'threat' of female sexuality? British Science Fiction Cinema celebrates the breadth and continuing vitality of British sf film-making, in both big-budget productions such as Brazil and Event Horizon and cult exploitation movies like Inseminoid and Lifeforce . |
| Beschreibung: | 1 online resource (x, 217 pages) : illustrations. |
| Bibliographie: | Filmography: pages 181-208. Includes bibliographical references and index. |
| ISBN: | 0203169808 9780203169803 0203009770 9780203009772 0415168678 9780415168670 0415168686 9780415168687 9786610335220 6610335222 9781134702770 1134702779 9781134702725 1134702728 9781134702763 1134702760 |
| Zugangseinschränkungen: | Access restricted by subscription. |
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| 245 | 0 | 0 | |a British science fiction cinema / |c edited by I.Q. Hunter. |
| 260 | |a London ; |a New York : |b Routledge, |c 1999. | ||
| 300 | |a 1 online resource (x, 217 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a British popular cinema | |
| 504 | |a Filmography: pages 181-208. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : the strange world of the British science fiction film / I.Q. Hunter -- Things to come and science fiction in the 1930s / Jeffrey Richards -- 'We're the Martians now' : British sf invasion fantasies of the 1950s and 1960s / Peter Hutchings -- Apocalypse then! : the ultimate monstrosity and strange things on the coast ... an interview with Nigel Kneale / Paul Wells -- Alien women : the politics of sexual difference in British sf pulp cinema / Steve Chibnall -- 'A stiff upper lip and a trembling lower one' : John Wyndham on screen / Andy Sawyer -- Trashing London : the British colossal creature film and fantasies of mass destruction / Ian Conrich -- The day the Earth caught fire / I.Q. Hunter -- Adapting telefantasy : the Doctor Who and the Daleks films / John R. Cook -- 'A bit of the old ultra-violence' : A clockwork orange / James Chapman -- The British post-Alien intrusion film / Peter Wright -- Dream girls and mechanic panic : dystopia and its others in Brazil and Nineteen eighty-four / Linda Ruth Williams -- 'No flesh shall be spared' : Richard Stanley's Hardware / Sue Short. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British science fiction, from literary adaptions like Nineteen Eighty-Four and A Clockwork Orange to pulp fantasies and 'creature features' far removed from the acceptable face of British cinema. Through case studies of key films like The Day the Earth Caught Fire , contributors explore the unique themes and concerns of British science fiction, from the postwar boom years to more recent productions like Hardware , and examine how science fiction cinema drew on a variety of sources, from TV adaptions like Doctor Who and the Daleks , to the horror/sf crossovers produced from John Wyndham's cult novels The Day of the Triffids and The Midwich Cuckoos (filmed as Village of the Damned ). How did budget restrictions encourage the use of the 'invasion narrative' in the 1950s films? And how did films such as Unearthly Stranger and Invasion reflect fears about the decline of Britain's economic and colonial power and the 'threat' of female sexuality? British Science Fiction Cinema celebrates the breadth and continuing vitality of British sf film-making, in both big-budget productions such as Brazil and Event Horizon and cult exploitation movies like Inseminoid and Lifeforce . | |
| 506 | |a Access restricted by subscription. | ||
| 546 | |a English. | ||
| 650 | 0 | |a Science fiction films |z Great Britain |x History and criticism. | |
| 650 | 6 | |a Films de science-fiction |z Grande-Bretagne |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Science fiction films |2 fast | |
| 651 | 7 | |a Great Britain |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP | |
| 653 | |a Theatre, Film and Television Studies | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Hunter, I. Q., |d 1964- |1 https://id.oclc.org/worldcat/entity/E39PCjwBc8HMwyTCJxBpWrmMrq |0 http://id.loc.gov/authorities/names/n98098806 | |
| 758 | |i has work: |a British Science Fiction Cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGtYBCJ6gfPgWd39wmmtDq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t British science fiction cinema. |d London ; New York : Routledge, 1999 |z 0415168678 |w (DLC) 98050528 |w (OCoLC)40298487 |
| 830 | 0 | |a British popular cinema. |0 http://id.loc.gov/authorities/names/n98098987 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm48139364 |
|---|---|
| _version_ | 1816881597762240512 |
| adam_text | |
| any_adam_object | |
| author2 | Hunter, I. Q., 1964- |
| author2_role | |
| author2_variant | i q h iq iqh |
| author_GND | http://id.loc.gov/authorities/names/n98098806 |
| author_facet | Hunter, I. Q., 1964- |
| author_sort | Hunter, I. Q., 1964- |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.S26 B65 1999eb |
| callnumber-search | PN1995.9.S26 B65 1999eb |
| callnumber-sort | PN 41995.9 S26 B65 41999EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction : the strange world of the British science fiction film / I.Q. Hunter -- Things to come and science fiction in the 1930s / Jeffrey Richards -- 'We're the Martians now' : British sf invasion fantasies of the 1950s and 1960s / Peter Hutchings -- Apocalypse then! : the ultimate monstrosity and strange things on the coast ... an interview with Nigel Kneale / Paul Wells -- Alien women : the politics of sexual difference in British sf pulp cinema / Steve Chibnall -- 'A stiff upper lip and a trembling lower one' : John Wyndham on screen / Andy Sawyer -- Trashing London : the British colossal creature film and fantasies of mass destruction / Ian Conrich -- The day the Earth caught fire / I.Q. Hunter -- Adapting telefantasy : the Doctor Who and the Daleks films / John R. Cook -- 'A bit of the old ultra-violence' : A clockwork orange / James Chapman -- The British post-Alien intrusion film / Peter Wright -- Dream girls and mechanic panic : dystopia and its others in Brazil and Nineteen eighty-four / Linda Ruth Williams -- 'No flesh shall be spared' : Richard Stanley's Hardware / Sue Short. |
| ctrlnum | (OCoLC)48139364 |
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| dewey-raw | 791.43/615 |
| dewey-search | 791.43/615 |
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| discipline | Allgemeines |
| format | Electronic eBook |
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| geographic_facet | Great Britain |
| id | ZDB-4-EBA-ocm48139364 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:15Z |
| institution | BVB |
| isbn | 0203169808 9780203169803 0203009770 9780203009772 0415168678 9780415168670 0415168686 9780415168687 9786610335220 6610335222 9781134702770 1134702779 9781134702725 1134702728 9781134702763 1134702760 |
| language | English |
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| physical | 1 online resource (x, 217 pages) : illustrations. |
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| publisher | Routledge, |
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| series | British popular cinema. |
| series2 | British popular cinema |
| spelling | British science fiction cinema / edited by I.Q. Hunter. London ; New York : Routledge, 1999. 1 online resource (x, 217 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier British popular cinema Filmography: pages 181-208. Includes bibliographical references and index. Introduction : the strange world of the British science fiction film / I.Q. Hunter -- Things to come and science fiction in the 1930s / Jeffrey Richards -- 'We're the Martians now' : British sf invasion fantasies of the 1950s and 1960s / Peter Hutchings -- Apocalypse then! : the ultimate monstrosity and strange things on the coast ... an interview with Nigel Kneale / Paul Wells -- Alien women : the politics of sexual difference in British sf pulp cinema / Steve Chibnall -- 'A stiff upper lip and a trembling lower one' : John Wyndham on screen / Andy Sawyer -- Trashing London : the British colossal creature film and fantasies of mass destruction / Ian Conrich -- The day the Earth caught fire / I.Q. Hunter -- Adapting telefantasy : the Doctor Who and the Daleks films / John R. Cook -- 'A bit of the old ultra-violence' : A clockwork orange / James Chapman -- The British post-Alien intrusion film / Peter Wright -- Dream girls and mechanic panic : dystopia and its others in Brazil and Nineteen eighty-four / Linda Ruth Williams -- 'No flesh shall be spared' : Richard Stanley's Hardware / Sue Short. Print version record. British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British science fiction, from literary adaptions like Nineteen Eighty-Four and A Clockwork Orange to pulp fantasies and 'creature features' far removed from the acceptable face of British cinema. Through case studies of key films like The Day the Earth Caught Fire , contributors explore the unique themes and concerns of British science fiction, from the postwar boom years to more recent productions like Hardware , and examine how science fiction cinema drew on a variety of sources, from TV adaptions like Doctor Who and the Daleks , to the horror/sf crossovers produced from John Wyndham's cult novels The Day of the Triffids and The Midwich Cuckoos (filmed as Village of the Damned ). How did budget restrictions encourage the use of the 'invasion narrative' in the 1950s films? And how did films such as Unearthly Stranger and Invasion reflect fears about the decline of Britain's economic and colonial power and the 'threat' of female sexuality? British Science Fiction Cinema celebrates the breadth and continuing vitality of British sf film-making, in both big-budget productions such as Brazil and Event Horizon and cult exploitation movies like Inseminoid and Lifeforce . Access restricted by subscription. English. Science fiction films Great Britain History and criticism. Films de science-fiction Grande-Bretagne Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh Science fiction films fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Theatre, Film and Television Studies Criticism, interpretation, etc. fast Hunter, I. Q., 1964- https://id.oclc.org/worldcat/entity/E39PCjwBc8HMwyTCJxBpWrmMrq http://id.loc.gov/authorities/names/n98098806 has work: British Science Fiction Cinema (Text) https://id.oclc.org/worldcat/entity/E39PCGtYBCJ6gfPgWd39wmmtDq https://id.oclc.org/worldcat/ontology/hasWork Print version: British science fiction cinema. London ; New York : Routledge, 1999 0415168678 (DLC) 98050528 (OCoLC)40298487 British popular cinema. http://id.loc.gov/authorities/names/n98098987 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=60571 Volltext |
| spellingShingle | British science fiction cinema / British popular cinema. Introduction : the strange world of the British science fiction film / I.Q. Hunter -- Things to come and science fiction in the 1930s / Jeffrey Richards -- 'We're the Martians now' : British sf invasion fantasies of the 1950s and 1960s / Peter Hutchings -- Apocalypse then! : the ultimate monstrosity and strange things on the coast ... an interview with Nigel Kneale / Paul Wells -- Alien women : the politics of sexual difference in British sf pulp cinema / Steve Chibnall -- 'A stiff upper lip and a trembling lower one' : John Wyndham on screen / Andy Sawyer -- Trashing London : the British colossal creature film and fantasies of mass destruction / Ian Conrich -- The day the Earth caught fire / I.Q. Hunter -- Adapting telefantasy : the Doctor Who and the Daleks films / John R. Cook -- 'A bit of the old ultra-violence' : A clockwork orange / James Chapman -- The British post-Alien intrusion film / Peter Wright -- Dream girls and mechanic panic : dystopia and its others in Brazil and Nineteen eighty-four / Linda Ruth Williams -- 'No flesh shall be spared' : Richard Stanley's Hardware / Sue Short. Science fiction films Great Britain History and criticism. Films de science-fiction Grande-Bretagne Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh Science fiction films fast |
| title | British science fiction cinema / |
| title_auth | British science fiction cinema / |
| title_exact_search | British science fiction cinema / |
| title_full | British science fiction cinema / edited by I.Q. Hunter. |
| title_fullStr | British science fiction cinema / edited by I.Q. Hunter. |
| title_full_unstemmed | British science fiction cinema / edited by I.Q. Hunter. |
| title_short | British science fiction cinema / |
| title_sort | british science fiction cinema |
| topic | Science fiction films Great Britain History and criticism. Films de science-fiction Grande-Bretagne Histoire et critique. PERFORMING ARTS Film & Video Reference. bisacsh Science fiction films fast |
| topic_facet | Science fiction films Great Britain History and criticism. Films de science-fiction Grande-Bretagne Histoire et critique. PERFORMING ARTS Film & Video Reference. Science fiction films Great Britain Criticism, interpretation, etc. |
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