Structures of desire :: British cinema, 1939-1955 /
"This book examines representations of desire in British cinema during a period of turbulent change, 1940-1955. In addition to investigating male-female desire in status quo "realist" films and in various "anti-realist" movements represented by Gainsborough Melodrama and the...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Albany, N.Y. :
State University of New York Press,
©2000.
|
Schriftenreihe: | SUNY series, cultural studies in cinema/video.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "This book examines representations of desire in British cinema during a period of turbulent change, 1940-1955. In addition to investigating male-female desire in status quo "realist" films and in various "anti-realist" movements represented by Gainsborough Melodrama and the work of Michael Powell and Emeric Pressburger, the book also explores the various factors that affected utopian aspirations for a better postwar world and how these desires eventually became restrained by the dominant forces of conservative ideology Structures of Desire provides new perspectives on previously recognized film movements such as Ealing Comedy and Gainsborough Melodrama while also offering analyses of interesting but neglected films such as Love on the Dole (1941), Perfect Strangers (1945), They Made Me a Fugitive (1947), The Bad Lord Byron (1949), and Madeleine (1950)."--Jacket |
Beschreibung: | 1 online resource (xi, 213 pages) : illustrations |
Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
Bibliographie: | Includes bibliographical references (pages 197-204) and index. |
ISBN: | 0585344663 9780585344669 0791492281 9780791492284 |
Internformat
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245 | 1 | 0 | |a Structures of desire : |b British cinema, 1939-1955 / |c Tony Williams. |
260 | |a Albany, N.Y. : |b State University of New York Press, |c ©2000. | ||
300 | |a 1 online resource (xi, 213 pages) : |b illustrations | ||
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490 | 1 | |a The SUNY series, cultural studies in cinema/video | |
504 | |a Includes bibliographical references (pages 197-204) and index. | ||
588 | 0 | |a Print version record. | |
506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
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505 | 0 | 0 | |t Forever Gainsborough? -- |t The Wartime Archers -- |t Utopian Desires -- |t Postwar Representations -- |t Postwar Archers -- |t Ealing and Beyond. |
520 | 1 | |a "This book examines representations of desire in British cinema during a period of turbulent change, 1940-1955. In addition to investigating male-female desire in status quo "realist" films and in various "anti-realist" movements represented by Gainsborough Melodrama and the work of Michael Powell and Emeric Pressburger, the book also explores the various factors that affected utopian aspirations for a better postwar world and how these desires eventually became restrained by the dominant forces of conservative ideology | |
520 | 8 | |a Structures of Desire provides new perspectives on previously recognized film movements such as Ealing Comedy and Gainsborough Melodrama while also offering analyses of interesting but neglected films such as Love on the Dole (1941), Perfect Strangers (1945), They Made Me a Fugitive (1947), The Bad Lord Byron (1949), and Madeleine (1950)."--Jacket | |
650 | 0 | |a Motion pictures |z Great Britain |x History. | |
650 | 6 | |a Cinéma |z Grande-Bretagne |x Histoire. | |
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author | Williams, Tony, 1946 January 11- |
author_facet | Williams, Tony, 1946 January 11- |
author_role | |
author_sort | Williams, Tony, 1946 January 11- |
author_variant | t w tw |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1993 |
callnumber-raw | PN1993.5.G7 W55 2000eb |
callnumber-search | PN1993.5.G7 W55 2000eb |
callnumber-sort | PN 41993.5 G7 W55 42000EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Forever Gainsborough? -- The Wartime Archers -- Utopian Desires -- Postwar Representations -- Postwar Archers -- Ealing and Beyond. |
ctrlnum | (OCoLC)47011132 |
dewey-full | 791.43/0941/09044 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/0941/09044 |
dewey-search | 791.43/0941/09044 |
dewey-sort | 3791.43 3941 49044 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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In addition to investigating male-female desire in status quo "realist" films and in various "anti-realist" movements represented by Gainsborough Melodrama and the work of Michael Powell and Emeric Pressburger, the book also explores the various factors that affected utopian aspirations for a better postwar world and how these desires eventually became restrained by the dominant forces of conservative ideology</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Structures of Desire provides new perspectives on previously recognized film movements such as Ealing Comedy and Gainsborough Melodrama while also offering analyses of interesting but neglected films such as Love on the Dole (1941), Perfect Strangers (1945), They Made Me a Fugitive (1947), The Bad Lord Byron (1949), and Madeleine (1950)."--Jacket</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="z">Great Britain</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Cinéma</subfield><subfield code="z">Grande-Bretagne</subfield><subfield code="x">Histoire.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures</subfield><subfield code="2">fast</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Great Britain</subfield><subfield code="2">fast</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP</subfield></datafield><datafield tag="650" ind1="1" ind2="7"><subfield code="a">Filmkunst.</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">History</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Structures of desire (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCG6t77b9C9jg9hBkTkjTtq</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Williams, Tony, 1946 January 11-</subfield><subfield code="t">Structures of desire.</subfield><subfield code="d">Albany, N.Y. : State University of New York Press, ©2000</subfield><subfield code="z">0791446441</subfield><subfield code="w">(DLC) 00023991</subfield><subfield code="w">(OCoLC)43499448</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">SUNY series, cultural studies in cinema/video.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n96040861</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=47754</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="936" ind1=" " ind2=" "><subfield code="a">BATCHLOAD</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">47754</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">301924948</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2323732</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
genre | History fast |
genre_facet | History |
geographic | Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP |
geographic_facet | Great Britain |
id | ZDB-4-EBA-ocm47011132 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:15:14Z |
institution | BVB |
isbn | 0585344663 9780585344669 0791492281 9780791492284 |
language | English |
lccn | 00023991 |
oclc_num | 47011132 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (xi, 213 pages) : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2000 |
publishDateSearch | 2000 |
publishDateSort | 2000 |
publisher | State University of New York Press, |
record_format | marc |
series | SUNY series, cultural studies in cinema/video. |
series2 | The SUNY series, cultural studies in cinema/video |
spelling | Williams, Tony, 1946 January 11- https://id.oclc.org/worldcat/entity/E39PCjF3MKwbVTkYvBPqgQWjvd Structures of desire : British cinema, 1939-1955 / Tony Williams. Albany, N.Y. : State University of New York Press, ©2000. 1 online resource (xi, 213 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier The SUNY series, cultural studies in cinema/video Includes bibliographical references (pages 197-204) and index. Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Forever Gainsborough? -- The Wartime Archers -- Utopian Desires -- Postwar Representations -- Postwar Archers -- Ealing and Beyond. "This book examines representations of desire in British cinema during a period of turbulent change, 1940-1955. In addition to investigating male-female desire in status quo "realist" films and in various "anti-realist" movements represented by Gainsborough Melodrama and the work of Michael Powell and Emeric Pressburger, the book also explores the various factors that affected utopian aspirations for a better postwar world and how these desires eventually became restrained by the dominant forces of conservative ideology Structures of Desire provides new perspectives on previously recognized film movements such as Ealing Comedy and Gainsborough Melodrama while also offering analyses of interesting but neglected films such as Love on the Dole (1941), Perfect Strangers (1945), They Made Me a Fugitive (1947), The Bad Lord Byron (1949), and Madeleine (1950)."--Jacket Motion pictures Great Britain History. Cinéma Grande-Bretagne Histoire. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Great Britain fast https://id.oclc.org/worldcat/entity/E39PBJdmp7p3cx8hpmJ8HvmTpP Filmkunst. gtt History fast has work: Structures of desire (Text) https://id.oclc.org/worldcat/entity/E39PCG6t77b9C9jg9hBkTkjTtq https://id.oclc.org/worldcat/ontology/hasWork Print version: Williams, Tony, 1946 January 11- Structures of desire. Albany, N.Y. : State University of New York Press, ©2000 0791446441 (DLC) 00023991 (OCoLC)43499448 SUNY series, cultural studies in cinema/video. http://id.loc.gov/authorities/names/n96040861 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=47754 Volltext |
spellingShingle | Williams, Tony, 1946 January 11- Structures of desire : British cinema, 1939-1955 / SUNY series, cultural studies in cinema/video. Forever Gainsborough? -- The Wartime Archers -- Utopian Desires -- Postwar Representations -- Postwar Archers -- Ealing and Beyond. Motion pictures Great Britain History. Cinéma Grande-Bretagne Histoire. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Filmkunst. gtt |
title | Structures of desire : British cinema, 1939-1955 / |
title_alt | Forever Gainsborough? -- The Wartime Archers -- Utopian Desires -- Postwar Representations -- Postwar Archers -- Ealing and Beyond. |
title_auth | Structures of desire : British cinema, 1939-1955 / |
title_exact_search | Structures of desire : British cinema, 1939-1955 / |
title_full | Structures of desire : British cinema, 1939-1955 / Tony Williams. |
title_fullStr | Structures of desire : British cinema, 1939-1955 / Tony Williams. |
title_full_unstemmed | Structures of desire : British cinema, 1939-1955 / Tony Williams. |
title_short | Structures of desire : |
title_sort | structures of desire british cinema 1939 1955 |
title_sub | British cinema, 1939-1955 / |
topic | Motion pictures Great Britain History. Cinéma Grande-Bretagne Histoire. PERFORMING ARTS Film & Video Reference. bisacsh Motion pictures fast Filmkunst. gtt |
topic_facet | Motion pictures Great Britain History. Cinéma Grande-Bretagne Histoire. PERFORMING ARTS Film & Video Reference. Motion pictures Great Britain Filmkunst. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=47754 |
work_keys_str_mv | AT williamstony structuresofdesirebritishcinema19391955 |