A critical cinema 3 :: interviews with independent filmmakers /
A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film h...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley ; London :
University of California Press,
©1998.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando, in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten.A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English. |
| Beschreibung: | 1 online resource (x, 481 pages) : illustrations, portraits |
| Bibliographie: | Includes bibliographical references (pages 455-464); List of films: p. 429-454 and index. |
| ISBN: | 9780520919389 0520919386 0585339929 9780585339924 9780585339929 |
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| 245 | 1 | 2 | |a A critical cinema 3 : |b interviews with independent filmmakers / |c Scott MacDonald. |
| 260 | |a Berkeley ; |a London : |b University of California Press, |c ©1998. | ||
| 300 | |a 1 online resource (x, 481 pages) : |b illustrations, portraits | ||
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| 504 | |a Includes bibliographical references (pages 455-464); List of films: p. 429-454 and index. | ||
| 505 | 0 | |a Amos Vogel -- William Greaves -- Jordan Belson (and collaborator Stephen Beck) -- Arthur Peleshian -- Charles Burnett -- Hara Kazuo -- At the Flaherty: Peter Watkins, Ken Jacobs, Nick Deocampo, Mani Kaul, Craig Baldwin -- Gunvor Nelson -- Christine Choy -- Rose Lowder -- Peter Hutton -- Valie Export -- Patrick Bokanowski -- Yervant Gianikian and Angela Ricci Lucchi -- Elias Merhige -- Aline Mere -- Cauleen Smith -- John Porter -- Raphael Montanez Ortiz -- Martin Arnold -- Ken and Flo Jacobs -- Sally Potter. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando, in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten.A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English. | ||
| 650 | 0 | |a Experimental films |z United States |x History and criticism. | |
| 650 | 0 | |a Independent filmmakers |z United States |v Interviews. | |
| 650 | 6 | |a Cinéastes indépendants |z États-Unis |v Entretiens. | |
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| 650 | 7 | |a PERFORMING ARTS |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a Experimental films |2 fast | |
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Datensatz im Suchindex
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| author | MacDonald, Scott, 1942- |
| author_GND | http://id.loc.gov/authorities/names/n80165705 |
| author_facet | MacDonald, Scott, 1942- |
| author_role | |
| author_sort | MacDonald, Scott, 1942- |
| author_variant | s m sm |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
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| contents | Amos Vogel -- William Greaves -- Jordan Belson (and collaborator Stephen Beck) -- Arthur Peleshian -- Charles Burnett -- Hara Kazuo -- At the Flaherty: Peter Watkins, Ken Jacobs, Nick Deocampo, Mani Kaul, Craig Baldwin -- Gunvor Nelson -- Christine Choy -- Rose Lowder -- Peter Hutton -- Valie Export -- Patrick Bokanowski -- Yervant Gianikian and Angela Ricci Lucchi -- Elias Merhige -- Aline Mere -- Cauleen Smith -- John Porter -- Raphael Montanez Ortiz -- Martin Arnold -- Ken and Flo Jacobs -- Sally Potter. |
| ctrlnum | (OCoLC)45885596 |
| dewey-full | 791.43/75/0973 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/75/0973 |
| dewey-search | 791.43/75/0973 |
| dewey-sort | 3791.43 275 3973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:12Z |
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| isbn | 9780520919389 0520919386 0585339929 9780585339924 9780585339929 |
| language | English |
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| publisher | University of California Press, |
| record_format | marc |
| spelling | MacDonald, Scott, 1942- https://id.oclc.org/worldcat/entity/E39PCjtYgqK96qH98YkPbVT9Mq http://id.loc.gov/authorities/names/n80165705 A critical cinema 3 : interviews with independent filmmakers / Scott MacDonald. Berkeley ; London : University of California Press, ©1998. 1 online resource (x, 481 pages) : illustrations, portraits text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 455-464); List of films: p. 429-454 and index. Amos Vogel -- William Greaves -- Jordan Belson (and collaborator Stephen Beck) -- Arthur Peleshian -- Charles Burnett -- Hara Kazuo -- At the Flaherty: Peter Watkins, Ken Jacobs, Nick Deocampo, Mani Kaul, Craig Baldwin -- Gunvor Nelson -- Christine Choy -- Rose Lowder -- Peter Hutton -- Valie Export -- Patrick Bokanowski -- Yervant Gianikian and Angela Ricci Lucchi -- Elias Merhige -- Aline Mere -- Cauleen Smith -- John Porter -- Raphael Montanez Ortiz -- Martin Arnold -- Ken and Flo Jacobs -- Sally Potter. Print version record. A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando, in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten.A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English. Experimental films United States History and criticism. Independent filmmakers United States Interviews. Cinéastes indépendants États-Unis Entretiens. PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Film & Video. bisacsh Experimental films fast Independent filmmakers fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast Interviews fast has work: 3 / Scott MacDonald A critical cinema (Text) https://id.oclc.org/worldcat/entity/E39PCH7mfRfpmC4m9YdqC4wqHC https://id.oclc.org/worldcat/ontology/hasWork Print version: MacDonald, Scott, 1942- Critical cinema 3. Berkeley ; London : University of California Press, ©1998 0520087054 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=41973 Volltext |
| spellingShingle | MacDonald, Scott, 1942- A critical cinema 3 : interviews with independent filmmakers / Amos Vogel -- William Greaves -- Jordan Belson (and collaborator Stephen Beck) -- Arthur Peleshian -- Charles Burnett -- Hara Kazuo -- At the Flaherty: Peter Watkins, Ken Jacobs, Nick Deocampo, Mani Kaul, Craig Baldwin -- Gunvor Nelson -- Christine Choy -- Rose Lowder -- Peter Hutton -- Valie Export -- Patrick Bokanowski -- Yervant Gianikian and Angela Ricci Lucchi -- Elias Merhige -- Aline Mere -- Cauleen Smith -- John Porter -- Raphael Montanez Ortiz -- Martin Arnold -- Ken and Flo Jacobs -- Sally Potter. Experimental films United States History and criticism. Independent filmmakers United States Interviews. Cinéastes indépendants États-Unis Entretiens. PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Film & Video. bisacsh Experimental films fast Independent filmmakers fast |
| title | A critical cinema 3 : interviews with independent filmmakers / |
| title_auth | A critical cinema 3 : interviews with independent filmmakers / |
| title_exact_search | A critical cinema 3 : interviews with independent filmmakers / |
| title_full | A critical cinema 3 : interviews with independent filmmakers / Scott MacDonald. |
| title_fullStr | A critical cinema 3 : interviews with independent filmmakers / Scott MacDonald. |
| title_full_unstemmed | A critical cinema 3 : interviews with independent filmmakers / Scott MacDonald. |
| title_short | A critical cinema 3 : |
| title_sort | critical cinema 3 interviews with independent filmmakers |
| title_sub | interviews with independent filmmakers / |
| topic | Experimental films United States History and criticism. Independent filmmakers United States Interviews. Cinéastes indépendants États-Unis Entretiens. PERFORMING ARTS Film & Video History & Criticism. bisacsh PERFORMING ARTS Film & Video. bisacsh Experimental films fast Independent filmmakers fast |
| topic_facet | Experimental films United States History and criticism. Independent filmmakers United States Interviews. Cinéastes indépendants États-Unis Entretiens. PERFORMING ARTS Film & Video History & Criticism. PERFORMING ARTS Film & Video. Experimental films Independent filmmakers United States Criticism, interpretation, etc. Interviews |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=41973 |
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