Overtones and undertones :: reading film music /
"Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences'fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music schola...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Regierungsdokument Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
©1994.
|
| Schlagworte: | |
| Online-Zugang: | DE-862 DE-863 |
| Zusammenfassung: | "Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences'fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to'hear'the film score, but to understand it in relation to what they'see.'Unlike earlier books, which offered historical, technical, and sociopolitical analyses, Overtones and Undertones draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, including Psycho, Laura, The Sea Hawk, Double Indemnity, and Pierrot le Fou. In revealing interviews with Bernard Herrmann, Miklós Rósza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume."--EBSCO |
| Beschreibung: | 1 online resource (x, 396 pages :) |
| Bibliographie: | Includes bibliographical references (pages 373-377), discography (p. 367-371) , and index. |
| ISBN: | 9780520914773 0520914775 0585261660 9780585261669 0520071433 9780520071438 0520071441 9780520071445 |
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| 100 | 1 | |a Brown, Royal S. | |
| 245 | 1 | 0 | |a Overtones and undertones : |b reading film music / |c Royal S. Brown. |
| 260 | |a Berkeley : |b University of California Press, |c ©1994. | ||
| 300 | |a 1 online resource (x, 396 pages :) | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 380 | |a Discography | ||
| 505 | 0 | |a Narrative/film/music -- Actions/interactions: "Classical" music -- Actions/interactions: historical overview -- Actions/interactions: The source beyond the source -- Styles and interactions: beyond the Diegesis -- Herrmann, Hitchcock, and the music of the irrational -- New styles, new genres, new interactions -- Music as image as music: a postmodern perspective. | |
| 504 | |a Includes bibliographical references (pages 373-377), discography (p. 367-371) , and index. | ||
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 520 | |a "Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences'fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to'hear'the film score, but to understand it in relation to what they'see.'Unlike earlier books, which offered historical, technical, and sociopolitical analyses, Overtones and Undertones draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, including Psycho, Laura, The Sea Hawk, Double Indemnity, and Pierrot le Fou. In revealing interviews with Bernard Herrmann, Miklós Rósza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume."--EBSCO | ||
| 650 | 0 | |a Motion picture music |x History and criticism. | |
| 650 | 6 | |a Film, Musique de |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film / General |2 bisacsh | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Overtones and undertones (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFQy8J9kv8XVbVfqtmMkWC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Brown, Royal S. |t Overtones and undertones. |d Berkeley : University of California Press, ©1994 |z 0520083202 |w (DLC) 93046924 |w (OCoLC)29548786 |
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| _version_ | 1826941535379259392 |
| adam_text | |
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| author | Brown, Royal S. |
| author_facet | Brown, Royal S. |
| author_role | |
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| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML2075 |
| callnumber-raw | ML2075 .B76 1994eb |
| callnumber-search | ML2075 .B76 1994eb |
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| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Narrative/film/music -- Actions/interactions: "Classical" music -- Actions/interactions: historical overview -- Actions/interactions: The source beyond the source -- Styles and interactions: beyond the Diegesis -- Herrmann, Hitchcock, and the music of the irrational -- New styles, new genres, new interactions -- Music as image as music: a postmodern perspective. |
| ctrlnum | (OCoLC)45733705 |
| dewey-full | 781.5/42/09 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/42/09 |
| dewey-search | 781.5/42/09 |
| dewey-sort | 3781.5 242 19 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Government Document Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocm45733705 |
| illustrated | Illustrated |
| indexdate | 2025-03-18T14:13:39Z |
| institution | BVB |
| isbn | 9780520914773 0520914775 0585261660 9780585261669 0520071433 9780520071438 0520071441 9780520071445 |
| language | English |
| oclc_num | 45733705 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 396 pages :) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | University of California Press, |
| record_format | marc |
| spelling | Brown, Royal S. Overtones and undertones : reading film music / Royal S. Brown. Berkeley : University of California Press, ©1994. 1 online resource (x, 396 pages :) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Discography Narrative/film/music -- Actions/interactions: "Classical" music -- Actions/interactions: historical overview -- Actions/interactions: The source beyond the source -- Styles and interactions: beyond the Diegesis -- Herrmann, Hitchcock, and the music of the irrational -- New styles, new genres, new interactions -- Music as image as music: a postmodern perspective. Includes bibliographical references (pages 373-377), discography (p. 367-371) , and index. Print version record. English. "Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences'fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to'hear'the film score, but to understand it in relation to what they'see.'Unlike earlier books, which offered historical, technical, and sociopolitical analyses, Overtones and Undertones draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, including Psycho, Laura, The Sea Hawk, Double Indemnity, and Pierrot le Fou. In revealing interviews with Bernard Herrmann, Miklós Rósza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume."--EBSCO Motion picture music History and criticism. Film, Musique de Histoire et critique. MUSIC Instruction & Study Theory. bisacsh PERFORMING ARTS / Film / General bisacsh Motion picture music fast Criticism, interpretation, etc. fast has work: Overtones and undertones (Text) https://id.oclc.org/worldcat/entity/E39PCFQy8J9kv8XVbVfqtmMkWC https://id.oclc.org/worldcat/ontology/hasWork Print version: Brown, Royal S. Overtones and undertones. Berkeley : University of California Press, ©1994 0520083202 (DLC) 93046924 (OCoLC)29548786 |
| spellingShingle | Brown, Royal S. Overtones and undertones : reading film music / Narrative/film/music -- Actions/interactions: "Classical" music -- Actions/interactions: historical overview -- Actions/interactions: The source beyond the source -- Styles and interactions: beyond the Diegesis -- Herrmann, Hitchcock, and the music of the irrational -- New styles, new genres, new interactions -- Music as image as music: a postmodern perspective. Motion picture music History and criticism. Film, Musique de Histoire et critique. MUSIC Instruction & Study Theory. bisacsh PERFORMING ARTS / Film / General bisacsh Motion picture music fast |
| title | Overtones and undertones : reading film music / |
| title_auth | Overtones and undertones : reading film music / |
| title_exact_search | Overtones and undertones : reading film music / |
| title_full | Overtones and undertones : reading film music / Royal S. Brown. |
| title_fullStr | Overtones and undertones : reading film music / Royal S. Brown. |
| title_full_unstemmed | Overtones and undertones : reading film music / Royal S. Brown. |
| title_short | Overtones and undertones : |
| title_sort | overtones and undertones reading film music |
| title_sub | reading film music / |
| topic | Motion picture music History and criticism. Film, Musique de Histoire et critique. MUSIC Instruction & Study Theory. bisacsh PERFORMING ARTS / Film / General bisacsh Motion picture music fast |
| topic_facet | Motion picture music History and criticism. Film, Musique de Histoire et critique. MUSIC Instruction & Study Theory. PERFORMING ARTS / Film / General Motion picture music Criticism, interpretation, etc. |
| work_keys_str_mv | AT brownroyals overtonesandundertonesreadingfilmmusic |