Unpacking Duchamp :: art in transit /
Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
©1998.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works, including The Large Glass, Fountain, and Given: 1) the waterfall, 2) the illuminating gas |
| Beschreibung: | 1 online resource (x, 310 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780520921016 0520921011 0585263949 9780585263946 9780520213760 0520213769 |
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| 520 | |a Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works, including The Large Glass, Fountain, and Given: 1) the waterfall, 2) the illuminating gas | ||
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| author | Judovitz, Dalia |
| author2 | Duchamp, Marcel, 1887-1968 |
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| author_facet | Judovitz, Dalia Duchamp, Marcel, 1887-1968 |
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| contents | Painting at a Dead End -- Ready-Mades: (Non) sense and (Non) art -- Reproductions: Limited Editions, Ready-Made Origins -- Art and Economics: From the Urinal to the Bank -- Rendez-vous with Marcel Duchamp: "Given" -- Postscript: Duchamp's Postmodern Returns. |
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| discipline | Kunstgeschichte |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocm45730562 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:09Z |
| institution | BVB |
| isbn | 9780520921016 0520921011 0585263949 9780585263946 9780520213760 0520213769 |
| language | English |
| oclc_num | 45730562 |
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| physical | 1 online resource (x, 310 pages) : illustrations |
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| spelling | Judovitz, Dalia. Unpacking Duchamp : art in transit / Dalia Judovitz. Berkeley : University of California Press, ©1998. 1 online resource (x, 310 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Painting at a Dead End -- Ready-Mades: (Non) sense and (Non) art -- Reproductions: Limited Editions, Ready-Made Origins -- Art and Economics: From the Urinal to the Bank -- Rendez-vous with Marcel Duchamp: "Given" -- Postscript: Duchamp's Postmodern Returns. Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works, including The Large Glass, Fountain, and Given: 1) the waterfall, 2) the illuminating gas Print version record. Duchamp, Marcel, 1887-1968 Criticism and interpretation. Duchamp, Marcel, 1887-1968 fast https://id.oclc.org/worldcat/entity/E39PBJwxQgkCMH48Wp3KCj63Qq Modernism (Art) http://id.loc.gov/authorities/subjects/sh85086445 Postmodernism. http://id.loc.gov/authorities/subjects/sh85105557 Modernisme (Art) Postmodernisme. ART Individual Artists Monographs. bisacsh ART Individual Artists Artists' Books. bisacsh ART Individual Artists Essays. bisacsh Modernism (Art) fast Postmodernism fast Criticism, interpretation, etc. fast Duchamp, Marcel, 1887-1968. https://id.oclc.org/worldcat/entity/E39PBJwxQgkCMH48Wp3KCj63Qq Print version: Judovitz, Dalia. Unpacking Duchamp. Berkeley : University of California Press, ©1998 0520213769 (DLC) 94026724 (OCoLC)30810679 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=32737 Volltext |
| spellingShingle | Judovitz, Dalia Unpacking Duchamp : art in transit / Painting at a Dead End -- Ready-Mades: (Non) sense and (Non) art -- Reproductions: Limited Editions, Ready-Made Origins -- Art and Economics: From the Urinal to the Bank -- Rendez-vous with Marcel Duchamp: "Given" -- Postscript: Duchamp's Postmodern Returns. Duchamp, Marcel, 1887-1968 Criticism and interpretation. Duchamp, Marcel, 1887-1968 fast https://id.oclc.org/worldcat/entity/E39PBJwxQgkCMH48Wp3KCj63Qq Modernism (Art) http://id.loc.gov/authorities/subjects/sh85086445 Postmodernism. http://id.loc.gov/authorities/subjects/sh85105557 Modernisme (Art) Postmodernisme. ART Individual Artists Monographs. bisacsh ART Individual Artists Artists' Books. bisacsh ART Individual Artists Essays. bisacsh Modernism (Art) fast Postmodernism fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85086445 http://id.loc.gov/authorities/subjects/sh85105557 |
| title | Unpacking Duchamp : art in transit / |
| title_auth | Unpacking Duchamp : art in transit / |
| title_exact_search | Unpacking Duchamp : art in transit / |
| title_full | Unpacking Duchamp : art in transit / Dalia Judovitz. |
| title_fullStr | Unpacking Duchamp : art in transit / Dalia Judovitz. |
| title_full_unstemmed | Unpacking Duchamp : art in transit / Dalia Judovitz. |
| title_short | Unpacking Duchamp : |
| title_sort | unpacking duchamp art in transit |
| title_sub | art in transit / |
| topic | Duchamp, Marcel, 1887-1968 Criticism and interpretation. Duchamp, Marcel, 1887-1968 fast https://id.oclc.org/worldcat/entity/E39PBJwxQgkCMH48Wp3KCj63Qq Modernism (Art) http://id.loc.gov/authorities/subjects/sh85086445 Postmodernism. http://id.loc.gov/authorities/subjects/sh85105557 Modernisme (Art) Postmodernisme. ART Individual Artists Monographs. bisacsh ART Individual Artists Artists' Books. bisacsh ART Individual Artists Essays. bisacsh Modernism (Art) fast Postmodernism fast |
| topic_facet | Duchamp, Marcel, 1887-1968 Criticism and interpretation. Duchamp, Marcel, 1887-1968 Modernism (Art) Postmodernism. Modernisme (Art) Postmodernisme. ART Individual Artists Monographs. ART Individual Artists Artists' Books. ART Individual Artists Essays. Postmodernism Criticism, interpretation, etc. |
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| work_keys_str_mv | AT judovitzdalia unpackingduchampartintransit AT duchampmarcel unpackingduchampartintransit |