Modern Hamlets & their soliloquies /:
Annotation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Iowa City :
University of Iowa Press,
©1992.
|
| Schriftenreihe: | Studies in theatre history and culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Annotation |
| Beschreibung: | 1 online resource (xxxviii, 218 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 201-218). |
| ISBN: | 1587291363 9781587291364 |
Internformat
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| 245 | 1 | 0 | |a Modern Hamlets & their soliloquies / |c by Mary Z. Maher. |
| 246 | 3 | |a Modern Hamlets and their soliloquies | |
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| 505 | 0 | |a John Gielgud : The Glass of Fashion Show -- Guinness, Olivier, and Burton: The Mould of Form -- David Warner: The Rogue and Peasant Slave -- Ben Kingsley : In My Mind's Eye -- Derek Jacobi: The Courtier, Soldier, Scholar -- Anton Lesser: A Noble Mind -- David Rintoul : Th' Observ'd of All Observers -- Randall Duk Kim : Sir, a Whole History -- Kevin Kline : In Action How Like an Angel. | |
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| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a Annotation |b The Shakespearean soliloquy has always fascinated scholars, readers, and theatregoers, and none is more famous than those found in Hamlet. Dreamed of by aspiring actors, memorized by schoolchildren, and coopted by Madison Avenue sloganeers, these best-known and most repeated lines from Shakespeare's oeuvre have been the inspiration for numerous critical studies on the soliloquy. Now, for the first time, Maher's Modern Hamlets and Their Soliloquies takes a performance point of view in examining the challenges and problems of delivering the soliloquies in Hamlet. Modern Hamlets offers a detailed record of how various twentieth-century English and American actors, beginning with John Gielgud in 1936 and ending with Kevin Kline in 1990, have dealt with these challenges. At the heart of this fascinating study is a series of eclectic and provocative interviews with Kline, Derek Jacobi, Ben Kingsley, David Warner, Anton Lesser, David Rintoul, and Randall Duk Kim. Maher also worked closely with Gielgud and Alec Guinness to offer chapters on their presentations and has included a discussion of filmed Hamlet performances with attention to the work of Laurence Olivier and Richard Burton. Maher describes each actor's mode of performance and explores the factors that influenced each actor's performance choices within specific production contexts. No one knows how Richard Burbage, the actor for whom Shakespeare created Hamlet, performed it - but here is an inside look at how modern Hamlets have approached performance options and forged unique readings of the part. The interplay of these interpretations and the similarities and differences among the actors both challenges much of the received wisdomabout soliloquies and provides an absorbing new look at what Olivier called "pound for pound the greatest play ever written". Modern Hamlets should be required reading for all those who would read, watch, or perform Hamlet and for all those fascinated by theatre and the performance arts | |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616. |t Hamlet. |0 http://id.loc.gov/authorities/names/n80008522 |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history. |0 http://id.loc.gov/authorities/subjects/sh85121041 |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
| 630 | 0 | 7 | |a Hamlet (Shakespeare, William) |2 fast |
| 600 | 1 | 7 | |a Shakespeare, William. |t Hamlet. |2 swd |
| 650 | 0 | |a Soliloquy. |0 http://id.loc.gov/authorities/subjects/sh85124664 | |
| 650 | 0 | |a Acting. | |
| 650 | 6 | |a Soliloque. | |
| 650 | 6 | |a Art dramatique. | |
| 650 | 7 | |a acting. |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x General. |2 bisacsh | |
| 650 | 7 | |a Acting |2 fast | |
| 650 | 7 | |a Soliloquy |2 fast | |
| 650 | 7 | |a Schauspieler |2 gnd | |
| 651 | 7 | |a Englisches Sprachgebiet |2 gnd | |
| 776 | 0 | 8 | |i Print version: |a Maher, Mary Zenet. |t Modern Hamlets & their soliloquies. |d Iowa City : University of Iowa Press, ©1992 |z 087745504X |
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| author | Maher, Mary Zenet |
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| contents | John Gielgud : The Glass of Fashion Show -- Guinness, Olivier, and Burton: The Mould of Form -- David Warner: The Rogue and Peasant Slave -- Ben Kingsley : In My Mind's Eye -- Derek Jacobi: The Courtier, Soldier, Scholar -- Anton Lesser: A Noble Mind -- David Rintoul : Th' Observ'd of All Observers -- Randall Duk Kim : Sir, a Whole History -- Kevin Kline : In Action How Like an Angel. |
| ctrlnum | (OCoLC)45729397 |
| dewey-full | 792.9/5/0904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.9/5/0904 |
| dewey-search | 792.9/5/0904 |
| dewey-sort | 3792.9 15 3904 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Annotation</subfield><subfield code="b">The Shakespearean soliloquy has always fascinated scholars, readers, and theatregoers, and none is more famous than those found in Hamlet. Dreamed of by aspiring actors, memorized by schoolchildren, and coopted by Madison Avenue sloganeers, these best-known and most repeated lines from Shakespeare's oeuvre have been the inspiration for numerous critical studies on the soliloquy. Now, for the first time, Maher's Modern Hamlets and Their Soliloquies takes a performance point of view in examining the challenges and problems of delivering the soliloquies in Hamlet. Modern Hamlets offers a detailed record of how various twentieth-century English and American actors, beginning with John Gielgud in 1936 and ending with Kevin Kline in 1990, have dealt with these challenges. At the heart of this fascinating study is a series of eclectic and provocative interviews with Kline, Derek Jacobi, Ben Kingsley, David Warner, Anton Lesser, David Rintoul, and Randall Duk Kim. Maher also worked closely with Gielgud and Alec Guinness to offer chapters on their presentations and has included a discussion of filmed Hamlet performances with attention to the work of Laurence Olivier and Richard Burton. Maher describes each actor's mode of performance and explores the factors that influenced each actor's performance choices within specific production contexts. No one knows how Richard Burbage, the actor for whom Shakespeare created Hamlet, performed it - but here is an inside look at how modern Hamlets have approached performance options and forged unique readings of the part. The interplay of these interpretations and the similarities and differences among the actors both challenges much of the received wisdomabout soliloquies and provides an absorbing new look at what Olivier called "pound for pound the greatest play ever written". 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| geographic | Englisches Sprachgebiet gnd |
| geographic_facet | Englisches Sprachgebiet |
| id | ZDB-4-EBA-ocm45729397 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:08Z |
| institution | BVB |
| isbn | 1587291363 9781587291364 |
| language | English |
| oclc_num | 45729397 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxxviii, 218 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1992 |
| publishDateSearch | 1992 |
| publishDateSort | 1992 |
| publisher | University of Iowa Press, |
| record_format | marc |
| series | Studies in theatre history and culture. |
| series2 | Studies in theatre history & culture |
| spelling | Maher, Mary Zenet. Modern Hamlets & their soliloquies / by Mary Z. Maher. Modern Hamlets and their soliloquies Iowa City : University of Iowa Press, ©1992. 1 online resource (xxxviii, 218 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Studies in theatre history & culture Includes bibliographical references (pages 201-218). John Gielgud : The Glass of Fashion Show -- Guinness, Olivier, and Burton: The Mould of Form -- David Warner: The Rogue and Peasant Slave -- Ben Kingsley : In My Mind's Eye -- Derek Jacobi: The Courtier, Soldier, Scholar -- Anton Lesser: A Noble Mind -- David Rintoul : Th' Observ'd of All Observers -- Randall Duk Kim : Sir, a Whole History -- Kevin Kline : In Action How Like an Angel. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. Annotation The Shakespearean soliloquy has always fascinated scholars, readers, and theatregoers, and none is more famous than those found in Hamlet. Dreamed of by aspiring actors, memorized by schoolchildren, and coopted by Madison Avenue sloganeers, these best-known and most repeated lines from Shakespeare's oeuvre have been the inspiration for numerous critical studies on the soliloquy. Now, for the first time, Maher's Modern Hamlets and Their Soliloquies takes a performance point of view in examining the challenges and problems of delivering the soliloquies in Hamlet. Modern Hamlets offers a detailed record of how various twentieth-century English and American actors, beginning with John Gielgud in 1936 and ending with Kevin Kline in 1990, have dealt with these challenges. At the heart of this fascinating study is a series of eclectic and provocative interviews with Kline, Derek Jacobi, Ben Kingsley, David Warner, Anton Lesser, David Rintoul, and Randall Duk Kim. Maher also worked closely with Gielgud and Alec Guinness to offer chapters on their presentations and has included a discussion of filmed Hamlet performances with attention to the work of Laurence Olivier and Richard Burton. Maher describes each actor's mode of performance and explores the factors that influenced each actor's performance choices within specific production contexts. No one knows how Richard Burbage, the actor for whom Shakespeare created Hamlet, performed it - but here is an inside look at how modern Hamlets have approached performance options and forged unique readings of the part. The interplay of these interpretations and the similarities and differences among the actors both challenges much of the received wisdomabout soliloquies and provides an absorbing new look at what Olivier called "pound for pound the greatest play ever written". Modern Hamlets should be required reading for all those who would read, watch, or perform Hamlet and for all those fascinated by theatre and the performance arts Shakespeare, William, 1564-1616. Hamlet. http://id.loc.gov/authorities/names/n80008522 Shakespeare, William, 1564-1616 Stage history. http://id.loc.gov/authorities/subjects/sh85121041 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Hamlet (Shakespeare, William) fast Shakespeare, William. Hamlet. swd Soliloquy. http://id.loc.gov/authorities/subjects/sh85124664 Acting. Soliloque. Art dramatique. acting. aat PERFORMING ARTS Theater History & Criticism. bisacsh PERFORMING ARTS Theater General. bisacsh Acting fast Soliloquy fast Schauspieler gnd Englisches Sprachgebiet gnd Print version: Maher, Mary Zenet. Modern Hamlets & their soliloquies. Iowa City : University of Iowa Press, ©1992 087745504X Studies in theatre history and culture. http://id.loc.gov/authorities/names/n90722875 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=22063 Volltext |
| spellingShingle | Maher, Mary Zenet Modern Hamlets & their soliloquies / Studies in theatre history and culture. John Gielgud : The Glass of Fashion Show -- Guinness, Olivier, and Burton: The Mould of Form -- David Warner: The Rogue and Peasant Slave -- Ben Kingsley : In My Mind's Eye -- Derek Jacobi: The Courtier, Soldier, Scholar -- Anton Lesser: A Noble Mind -- David Rintoul : Th' Observ'd of All Observers -- Randall Duk Kim : Sir, a Whole History -- Kevin Kline : In Action How Like an Angel. Shakespeare, William, 1564-1616. Hamlet. http://id.loc.gov/authorities/names/n80008522 Shakespeare, William, 1564-1616 Stage history. http://id.loc.gov/authorities/subjects/sh85121041 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Hamlet (Shakespeare, William) fast Shakespeare, William. Hamlet. swd Soliloquy. http://id.loc.gov/authorities/subjects/sh85124664 Acting. Soliloque. Art dramatique. acting. aat PERFORMING ARTS Theater History & Criticism. bisacsh PERFORMING ARTS Theater General. bisacsh Acting fast Soliloquy fast Schauspieler gnd |
| subject_GND | http://id.loc.gov/authorities/names/n80008522 http://id.loc.gov/authorities/subjects/sh85121041 http://id.loc.gov/authorities/subjects/sh85124664 |
| title | Modern Hamlets & their soliloquies / |
| title_alt | Modern Hamlets and their soliloquies |
| title_auth | Modern Hamlets & their soliloquies / |
| title_exact_search | Modern Hamlets & their soliloquies / |
| title_full | Modern Hamlets & their soliloquies / by Mary Z. Maher. |
| title_fullStr | Modern Hamlets & their soliloquies / by Mary Z. Maher. |
| title_full_unstemmed | Modern Hamlets & their soliloquies / by Mary Z. Maher. |
| title_short | Modern Hamlets & their soliloquies / |
| title_sort | modern hamlets their soliloquies |
| topic | Shakespeare, William, 1564-1616. Hamlet. http://id.loc.gov/authorities/names/n80008522 Shakespeare, William, 1564-1616 Stage history. http://id.loc.gov/authorities/subjects/sh85121041 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Hamlet (Shakespeare, William) fast Shakespeare, William. Hamlet. swd Soliloquy. http://id.loc.gov/authorities/subjects/sh85124664 Acting. Soliloque. Art dramatique. acting. aat PERFORMING ARTS Theater History & Criticism. bisacsh PERFORMING ARTS Theater General. bisacsh Acting fast Soliloquy fast Schauspieler gnd |
| topic_facet | Shakespeare, William, 1564-1616. Hamlet. Shakespeare, William, 1564-1616 Stage history. Shakespeare, William, 1564-1616 Hamlet (Shakespeare, William) Shakespeare, William. Hamlet. Soliloquy. Acting. Soliloque. Art dramatique. acting. PERFORMING ARTS Theater History & Criticism. PERFORMING ARTS Theater General. Acting Soliloquy Schauspieler Englisches Sprachgebiet |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=22063 |
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