Holdings: Drifting on a read :

Drifting on a read :: jazz as a model for writing /

"For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation&qu...

Full description

Saved in:

Bibliographic Details
Main Author:	Jarrett, Michael, 1953-
Format:	Electronic eBook
Language:	English
Published:	Albany, N.Y. : State University of New York Press, 1999.
Series:	Interruptions.
Subjects:	Written communication. Jazz > History and criticism. Popular culture. Criticism. Communication écrite. Culture populaire. Critique. popular culture. criticism. literary criticism. MUSIC > Genres & Styles > Jazz. Criticism Jazz Popular culture Written communication Music. Music, Dance, Drama & Film. Music Philosophy. Criticism, interpretation, etc.
Online Access:	Volltext
Summary:	"For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention.""--Jacket.
Physical Description:	1 online resource (xiv, 227 pages) : illustrations.
Bibliography:	Includes bibliographical references and index.
ISBN:	0585301913 9780585301914

Staff View

MARC


LEADER	00000cam a2200000 a 4500
001	ZDB-4-EBA-ocm45728513
003	OCoLC
005	20241004212047.0
006	m o d
007	cr cn\|\|\|\|\|\|\|\|\|
008	001026s1999 nyua ob 001 0 eng d
010			\|z 98011823
040			\|a N$T \|b eng \|e pn \|c N$T \|d OCL \|d OCLCQ \|d YDXCP \|d OCLCG \|d OCLCQ \|d TUU \|d OCLCQ \|d TNF \|d OCLCQ \|d ZCU \|d OCLCO \|d OCLCF \|d NHA \|d OCLCQ \|d OCLCO \|d NLGGC \|d OCLCQ \|d OCLCO \|d OCLCQ \|d MWM \|d OCLCA \|d OCLCQ \|d SAV \|d OCLCQ \|d QT7 \|d LUE \|d OCLCQ \|d WRM \|d VTS \|d OCLCA \|d AGLDB \|d OCLCQ \|d INT \|d TOF \|d OCLCQ \|d S9I \|d STF \|d XMC \|d UKSSU \|d VLY \|d OCLCO \|d OCLCQ \|d OCLCO \|d OCLCL \|d OCLCQ
019			\|a 532692762 \|a 961687355 \|a 962641547 \|a 970725982 \|a 1007378766 \|a 1038599743 \|a 1053006720 \|a 1105747057 \|a 1123894399 \|a 1127914284 \|a 1135436270 \|a 1162007116 \|a 1241954481
020			\|a 0585301913 \|q (electronic bk.)
020			\|a 9780585301914 \|q (electronic bk.)
020			\|z 0791440974 \|q (hc. ; \|q alk. paper)
020			\|z 0791440982 \|q (pbk. ; \|q alk. paper)
020			\|z 0791441040 \|q (pbk. ; \|q alk. paper)
035			\|a (OCoLC)45728513 \|z (OCoLC)532692762 \|z (OCoLC)961687355 \|z (OCoLC)962641547 \|z (OCoLC)970725982 \|z (OCoLC)1007378766 \|z (OCoLC)1038599743 \|z (OCoLC)1053006720 \|z (OCoLC)1105747057 \|z (OCoLC)1123894399 \|z (OCoLC)1127914284 \|z (OCoLC)1135436270 \|z (OCoLC)1162007116 \|z (OCoLC)1241954481
050		4	\|a ML3849 \|b .J39 1999eb
072		7	\|a MUS \|x 025000 \|2 bisacsh
082	7		\|a 781.65/11 \|2 21
049			\|a MAIN
100	1		\|a Jarrett, Michael, \|d 1953- \|1 https://id.oclc.org/worldcat/entity/E39PBJxRCYfpYdCwwjMWFRy8G3 \|0 http://id.loc.gov/authorities/names/n98015303
245	1	0	\|a Drifting on a read : \|b jazz as a model for writing / \|c Michael Jarrett.
260			\|a Albany, N.Y. : \|b State University of New York Press, \|c 1999.
300			\|a 1 online resource (xiv, 227 pages) : \|b illustrations.
336			\|a text \|b txt \|2 rdacontent
337			\|a computer \|b c \|2 rdamedia
338			\|a online resource \|b cr \|2 rdacarrier
347			\|a data file \|2 rda
490	1		\|a SUNY series, interruptions -- border testimony(ies) and critical discourse/s
504			\|a Includes bibliographical references and index.
520	1		\|a "For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention.""--Jacket.
505	0		\|a Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs.
588	0		\|a Print version record.
546			\|a English.
650		0	\|a Written communication. \|0 http://id.loc.gov/authorities/subjects/sh85148659
650		0	\|a Jazz \|x History and criticism.
650		0	\|a Popular culture.
650		0	\|a Criticism.
650		6	\|a Communication écrite.
650		6	\|a Culture populaire.
650		6	\|a Critique.
650		7	\|a popular culture. \|2 aat
650		7	\|a criticism. \|2 aat
650		7	\|a literary criticism. \|2 aat
650		7	\|a MUSIC \|x Genres & Styles \|x Jazz. \|2 bisacsh
650		7	\|a Criticism \|2 fast
650		7	\|a Jazz \|2 fast
650		7	\|a Popular culture \|2 fast
650		7	\|a Written communication \|2 fast
650		7	\|a Music. \|2 hilcc
650		7	\|a Music, Dance, Drama & Film. \|2 hilcc
650		7	\|a Music Philosophy. \|2 hilcc
655		7	\|a Criticism, interpretation, etc. \|2 fast
758			\|i has work: \|a Drifting on a read (Text) \|1 https://id.oclc.org/worldcat/entity/E39PCGgtv9jkKvXQFfJxfMRX8d \|4 https://id.oclc.org/worldcat/ontology/hasWork
776	0	8	\|i Print version: \|a Jarrett, Michael, 1953- \|t Drifting on a read. \|d Albany, N.Y. : State University of New York Press, 1999 \|z 0791440974 \|w (DLC) 98011823 \|w (OCoLC)38966047
830		0	\|a Interruptions. \|0 http://id.loc.gov/authorities/names/n96005098
856	4	0	\|l FWS01 \|p ZDB-4-EBA \|q FWS_PDA_EBA \|u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=44154 \|3 Volltext
936			\|a BATCHLOAD
938			\|a YBP Library Services \|b YANK \|n 2320244
938			\|a EBSCOhost \|b EBSC \|n 44154
938			\|a YBP Library Services \|b YANK \|n 301924912
994			\|a 92 \|b GEBAY
912			\|a ZDB-4-EBA
049			\|a DE-863

Record in the Search Index

DE-BY-FWS_katkey	ZDB-4-EBA-ocm45728513
_version_	1816881590760898561
adam_text
any_adam_object
author	Jarrett, Michael, 1953-
author_GND	http://id.loc.gov/authorities/names/n98015303
author_facet	Jarrett, Michael, 1953-
author_role
author_sort	Jarrett, Michael, 1953-
author_variant	m j mj
building	Verbundindex
bvnumber	localFWS
callnumber-first	M - Music
callnumber-label	ML3849
callnumber-raw	ML3849 .J39 1999eb
callnumber-search	ML3849 .J39 1999eb
callnumber-sort	ML 43849 J39 41999EB
callnumber-subject	ML - Literature on Music
collection	ZDB-4-EBA
contents	Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs.
ctrlnum	(OCoLC)45728513
dewey-full	781.65/11
dewey-hundreds	700 - The arts
dewey-ones	781 - General principles and musical forms
dewey-raw	781.65/11
dewey-search	781.65/11
dewey-sort	3781.65 211
dewey-tens	780 - Music
discipline	Musikwissenschaft
format	Electronic eBook
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04095cam a2200757 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocm45728513 </controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cn\|\|\|\|\|\|\|\|\|</controlfield><controlfield tag="008">001026s1999 nyua ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 98011823 </subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCG</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TUU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TNF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">ZCU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">NHA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">NLGGC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MWM</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SAV</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">QT7</subfield><subfield code="d">LUE</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WRM</subfield><subfield code="d">VTS</subfield><subfield code="d">OCLCA</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INT</subfield><subfield code="d">TOF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">S9I</subfield><subfield code="d">STF</subfield><subfield code="d">XMC</subfield><subfield code="d">UKSSU</subfield><subfield code="d">VLY</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">532692762</subfield><subfield code="a">961687355</subfield><subfield code="a">962641547</subfield><subfield code="a">970725982</subfield><subfield code="a">1007378766</subfield><subfield code="a">1038599743</subfield><subfield code="a">1053006720</subfield><subfield code="a">1105747057</subfield><subfield code="a">1123894399</subfield><subfield code="a">1127914284</subfield><subfield code="a">1135436270</subfield><subfield code="a">1162007116</subfield><subfield code="a">1241954481</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0585301913</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780585301914</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0791440974</subfield><subfield code="q">(hc. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0791440982</subfield><subfield code="q">(pbk. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0791441040</subfield><subfield code="q">(pbk. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)45728513</subfield><subfield code="z">(OCoLC)532692762</subfield><subfield code="z">(OCoLC)961687355</subfield><subfield code="z">(OCoLC)962641547</subfield><subfield code="z">(OCoLC)970725982</subfield><subfield code="z">(OCoLC)1007378766</subfield><subfield code="z">(OCoLC)1038599743</subfield><subfield code="z">(OCoLC)1053006720</subfield><subfield code="z">(OCoLC)1105747057</subfield><subfield code="z">(OCoLC)1123894399</subfield><subfield code="z">(OCoLC)1127914284</subfield><subfield code="z">(OCoLC)1135436270</subfield><subfield code="z">(OCoLC)1162007116</subfield><subfield code="z">(OCoLC)1241954481</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3849</subfield><subfield code="b">.J39 1999eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">025000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.65/11</subfield><subfield code="2">21</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jarrett, Michael,</subfield><subfield code="d">1953-</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJxRCYfpYdCwwjMWFRy8G3</subfield><subfield code="0">http://id.loc.gov/authorities/names/n98015303</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Drifting on a read :</subfield><subfield code="b">jazz as a model for writing /</subfield><subfield code="c">Michael Jarrett.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Albany, N.Y. :</subfield><subfield code="b">State University of New York Press,</subfield><subfield code="c">1999.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiv, 227 pages) :</subfield><subfield code="b">illustrations.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">SUNY series, interruptions -- border testimony(ies) and critical discourse/s</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention.""--Jacket.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Written communication.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85148659</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Jazz</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular culture.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Communication écrite.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Culture populaire.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">popular culture.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">criticism.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">literary criticism.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Jazz.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Criticism</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Jazz</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Popular culture</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Written communication</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music, Dance, Drama & Film.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music Philosophy.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Drifting on a read (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGgtv9jkKvXQFfJxfMRX8d</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Jarrett, Michael, 1953-</subfield><subfield code="t">Drifting on a read.</subfield><subfield code="d">Albany, N.Y. : State University of New York Press, 1999</subfield><subfield code="z">0791440974</subfield><subfield code="w">(DLC) 98011823</subfield><subfield code="w">(OCoLC)38966047</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Interruptions.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n96005098</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=44154</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="936" ind1=" " ind2=" "><subfield code="a">BATCHLOAD</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2320244</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">44154</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">301924912</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection>
genre	Criticism, interpretation, etc. fast
genre_facet	Criticism, interpretation, etc.
id	ZDB-4-EBA-ocm45728513
illustrated	Illustrated
indexdate	2024-11-27T13:15:08Z
institution	BVB
isbn	0585301913 9780585301914
language	English
oclc_num	45728513
open_access_boolean
owner	MAIN DE-863 DE-BY-FWS
owner_facet	MAIN DE-863 DE-BY-FWS
physical	1 online resource (xiv, 227 pages) : illustrations.
psigel	ZDB-4-EBA
publishDate	1999
publishDateSearch	1999
publishDateSort	1999
publisher	State University of New York Press,
record_format	marc
series	Interruptions.
series2	SUNY series, interruptions -- border testimony(ies) and critical discourse/s
spelling	Jarrett, Michael, 1953- https://id.oclc.org/worldcat/entity/E39PBJxRCYfpYdCwwjMWFRy8G3 http://id.loc.gov/authorities/names/n98015303 Drifting on a read : jazz as a model for writing / Michael Jarrett. Albany, N.Y. : State University of New York Press, 1999. 1 online resource (xiv, 227 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda SUNY series, interruptions -- border testimony(ies) and critical discourse/s Includes bibliographical references and index. "For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention.""--Jacket. Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs. Print version record. English. Written communication. http://id.loc.gov/authorities/subjects/sh85148659 Jazz History and criticism. Popular culture. Criticism. Communication écrite. Culture populaire. Critique. popular culture. aat criticism. aat literary criticism. aat MUSIC Genres & Styles Jazz. bisacsh Criticism fast Jazz fast Popular culture fast Written communication fast Music. hilcc Music, Dance, Drama & Film. hilcc Music Philosophy. hilcc Criticism, interpretation, etc. fast has work: Drifting on a read (Text) https://id.oclc.org/worldcat/entity/E39PCGgtv9jkKvXQFfJxfMRX8d https://id.oclc.org/worldcat/ontology/hasWork Print version: Jarrett, Michael, 1953- Drifting on a read. Albany, N.Y. : State University of New York Press, 1999 0791440974 (DLC) 98011823 (OCoLC)38966047 Interruptions. http://id.loc.gov/authorities/names/n96005098 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=44154 Volltext
spellingShingle	Jarrett, Michael, 1953- Drifting on a read : jazz as a model for writing / Interruptions. Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs. Written communication. http://id.loc.gov/authorities/subjects/sh85148659 Jazz History and criticism. Popular culture. Criticism. Communication écrite. Culture populaire. Critique. popular culture. aat criticism. aat literary criticism. aat MUSIC Genres & Styles Jazz. bisacsh Criticism fast Jazz fast Popular culture fast Written communication fast Music. hilcc Music, Dance, Drama & Film. hilcc Music Philosophy. hilcc
subject_GND	http://id.loc.gov/authorities/subjects/sh85148659
title	Drifting on a read : jazz as a model for writing /
title_auth	Drifting on a read : jazz as a model for writing /
title_exact_search	Drifting on a read : jazz as a model for writing /
title_full	Drifting on a read : jazz as a model for writing / Michael Jarrett.
title_fullStr	Drifting on a read : jazz as a model for writing / Michael Jarrett.
title_full_unstemmed	Drifting on a read : jazz as a model for writing / Michael Jarrett.
title_short	Drifting on a read :
title_sort	drifting on a read jazz as a model for writing
title_sub	jazz as a model for writing /
topic	Written communication. http://id.loc.gov/authorities/subjects/sh85148659 Jazz History and criticism. Popular culture. Criticism. Communication écrite. Culture populaire. Critique. popular culture. aat criticism. aat literary criticism. aat MUSIC Genres & Styles Jazz. bisacsh Criticism fast Jazz fast Popular culture fast Written communication fast Music. hilcc Music, Dance, Drama & Film. hilcc Music Philosophy. hilcc
topic_facet	Written communication. Jazz History and criticism. Popular culture. Criticism. Communication écrite. Culture populaire. Critique. popular culture. criticism. literary criticism. MUSIC Genres & Styles Jazz. Criticism Jazz Popular culture Written communication Music. Music, Dance, Drama & Film. Music Philosophy. Criticism, interpretation, etc.
url	https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=44154
work_keys_str_mv	AT jarrettmichael driftingonareadjazzasamodelforwriting

Holdings

There is no print copy available.

Get full text

MARC

Record in the Search Index

There is no print copy available.

Similar Items