Drifting on a read :: jazz as a model for writing /
"For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation&qu...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany, N.Y. :
State University of New York Press,
1999.
|
| Schriftenreihe: | Interruptions.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention.""--Jacket. |
| Beschreibung: | 1 online resource (xiv, 227 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0585301913 9780585301914 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocm45728513 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 001026s1999 nyua ob 001 0 eng d | ||
| 010 | |z 98011823 | ||
| 040 | |a N$T |b eng |e pn |c N$T |d OCL |d OCLCQ |d YDXCP |d OCLCG |d OCLCQ |d TUU |d OCLCQ |d TNF |d OCLCQ |d ZCU |d OCLCO |d OCLCF |d NHA |d OCLCQ |d OCLCO |d NLGGC |d OCLCQ |d OCLCO |d OCLCQ |d MWM |d OCLCA |d OCLCQ |d SAV |d OCLCQ |d QT7 |d LUE |d OCLCQ |d WRM |d VTS |d OCLCA |d AGLDB |d OCLCQ |d INT |d TOF |d OCLCQ |d S9I |d STF |d XMC |d UKSSU |d VLY |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ | ||
| 019 | |a 532692762 |a 961687355 |a 962641547 |a 970725982 |a 1007378766 |a 1038599743 |a 1053006720 |a 1105747057 |a 1123894399 |a 1127914284 |a 1135436270 |a 1162007116 |a 1241954481 | ||
| 020 | |a 0585301913 |q (electronic bk.) | ||
| 020 | |a 9780585301914 |q (electronic bk.) | ||
| 020 | |z 0791440974 |q (hc. ; |q alk. paper) | ||
| 020 | |z 0791440982 |q (pbk. ; |q alk. paper) | ||
| 020 | |z 0791441040 |q (pbk. ; |q alk. paper) | ||
| 035 | |a (OCoLC)45728513 |z (OCoLC)532692762 |z (OCoLC)961687355 |z (OCoLC)962641547 |z (OCoLC)970725982 |z (OCoLC)1007378766 |z (OCoLC)1038599743 |z (OCoLC)1053006720 |z (OCoLC)1105747057 |z (OCoLC)1123894399 |z (OCoLC)1127914284 |z (OCoLC)1135436270 |z (OCoLC)1162007116 |z (OCoLC)1241954481 | ||
| 050 | 4 | |a ML3849 |b .J39 1999eb | |
| 072 | 7 | |a MUS |x 025000 |2 bisacsh | |
| 082 | 7 | |a 781.65/11 |2 21 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Jarrett, Michael, |d 1953- |1 https://id.oclc.org/worldcat/entity/E39PBJxRCYfpYdCwwjMWFRy8G3 |0 http://id.loc.gov/authorities/names/n98015303 | |
| 245 | 1 | 0 | |a Drifting on a read : |b jazz as a model for writing / |c Michael Jarrett. |
| 260 | |a Albany, N.Y. : |b State University of New York Press, |c 1999. | ||
| 300 | |a 1 online resource (xiv, 227 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file |2 rda | ||
| 490 | 1 | |a SUNY series, interruptions -- border testimony(ies) and critical discourse/s | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 1 | |a "For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention.""--Jacket. | |
| 505 | 0 | |a Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 650 | 0 | |a Written communication. |0 http://id.loc.gov/authorities/subjects/sh85148659 | |
| 650 | 0 | |a Jazz |x History and criticism. | |
| 650 | 0 | |a Popular culture. | |
| 650 | 0 | |a Criticism. | |
| 650 | 6 | |a Communication écrite. | |
| 650 | 6 | |a Culture populaire. | |
| 650 | 6 | |a Critique. | |
| 650 | 7 | |a popular culture. |2 aat | |
| 650 | 7 | |a criticism. |2 aat | |
| 650 | 7 | |a literary criticism. |2 aat | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Jazz. |2 bisacsh | |
| 650 | 7 | |a Criticism |2 fast | |
| 650 | 7 | |a Jazz |2 fast | |
| 650 | 7 | |a Popular culture |2 fast | |
| 650 | 7 | |a Written communication |2 fast | |
| 650 | 7 | |a Music. |2 hilcc | |
| 650 | 7 | |a Music, Dance, Drama & Film. |2 hilcc | |
| 650 | 7 | |a Music Philosophy. |2 hilcc | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Drifting on a read (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGgtv9jkKvXQFfJxfMRX8d |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Jarrett, Michael, 1953- |t Drifting on a read. |d Albany, N.Y. : State University of New York Press, 1999 |z 0791440974 |w (DLC) 98011823 |w (OCoLC)38966047 |
| 830 | 0 | |a Interruptions. |0 http://id.loc.gov/authorities/names/n96005098 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=44154 |3 Volltext |
| 936 | |a BATCHLOAD | ||
| 938 | |a YBP Library Services |b YANK |n 2320244 | ||
| 938 | |a EBSCOhost |b EBSC |n 44154 | ||
| 938 | |a YBP Library Services |b YANK |n 301924912 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm45728513 |
|---|---|
| _version_ | 1816881590760898561 |
| adam_text | |
| any_adam_object | |
| author | Jarrett, Michael, 1953- |
| author_GND | http://id.loc.gov/authorities/names/n98015303 |
| author_facet | Jarrett, Michael, 1953- |
| author_role | |
| author_sort | Jarrett, Michael, 1953- |
| author_variant | m j mj |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3849 |
| callnumber-raw | ML3849 .J39 1999eb |
| callnumber-search | ML3849 .J39 1999eb |
| callnumber-sort | ML 43849 J39 41999EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs. |
| ctrlnum | (OCoLC)45728513 |
| dewey-full | 781.65/11 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.65/11 |
| dewey-search | 781.65/11 |
| dewey-sort | 3781.65 211 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04095cam a2200757 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocm45728513 </controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">001026s1999 nyua ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 98011823 </subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">YDXCP</subfield><subfield code="d">OCLCG</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TUU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TNF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">ZCU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCF</subfield><subfield code="d">NHA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">NLGGC</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MWM</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SAV</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">QT7</subfield><subfield code="d">LUE</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">WRM</subfield><subfield code="d">VTS</subfield><subfield code="d">OCLCA</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">INT</subfield><subfield code="d">TOF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">S9I</subfield><subfield code="d">STF</subfield><subfield code="d">XMC</subfield><subfield code="d">UKSSU</subfield><subfield code="d">VLY</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">532692762</subfield><subfield code="a">961687355</subfield><subfield code="a">962641547</subfield><subfield code="a">970725982</subfield><subfield code="a">1007378766</subfield><subfield code="a">1038599743</subfield><subfield code="a">1053006720</subfield><subfield code="a">1105747057</subfield><subfield code="a">1123894399</subfield><subfield code="a">1127914284</subfield><subfield code="a">1135436270</subfield><subfield code="a">1162007116</subfield><subfield code="a">1241954481</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0585301913</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780585301914</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0791440974</subfield><subfield code="q">(hc. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0791440982</subfield><subfield code="q">(pbk. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0791441040</subfield><subfield code="q">(pbk. ;</subfield><subfield code="q">alk. paper)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)45728513</subfield><subfield code="z">(OCoLC)532692762</subfield><subfield code="z">(OCoLC)961687355</subfield><subfield code="z">(OCoLC)962641547</subfield><subfield code="z">(OCoLC)970725982</subfield><subfield code="z">(OCoLC)1007378766</subfield><subfield code="z">(OCoLC)1038599743</subfield><subfield code="z">(OCoLC)1053006720</subfield><subfield code="z">(OCoLC)1105747057</subfield><subfield code="z">(OCoLC)1123894399</subfield><subfield code="z">(OCoLC)1127914284</subfield><subfield code="z">(OCoLC)1135436270</subfield><subfield code="z">(OCoLC)1162007116</subfield><subfield code="z">(OCoLC)1241954481</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3849</subfield><subfield code="b">.J39 1999eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">025000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.65/11</subfield><subfield code="2">21</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jarrett, Michael,</subfield><subfield code="d">1953-</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJxRCYfpYdCwwjMWFRy8G3</subfield><subfield code="0">http://id.loc.gov/authorities/names/n98015303</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Drifting on a read :</subfield><subfield code="b">jazz as a model for writing /</subfield><subfield code="c">Michael Jarrett.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Albany, N.Y. :</subfield><subfield code="b">State University of New York Press,</subfield><subfield code="c">1999.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiv, 227 pages) :</subfield><subfield code="b">illustrations.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">SUNY series, interruptions -- border testimony(ies) and critical discourse/s</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention.""--Jacket.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Written communication.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85148659</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Jazz</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Popular culture.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Communication écrite.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Culture populaire.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">popular culture.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">criticism.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">literary criticism.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC</subfield><subfield code="x">Genres & Styles</subfield><subfield code="x">Jazz.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Criticism</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Jazz</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Popular culture</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Written communication</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music, Dance, Drama & Film.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music Philosophy.</subfield><subfield code="2">hilcc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Drifting on a read (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGgtv9jkKvXQFfJxfMRX8d</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Jarrett, Michael, 1953-</subfield><subfield code="t">Drifting on a read.</subfield><subfield code="d">Albany, N.Y. : State University of New York Press, 1999</subfield><subfield code="z">0791440974</subfield><subfield code="w">(DLC) 98011823</subfield><subfield code="w">(OCoLC)38966047</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Interruptions.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n96005098</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=44154</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="936" ind1=" " ind2=" "><subfield code="a">BATCHLOAD</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2320244</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">44154</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">301924912</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocm45728513 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:08Z |
| institution | BVB |
| isbn | 0585301913 9780585301914 |
| language | English |
| oclc_num | 45728513 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiv, 227 pages) : illustrations. |
| psigel | ZDB-4-EBA |
| publishDate | 1999 |
| publishDateSearch | 1999 |
| publishDateSort | 1999 |
| publisher | State University of New York Press, |
| record_format | marc |
| series | Interruptions. |
| series2 | SUNY series, interruptions -- border testimony(ies) and critical discourse/s |
| spelling | Jarrett, Michael, 1953- https://id.oclc.org/worldcat/entity/E39PBJxRCYfpYdCwwjMWFRy8G3 http://id.loc.gov/authorities/names/n98015303 Drifting on a read : jazz as a model for writing / Michael Jarrett. Albany, N.Y. : State University of New York Press, 1999. 1 online resource (xiv, 227 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier data file rda SUNY series, interruptions -- border testimony(ies) and critical discourse/s Includes bibliographical references and index. "For almost a century, writers such as Ralph Ellison, Michael Ondaatje, and Ishmael Reed have expressed an affinity for jazz, hearing the music as a model for writing. Michael Jarrett examines their work and the work of others who have brought jazz into language, pushing "interpretation" into the realm of "invention.""--Jacket. Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs. Print version record. English. Written communication. http://id.loc.gov/authorities/subjects/sh85148659 Jazz History and criticism. Popular culture. Criticism. Communication écrite. Culture populaire. Critique. popular culture. aat criticism. aat literary criticism. aat MUSIC Genres & Styles Jazz. bisacsh Criticism fast Jazz fast Popular culture fast Written communication fast Music. hilcc Music, Dance, Drama & Film. hilcc Music Philosophy. hilcc Criticism, interpretation, etc. fast has work: Drifting on a read (Text) https://id.oclc.org/worldcat/entity/E39PCGgtv9jkKvXQFfJxfMRX8d https://id.oclc.org/worldcat/ontology/hasWork Print version: Jarrett, Michael, 1953- Drifting on a read. Albany, N.Y. : State University of New York Press, 1999 0791440974 (DLC) 98011823 (OCoLC)38966047 Interruptions. http://id.loc.gov/authorities/names/n96005098 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=44154 Volltext |
| spellingShingle | Jarrett, Michael, 1953- Drifting on a read : jazz as a model for writing / Interruptions. Satura: filé (under) gumbo -- Obbligato: required listening -- Rapsody: the counterfeiters -- Charivari: conjugal riffs. Written communication. http://id.loc.gov/authorities/subjects/sh85148659 Jazz History and criticism. Popular culture. Criticism. Communication écrite. Culture populaire. Critique. popular culture. aat criticism. aat literary criticism. aat MUSIC Genres & Styles Jazz. bisacsh Criticism fast Jazz fast Popular culture fast Written communication fast Music. hilcc Music, Dance, Drama & Film. hilcc Music Philosophy. hilcc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85148659 |
| title | Drifting on a read : jazz as a model for writing / |
| title_auth | Drifting on a read : jazz as a model for writing / |
| title_exact_search | Drifting on a read : jazz as a model for writing / |
| title_full | Drifting on a read : jazz as a model for writing / Michael Jarrett. |
| title_fullStr | Drifting on a read : jazz as a model for writing / Michael Jarrett. |
| title_full_unstemmed | Drifting on a read : jazz as a model for writing / Michael Jarrett. |
| title_short | Drifting on a read : |
| title_sort | drifting on a read jazz as a model for writing |
| title_sub | jazz as a model for writing / |
| topic | Written communication. http://id.loc.gov/authorities/subjects/sh85148659 Jazz History and criticism. Popular culture. Criticism. Communication écrite. Culture populaire. Critique. popular culture. aat criticism. aat literary criticism. aat MUSIC Genres & Styles Jazz. bisacsh Criticism fast Jazz fast Popular culture fast Written communication fast Music. hilcc Music, Dance, Drama & Film. hilcc Music Philosophy. hilcc |
| topic_facet | Written communication. Jazz History and criticism. Popular culture. Criticism. Communication écrite. Culture populaire. Critique. popular culture. criticism. literary criticism. MUSIC Genres & Styles Jazz. Criticism Jazz Popular culture Written communication Music. Music, Dance, Drama & Film. Music Philosophy. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=44154 |
| work_keys_str_mv | AT jarrettmichael driftingonareadjazzasamodelforwriting |