Lutheranism, anti-Judaism, and Bach's St. John Passion :: with an annotated literal translation of the libretto /
Bach's St. John Passion is surely one of the monuments of Western music, yet performances have become inevitably controversial. In large part, this is the result of the combination of powerful, highly emotional music coupled with a text that includes passages from a gospel marked by vehement an...
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| Format: | Elektronisch E-Book |
| Sprache: | English German |
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Oxford University Press,
1998.
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| Zusammenfassung: | Bach's St. John Passion is surely one of the monuments of Western music, yet performances have become inevitably controversial. In large part, this is the result of the combination of powerful, highly emotional music coupled with a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day, and what does it mean today? Although the bibliographies on Bach and on Judaism have grown enormously since World War II, there has been very little work on the relationships between these two areas. This is hardly surprising; writers focusing on issues of anti-Semitism often lack musical training and are, in any event, interested in more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. And strangely, almost no scholarly attention has been given to the relationships between Lutheranism and Judaism as they affect the St. John Passion. Through a reappraisal of Bach's work and its contexts, Michael Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for more informed and sensitive discussions of this troubling work. Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate contexts. The discussion centers first on the principal messages of the St. John Passion: Jesus' identity, his work, and how this affects the lives of his followers. Marissen goes on to suggest that fostering hostility toward Jews is not the subject or purpose of Bach's setting. For those who would reduce Bach's powerful work to its artistry, and for those listeners who find Bach's music deeply meaningful but may not have considered its attendant religious and cultural issues, as well as for those who assume the work essentially teaches contempt for Jews, Marissen aims to show that confronting the St. John Passion is more problematic than they think. The result is an ethically intelligent, carefully reasoned discussion of one of Western music's greatest works of art. This book is designed for both general readers and scholars. |
| Beschreibung: | 1 online resource (xii, 109 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes discography (pages 77), bibliographical references (p. 87-98) , and indexes. |
| ISBN: | 058524653X 9780585246536 1602566496 9781602566491 9786610454082 6610454086 1280454083 9781280454080 0195344340 9780195344349 |
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| 504 | |a Includes discography (pages 77), bibliographical references (p. 87-98) , and indexes. | ||
| 520 | |a Bach's St. John Passion is surely one of the monuments of Western music, yet performances have become inevitably controversial. In large part, this is the result of the combination of powerful, highly emotional music coupled with a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day, and what does it mean today? Although the bibliographies on Bach and on Judaism have grown enormously since World War II, there has been very little work on the relationships between these two areas. This is hardly surprising; writers focusing on issues of anti-Semitism often lack musical training and are, in any event, interested in more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. And strangely, almost no scholarly attention has been given to the relationships between Lutheranism and Judaism as they affect the St. John Passion. Through a reappraisal of Bach's work and its contexts, Michael Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for more informed and sensitive discussions of this troubling work. | ||
| 520 | 8 | |a Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate contexts. The discussion centers first on the principal messages of the St. John Passion: Jesus' identity, his work, and how this affects the lives of his followers. Marissen goes on to suggest that fostering hostility toward Jews is not the subject or purpose of Bach's setting. For those who would reduce Bach's powerful work to its artistry, and for those listeners who find Bach's music deeply meaningful but may not have considered its attendant religious and cultural issues, as well as for those who assume the work essentially teaches contempt for Jews, Marissen aims to show that confronting the St. John Passion is more problematic than they think. The result is an ethically intelligent, carefully reasoned discussion of one of Western music's greatest works of art. This book is designed for both general readers and scholars. | |
| 505 | 0 | |a Issues of method -- Bach's duties -- Lutheranism and theories of atonement -- Following Jesus, according to the St. John Passion. Who is Jesus? ; Faith and discipleship ; Theology of the cross -- Lutheran concepts of Jews and Judaism. The Gospel of John ; Luther's polemics ; Luther and Hitler ; Luther on Jews as "Christ killers" -- Jew-hatred and the St. John Passion. Olearius and Brockes ; Musical repetition and symmetry ; Who crucified Jesus? -- Where now? -- Annotated literal translation fo the libretto -- Appendix 1 : Notes on anti-Judaism and Bach's other works -- Appendix 2 : Musical examples. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
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| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 600 | 0 | 0 | |a Jesus Christ |x Passion |x Role of Jews. |0 http://id.loc.gov/authorities/subjects/sh85070078 |
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| adam_text | |
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| author | Marissen, Michael |
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| contents | Issues of method -- Bach's duties -- Lutheranism and theories of atonement -- Following Jesus, according to the St. John Passion. Who is Jesus? ; Faith and discipleship ; Theology of the cross -- Lutheran concepts of Jews and Judaism. The Gospel of John ; Luther's polemics ; Luther and Hitler ; Luther on Jews as "Christ killers" -- Jew-hatred and the St. John Passion. Olearius and Brockes ; Musical repetition and symmetry ; Who crucified Jesus? -- Where now? -- Annotated literal translation fo the libretto -- Appendix 1 : Notes on anti-Judaism and Bach's other works -- Appendix 2 : Musical examples. |
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Press,</subfield><subfield code="c">1998.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xii, 109 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes discography (pages 77), bibliographical references (p. 87-98) , and indexes.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Bach's St. John Passion is surely one of the monuments of Western music, yet performances have become inevitably controversial. In large part, this is the result of the combination of powerful, highly emotional music coupled with a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day, and what does it mean today? Although the bibliographies on Bach and on Judaism have grown enormously since World War II, there has been very little work on the relationships between these two areas. This is hardly surprising; writers focusing on issues of anti-Semitism often lack musical training and are, in any event, interested in more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. And strangely, almost no scholarly attention has been given to the relationships between Lutheranism and Judaism as they affect the St. John Passion. Through a reappraisal of Bach's work and its contexts, Michael Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for more informed and sensitive discussions of this troubling work.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate contexts. The discussion centers first on the principal messages of the St. John Passion: Jesus' identity, his work, and how this affects the lives of his followers. Marissen goes on to suggest that fostering hostility toward Jews is not the subject or purpose of Bach's setting. For those who would reduce Bach's powerful work to its artistry, and for those listeners who find Bach's music deeply meaningful but may not have considered its attendant religious and cultural issues, as well as for those who assume the work essentially teaches contempt for Jews, Marissen aims to show that confronting the St. John Passion is more problematic than they think. The result is an ethically intelligent, carefully reasoned discussion of one of Western music's greatest works of art. This book is designed for both general readers and scholars.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Issues of method -- Bach's duties -- Lutheranism and theories of atonement -- Following Jesus, according to the St. John Passion. Who is Jesus? ; Faith and discipleship ; Theology of the cross -- Lutheran concepts of Jews and Judaism. The Gospel of John ; Luther's polemics ; Luther and Hitler ; Luther on Jews as "Christ killers" -- Jew-hatred and the St. John Passion. Olearius and Brockes ; Musical repetition and symmetry ; Who crucified Jesus? -- Where now? -- Annotated literal translation fo the libretto -- Appendix 1 : Notes on anti-Judaism and Bach's other works -- Appendix 2 : Musical examples.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="506" ind1=" " ind2=" "><subfield code="3">Use copy</subfield><subfield code="f">Restrictions unspecified</subfield><subfield code="2">star</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">[Place of publication not identified]:</subfield><subfield code="c">HathiTrust Digital Library.</subfield><subfield code="d">2021.</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Master and use copy. 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| id | ZDB-4-EBA-ocm45728203 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:15:08Z |
| institution | BVB |
| isbn | 058524653X 9780585246536 1602566496 9781602566491 9786610454082 6610454086 1280454083 9781280454080 0195344340 9780195344349 |
| language | English German |
| oclc_num | 45728203 |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 109 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 1998 |
| publishDateSearch | 1998 |
| publishDateSort | 1998 |
| publisher | Oxford University Press, |
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| spelling | Marissen, Michael. http://id.loc.gov/authorities/names/nr93017709 Lutheranism, anti-Judaism, and Bach's St. John Passion : with an annotated literal translation of the libretto / Michael Marissen. New York : Oxford University Press, 1998. 1 online resource (xii, 109 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Includes discography (pages 77), bibliographical references (p. 87-98) , and indexes. Bach's St. John Passion is surely one of the monuments of Western music, yet performances have become inevitably controversial. In large part, this is the result of the combination of powerful, highly emotional music coupled with a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day, and what does it mean today? Although the bibliographies on Bach and on Judaism have grown enormously since World War II, there has been very little work on the relationships between these two areas. This is hardly surprising; writers focusing on issues of anti-Semitism often lack musical training and are, in any event, interested in more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. And strangely, almost no scholarly attention has been given to the relationships between Lutheranism and Judaism as they affect the St. John Passion. Through a reappraisal of Bach's work and its contexts, Michael Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for more informed and sensitive discussions of this troubling work. Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate contexts. The discussion centers first on the principal messages of the St. John Passion: Jesus' identity, his work, and how this affects the lives of his followers. Marissen goes on to suggest that fostering hostility toward Jews is not the subject or purpose of Bach's setting. For those who would reduce Bach's powerful work to its artistry, and for those listeners who find Bach's music deeply meaningful but may not have considered its attendant religious and cultural issues, as well as for those who assume the work essentially teaches contempt for Jews, Marissen aims to show that confronting the St. John Passion is more problematic than they think. The result is an ethically intelligent, carefully reasoned discussion of one of Western music's greatest works of art. This book is designed for both general readers and scholars. Issues of method -- Bach's duties -- Lutheranism and theories of atonement -- Following Jesus, according to the St. John Passion. Who is Jesus? ; Faith and discipleship ; Theology of the cross -- Lutheran concepts of Jews and Judaism. The Gospel of John ; Luther's polemics ; Luther and Hitler ; Luther on Jews as "Christ killers" -- Jew-hatred and the St. John Passion. Olearius and Brockes ; Musical repetition and symmetry ; Who crucified Jesus? -- Where now? -- Annotated literal translation fo the libretto -- Appendix 1 : Notes on anti-Judaism and Bach's other works -- Appendix 2 : Musical examples. Print version record. English. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified]: HathiTrust Digital Library. 2021. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2021. HathiTrust Digital Library committed to preserve pda MiAaHDL Bach, Johann Sebastian, 1685-1750. Johannespassion. http://id.loc.gov/authorities/names/n82009878 Bible. John, XVIII-XIX. German Versions Luther. Jesus Christ Passion Role of Jews. http://id.loc.gov/authorities/subjects/sh85070078 Bach, Johann Sebastian, 1685-1750 Johannespassion. Jésus-Christ Passion Rôle des Juifs. Bible. (CaQQLa)201-0003357. New Testament. Jean, XVIII-XIX. Allemand Versions (CaQQLa)201-0375299 Luther Jesus Christ fast https://id.oclc.org/worldcat/entity/E39PBJcWtWBVPTkM6wHtfK3mh3 Bible. John, XVIII-XIX fast Johannespassion (Bach, Johann Sebastian) fast Bach, Johann Sebastian 1685-1750 Johannespassion gnd Bach, Johann Sebastian, 1685-1750. Johannespassion. nli Jesus Passion Role of Jews. nli New Testament. John xviii-xix Versions Luther. nli Bach, Johann Sebastian (1685-1750). Johannespassion. BWV 245. ram Jésus-Christ Passion. ram Bach, Johann Sebastian. Johannespassion. swd Lutheran Church Relations Judaism. http://id.loc.gov/authorities/subjects/sh2022000403 Judaism Relations Lutheran Church. http://id.loc.gov/authorities/subjects/sh2022000350 Oratorios Librettos. http://id.loc.gov/authorities/subjects/sh85095295 Église luthérienne Relations Judaïsme. Judaïsme Relations Église luthérienne. Oratorios Livrets. MUSIC Instruction & Study Voice. bisacsh MUSIC Printed Music Piano-Vocal-Guitar. bisacsh Interfaith relations fast Jewish role in the Passion of Jesus Christ fast Judaism fast Lutheran Church fast Oratorios Librettos fast Antijudaismus gnd Luthertum gnd http://d-nb.info/gnd/4036718-6 Johannes-Passion (Bach) gtt Lutheranisme. gtt Anti-judaïsme. gtt Lutheran Church Relations Judaism. nli Judaism Relations Lutheran Church. nli Oratorios Librettos. nli Église luthérienne Judaïsme. ram Oratorios Opéras Livrets. ram Bach, Johann Sebastian, 1685-1750. Johannespassion. Libretto. English & German. has work: Lutheranism, anti-Judaism, and Bach's St. John Passion (Text) https://id.oclc.org/worldcat/entity/E39PCFxKjPd83kH7m3JdM6CRcd https://id.oclc.org/worldcat/ontology/hasWork Print version: Marissen, Michael. Lutheranism, anti-Judaism, and Bach's St. John Passion. New York : Oxford University Press, 1998 019511471X (DLC) 97040060 (OCoLC)37813511 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=23647 Volltext 500-00/(2/r נושא ישן: Bible N.T. John XVII-XIX. German - Versions - Luter. |
| spellingShingle | Marissen, Michael Lutheranism, anti-Judaism, and Bach's St. John Passion : with an annotated literal translation of the libretto / Issues of method -- Bach's duties -- Lutheranism and theories of atonement -- Following Jesus, according to the St. John Passion. Who is Jesus? ; Faith and discipleship ; Theology of the cross -- Lutheran concepts of Jews and Judaism. The Gospel of John ; Luther's polemics ; Luther and Hitler ; Luther on Jews as "Christ killers" -- Jew-hatred and the St. John Passion. Olearius and Brockes ; Musical repetition and symmetry ; Who crucified Jesus? -- Where now? -- Annotated literal translation fo the libretto -- Appendix 1 : Notes on anti-Judaism and Bach's other works -- Appendix 2 : Musical examples. Bach, Johann Sebastian, 1685-1750. Johannespassion. http://id.loc.gov/authorities/names/n82009878 Bible. John, XVIII-XIX. German Versions Luther. Jesus Christ Passion Role of Jews. http://id.loc.gov/authorities/subjects/sh85070078 Bach, Johann Sebastian, 1685-1750 Johannespassion. Jésus-Christ Passion Rôle des Juifs. Bible. (CaQQLa)201-0003357. New Testament. Jean, XVIII-XIX. Allemand Versions (CaQQLa)201-0375299 Luther Jesus Christ fast https://id.oclc.org/worldcat/entity/E39PBJcWtWBVPTkM6wHtfK3mh3 Bible. John, XVIII-XIX fast Johannespassion (Bach, Johann Sebastian) fast Bach, Johann Sebastian 1685-1750 Johannespassion gnd Bach, Johann Sebastian, 1685-1750. Johannespassion. nli Jesus Passion Role of Jews. nli New Testament. John xviii-xix Versions Luther. nli Bach, Johann Sebastian (1685-1750). Johannespassion. BWV 245. ram Jésus-Christ Passion. ram Bach, Johann Sebastian. Johannespassion. swd Lutheran Church Relations Judaism. http://id.loc.gov/authorities/subjects/sh2022000403 Judaism Relations Lutheran Church. http://id.loc.gov/authorities/subjects/sh2022000350 Oratorios Librettos. http://id.loc.gov/authorities/subjects/sh85095295 Église luthérienne Relations Judaïsme. Judaïsme Relations Église luthérienne. Oratorios Livrets. MUSIC Instruction & Study Voice. bisacsh MUSIC Printed Music Piano-Vocal-Guitar. bisacsh Interfaith relations fast Jewish role in the Passion of Jesus Christ fast Judaism fast Lutheran Church fast Oratorios Librettos fast Antijudaismus gnd Luthertum gnd http://d-nb.info/gnd/4036718-6 Johannes-Passion (Bach) gtt Lutheranisme. gtt Anti-judaïsme. gtt Lutheran Church Relations Judaism. nli Judaism Relations Lutheran Church. nli Oratorios Librettos. nli Église luthérienne Judaïsme. ram Oratorios Opéras Livrets. ram |
| subject_GND | http://id.loc.gov/authorities/names/n82009878 http://id.loc.gov/authorities/subjects/sh85070078 (CaQQLa)201-0003357. (CaQQLa)201-0375299 http://id.loc.gov/authorities/subjects/sh2022000403 http://id.loc.gov/authorities/subjects/sh2022000350 http://id.loc.gov/authorities/subjects/sh85095295 http://d-nb.info/gnd/4036718-6 |
| title | Lutheranism, anti-Judaism, and Bach's St. John Passion : with an annotated literal translation of the libretto / |
| title_alt | Johannespassion. |
| title_auth | Lutheranism, anti-Judaism, and Bach's St. John Passion : with an annotated literal translation of the libretto / |
| title_exact_search | Lutheranism, anti-Judaism, and Bach's St. John Passion : with an annotated literal translation of the libretto / |
| title_full | Lutheranism, anti-Judaism, and Bach's St. John Passion : with an annotated literal translation of the libretto / Michael Marissen. |
| title_fullStr | Lutheranism, anti-Judaism, and Bach's St. John Passion : with an annotated literal translation of the libretto / Michael Marissen. |
| title_full_unstemmed | Lutheranism, anti-Judaism, and Bach's St. John Passion : with an annotated literal translation of the libretto / Michael Marissen. |
| title_short | Lutheranism, anti-Judaism, and Bach's St. John Passion : |
| title_sort | lutheranism anti judaism and bach s st john passion with an annotated literal translation of the libretto |
| title_sub | with an annotated literal translation of the libretto / |
| topic | Bach, Johann Sebastian, 1685-1750. Johannespassion. http://id.loc.gov/authorities/names/n82009878 Bible. John, XVIII-XIX. German Versions Luther. Jesus Christ Passion Role of Jews. http://id.loc.gov/authorities/subjects/sh85070078 Bach, Johann Sebastian, 1685-1750 Johannespassion. Jésus-Christ Passion Rôle des Juifs. Bible. (CaQQLa)201-0003357. New Testament. Jean, XVIII-XIX. Allemand Versions (CaQQLa)201-0375299 Luther Jesus Christ fast https://id.oclc.org/worldcat/entity/E39PBJcWtWBVPTkM6wHtfK3mh3 Bible. John, XVIII-XIX fast Johannespassion (Bach, Johann Sebastian) fast Bach, Johann Sebastian 1685-1750 Johannespassion gnd Bach, Johann Sebastian, 1685-1750. Johannespassion. nli Jesus Passion Role of Jews. nli New Testament. John xviii-xix Versions Luther. nli Bach, Johann Sebastian (1685-1750). Johannespassion. BWV 245. ram Jésus-Christ Passion. ram Bach, Johann Sebastian. Johannespassion. swd Lutheran Church Relations Judaism. http://id.loc.gov/authorities/subjects/sh2022000403 Judaism Relations Lutheran Church. http://id.loc.gov/authorities/subjects/sh2022000350 Oratorios Librettos. http://id.loc.gov/authorities/subjects/sh85095295 Église luthérienne Relations Judaïsme. Judaïsme Relations Église luthérienne. Oratorios Livrets. MUSIC Instruction & Study Voice. bisacsh MUSIC Printed Music Piano-Vocal-Guitar. bisacsh Interfaith relations fast Jewish role in the Passion of Jesus Christ fast Judaism fast Lutheran Church fast Oratorios Librettos fast Antijudaismus gnd Luthertum gnd http://d-nb.info/gnd/4036718-6 Johannes-Passion (Bach) gtt Lutheranisme. gtt Anti-judaïsme. gtt Lutheran Church Relations Judaism. nli Judaism Relations Lutheran Church. nli Oratorios Librettos. nli Église luthérienne Judaïsme. ram Oratorios Opéras Livrets. ram |
| topic_facet | Bach, Johann Sebastian, 1685-1750. Johannespassion. Bible. John, XVIII-XIX. German Versions Luther. Jesus Christ Passion Role of Jews. Bach, Johann Sebastian, 1685-1750 Johannespassion. Jésus-Christ Passion Rôle des Juifs. Bible. New Testament. Jean, XVIII-XIX. Allemand Versions Luther Jesus Christ Bible. John, XVIII-XIX Johannespassion (Bach, Johann Sebastian) Bach, Johann Sebastian 1685-1750 Johannespassion Jesus Passion Role of Jews. New Testament. John xviii-xix Versions Luther. Bach, Johann Sebastian (1685-1750). Johannespassion. BWV 245. Jésus-Christ Passion. Bach, Johann Sebastian. Johannespassion. Lutheran Church Relations Judaism. Judaism Relations Lutheran Church. Oratorios Librettos. Église luthérienne Relations Judaïsme. Judaïsme Relations Église luthérienne. Oratorios Livrets. MUSIC Instruction & Study Voice. MUSIC Printed Music Piano-Vocal-Guitar. Interfaith relations Jewish role in the Passion of Jesus Christ Judaism Lutheran Church Oratorios Librettos Antijudaismus Luthertum Johannes-Passion (Bach) Lutheranisme. Anti-judaïsme. Église luthérienne Judaïsme. Oratorios Opéras Livrets. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=23647 |
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