The semiotics of performance /:
"In this brilliant book Marco De Marinis develops a systematic definition of performance in terms of text, a new theoretical object, which he sees as the result of treating theatrical performance as a material object, a mixture of old and new, of the "already said" and the "not y...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English Italian |
| Veröffentlicht: |
Bloomington, Ind. :
Indiana University Press,
©1993.
|
| Schriftenreihe: | Advances in semiotics.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In this brilliant book Marco De Marinis develops a systematic definition of performance in terms of text, a new theoretical object, which he sees as the result of treating theatrical performance as a material object, a mixture of old and new, of the "already said" and the "not yet said." This permits him to view performance as an original combination within a textual structure of pre-existing codes and specific codes that are created anew with each performance and thus recognizable only by abduction."--Jacket |
| Beschreibung: | Translation of: Semiotica del teatro. |
| Beschreibung: | 1 online resource (viii, 266 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 237-266). |
| ISBN: | 0585201056 9780585201054 |
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| 100 | 1 | |a De Marinis, Marco. | |
| 240 | 1 | 0 | |a Semiotica del teatro. |l English |
| 245 | 1 | 4 | |a The semiotics of performance / |c Marco De Marinis ; translated by Áine O'Healy. |
| 260 | |a Bloomington, Ind. : |b Indiana University Press, |c ©1993. | ||
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| 490 | 1 | |a Advances in semiotics | |
| 500 | |a Translation of: Semiotica del teatro. | ||
| 504 | |a Includes bibliographical references (pages 237-266). | ||
| 588 | 0 | |a Print version record. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
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| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 505 | 0 | 0 | |t Introduction: Theater Or Semiotics |g (starting p. 1) -- |g 0.1 |t The Textual Analysis of Performance |g (starting p. 2) -- |g 0.2 |t From Structuralism to the Pragmatics of the Text |g (starting p. 3) -- |g 0.3 |t Enunciation, Intertextuality, and Reception |g (starting p. 4) -- |g 0.4 |t Textual Analysis as a Multidisciplinary Approach |g (starting p. 6) -- |g 0.5 |t Epistemological Limits |g (starting p. 9) -- |g 0.6 |t Semiotics and Theater |g (starting p. 10) -- |g 1 |t Dramatic Text and Mise-En-Scene |g (starting p. 15) -- |g 1.1 |t Reasons for a Misunderstanding |g (starting p. 15) -- |g 1.2 |t A Critique of the Conception of the Dramatic Text as a "Constant" or "Deep Structure" of Performance |g (starting p. 17) -- |g 1.3 |t Language and Metalanguage, Text and Metatext |g (starting p. 20) -- |g 1.4 |t Virtual Mise-en-Scene and Real Mise-en-Scene |g (starting p. 21) -- |g 1.5 |t The Irreversibility of Theatrical Transcoding |g (starting p. 26) -- |g 1.6 |t Toward a Definition of the Dramatic Genre |g (starting p. 30) -- |g 1.7 |t Dramatic Discourse |g (starting p. 34) -- |g 1.8 |t The Dramatic Text as "Instructions for Use" |g (starting p. 37) -- |g 2 |t The Performance Text |g (starting p. 47) -- |g 2.1 |t Performance as Text |g (starting p. 47) -- |g 2.2 |t Theatrical Performance: A Definition |g (starting p. 48) -- |g 2.3 |t Completeness and Coherence of the Performance Text |g (starting p. 56) -- |g 2.4 |t The Performance Text: Between Presence and Absence |g (starting p. 62) -- |g 2.5 |t The Double Heterogeneity of the Performance Text |g (starting p. 77) -- |g 2.6 |t Performance Texts Shorter or Longer than One Performance |g (starting p. 78) -- |g 2.7 |t Co-textual and Contextual Aspects |g (starting p. 80) -- |g 3 |t The Textual Structure of Performance |g (starting p. 83) -- |g 3.1 |t Multiple Systems and Single Systems |g (starting p. 83) -- |g 3.2 |t Degrees of Dynamism in the Textual Structure of Performance |g (starting p. 85) -- |g 3.3 |t Partial Structures and Macrostructures |g (starting p. 88) -- |g 3.4 |t Multiple Interpretations, Multiple Structures |g (starting p. 90) -- |g 3.5 |t Analysis/Reading/Criticism |g (starting p. 93) -- |g 4 |t Performance Codes and Theatrical Conventions |g (starting p. 97) -- |g 4.1 |t The Concept of "Code" in Relation to Theatrical Performance |g (starting p. 97) -- |g 4.2 |t Decoding, Comprehension, Interpretation |g (starting p. 98) -- |g 4.3 |t Classification according to Codes and Classification according to Expressive Material |g (starting p. 100) -- |g 4.4 |t Theatrical and Nontheatrical Meanings |g (starting p. 103) -- |g 4.5 |t Performance Codes (in the Strict Sense) |g (starting p. 104) -- |g 4.6 |t Theatrical Conventions |g (starting p. 106) -- |g 4.7 |t The Performance Text as an Example of Invention |g (starting p. 116) -- |g 5 |t Performance Text, Cultural Context, and Inter Textual Practices |g (starting p. 121) -- |g 5.1 |t The Performance Text in the General Text: The Cultural Roots of Codes and Conventions |g (starting p. 121) -- |g 5.2 |t Aesthetic and Nonaesthetic Codes: From Culture to Art and Back |g (starting p. 124) -- |g 5.3 |t Francastel: The Aesthetic Text as Montage of Cultural Objects |g (starting p. 126) -- |g 5.4 |t Types of Theatrical Intertextuality |g (starting p. 131) -- |g 6 |t Toward a Pragmatics of Theatrical Communication |g (starting p. 137) -- |g 6.1 |t The Performance Context |g (starting p. 137) -- |g 6.2 |t Communication in the Theater |g (starting p. 139) -- |g 6.3 |t The Kind and Degree of Communication in Performance |g (starting p. 142) -- |g 6.4 |t Theatrical Manipulation |g (starting p. 144) -- |g 6.5 |t Action/Fiction: The Performance Text as a Macro-Speech Act |g (starting p. 150) -- |g 6.6 |t Theater beyond Simulation and Negation |g (starting p. 154) -- |g 7 |t The Spectator's Task |g (starting p. 158) -- |g 7.1 |t The Current State of Research on Theatrical Reception |g (starting p. 158) -- |g 7.2 |t Research on Reception outside of Theater |g (starting p. 161) -- |g 7.3 |t The Model Spectator: "Closed" Spectators and "Open" Spectators |g (starting p. 165) -- |g 7.4 |t Theatrical Competence |g (starting p. 171) -- |g 7.5 |t Theatrical Genre as a Textual Type |g (starting p. 171) -- |g 7.6 |t Pragmatic Aspects of Theatrical Genres |g (starting p. 180) -- |g 7.7 |t Avant-Garde Theater as Metalinguistic Manipulation of the Performance Context |g (starting p. 182) -- |g 7.8 |t Grammaticality, Acceptability, and Appropriateness of the Performance Text |g (starting p. 184) -- |t Notes |g (starting p. 189) -- |t Bibliography |g (starting p. 237). |
| 520 | 1 | |a "In this brilliant book Marco De Marinis develops a systematic definition of performance in terms of text, a new theoretical object, which he sees as the result of treating theatrical performance as a material object, a mixture of old and new, of the "already said" and the "not yet said." This permits him to view performance as an original combination within a textual structure of pre-existing codes and specific codes that are created anew with each performance and thus recognizable only by abduction."--Jacket | |
| 546 | |a English. | ||
| 650 | 0 | |a Theater |x Semiotics. |0 http://id.loc.gov/authorities/subjects/sh88000736 | |
| 650 | 0 | |a Semiotics. |0 http://id.loc.gov/authorities/subjects/sh85119950 | |
| 650 | 6 | |a Sémiotique et théâtre. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Semiotics |2 fast | |
| 650 | 7 | |a Theater |x Semiotics |2 fast | |
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| contents | Introduction: Theater Or Semiotics The Textual Analysis of Performance From Structuralism to the Pragmatics of the Text Enunciation, Intertextuality, and Reception Textual Analysis as a Multidisciplinary Approach Epistemological Limits Semiotics and Theater Dramatic Text and Mise-En-Scene Reasons for a Misunderstanding A Critique of the Conception of the Dramatic Text as a "Constant" or "Deep Structure" of Performance Language and Metalanguage, Text and Metatext Virtual Mise-en-Scene and Real Mise-en-Scene The Irreversibility of Theatrical Transcoding Toward a Definition of the Dramatic Genre Dramatic Discourse The Dramatic Text as "Instructions for Use" The Performance Text Performance as Text Theatrical Performance: A Definition Completeness and Coherence of the Performance Text The Performance Text: Between Presence and Absence The Double Heterogeneity of the Performance Text Performance Texts Shorter or Longer than One Performance Co-textual and Contextual Aspects The Textual Structure of Performance Multiple Systems and Single Systems Degrees of Dynamism in the Textual Structure of Performance Partial Structures and Macrostructures Multiple Interpretations, Multiple Structures Analysis/Reading/Criticism Performance Codes and Theatrical Conventions The Concept of "Code" in Relation to Theatrical Performance Decoding, Comprehension, Interpretation Classification according to Codes and Classification according to Expressive Material Theatrical and Nontheatrical Meanings Performance Codes (in the Strict Sense) Theatrical Conventions The Performance Text as an Example of Invention Performance Text, Cultural Context, and Inter Textual Practices The Performance Text in the General Text: The Cultural Roots of Codes and Conventions Aesthetic and Nonaesthetic Codes: From Culture to Art and Back Francastel: The Aesthetic Text as Montage of Cultural Objects Types of Theatrical Intertextuality Toward a Pragmatics of Theatrical Communication The Performance Context Communication in the Theater The Kind and Degree of Communication in Performance Theatrical Manipulation Action/Fiction: The Performance Text as a Macro-Speech Act Theater beyond Simulation and Negation The Spectator's Task The Current State of Research on Theatrical Reception Research on Reception outside of Theater The Model Spectator: "Closed" Spectators and "Open" Spectators Theatrical Competence Theatrical Genre as a Textual Type Pragmatic Aspects of Theatrical Genres Avant-Garde Theater as Metalinguistic Manipulation of the Performance Context Grammaticality, Acceptability, and Appropriateness of the Performance Text Notes Bibliography |
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| dewey-search | 792/.014 |
| dewey-sort | 3792 214 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Introduction: Theater Or Semiotics</subfield><subfield code="g">(starting p. 1) --</subfield><subfield code="g">0.1</subfield><subfield code="t">The Textual Analysis of Performance</subfield><subfield code="g">(starting p. 2) --</subfield><subfield code="g">0.2</subfield><subfield code="t">From Structuralism to the Pragmatics of the Text</subfield><subfield code="g">(starting p. 3) --</subfield><subfield code="g">0.3</subfield><subfield code="t">Enunciation, 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--</subfield><subfield code="g">1.3</subfield><subfield code="t">Language and Metalanguage, Text and Metatext</subfield><subfield code="g">(starting p. 20) --</subfield><subfield code="g">1.4</subfield><subfield code="t">Virtual Mise-en-Scene and Real Mise-en-Scene</subfield><subfield code="g">(starting p. 21) --</subfield><subfield code="g">1.5</subfield><subfield code="t">The Irreversibility of Theatrical Transcoding</subfield><subfield code="g">(starting p. 26) --</subfield><subfield code="g">1.6</subfield><subfield code="t">Toward a Definition of the Dramatic Genre</subfield><subfield code="g">(starting p. 30) --</subfield><subfield code="g">1.7</subfield><subfield code="t">Dramatic Discourse</subfield><subfield code="g">(starting p. 34) --</subfield><subfield code="g">1.8</subfield><subfield code="t">The Dramatic Text as "Instructions for Use"</subfield><subfield code="g">(starting p. 37) --</subfield><subfield code="g">2</subfield><subfield code="t">The Performance 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code="t">Analysis/Reading/Criticism</subfield><subfield code="g">(starting p. 93) --</subfield><subfield code="g">4</subfield><subfield code="t">Performance Codes and Theatrical Conventions</subfield><subfield code="g">(starting p. 97) --</subfield><subfield code="g">4.1</subfield><subfield code="t">The Concept of "Code" in Relation to Theatrical Performance</subfield><subfield code="g">(starting p. 97) --</subfield><subfield code="g">4.2</subfield><subfield code="t">Decoding, Comprehension, Interpretation</subfield><subfield code="g">(starting p. 98) --</subfield><subfield code="g">4.3</subfield><subfield code="t">Classification according to Codes and Classification according to Expressive Material</subfield><subfield code="g">(starting p. 100) --</subfield><subfield code="g">4.4</subfield><subfield code="t">Theatrical and Nontheatrical Meanings</subfield><subfield code="g">(starting p. 103) --</subfield><subfield code="g">4.5</subfield><subfield code="t">Performance Codes (in the 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as Montage of Cultural Objects</subfield><subfield code="g">(starting p. 126) --</subfield><subfield code="g">5.4</subfield><subfield code="t">Types of Theatrical Intertextuality</subfield><subfield code="g">(starting p. 131) --</subfield><subfield code="g">6</subfield><subfield code="t">Toward a Pragmatics of Theatrical Communication</subfield><subfield code="g">(starting p. 137) --</subfield><subfield code="g">6.1</subfield><subfield code="t">The Performance Context</subfield><subfield code="g">(starting p. 137) --</subfield><subfield code="g">6.2</subfield><subfield code="t">Communication in the Theater</subfield><subfield code="g">(starting p. 139) --</subfield><subfield code="g">6.3</subfield><subfield code="t">The Kind and Degree of Communication in Performance</subfield><subfield code="g">(starting p. 142) --</subfield><subfield code="g">6.4</subfield><subfield code="t">Theatrical Manipulation</subfield><subfield code="g">(starting p. 144) --</subfield><subfield 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| id | ZDB-4-EBA-ocm44964847 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:07Z |
| institution | BVB |
| isbn | 0585201056 9780585201054 |
| language | English Italian |
| oclc_num | 44964847 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 266 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1993 |
| publishDateSearch | 1993 |
| publishDateSort | 1993 |
| publisher | Indiana University Press, |
| record_format | marc |
| series | Advances in semiotics. |
| series2 | Advances in semiotics |
| spelling | De Marinis, Marco. Semiotica del teatro. English The semiotics of performance / Marco De Marinis ; translated by Áine O'Healy. Bloomington, Ind. : Indiana University Press, ©1993. 1 online resource (viii, 266 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Advances in semiotics Translation of: Semiotica del teatro. Includes bibliographical references (pages 237-266). Print version record. Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Introduction: Theater Or Semiotics (starting p. 1) -- 0.1 The Textual Analysis of Performance (starting p. 2) -- 0.2 From Structuralism to the Pragmatics of the Text (starting p. 3) -- 0.3 Enunciation, Intertextuality, and Reception (starting p. 4) -- 0.4 Textual Analysis as a Multidisciplinary Approach (starting p. 6) -- 0.5 Epistemological Limits (starting p. 9) -- 0.6 Semiotics and Theater (starting p. 10) -- 1 Dramatic Text and Mise-En-Scene (starting p. 15) -- 1.1 Reasons for a Misunderstanding (starting p. 15) -- 1.2 A Critique of the Conception of the Dramatic Text as a "Constant" or "Deep Structure" of Performance (starting p. 17) -- 1.3 Language and Metalanguage, Text and Metatext (starting p. 20) -- 1.4 Virtual Mise-en-Scene and Real Mise-en-Scene (starting p. 21) -- 1.5 The Irreversibility of Theatrical Transcoding (starting p. 26) -- 1.6 Toward a Definition of the Dramatic Genre (starting p. 30) -- 1.7 Dramatic Discourse (starting p. 34) -- 1.8 The Dramatic Text as "Instructions for Use" (starting p. 37) -- 2 The Performance Text (starting p. 47) -- 2.1 Performance as Text (starting p. 47) -- 2.2 Theatrical Performance: A Definition (starting p. 48) -- 2.3 Completeness and Coherence of the Performance Text (starting p. 56) -- 2.4 The Performance Text: Between Presence and Absence (starting p. 62) -- 2.5 The Double Heterogeneity of the Performance Text (starting p. 77) -- 2.6 Performance Texts Shorter or Longer than One Performance (starting p. 78) -- 2.7 Co-textual and Contextual Aspects (starting p. 80) -- 3 The Textual Structure of Performance (starting p. 83) -- 3.1 Multiple Systems and Single Systems (starting p. 83) -- 3.2 Degrees of Dynamism in the Textual Structure of Performance (starting p. 85) -- 3.3 Partial Structures and Macrostructures (starting p. 88) -- 3.4 Multiple Interpretations, Multiple Structures (starting p. 90) -- 3.5 Analysis/Reading/Criticism (starting p. 93) -- 4 Performance Codes and Theatrical Conventions (starting p. 97) -- 4.1 The Concept of "Code" in Relation to Theatrical Performance (starting p. 97) -- 4.2 Decoding, Comprehension, Interpretation (starting p. 98) -- 4.3 Classification according to Codes and Classification according to Expressive Material (starting p. 100) -- 4.4 Theatrical and Nontheatrical Meanings (starting p. 103) -- 4.5 Performance Codes (in the Strict Sense) (starting p. 104) -- 4.6 Theatrical Conventions (starting p. 106) -- 4.7 The Performance Text as an Example of Invention (starting p. 116) -- 5 Performance Text, Cultural Context, and Inter Textual Practices (starting p. 121) -- 5.1 The Performance Text in the General Text: The Cultural Roots of Codes and Conventions (starting p. 121) -- 5.2 Aesthetic and Nonaesthetic Codes: From Culture to Art and Back (starting p. 124) -- 5.3 Francastel: The Aesthetic Text as Montage of Cultural Objects (starting p. 126) -- 5.4 Types of Theatrical Intertextuality (starting p. 131) -- 6 Toward a Pragmatics of Theatrical Communication (starting p. 137) -- 6.1 The Performance Context (starting p. 137) -- 6.2 Communication in the Theater (starting p. 139) -- 6.3 The Kind and Degree of Communication in Performance (starting p. 142) -- 6.4 Theatrical Manipulation (starting p. 144) -- 6.5 Action/Fiction: The Performance Text as a Macro-Speech Act (starting p. 150) -- 6.6 Theater beyond Simulation and Negation (starting p. 154) -- 7 The Spectator's Task (starting p. 158) -- 7.1 The Current State of Research on Theatrical Reception (starting p. 158) -- 7.2 Research on Reception outside of Theater (starting p. 161) -- 7.3 The Model Spectator: "Closed" Spectators and "Open" Spectators (starting p. 165) -- 7.4 Theatrical Competence (starting p. 171) -- 7.5 Theatrical Genre as a Textual Type (starting p. 171) -- 7.6 Pragmatic Aspects of Theatrical Genres (starting p. 180) -- 7.7 Avant-Garde Theater as Metalinguistic Manipulation of the Performance Context (starting p. 182) -- 7.8 Grammaticality, Acceptability, and Appropriateness of the Performance Text (starting p. 184) -- Notes (starting p. 189) -- Bibliography (starting p. 237). "In this brilliant book Marco De Marinis develops a systematic definition of performance in terms of text, a new theoretical object, which he sees as the result of treating theatrical performance as a material object, a mixture of old and new, of the "already said" and the "not yet said." This permits him to view performance as an original combination within a textual structure of pre-existing codes and specific codes that are created anew with each performance and thus recognizable only by abduction."--Jacket English. Theater Semiotics. http://id.loc.gov/authorities/subjects/sh88000736 Semiotics. http://id.loc.gov/authorities/subjects/sh85119950 Sémiotique et théâtre. PERFORMING ARTS Theater History & Criticism. bisacsh Semiotics fast Theater Semiotics fast Semiotik gnd http://d-nb.info/gnd/4054498-9 Theatersemiotik gnd http://d-nb.info/gnd/4204590-3 Drama gnd http://d-nb.info/gnd/4012899-4 Semiotiek. gtt Toneel. gtt has work: The semiotics of performance (Text) https://id.oclc.org/worldcat/entity/E39PCGVvpQB7rQvyXTxt8P76Xd https://id.oclc.org/worldcat/ontology/hasWork Print version: De Marinis, Marco. Semiotica del teatro. English. Semiotics of performance. Bloomington, Ind. : Indiana University Press, ©1993 0253316863 (DLC) 92038671 (OCoLC)26931466 Advances in semiotics. http://id.loc.gov/authorities/names/n42001249 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=23207 Volltext |
| spellingShingle | De Marinis, Marco The semiotics of performance / Advances in semiotics. Introduction: Theater Or Semiotics The Textual Analysis of Performance From Structuralism to the Pragmatics of the Text Enunciation, Intertextuality, and Reception Textual Analysis as a Multidisciplinary Approach Epistemological Limits Semiotics and Theater Dramatic Text and Mise-En-Scene Reasons for a Misunderstanding A Critique of the Conception of the Dramatic Text as a "Constant" or "Deep Structure" of Performance Language and Metalanguage, Text and Metatext Virtual Mise-en-Scene and Real Mise-en-Scene The Irreversibility of Theatrical Transcoding Toward a Definition of the Dramatic Genre Dramatic Discourse The Dramatic Text as "Instructions for Use" The Performance Text Performance as Text Theatrical Performance: A Definition Completeness and Coherence of the Performance Text The Performance Text: Between Presence and Absence The Double Heterogeneity of the Performance Text Performance Texts Shorter or Longer than One Performance Co-textual and Contextual Aspects The Textual Structure of Performance Multiple Systems and Single Systems Degrees of Dynamism in the Textual Structure of Performance Partial Structures and Macrostructures Multiple Interpretations, Multiple Structures Analysis/Reading/Criticism Performance Codes and Theatrical Conventions The Concept of "Code" in Relation to Theatrical Performance Decoding, Comprehension, Interpretation Classification according to Codes and Classification according to Expressive Material Theatrical and Nontheatrical Meanings Performance Codes (in the Strict Sense) Theatrical Conventions The Performance Text as an Example of Invention Performance Text, Cultural Context, and Inter Textual Practices The Performance Text in the General Text: The Cultural Roots of Codes and Conventions Aesthetic and Nonaesthetic Codes: From Culture to Art and Back Francastel: The Aesthetic Text as Montage of Cultural Objects Types of Theatrical Intertextuality Toward a Pragmatics of Theatrical Communication The Performance Context Communication in the Theater The Kind and Degree of Communication in Performance Theatrical Manipulation Action/Fiction: The Performance Text as a Macro-Speech Act Theater beyond Simulation and Negation The Spectator's Task The Current State of Research on Theatrical Reception Research on Reception outside of Theater The Model Spectator: "Closed" Spectators and "Open" Spectators Theatrical Competence Theatrical Genre as a Textual Type Pragmatic Aspects of Theatrical Genres Avant-Garde Theater as Metalinguistic Manipulation of the Performance Context Grammaticality, Acceptability, and Appropriateness of the Performance Text Notes Bibliography Theater Semiotics. http://id.loc.gov/authorities/subjects/sh88000736 Semiotics. http://id.loc.gov/authorities/subjects/sh85119950 Sémiotique et théâtre. PERFORMING ARTS Theater History & Criticism. bisacsh Semiotics fast Theater Semiotics fast Semiotik gnd http://d-nb.info/gnd/4054498-9 Theatersemiotik gnd http://d-nb.info/gnd/4204590-3 Drama gnd http://d-nb.info/gnd/4012899-4 Semiotiek. gtt Toneel. gtt |
| subject_GND | http://id.loc.gov/authorities/subjects/sh88000736 http://id.loc.gov/authorities/subjects/sh85119950 http://d-nb.info/gnd/4054498-9 http://d-nb.info/gnd/4204590-3 http://d-nb.info/gnd/4012899-4 |
| title | The semiotics of performance / |
| title_alt | Semiotica del teatro. Introduction: Theater Or Semiotics The Textual Analysis of Performance From Structuralism to the Pragmatics of the Text Enunciation, Intertextuality, and Reception Textual Analysis as a Multidisciplinary Approach Epistemological Limits Semiotics and Theater Dramatic Text and Mise-En-Scene Reasons for a Misunderstanding A Critique of the Conception of the Dramatic Text as a "Constant" or "Deep Structure" of Performance Language and Metalanguage, Text and Metatext Virtual Mise-en-Scene and Real Mise-en-Scene The Irreversibility of Theatrical Transcoding Toward a Definition of the Dramatic Genre Dramatic Discourse The Dramatic Text as "Instructions for Use" The Performance Text Performance as Text Theatrical Performance: A Definition Completeness and Coherence of the Performance Text The Performance Text: Between Presence and Absence The Double Heterogeneity of the Performance Text Performance Texts Shorter or Longer than One Performance Co-textual and Contextual Aspects The Textual Structure of Performance Multiple Systems and Single Systems Degrees of Dynamism in the Textual Structure of Performance Partial Structures and Macrostructures Multiple Interpretations, Multiple Structures Analysis/Reading/Criticism Performance Codes and Theatrical Conventions The Concept of "Code" in Relation to Theatrical Performance Decoding, Comprehension, Interpretation Classification according to Codes and Classification according to Expressive Material Theatrical and Nontheatrical Meanings Performance Codes (in the Strict Sense) Theatrical Conventions The Performance Text as an Example of Invention Performance Text, Cultural Context, and Inter Textual Practices The Performance Text in the General Text: The Cultural Roots of Codes and Conventions Aesthetic and Nonaesthetic Codes: From Culture to Art and Back Francastel: The Aesthetic Text as Montage of Cultural Objects Types of Theatrical Intertextuality Toward a Pragmatics of Theatrical Communication The Performance Context Communication in the Theater The Kind and Degree of Communication in Performance Theatrical Manipulation Action/Fiction: The Performance Text as a Macro-Speech Act Theater beyond Simulation and Negation The Spectator's Task The Current State of Research on Theatrical Reception Research on Reception outside of Theater The Model Spectator: "Closed" Spectators and "Open" Spectators Theatrical Competence Theatrical Genre as a Textual Type Pragmatic Aspects of Theatrical Genres Avant-Garde Theater as Metalinguistic Manipulation of the Performance Context Grammaticality, Acceptability, and Appropriateness of the Performance Text Notes Bibliography |
| title_auth | The semiotics of performance / |
| title_exact_search | The semiotics of performance / |
| title_full | The semiotics of performance / Marco De Marinis ; translated by Áine O'Healy. |
| title_fullStr | The semiotics of performance / Marco De Marinis ; translated by Áine O'Healy. |
| title_full_unstemmed | The semiotics of performance / Marco De Marinis ; translated by Áine O'Healy. |
| title_short | The semiotics of performance / |
| title_sort | semiotics of performance |
| topic | Theater Semiotics. http://id.loc.gov/authorities/subjects/sh88000736 Semiotics. http://id.loc.gov/authorities/subjects/sh85119950 Sémiotique et théâtre. PERFORMING ARTS Theater History & Criticism. bisacsh Semiotics fast Theater Semiotics fast Semiotik gnd http://d-nb.info/gnd/4054498-9 Theatersemiotik gnd http://d-nb.info/gnd/4204590-3 Drama gnd http://d-nb.info/gnd/4012899-4 Semiotiek. gtt Toneel. gtt |
| topic_facet | Theater Semiotics. Semiotics. Sémiotique et théâtre. PERFORMING ARTS Theater History & Criticism. Semiotics Theater Semiotics Semiotik Theatersemiotik Drama Semiotiek. Toneel. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=23207 |
| work_keys_str_mv | AT demarinismarco semioticadelteatro AT demarinismarco thesemioticsofperformance AT demarinismarco semioticsofperformance |