Gender and performance in Shakespeare's problem comedies /:
"Composed at a critical moment in English history, Shakespeare's "problem plays"--All's Well That Ends Well, Measure for Measure, and Troilus and Cressida - dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of fema...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Ind. :
Indiana University Press,
©1997.
|
| Schriftenreihe: | Drama and performance studies.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Composed at a critical moment in English history, Shakespeare's "problem plays"--All's Well That Ends Well, Measure for Measure, and Troilus and Cressida - dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly; females contend and confound traditional femininity. Male authority, even male ideas of the heroic, suffers in the face of a female's disruptive sexual power. By resisting comic closure, these plays leave uncontained the subversions of gender that comedies for the most part successfully hold in check." "David McCandless follows the drama of gender enacted in these plays. His approach weds a theoretically engaged textual analysis to the dynamics of performance. He adopts the perspective not of expert spectator but of practitioner, bringing directorial modes of inquiry to his analysis. While drawing upon the performance histories of the problem comedies, he exploits his own experience as a director in dramatizing and theorizing the enactment of gender. The book provides a unique and invigorating example of how performance criticism can illuminate these difficult, sometimes overlooked tragicomedies."--Jacket. |
| Beschreibung: | 1 online resource (viii, 205 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0585161666 9780585161662 |
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| 505 | 0 | |a 1. Introduction: All's Well That Ends Well -- Helena's Femininity: Subject vs. Object -- Bertram's Masculinity: Rite of Passage -- Drama of Difference: Old and New Tales Staging the Bed-Trick -- 2. Final Scenes: Unresolved Tension -- Measure for Measure -- The Duke as Ghostly Father -- Angelo's Sadism: Punishing Claudio -- Speechless Dialect: Isabella's (Lacking) Sexuality -- Angelo's Sadomasochistic Fantasy: Propositioning Isabella -- Isabella's Sadomasochism Gestic Staging -- The Duke's Sadomasochistic Spectacle -- Final Moments: "What Do You Think This Is?" -- 3. Troilus and Cressida The War as Empty Spectacle -- Troilus and Cressida: The Limits of Sexuality -- Seduction -- The Limits of Subjectivity Feminist Gestus -- Between Men: The Homoerotics of War Final Scenes. | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 520 | 1 | |a "Composed at a critical moment in English history, Shakespeare's "problem plays"--All's Well That Ends Well, Measure for Measure, and Troilus and Cressida - dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly; females contend and confound traditional femininity. Male authority, even male ideas of the heroic, suffers in the face of a female's disruptive sexual power. By resisting comic closure, these plays leave uncontained the subversions of gender that comedies for the most part successfully hold in check." "David McCandless follows the drama of gender enacted in these plays. His approach weds a theoretically engaged textual analysis to the dynamics of performance. He adopts the perspective not of expert spectator but of practitioner, bringing directorial modes of inquiry to his analysis. While drawing upon the performance histories of the problem comedies, he exploits his own experience as a director in dramatizing and theorizing the enactment of gender. The book provides a unique and invigorating example of how performance criticism can illuminate these difficult, sometimes overlooked tragicomedies."--Jacket. | |
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
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| 600 | 1 | 6 | |a Shakespeare, William, |d 1564-1616. |t Measure for measure. |
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| contents | 1. Introduction: All's Well That Ends Well -- Helena's Femininity: Subject vs. Object -- Bertram's Masculinity: Rite of Passage -- Drama of Difference: Old and New Tales Staging the Bed-Trick -- 2. Final Scenes: Unresolved Tension -- Measure for Measure -- The Duke as Ghostly Father -- Angelo's Sadism: Punishing Claudio -- Speechless Dialect: Isabella's (Lacking) Sexuality -- Angelo's Sadomasochistic Fantasy: Propositioning Isabella -- Isabella's Sadomasochism Gestic Staging -- The Duke's Sadomasochistic Spectacle -- Final Moments: "What Do You Think This Is?" -- 3. Troilus and Cressida The War as Empty Spectacle -- Troilus and Cressida: The Limits of Sexuality -- Seduction -- The Limits of Subjectivity Feminist Gestus -- Between Men: The Homoerotics of War Final Scenes. |
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| genre | History fast |
| genre_facet | History |
| geographic | England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C |
| geographic_facet | England |
| id | ZDB-4-EBA-ocm44963693 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:15:06Z |
| institution | BVB |
| isbn | 0585161666 9780585161662 |
| language | English |
| lccn | 97003934 |
| oclc_num | 44963693 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (viii, 205 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 1997 |
| publishDateSearch | 1997 |
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| publisher | Indiana University Press, |
| record_format | marc |
| series | Drama and performance studies. |
| series2 | Drama and performance studies |
| spelling | McCandless, David Foley. Gender and performance in Shakespeare's problem comedies / David McCandless. Bloomington, Ind. : Indiana University Press, ©1997. 1 online resource (viii, 205 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Drama and performance studies Includes bibliographical references and index. 1. Introduction: All's Well That Ends Well -- Helena's Femininity: Subject vs. Object -- Bertram's Masculinity: Rite of Passage -- Drama of Difference: Old and New Tales Staging the Bed-Trick -- 2. Final Scenes: Unresolved Tension -- Measure for Measure -- The Duke as Ghostly Father -- Angelo's Sadism: Punishing Claudio -- Speechless Dialect: Isabella's (Lacking) Sexuality -- Angelo's Sadomasochistic Fantasy: Propositioning Isabella -- Isabella's Sadomasochism Gestic Staging -- The Duke's Sadomasochistic Spectacle -- Final Moments: "What Do You Think This Is?" -- 3. Troilus and Cressida The War as Empty Spectacle -- Troilus and Cressida: The Limits of Sexuality -- Seduction -- The Limits of Subjectivity Feminist Gestus -- Between Men: The Homoerotics of War Final Scenes. Use copy Restrictions unspecified star MiAaHDL "Composed at a critical moment in English history, Shakespeare's "problem plays"--All's Well That Ends Well, Measure for Measure, and Troilus and Cressida - dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly; females contend and confound traditional femininity. Male authority, even male ideas of the heroic, suffers in the face of a female's disruptive sexual power. By resisting comic closure, these plays leave uncontained the subversions of gender that comedies for the most part successfully hold in check." "David McCandless follows the drama of gender enacted in these plays. His approach weds a theoretically engaged textual analysis to the dynamics of performance. He adopts the perspective not of expert spectator but of practitioner, bringing directorial modes of inquiry to his analysis. While drawing upon the performance histories of the problem comedies, he exploits his own experience as a director in dramatizing and theorizing the enactment of gender. The book provides a unique and invigorating example of how performance criticism can illuminate these difficult, sometimes overlooked tragicomedies."--Jacket. Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. English. Shakespeare, William, 1564-1616 Comedies. http://id.loc.gov/authorities/subjects/sh85120918 Shakespeare, William, 1564-1616. All's well that ends well. http://id.loc.gov/authorities/names/no2008026693 Shakespeare, William, 1564-1616. Troilus and Cressida. http://id.loc.gov/authorities/names/n81088076 Shakespeare, William, 1564-1616. Measure for measure. http://id.loc.gov/authorities/names/no2008022435 Shakespeare, William, 1564-1616 Comédies. Shakespeare, William, 1564-1616 All's well that ends well. Shakespeare, William, 1564-1616. Troilus and Cressida. Shakespeare, William, 1564-1616. Measure for measure. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd All's well that ends well (Shakespeare, William) fast Measure for measure (Shakespeare, William) fast Troilus and Cressida (Shakespeare, William) fast Shakespeare, William (1564-1616). All's well that ends well. ram Shakespeare, William (1564-1616). Troilus and Cressida. ram Shakespeare, William (1564-1616). Measure for measure. ram Feminism and literature England History 16th century. Feminism and literature England History 17th century. Man-woman relationships in literature. http://id.loc.gov/authorities/subjects/sh94006113 Sex role in literature. http://id.loc.gov/authorities/subjects/sh85120668 Comedy. http://id.loc.gov/authorities/subjects/sh85028845 Féminisme et littérature Angleterre Histoire 16e siècle. Féminisme et littérature Angleterre Histoire 17e siècle. Relations entre hommes et femmes dans la littérature. Rôle selon le sexe dans la littérature. Comédie. comedy plays. aat LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh Comedy fast Feminism and literature fast Humorous plays fast Man-woman relationships in literature fast Sex role in literature fast England fast https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C Sekseverschillen. gtt All's well that ends well (Shakespeare) gtt Measure for measure (Shakespeare) gtt Troilus and Cressida (Shakespeare) gtt English. hilcc Languages & Literatures. hilcc English Literature. hilcc Féminisme et littérature Angleterre (GB) 16e siècle. ram Féminisme et littérature Angleterre (GB) 17e siècle. ram Relations hommes-femmes Dans la littérature. ram Rôle selon le sexe dans la littérature. ram 1500-1699 fast History fast has work: Gender and performance in Shakespeare's problem comedies (Text) https://id.oclc.org/worldcat/entity/E39PCGBKKXw3RRHmpYY7TJMr4q https://id.oclc.org/worldcat/ontology/hasWork Print version: McCandless, David Foley. Gender and performance in Shakespeare's problem comedies. Bloomington, Ind. : Indiana University Press, ©1997 0253333067 (DLC) 97003934 (OCoLC)36187334 Drama and performance studies. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=23149 Volltext |
| spellingShingle | McCandless, David Foley Gender and performance in Shakespeare's problem comedies / Drama and performance studies. 1. Introduction: All's Well That Ends Well -- Helena's Femininity: Subject vs. Object -- Bertram's Masculinity: Rite of Passage -- Drama of Difference: Old and New Tales Staging the Bed-Trick -- 2. Final Scenes: Unresolved Tension -- Measure for Measure -- The Duke as Ghostly Father -- Angelo's Sadism: Punishing Claudio -- Speechless Dialect: Isabella's (Lacking) Sexuality -- Angelo's Sadomasochistic Fantasy: Propositioning Isabella -- Isabella's Sadomasochism Gestic Staging -- The Duke's Sadomasochistic Spectacle -- Final Moments: "What Do You Think This Is?" -- 3. Troilus and Cressida The War as Empty Spectacle -- Troilus and Cressida: The Limits of Sexuality -- Seduction -- The Limits of Subjectivity Feminist Gestus -- Between Men: The Homoerotics of War Final Scenes. Shakespeare, William, 1564-1616 Comedies. http://id.loc.gov/authorities/subjects/sh85120918 Shakespeare, William, 1564-1616. All's well that ends well. http://id.loc.gov/authorities/names/no2008026693 Shakespeare, William, 1564-1616. Troilus and Cressida. http://id.loc.gov/authorities/names/n81088076 Shakespeare, William, 1564-1616. Measure for measure. http://id.loc.gov/authorities/names/no2008022435 Shakespeare, William, 1564-1616 Comédies. Shakespeare, William, 1564-1616 All's well that ends well. Shakespeare, William, 1564-1616. Troilus and Cressida. Shakespeare, William, 1564-1616. Measure for measure. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd All's well that ends well (Shakespeare, William) fast Measure for measure (Shakespeare, William) fast Troilus and Cressida (Shakespeare, William) fast Shakespeare, William (1564-1616). All's well that ends well. ram Shakespeare, William (1564-1616). Troilus and Cressida. ram Shakespeare, William (1564-1616). Measure for measure. ram Feminism and literature England History 16th century. Feminism and literature England History 17th century. Man-woman relationships in literature. http://id.loc.gov/authorities/subjects/sh94006113 Sex role in literature. http://id.loc.gov/authorities/subjects/sh85120668 Comedy. http://id.loc.gov/authorities/subjects/sh85028845 Féminisme et littérature Angleterre Histoire 16e siècle. Féminisme et littérature Angleterre Histoire 17e siècle. Relations entre hommes et femmes dans la littérature. Rôle selon le sexe dans la littérature. Comédie. comedy plays. aat LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh Comedy fast Feminism and literature fast Humorous plays fast Man-woman relationships in literature fast Sex role in literature fast Sekseverschillen. gtt All's well that ends well (Shakespeare) gtt Measure for measure (Shakespeare) gtt Troilus and Cressida (Shakespeare) gtt English. hilcc Languages & Literatures. hilcc English Literature. hilcc Féminisme et littérature Angleterre (GB) 16e siècle. ram Féminisme et littérature Angleterre (GB) 17e siècle. ram Relations hommes-femmes Dans la littérature. ram Rôle selon le sexe dans la littérature. ram |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85120918 http://id.loc.gov/authorities/names/no2008026693 http://id.loc.gov/authorities/names/n81088076 http://id.loc.gov/authorities/names/no2008022435 http://id.loc.gov/authorities/subjects/sh94006113 http://id.loc.gov/authorities/subjects/sh85120668 http://id.loc.gov/authorities/subjects/sh85028845 |
| title | Gender and performance in Shakespeare's problem comedies / |
| title_auth | Gender and performance in Shakespeare's problem comedies / |
| title_exact_search | Gender and performance in Shakespeare's problem comedies / |
| title_full | Gender and performance in Shakespeare's problem comedies / David McCandless. |
| title_fullStr | Gender and performance in Shakespeare's problem comedies / David McCandless. |
| title_full_unstemmed | Gender and performance in Shakespeare's problem comedies / David McCandless. |
| title_short | Gender and performance in Shakespeare's problem comedies / |
| title_sort | gender and performance in shakespeare s problem comedies |
| topic | Shakespeare, William, 1564-1616 Comedies. http://id.loc.gov/authorities/subjects/sh85120918 Shakespeare, William, 1564-1616. All's well that ends well. http://id.loc.gov/authorities/names/no2008026693 Shakespeare, William, 1564-1616. Troilus and Cressida. http://id.loc.gov/authorities/names/n81088076 Shakespeare, William, 1564-1616. Measure for measure. http://id.loc.gov/authorities/names/no2008022435 Shakespeare, William, 1564-1616 Comédies. Shakespeare, William, 1564-1616 All's well that ends well. Shakespeare, William, 1564-1616. Troilus and Cressida. Shakespeare, William, 1564-1616. Measure for measure. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd All's well that ends well (Shakespeare, William) fast Measure for measure (Shakespeare, William) fast Troilus and Cressida (Shakespeare, William) fast Shakespeare, William (1564-1616). All's well that ends well. ram Shakespeare, William (1564-1616). Troilus and Cressida. ram Shakespeare, William (1564-1616). Measure for measure. ram Feminism and literature England History 16th century. Feminism and literature England History 17th century. Man-woman relationships in literature. http://id.loc.gov/authorities/subjects/sh94006113 Sex role in literature. http://id.loc.gov/authorities/subjects/sh85120668 Comedy. http://id.loc.gov/authorities/subjects/sh85028845 Féminisme et littérature Angleterre Histoire 16e siècle. Féminisme et littérature Angleterre Histoire 17e siècle. Relations entre hommes et femmes dans la littérature. Rôle selon le sexe dans la littérature. Comédie. comedy plays. aat LITERARY CRITICISM Shakespeare. bisacsh DRAMA Shakespeare. bisacsh Comedy fast Feminism and literature fast Humorous plays fast Man-woman relationships in literature fast Sex role in literature fast Sekseverschillen. gtt All's well that ends well (Shakespeare) gtt Measure for measure (Shakespeare) gtt Troilus and Cressida (Shakespeare) gtt English. hilcc Languages & Literatures. hilcc English Literature. hilcc Féminisme et littérature Angleterre (GB) 16e siècle. ram Féminisme et littérature Angleterre (GB) 17e siècle. ram Relations hommes-femmes Dans la littérature. ram Rôle selon le sexe dans la littérature. ram |
| topic_facet | Shakespeare, William, 1564-1616 Comedies. Shakespeare, William, 1564-1616. All's well that ends well. Shakespeare, William, 1564-1616. Troilus and Cressida. Shakespeare, William, 1564-1616. Measure for measure. Shakespeare, William, 1564-1616 Comédies. Shakespeare, William, 1564-1616 All's well that ends well. Shakespeare, William, 1564-1616 All's well that ends well (Shakespeare, William) Measure for measure (Shakespeare, William) Troilus and Cressida (Shakespeare, William) Shakespeare, William (1564-1616). All's well that ends well. Shakespeare, William (1564-1616). Troilus and Cressida. Shakespeare, William (1564-1616). Measure for measure. Feminism and literature England History 16th century. Feminism and literature England History 17th century. Man-woman relationships in literature. Sex role in literature. Comedy. Féminisme et littérature Angleterre Histoire 16e siècle. Féminisme et littérature Angleterre Histoire 17e siècle. Relations entre hommes et femmes dans la littérature. Rôle selon le sexe dans la littérature. Comédie. comedy plays. LITERARY CRITICISM Shakespeare. DRAMA Shakespeare. Comedy Feminism and literature Humorous plays Man-woman relationships in literature Sex role in literature England Sekseverschillen. All's well that ends well (Shakespeare) Measure for measure (Shakespeare) Troilus and Cressida (Shakespeare) English. Languages & Literatures. English Literature. Féminisme et littérature Angleterre (GB) 16e siècle. Féminisme et littérature Angleterre (GB) 17e siècle. Relations hommes-femmes Dans la littérature. History |
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| work_keys_str_mv | AT mccandlessdavidfoley genderandperformanceinshakespearesproblemcomedies |