The French Revolution as blasphemy :: Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 /
William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792, and Celebrating over...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. :
University of California Press,
©1999.
|
| Schriftenreihe: | California studies in the history of art. Discovery series ;
6. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792, and Celebrating over the Bodies of the Swiss Soldiers, both painted in about 1794, represent events that helped turn the English against the Revolution. Pressly places both paintings in their historical context--a time of heightened anti-French hysteria--and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format. Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race. |
| Beschreibung: | 1 online resource (xxiii, 211 pages) : illustrations (some color) |
| Bibliographie: | Includes bibliographical references (pages 191-201) and index. |
| ISBN: | 9780520920309 0520920309 0585178380 9780585178387 |
Internformat
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| 245 | 1 | 4 | |a The French Revolution as blasphemy : |b Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 / |c William L. Pressly. |
| 260 | |a Berkeley, Calif. : |b University of California Press, |c ©1999. | ||
| 300 | |a 1 online resource (xxiii, 211 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a California studies in the history of art. Discovery series ; |v 6 | |
| 504 | |a Includes bibliographical references (pages 191-201) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a A checkered career -- The Journée of August 10, 1792 -- A modern Bacchanal: Plundering the King's cellar at Paris -- The furies of Hell: Celebrating over the bodies of the Swiss soldiers -- Thesis and antithesis: an antiheroic art -- Counterrevolutionary propaganda -- Religious transcendence. | |
| 520 | |a William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792, and Celebrating over the Bodies of the Swiss Soldiers, both painted in about 1794, represent events that helped turn the English against the Revolution. Pressly places both paintings in their historical context--a time of heightened anti-French hysteria--and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format. Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race. | ||
| 600 | 1 | 0 | |a Zoffany, Johann, |d 1733-1810. |t Plundering the King's cellar at Paris, August 10, 1792. |0 http://id.loc.gov/authorities/names/n98073057 |
| 600 | 1 | 0 | |a Zoffany, Johann, |d 1733-1810. |t Celebrating over the bodies of the Swiss soldiers, August 12, 1792. |0 http://id.loc.gov/authorities/names/n98073042 |
| 600 | 1 | 0 | |a Zoffany, Johann, |d 1733-1810 |x Criticism and interpretation. |
| 600 | 1 | 6 | |a Zoffany, Johann, |d 1733-1810. |t Plundering the King's cellar at Paris, August 10, 1792. |
| 600 | 1 | 6 | |a Zoffany, Johann, |d 1733-1810. |t Celebrating over the bodies of the Swiss soldiers, August 12, 1792. |
| 600 | 1 | 6 | |a Zoffany, Johann, |d 1733-1810 |x Critique et interprétation. |
| 600 | 1 | 7 | |a Zoffany, Johann, |d 1733-1810 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJh4vKxfX99Gg8YHWpHXBP |
| 630 | 0 | 7 | |a Plundering the King's cellar at Paris, August 10, 1792 (Zoffany, Johann) |2 fast |
| 651 | 0 | |a France |x History |y Insurrection, 1792 |v Art and the insurrection. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a ART / European |2 bisacsh | |
| 651 | 7 | |a France |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP | |
| 650 | 1 | 7 | |a Franse Revolutie. |2 gtt |
| 650 | 1 | 7 | |a Schilderijen. |2 gtt |
| 651 | 7 | |a Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland. |2 gtt | |
| 647 | 7 | |a Insurrection |c (France : |d 1792) |2 fast |1 https://id.oclc.org/worldcat/entity/E39Qhp4vBb9MgtgQHydTVmgR7b | |
| 648 | 7 | |a 1792 |2 fast | |
| 653 | |a art devoted to french revolution. | ||
| 653 | |a art historians. | ||
| 653 | |a close analysis of french paintings. | ||
| 653 | |a contemporary history painting. | ||
| 653 | |a convey christian themes in new format. | ||
| 653 | |a cultural historians. | ||
| 653 | |a depiction of urban mobs. | ||
| 653 | |a heightened anti french hysteria. | ||
| 653 | |a hogarths presentation of modern moral subjects. | ||
| 653 | |a in satiric and festival imagery. | ||
| 653 | |a places paintings in historical context. | ||
| 653 | |a religious dimension in paintings. | ||
| 653 | |a turn english against revolution. | ||
| 653 | |a volume six. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Zoffany, Johann, |d 1733-1810. |1 https://id.oclc.org/worldcat/entity/E39PBJh4vKxfX99Gg8YHWpHXBP |0 http://id.loc.gov/authorities/names/nr92043188 | |
| 776 | 0 | 8 | |i Print version: |a Pressly, William L., 1944- |t French Revolution as blasphemy. |d Berkeley, Calif. : University of California Press, ©1999 |z 0520211960 |w (DLC) 98006424 |w (OCoLC)38831812 |
| 830 | 0 | |a California studies in the history of art. |p Discovery series ; |v 6. |0 http://id.loc.gov/authorities/names/n86727578 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm44959185 |
|---|---|
| _version_ | 1816881586123046913 |
| adam_text | |
| any_adam_object | |
| author | Pressly, William L., 1944- |
| author2 | Zoffany, Johann, 1733-1810 |
| author2_role | |
| author2_variant | j z jz |
| author_GND | http://id.loc.gov/authorities/names/n81004922 http://id.loc.gov/authorities/names/nr92043188 |
| author_facet | Pressly, William L., 1944- Zoffany, Johann, 1733-1810 |
| author_role | |
| author_sort | Pressly, William L., 1944- |
| author_variant | w l p wl wlp |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | N - Fine Arts |
| callnumber-label | ND497 |
| callnumber-raw | ND497.Z6 A72 1999eb |
| callnumber-search | ND497.Z6 A72 1999eb |
| callnumber-sort | ND 3497 Z6 A72 41999EB |
| callnumber-subject | ND - Painting |
| collection | ZDB-4-EBA |
| contents | A checkered career -- The Journée of August 10, 1792 -- A modern Bacchanal: Plundering the King's cellar at Paris -- The furies of Hell: Celebrating over the bodies of the Swiss soldiers -- Thesis and antithesis: an antiheroic art -- Counterrevolutionary propaganda -- Religious transcendence. |
| ctrlnum | (OCoLC)44959185 |
| dewey-full | 759.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.2 |
| dewey-search | 759.2 |
| dewey-sort | 3759.2 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | 1792 fast |
| era_facet | 1792 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast History fast |
| genre_facet | Criticism, interpretation, etc. History |
| geographic | France History Insurrection, 1792 Art and the insurrection. France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland. gtt |
| geographic_facet | France History Insurrection, 1792 Art and the insurrection. France Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland. |
| id | ZDB-4-EBA-ocm44959185 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:04Z |
| institution | BVB |
| isbn | 9780520920309 0520920309 0585178380 9780585178387 |
| language | English |
| oclc_num | 44959185 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xxiii, 211 pages) : illustrations (some color) |
| psigel | ZDB-4-EBA |
| publishDate | 1999 |
| publishDateSearch | 1999 |
| publishDateSort | 1999 |
| publisher | University of California Press, |
| record_format | marc |
| series | California studies in the history of art. Discovery series ; |
| series2 | California studies in the history of art. Discovery series ; |
| spelling | Pressly, William L., 1944- https://id.oclc.org/worldcat/entity/E39PCjMkmhfdrtxhtfyyW4dxpd http://id.loc.gov/authorities/names/n81004922 The French Revolution as blasphemy : Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 / William L. Pressly. Berkeley, Calif. : University of California Press, ©1999. 1 online resource (xxiii, 211 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier California studies in the history of art. Discovery series ; 6 Includes bibliographical references (pages 191-201) and index. Print version record. A checkered career -- The Journée of August 10, 1792 -- A modern Bacchanal: Plundering the King's cellar at Paris -- The furies of Hell: Celebrating over the bodies of the Swiss soldiers -- Thesis and antithesis: an antiheroic art -- Counterrevolutionary propaganda -- Religious transcendence. William Pressly presents for the first time a close analysis of two important, neglected paintings, arguing that they are among the most extraordinary works of art devoted to the French Revolution. Johan Zoffany's Plundering the King's Cellar at Paris, August 10, 1792, and Celebrating over the Bodies of the Swiss Soldiers, both painted in about 1794, represent events that helped turn the English against the Revolution. Pressly places both paintings in their historical context--a time of heightened anti-French hysteria--and relates them to pictorial conventions: contemporary history painting, the depiction of urban mobs in satiric and festival imagery, and Hogarth's humorous presentation of modern moral subjects, all of which Zoffany adopted and reinvented for his own purposes. Pressly relates the paintings to Zoffany's status as a German-born Catholic living in Protestant England and to Zoffany's vision of revolutionary justice and the role played by the sansculottes, women, and blacks. He also examines the religious dimension in Zoffany's paintings, showing how they broke new ground by conveying Christian themes in a radically new format. Art historians will find Pressly's book of immense value, as will cultural historians interested in religion, gender, and race. Zoffany, Johann, 1733-1810. Plundering the King's cellar at Paris, August 10, 1792. http://id.loc.gov/authorities/names/n98073057 Zoffany, Johann, 1733-1810. Celebrating over the bodies of the Swiss soldiers, August 12, 1792. http://id.loc.gov/authorities/names/n98073042 Zoffany, Johann, 1733-1810 Criticism and interpretation. Zoffany, Johann, 1733-1810. Plundering the King's cellar at Paris, August 10, 1792. Zoffany, Johann, 1733-1810. Celebrating over the bodies of the Swiss soldiers, August 12, 1792. Zoffany, Johann, 1733-1810 Critique et interprétation. Zoffany, Johann, 1733-1810 fast https://id.oclc.org/worldcat/entity/E39PBJh4vKxfX99Gg8YHWpHXBP Plundering the King's cellar at Paris, August 10, 1792 (Zoffany, Johann) fast France History Insurrection, 1792 Art and the insurrection. ART History General. bisacsh ART / European bisacsh France fast https://id.oclc.org/worldcat/entity/E39PBJd8gD4vdtqQMdQHvYqbBP Franse Revolutie. gtt Schilderijen. gtt Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland. gtt Insurrection (France : 1792) fast https://id.oclc.org/worldcat/entity/E39Qhp4vBb9MgtgQHydTVmgR7b 1792 fast art devoted to french revolution. art historians. close analysis of french paintings. contemporary history painting. convey christian themes in new format. cultural historians. depiction of urban mobs. heightened anti french hysteria. hogarths presentation of modern moral subjects. in satiric and festival imagery. places paintings in historical context. religious dimension in paintings. turn english against revolution. volume six. Criticism, interpretation, etc. fast History fast Zoffany, Johann, 1733-1810. https://id.oclc.org/worldcat/entity/E39PBJh4vKxfX99Gg8YHWpHXBP http://id.loc.gov/authorities/names/nr92043188 Print version: Pressly, William L., 1944- French Revolution as blasphemy. Berkeley, Calif. : University of California Press, ©1999 0520211960 (DLC) 98006424 (OCoLC)38831812 California studies in the history of art. Discovery series ; 6. http://id.loc.gov/authorities/names/n86727578 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=21316 Volltext |
| spellingShingle | Pressly, William L., 1944- The French Revolution as blasphemy : Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 / California studies in the history of art. Discovery series ; A checkered career -- The Journée of August 10, 1792 -- A modern Bacchanal: Plundering the King's cellar at Paris -- The furies of Hell: Celebrating over the bodies of the Swiss soldiers -- Thesis and antithesis: an antiheroic art -- Counterrevolutionary propaganda -- Religious transcendence. Zoffany, Johann, 1733-1810. Plundering the King's cellar at Paris, August 10, 1792. http://id.loc.gov/authorities/names/n98073057 Zoffany, Johann, 1733-1810. Celebrating over the bodies of the Swiss soldiers, August 12, 1792. http://id.loc.gov/authorities/names/n98073042 Zoffany, Johann, 1733-1810 Criticism and interpretation. Zoffany, Johann, 1733-1810. Plundering the King's cellar at Paris, August 10, 1792. Zoffany, Johann, 1733-1810. Celebrating over the bodies of the Swiss soldiers, August 12, 1792. Zoffany, Johann, 1733-1810 Critique et interprétation. Zoffany, Johann, 1733-1810 fast https://id.oclc.org/worldcat/entity/E39PBJh4vKxfX99Gg8YHWpHXBP Plundering the King's cellar at Paris, August 10, 1792 (Zoffany, Johann) fast ART History General. bisacsh ART / European bisacsh Franse Revolutie. gtt Schilderijen. gtt |
| subject_GND | http://id.loc.gov/authorities/names/n98073057 http://id.loc.gov/authorities/names/n98073042 |
| title | The French Revolution as blasphemy : Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 / |
| title_auth | The French Revolution as blasphemy : Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 / |
| title_exact_search | The French Revolution as blasphemy : Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 / |
| title_full | The French Revolution as blasphemy : Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 / William L. Pressly. |
| title_fullStr | The French Revolution as blasphemy : Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 / William L. Pressly. |
| title_full_unstemmed | The French Revolution as blasphemy : Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 / William L. Pressly. |
| title_short | The French Revolution as blasphemy : |
| title_sort | french revolution as blasphemy johan zoffany s paintings of the massacre at paris august 10 1792 |
| title_sub | Johan Zoffany's paintings of the massacre at Paris, August 10, 1792 / |
| topic | Zoffany, Johann, 1733-1810. Plundering the King's cellar at Paris, August 10, 1792. http://id.loc.gov/authorities/names/n98073057 Zoffany, Johann, 1733-1810. Celebrating over the bodies of the Swiss soldiers, August 12, 1792. http://id.loc.gov/authorities/names/n98073042 Zoffany, Johann, 1733-1810 Criticism and interpretation. Zoffany, Johann, 1733-1810. Plundering the King's cellar at Paris, August 10, 1792. Zoffany, Johann, 1733-1810. Celebrating over the bodies of the Swiss soldiers, August 12, 1792. Zoffany, Johann, 1733-1810 Critique et interprétation. Zoffany, Johann, 1733-1810 fast https://id.oclc.org/worldcat/entity/E39PBJh4vKxfX99Gg8YHWpHXBP Plundering the King's cellar at Paris, August 10, 1792 (Zoffany, Johann) fast ART History General. bisacsh ART / European bisacsh Franse Revolutie. gtt Schilderijen. gtt |
| topic_facet | Zoffany, Johann, 1733-1810. Plundering the King's cellar at Paris, August 10, 1792. Zoffany, Johann, 1733-1810. Celebrating over the bodies of the Swiss soldiers, August 12, 1792. Zoffany, Johann, 1733-1810 Criticism and interpretation. Zoffany, Johann, 1733-1810 Critique et interprétation. Zoffany, Johann, 1733-1810 Plundering the King's cellar at Paris, August 10, 1792 (Zoffany, Johann) France History Insurrection, 1792 Art and the insurrection. ART History General. ART / European France Franse Revolutie. Schilderijen. Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland. Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=21316 |
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