The films of Oshima Nagisa :: images of a Japanese iconoclast /
This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and in...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
©1998.
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| Online-Zugang: | Volltext |
| Zusammenfassung: | This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and political tensions of postwar Japan. Best known today for his controversial films In the Realm of the Senses and The Empire of Passion, Oshima engages issues of sexuality and power, domination and identity, which Maureen Turim explores in relation to psychoanalytic and postmodern theory. The films' complex representation of women in Japanese society receives detailed and careful scrutiny, as does their political engagement with the Japanese student movement, postwar anti-American sentiments, and critiques of Stalinist tendencies of the Left. Turim also considers Oshima's surprising comedies, his experimentation with Brechtian and avant-garde theatricality as well as reflexive textuality, and his essayist documentaries in this look at an artist's gifted and vital attempt to put his will on film. -- Provided by publisher. |
| Beschreibung: | 1 online resource (x, 314 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 291-297) and index. |
| ISBN: | 9780520918283 0520918282 0585112991 9780585112992 9780520206663 0520206665 9780520206656 0520206657 |
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| 245 | 1 | 4 | |a The films of Oshima Nagisa : |b images of a Japanese iconoclast / |c Maureen Turim. |
| 260 | |a Berkeley : |b University of California Press, |c ©1998. | ||
| 300 | |a 1 online resource (x, 314 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 291-297) and index. | ||
| 505 | 0 | 0 | |g 1. |t Cultural Iconoclasm and Contexts of Innovation -- |g 2. |t Cruel Stories of Youth and Politics -- |g 3. |t Rituals, Desire, Death: Leaving One's Will on Film -- |g 4. |t Signs of Sexuality on Oshima's Tales of Passion -- |g 5. |t Warring Subjects -- |g 6. |t Popular Song, Fantasies, and Comedies of Iconoclasm -- |g 7. |t Documents of Guilt and Empire -- |g 8. |t Feminist Troubles on a Map of Split Subjectivities -- |t Conclusion: Whither Oshima? |
| 520 | |a This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and political tensions of postwar Japan. Best known today for his controversial films In the Realm of the Senses and The Empire of Passion, Oshima engages issues of sexuality and power, domination and identity, which Maureen Turim explores in relation to psychoanalytic and postmodern theory. The films' complex representation of women in Japanese society receives detailed and careful scrutiny, as does their political engagement with the Japanese student movement, postwar anti-American sentiments, and critiques of Stalinist tendencies of the Left. Turim also considers Oshima's surprising comedies, his experimentation with Brechtian and avant-garde theatricality as well as reflexive textuality, and his essayist documentaries in this look at an artist's gifted and vital attempt to put his will on film. -- Provided by publisher. | ||
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| 600 | 1 | 0 | |a Ōshima, Nagisa, |d 1932-2013 |x Criticism and interpretation. |
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| author | Turim, Maureen Cheryn, 1951- |
| author_GND | http://id.loc.gov/authorities/names/n81002077 |
| author_facet | Turim, Maureen Cheryn, 1951- |
| author_role | |
| author_sort | Turim, Maureen Cheryn, 1951- |
| author_variant | m c t mc mct |
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| callnumber-first | P - Language and Literature |
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| callnumber-raw | PN1998.3.O84 T87 1998eb |
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| contents | Cultural Iconoclasm and Contexts of Innovation -- Cruel Stories of Youth and Politics -- Rituals, Desire, Death: Leaving One's Will on Film -- Signs of Sexuality on Oshima's Tales of Passion -- Warring Subjects -- Popular Song, Fantasies, and Comedies of Iconoclasm -- Documents of Guilt and Empire -- Feminist Troubles on a Map of Split Subjectivities -- Conclusion: Whither Oshima? |
| ctrlnum | (OCoLC)44958052 |
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| dewey-search | 791.43/0233/092 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| indexdate | 2024-11-27T13:15:03Z |
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| spelling | Turim, Maureen Cheryn, 1951- https://id.oclc.org/worldcat/entity/E39PCjqv9DJDVp6QQrD8kVkTDy http://id.loc.gov/authorities/names/n81002077 The films of Oshima Nagisa : images of a Japanese iconoclast / Maureen Turim. Berkeley : University of California Press, ©1998. 1 online resource (x, 314 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 291-297) and index. 1. Cultural Iconoclasm and Contexts of Innovation -- 2. Cruel Stories of Youth and Politics -- 3. Rituals, Desire, Death: Leaving One's Will on Film -- 4. Signs of Sexuality on Oshima's Tales of Passion -- 5. Warring Subjects -- 6. Popular Song, Fantasies, and Comedies of Iconoclasm -- 7. Documents of Guilt and Empire -- 8. Feminist Troubles on a Map of Split Subjectivities -- Conclusion: Whither Oshima? This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and international acclaim. Formally innovative as well as socially daring, they provide a running commentary, direct and indirect, on the cultural and political tensions of postwar Japan. Best known today for his controversial films In the Realm of the Senses and The Empire of Passion, Oshima engages issues of sexuality and power, domination and identity, which Maureen Turim explores in relation to psychoanalytic and postmodern theory. The films' complex representation of women in Japanese society receives detailed and careful scrutiny, as does their political engagement with the Japanese student movement, postwar anti-American sentiments, and critiques of Stalinist tendencies of the Left. Turim also considers Oshima's surprising comedies, his experimentation with Brechtian and avant-garde theatricality as well as reflexive textuality, and his essayist documentaries in this look at an artist's gifted and vital attempt to put his will on film. -- Provided by publisher. Print version record. Ōshima, Nagisa, 1932-2013 Criticism and interpretation. Ōshima, Nagisa, 1932-2013 fast https://id.oclc.org/worldcat/entity/E39PBJycGYvTDWJtxDYyHQVwG3 PERFORMING ARTS Film & Video Direction & Production. bisacsh PERFORMING ARTS / Film / General bisacsh Criticism, interpretation, etc. fast has work: The films of Oshima Nagisa (Text) https://id.oclc.org/worldcat/entity/E39PCG9TKK7XW8FxffY97FH4hd https://id.oclc.org/worldcat/ontology/hasWork Print version: Turim, Maureen Cheryn, 1951- Films of Oshima Nagisa. Berkeley : University of California Press, ©1998 0520206657 (DLC) 96039466 (OCoLC)35848968 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=10116 Volltext |
| spellingShingle | Turim, Maureen Cheryn, 1951- The films of Oshima Nagisa : images of a Japanese iconoclast / Cultural Iconoclasm and Contexts of Innovation -- Cruel Stories of Youth and Politics -- Rituals, Desire, Death: Leaving One's Will on Film -- Signs of Sexuality on Oshima's Tales of Passion -- Warring Subjects -- Popular Song, Fantasies, and Comedies of Iconoclasm -- Documents of Guilt and Empire -- Feminist Troubles on a Map of Split Subjectivities -- Conclusion: Whither Oshima? Ōshima, Nagisa, 1932-2013 Criticism and interpretation. Ōshima, Nagisa, 1932-2013 fast https://id.oclc.org/worldcat/entity/E39PBJycGYvTDWJtxDYyHQVwG3 PERFORMING ARTS Film & Video Direction & Production. bisacsh PERFORMING ARTS / Film / General bisacsh |
| title | The films of Oshima Nagisa : images of a Japanese iconoclast / |
| title_alt | Cultural Iconoclasm and Contexts of Innovation -- Cruel Stories of Youth and Politics -- Rituals, Desire, Death: Leaving One's Will on Film -- Signs of Sexuality on Oshima's Tales of Passion -- Warring Subjects -- Popular Song, Fantasies, and Comedies of Iconoclasm -- Documents of Guilt and Empire -- Feminist Troubles on a Map of Split Subjectivities -- Conclusion: Whither Oshima? |
| title_auth | The films of Oshima Nagisa : images of a Japanese iconoclast / |
| title_exact_search | The films of Oshima Nagisa : images of a Japanese iconoclast / |
| title_full | The films of Oshima Nagisa : images of a Japanese iconoclast / Maureen Turim. |
| title_fullStr | The films of Oshima Nagisa : images of a Japanese iconoclast / Maureen Turim. |
| title_full_unstemmed | The films of Oshima Nagisa : images of a Japanese iconoclast / Maureen Turim. |
| title_short | The films of Oshima Nagisa : |
| title_sort | films of oshima nagisa images of a japanese iconoclast |
| title_sub | images of a Japanese iconoclast / |
| topic | Ōshima, Nagisa, 1932-2013 Criticism and interpretation. Ōshima, Nagisa, 1932-2013 fast https://id.oclc.org/worldcat/entity/E39PBJycGYvTDWJtxDYyHQVwG3 PERFORMING ARTS Film & Video Direction & Production. bisacsh PERFORMING ARTS / Film / General bisacsh |
| topic_facet | Ōshima, Nagisa, 1932-2013 Criticism and interpretation. Ōshima, Nagisa, 1932-2013 PERFORMING ARTS Film & Video Direction & Production. PERFORMING ARTS / Film / General Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=10116 |
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