The modern voice in American poetry /:
Proposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and inter...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Gainesville :
University Press of Florida,
©1995.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Proposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and interiority (imagination) and exteriority (landscape). Doreski examines the work of well-known poets - concentrating on Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, T.S. Eliot, Ezra Pound, and Robert Lowell, but also including Alan Dugan, Robert Pinsky, John Ashbery, and Louise Gluck - from a fresh angle, often focusing on less-discussed poems (such as Eliot's "Portrait of a Lady"). Modernist poets experienced a vast shift in the relationship between poetry and society. Two principal themes underlie Doreski's criticism of their work: first, that they turned to drama, prose fiction, and extraliterary sources to expand the rhetorical range of their poetics; second, that their poetry demonstrates their conflict between a responsibility to history, tradition, or society and their desire to generate a world of their own making |
| Beschreibung: | 1 online resource (xviii, 179 pages) |
| Bibliographie: | Includes bibliographical references (pages 168-173) and index. |
| ISBN: | 0585097488 9780585097480 0813019400 9780813019406 |
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| 520 | |a Proposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and interiority (imagination) and exteriority (landscape). Doreski examines the work of well-known poets - concentrating on Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, T.S. Eliot, Ezra Pound, and Robert Lowell, but also including Alan Dugan, Robert Pinsky, John Ashbery, and Louise Gluck - from a fresh angle, often focusing on less-discussed poems (such as Eliot's "Portrait of a Lady"). Modernist poets experienced a vast shift in the relationship between poetry and society. Two principal themes underlie Doreski's criticism of their work: first, that they turned to drama, prose fiction, and extraliterary sources to expand the rhetorical range of their poetics; second, that their poetry demonstrates their conflict between a responsibility to history, tradition, or society and their desire to generate a world of their own making | ||
| 505 | 0 | |a Frost: lyric monologue and landscape -- Stevens: allegorical landscape and myth -- Williams and Moore: history and the colloquial style -- Eliot and Pound: political discourse and the voicing of difference -- Lowell: autobiography and vulnerability -- Epilogue: meditation and impersonality in contemporary poetry. | |
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| contents | Frost: lyric monologue and landscape -- Stevens: allegorical landscape and myth -- Williams and Moore: history and the colloquial style -- Eliot and Pound: political discourse and the voicing of difference -- Lowell: autobiography and vulnerability -- Epilogue: meditation and impersonality in contemporary poetry. |
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| spelling | Doreski, William. http://id.loc.gov/authorities/names/n85280814 The modern voice in American poetry / William Doreski. Gainesville : University Press of Florida, ©1995. 1 online resource (xviii, 179 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 168-173) and index. Proposing that modern American poetry requires "limber criticism," informed but not straitjacketed by contemporary theory, William Doreski links the major American modernists to each other and to the larger social and cultural world. His concerns include voice, rhetoric, history, and interiority (imagination) and exteriority (landscape). Doreski examines the work of well-known poets - concentrating on Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, T.S. Eliot, Ezra Pound, and Robert Lowell, but also including Alan Dugan, Robert Pinsky, John Ashbery, and Louise Gluck - from a fresh angle, often focusing on less-discussed poems (such as Eliot's "Portrait of a Lady"). Modernist poets experienced a vast shift in the relationship between poetry and society. Two principal themes underlie Doreski's criticism of their work: first, that they turned to drama, prose fiction, and extraliterary sources to expand the rhetorical range of their poetics; second, that their poetry demonstrates their conflict between a responsibility to history, tradition, or society and their desire to generate a world of their own making Frost: lyric monologue and landscape -- Stevens: allegorical landscape and myth -- Williams and Moore: history and the colloquial style -- Eliot and Pound: political discourse and the voicing of difference -- Lowell: autobiography and vulnerability -- Epilogue: meditation and impersonality in contemporary poetry. Print version record. English. American poetry 20th century History and criticism. Modernism (Literature) United States. Poésie américaine 20e siècle Histoire et critique. Modernisme (Littérature) États-Unis. LITERARY CRITICISM Poetry. bisacsh American poetry fast Modernism (Literature) fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq 1900-1999 fast Criticism, interpretation, etc. fast has work: The modern voice in American poetry (Text) https://id.oclc.org/worldcat/entity/E39PCG4jxdm8xD3GRwjx9Fc4G3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Doreski, William. Modern voice in American poetry. Gainesville : University Press of Florida, ©1995 0813013623 (DLC) 94048343 (OCoLC)31783385 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=20724 Volltext |
| spellingShingle | Doreski, William The modern voice in American poetry / Frost: lyric monologue and landscape -- Stevens: allegorical landscape and myth -- Williams and Moore: history and the colloquial style -- Eliot and Pound: political discourse and the voicing of difference -- Lowell: autobiography and vulnerability -- Epilogue: meditation and impersonality in contemporary poetry. American poetry 20th century History and criticism. Modernism (Literature) United States. Poésie américaine 20e siècle Histoire et critique. Modernisme (Littérature) États-Unis. LITERARY CRITICISM Poetry. bisacsh American poetry fast Modernism (Literature) fast |
| title | The modern voice in American poetry / |
| title_auth | The modern voice in American poetry / |
| title_exact_search | The modern voice in American poetry / |
| title_full | The modern voice in American poetry / William Doreski. |
| title_fullStr | The modern voice in American poetry / William Doreski. |
| title_full_unstemmed | The modern voice in American poetry / William Doreski. |
| title_short | The modern voice in American poetry / |
| title_sort | modern voice in american poetry |
| topic | American poetry 20th century History and criticism. Modernism (Literature) United States. Poésie américaine 20e siècle Histoire et critique. Modernisme (Littérature) États-Unis. LITERARY CRITICISM Poetry. bisacsh American poetry fast Modernism (Literature) fast |
| topic_facet | American poetry 20th century History and criticism. Modernism (Literature) United States. Poésie américaine 20e siècle Histoire et critique. Modernisme (Littérature) États-Unis. LITERARY CRITICISM Poetry. American poetry Modernism (Literature) United States Criticism, interpretation, etc. |
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