Cecil B. DeMille and American culture :: the silent era /
Annotation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berkeley :
University of California Press,
©1994.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Annotation |
| Beschreibung: | 1 online resource (xii, 264 pages) : illustrations |
| Bibliographie: | Filmography: pages 205-208. Includes bibliographical references (pages 209-252) and index. |
| ISBN: | 9780520914810 0520914813 058507884X 9780585078847 9780520085565 0520085566 9780520085572 0520085574 |
Internformat
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| 100 | 1 | |a Higashi, Sumiko. | |
| 245 | 1 | 0 | |a Cecil B. DeMille and American culture : |b the silent era / |c Sumiko Higashi. |
| 260 | |a Berkeley : |b University of California Press, |c ©1994. | ||
| 300 | |a 1 online resource (xii, 264 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 380 | |a Filmography | ||
| 504 | |a Filmography: pages 205-208. | ||
| 504 | |a Includes bibliographical references (pages 209-252) and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a The Lasky Company and Highbrow Culture: Authorship Versus Intertextuality -- Self-Theatricalization in Victorian Pictorial Dramaturgy: What's His Name -- The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape -- The Screen As Display Window: Constructing the "New Woman" -- The Historical Epic and Progressive Era Civic Pageantry: Joan the Woman -- Set and Costume Design as Spectacle in a Consumer Culture: The Early Jazz Age Films -- Demille's Exodus from Famous Players-Lasky: the Ten Commandments (1923). | |
| 546 | |a English. | ||
| 520 | 8 | |a Annotation |b Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMille artfully inserted cinema into genteel middle-class culture by replicating in his films such spectacles as elaborate parlor games, stage melodramas, department store displays, Orientalist world's fairs, and civic pageantry. The director not only established his signature as a film author by articulating middle-class ideology across class and ethnic lines, but by the 1920's had become a trendsetter, with set and costume designs that influenced the advertising industry to create a consumer culture based on female desire. Drawing on a wealth of previously untapped material from the DeMille Archives and other collections, Higashi provides imaginative readings of DeMille's early feature films, viewing them in relation to the dynamics of social change, and she documents the extent to which the emergence of popular culture was linked to the genteel tradition. | |
| 600 | 1 | 0 | |a DeMille, Cecil B. |q (Cecil Blount), |d 1881-1959 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a DeMille, Cecil B. |q (Cecil Blount), |d 1881-1959 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJqVVfJp4Vmb4dBjFWWhpP |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Cecil B. DeMille and American culture (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGGc746vQWT7WmRTqcDF83 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Higashi, Sumiko. |t Cecil B. DeMille and American culture. |d Berkeley : University of California Press, ©1994 |z 0520085566 |w (DLC) 94006580 |w (OCoLC)29908675 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm44955519 |
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| _version_ | 1816881583991291904 |
| adam_text | |
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| author | Higashi, Sumiko |
| author_facet | Higashi, Sumiko |
| author_role | |
| author_sort | Higashi, Sumiko |
| author_variant | s h sh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.D39 H54 1994eb |
| callnumber-search | PN1998.3.D39 H54 1994eb |
| callnumber-sort | PN 41998.3 D39 H54 41994EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | The Lasky Company and Highbrow Culture: Authorship Versus Intertextuality -- Self-Theatricalization in Victorian Pictorial Dramaturgy: What's His Name -- The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape -- The Screen As Display Window: Constructing the "New Woman" -- The Historical Epic and Progressive Era Civic Pageantry: Joan the Woman -- Set and Costume Design as Spectacle in a Consumer Culture: The Early Jazz Age Films -- Demille's Exodus from Famous Players-Lasky: the Ten Commandments (1923). |
| ctrlnum | (OCoLC)44955519 |
| dewey-full | 791.43/0232/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/0232/092 |
| dewey-search | 791.43/0232/092 |
| dewey-sort | 3791.43 3232 292 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMille artfully inserted cinema into genteel middle-class culture by replicating in his films such spectacles as elaborate parlor games, stage melodramas, department store displays, Orientalist world's fairs, and civic pageantry. The director not only established his signature as a film author by articulating middle-class ideology across class and ethnic lines, but by the 1920's had become a trendsetter, with set and costume designs that influenced the advertising industry to create a consumer culture based on female desire. 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| id | ZDB-4-EBA-ocm44955519 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:15:02Z |
| institution | BVB |
| isbn | 9780520914810 0520914813 058507884X 9780585078847 9780520085565 0520085566 9780520085572 0520085574 |
| language | English |
| oclc_num | 44955519 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 264 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1994 |
| publishDateSearch | 1994 |
| publishDateSort | 1994 |
| publisher | University of California Press, |
| record_format | marc |
| spelling | Higashi, Sumiko. Cecil B. DeMille and American culture : the silent era / Sumiko Higashi. Berkeley : University of California Press, ©1994. 1 online resource (xii, 264 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Filmography Filmography: pages 205-208. Includes bibliographical references (pages 209-252) and index. Print version record. The Lasky Company and Highbrow Culture: Authorship Versus Intertextuality -- Self-Theatricalization in Victorian Pictorial Dramaturgy: What's His Name -- The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape -- The Screen As Display Window: Constructing the "New Woman" -- The Historical Epic and Progressive Era Civic Pageantry: Joan the Woman -- Set and Costume Design as Spectacle in a Consumer Culture: The Early Jazz Age Films -- Demille's Exodus from Famous Players-Lasky: the Ten Commandments (1923). English. Annotation Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMille artfully inserted cinema into genteel middle-class culture by replicating in his films such spectacles as elaborate parlor games, stage melodramas, department store displays, Orientalist world's fairs, and civic pageantry. The director not only established his signature as a film author by articulating middle-class ideology across class and ethnic lines, but by the 1920's had become a trendsetter, with set and costume designs that influenced the advertising industry to create a consumer culture based on female desire. Drawing on a wealth of previously untapped material from the DeMille Archives and other collections, Higashi provides imaginative readings of DeMille's early feature films, viewing them in relation to the dynamics of social change, and she documents the extent to which the emergence of popular culture was linked to the genteel tradition. DeMille, Cecil B. (Cecil Blount), 1881-1959 Criticism and interpretation. DeMille, Cecil B. (Cecil Blount), 1881-1959 fast https://id.oclc.org/worldcat/entity/E39PBJqVVfJp4Vmb4dBjFWWhpP PERFORMING ARTS Film & Video Reference. bisacsh Criticism, interpretation, etc. fast has work: Cecil B. DeMille and American culture (Text) https://id.oclc.org/worldcat/entity/E39PCGGc746vQWT7WmRTqcDF83 https://id.oclc.org/worldcat/ontology/hasWork Print version: Higashi, Sumiko. Cecil B. DeMille and American culture. Berkeley : University of California Press, ©1994 0520085566 (DLC) 94006580 (OCoLC)29908675 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=21213 Volltext |
| spellingShingle | Higashi, Sumiko Cecil B. DeMille and American culture : the silent era / The Lasky Company and Highbrow Culture: Authorship Versus Intertextuality -- Self-Theatricalization in Victorian Pictorial Dramaturgy: What's His Name -- The Lower East Side as Spectacle: Class and Ethnicity in the Urban Landscape -- The Screen As Display Window: Constructing the "New Woman" -- The Historical Epic and Progressive Era Civic Pageantry: Joan the Woman -- Set and Costume Design as Spectacle in a Consumer Culture: The Early Jazz Age Films -- Demille's Exodus from Famous Players-Lasky: the Ten Commandments (1923). DeMille, Cecil B. (Cecil Blount), 1881-1959 Criticism and interpretation. DeMille, Cecil B. (Cecil Blount), 1881-1959 fast https://id.oclc.org/worldcat/entity/E39PBJqVVfJp4Vmb4dBjFWWhpP PERFORMING ARTS Film & Video Reference. bisacsh |
| title | Cecil B. DeMille and American culture : the silent era / |
| title_auth | Cecil B. DeMille and American culture : the silent era / |
| title_exact_search | Cecil B. DeMille and American culture : the silent era / |
| title_full | Cecil B. DeMille and American culture : the silent era / Sumiko Higashi. |
| title_fullStr | Cecil B. DeMille and American culture : the silent era / Sumiko Higashi. |
| title_full_unstemmed | Cecil B. DeMille and American culture : the silent era / Sumiko Higashi. |
| title_short | Cecil B. DeMille and American culture : |
| title_sort | cecil b demille and american culture the silent era |
| title_sub | the silent era / |
| topic | DeMille, Cecil B. (Cecil Blount), 1881-1959 Criticism and interpretation. DeMille, Cecil B. (Cecil Blount), 1881-1959 fast https://id.oclc.org/worldcat/entity/E39PBJqVVfJp4Vmb4dBjFWWhpP PERFORMING ARTS Film & Video Reference. bisacsh |
| topic_facet | DeMille, Cecil B. (Cecil Blount), 1881-1959 Criticism and interpretation. DeMille, Cecil B. (Cecil Blount), 1881-1959 PERFORMING ARTS Film & Video Reference. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=21213 |
| work_keys_str_mv | AT higashisumiko cecilbdemilleandamericanculturethesilentera |