Writing performance :: poeticizing the researcher's body /
"Ronald J. Pelias is concerned with writing about performance, from the everyday performative routines to the texts on stage. He seeks to write performatively, to offer poetic or aesthetic renderings of performance events in order to capture some sense of their nature. In his quest for the spir...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Carbondale [Ill.] :
Southern Illinois University Press,
©1999.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Ronald J. Pelias is concerned with writing about performance, from the everyday performative routines to the texts on stage. He seeks to write performatively, to offer poetic or aesthetic renderings of performance events in order to capture some sense of their nature. In his quest for the spirit of theatrical performances in a collection of essays, Pelias, of course, asks more of the written word than the word can deliver. Yet the attempt is both desirable - and necessary. To discuss performance without some accounting for its essence as art, he asserts, is at best misleading, at worst, fraud."--BOOK JACKET. ""On Writing and Performing" examines the written script and performance practices. It contains a description of a struggle between a writer and a performer as they protect their own interests; on intimate look at an apprehensive performer; a short play entitled "The Audition," which deals with what it means to be an actor; a chronicle of performance process from the perspective of an actor; and a brief essay on the nature of performance."--BOOK JACKET. ""Being a Witness" examines performance from the perspective of the audience and the director. It includes essays on the experience of being an audience member; viewing theatre in the context of New York City; directing and being directed by actors' bodies; watching The DEF Comedy Jam; and, in the form of an interview, some final reflections about working with performance for many years."--Jacket |
| Beschreibung: | 1 online resource (xvi, 168 pages) |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 0585128014 9780585128016 |
Internformat
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-ocm43476464 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 000112s1999 ilu ob 000 0 eng d | ||
| 040 | |a N$T |b eng |e pn |c N$T |d OCL |d OCLCQ |d MUQ |d OCLCQ |d OCL |d YDXCP |d JYJ |d OCLCQ |d TUU |d OCLCQ |d TNF |d NEG |d OCLCO |d OCLCQ |d OCLCF |d NLGGC |d OCLCO |d OCLCQ |d OCLCE |d OCLCQ |d MWM |d CPO |d OCLCA |d OCLCQ |d SAV |d JBG |d QT7 |d OCLCO |d OCLCQ |d LUE |d YDX |d WRM |d VTS |d AGLDB |d OCLCQ |d OCLCO |d INT |d OCLCQ |d AU@ |d S9I |d OCLCQ |d STF |d UMK |d OCLCQ |d K6U |d OCLCO |d CHBRC |d UKSSU |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 532484407 |a 607260879 |a 961601893 |a 962568177 |a 970792830 |a 974486208 |a 974513583 |a 984517989 |a 1004496125 |a 1004792903 |a 1005043013 |a 1007414877 |a 1008898439 |a 1013727558 |a 1017948907 |a 1021230587 |a 1038554802 |a 1047656989 |a 1053009359 |a 1058050103 |a 1108906259 |a 1119024242 |a 1135376782 |a 1154875260 |a 1156641087 |a 1157110142 |a 1162028498 |a 1178688686 |a 1247720016 |a 1257357277 | ||
| 020 | |a 0585128014 |q (electronic bk.) | ||
| 020 | |a 9780585128016 |q (electronic bk.) | ||
| 020 | |z 0809322358 | ||
| 020 | |z 9780809322350 | ||
| 035 | |a (OCoLC)43476464 |z (OCoLC)532484407 |z (OCoLC)607260879 |z (OCoLC)961601893 |z (OCoLC)962568177 |z (OCoLC)970792830 |z (OCoLC)974486208 |z (OCoLC)974513583 |z (OCoLC)984517989 |z (OCoLC)1004496125 |z (OCoLC)1004792903 |z (OCoLC)1005043013 |z (OCoLC)1007414877 |z (OCoLC)1008898439 |z (OCoLC)1013727558 |z (OCoLC)1017948907 |z (OCoLC)1021230587 |z (OCoLC)1038554802 |z (OCoLC)1047656989 |z (OCoLC)1053009359 |z (OCoLC)1058050103 |z (OCoLC)1108906259 |z (OCoLC)1119024242 |z (OCoLC)1135376782 |z (OCoLC)1154875260 |z (OCoLC)1156641087 |z (OCoLC)1157110142 |z (OCoLC)1162028498 |z (OCoLC)1178688686 |z (OCoLC)1247720016 |z (OCoLC)1257357277 | ||
| 042 | |a dlr | ||
| 050 | 4 | |a PN2058 |b .P46 1999eb | |
| 072 | 7 | |a PER |x 001000 |2 bisacsh | |
| 082 | 7 | |a 792/.028/019 |2 21 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Pelias, Ronald J. |0 http://id.loc.gov/authorities/names/n92038610 | |
| 245 | 1 | 0 | |a Writing performance : |b poeticizing the researcher's body / |c Ronald J. Pelias. |
| 260 | |a Carbondale [Ill.] : |b Southern Illinois University Press, |c ©1999. | ||
| 300 | |a 1 online resource (xvi, 168 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |g pt. 1. |t Performing Every Day. |g 1. |t An Ethnographic Autobiography of Performance in Everyday Life. |g 2. |t Naming Men: The Business of Performing Manly. |g 3. |t Performing in the Classroom. |g 4. |t Telling Tales. |g 5. |t A Day's Talk -- |g pt. 2. |t On Writing and Performing. |g 6. |t The Poet and Performer Take Stage. |g 7. |t Confessions of an Apprehensive Performer. |g 8. |t The Audition. |g 9. |t Becoming Another: A Love Song for J. Alfred Prufrock. |g 10. |t Performance Is ... -- |g pt. 3. |t Being a Witness. |g 11. |t On Looking On. |g 12. |t Doing the New York Scene. |g 13. |t The DEF Comedy Jam, bell hooks, and Me. |g 14. |t Moving Bodies in Space and Time. |g 15. |t An Interview. |
| 520 | 1 | |a "Ronald J. Pelias is concerned with writing about performance, from the everyday performative routines to the texts on stage. He seeks to write performatively, to offer poetic or aesthetic renderings of performance events in order to capture some sense of their nature. In his quest for the spirit of theatrical performances in a collection of essays, Pelias, of course, asks more of the written word than the word can deliver. Yet the attempt is both desirable - and necessary. To discuss performance without some accounting for its essence as art, he asserts, is at best misleading, at worst, fraud."--BOOK JACKET. ""On Writing and Performing" examines the written script and performance practices. It contains a description of a struggle between a writer and a performer as they protect their own interests; on intimate look at an apprehensive performer; a short play entitled "The Audition," which deals with what it means to be an actor; a chronicle of performance process from the perspective of an actor; and a brief essay on the nature of performance."--BOOK JACKET. ""Being a Witness" examines performance from the perspective of the audience and the director. It includes essays on the experience of being an audience member; viewing theatre in the context of New York City; directing and being directed by actors' bodies; watching The DEF Comedy Jam; and, in the form of an interview, some final reflections about working with performance for many years."--Jacket | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 546 | |a English. | ||
| 650 | 0 | |a Acting |x Psychological aspects. | |
| 650 | 0 | |a Performing arts. |0 http://id.loc.gov/authorities/subjects/sh85099818 | |
| 650 | 0 | |a Performance art. |0 http://id.loc.gov/authorities/subjects/sh85099809 | |
| 650 | 0 | |a Theater audiences |x Psychology. |0 http://id.loc.gov/authorities/subjects/sh94004081 | |
| 650 | 0 | |a Human body. |0 http://id.loc.gov/authorities/subjects/sh85015222 | |
| 650 | 6 | |a Art dramatique |x Aspect psychologique. | |
| 650 | 6 | |a Arts du spectacle. | |
| 650 | 6 | |a Art de performance. | |
| 650 | 6 | |a Théâtre |x Publics |x Psychologie. | |
| 650 | 6 | |a Corps humain. | |
| 650 | 7 | |a performance art. |2 aat | |
| 650 | 7 | |a performing arts (discipline) |2 aat | |
| 650 | 7 | |a PERFORMING ARTS |x Acting & Auditioning. |2 bisacsh | |
| 650 | 7 | |a Acting |x Psychological aspects |2 fast | |
| 650 | 7 | |a Human body |2 fast | |
| 650 | 7 | |a Performance art |2 fast | |
| 650 | 7 | |a Performing arts |2 fast | |
| 650 | 7 | |a Theater audiences |x Psychology |2 fast | |
| 650 | 7 | |a Publikum |2 gnd |0 http://d-nb.info/gnd/4047764-2 | |
| 650 | 7 | |a Schauspielkunst |2 gnd |0 http://d-nb.info/gnd/4129090-2 | |
| 650 | 7 | |a Theater |2 gnd |0 http://d-nb.info/gnd/4059702-7 | |
| 758 | |i has work: |a Writing performance (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGtftJwpTB4PXQJPtbpvwP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Pelias, Ronald J. |t Writing performance. |d Carbondale [Ill.] : Southern Illinois University Press, ©1999 |z 0809322358 |w (DLC) 98037551 |w (OCoLC)39981188 |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=11631 |3 Volltext |
| 936 | |a BATCHLOAD | ||
| 938 | |a EBSCOhost |b EBSC |n 11631 | ||
| 938 | |a YBP Library Services |b YANK |n 2307938 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocm43476464 |
|---|---|
| _version_ | 1816881582679523328 |
| adam_text | |
| any_adam_object | |
| author | Pelias, Ronald J. |
| author_GND | http://id.loc.gov/authorities/names/n92038610 |
| author_facet | Pelias, Ronald J. |
| author_role | |
| author_sort | Pelias, Ronald J. |
| author_variant | r j p rj rjp |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2058 |
| callnumber-raw | PN2058 .P46 1999eb |
| callnumber-search | PN2058 .P46 1999eb |
| callnumber-sort | PN 42058 P46 41999EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Performing Every Day. An Ethnographic Autobiography of Performance in Everyday Life. Naming Men: The Business of Performing Manly. Performing in the Classroom. Telling Tales. A Day's Talk -- On Writing and Performing. The Poet and Performer Take Stage. Confessions of an Apprehensive Performer. The Audition. Becoming Another: A Love Song for J. Alfred Prufrock. Performance Is ... -- Being a Witness. On Looking On. Doing the New York Scene. The DEF Comedy Jam, bell hooks, and Me. Moving Bodies in Space and Time. An Interview. |
| ctrlnum | (OCoLC)43476464 |
| dewey-full | 792/.028/019 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792/.028/019 |
| dewey-search | 792/.028/019 |
| dewey-sort | 3792 228 219 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06821cam a2200781 a 4500</leader><controlfield tag="001">ZDB-4-EBA-ocm43476464 </controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cn|||||||||</controlfield><controlfield tag="008">000112s1999 ilu ob 000 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">OCL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MUQ</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCL</subfield><subfield code="d">YDXCP</subfield><subfield code="d">JYJ</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TUU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TNF</subfield><subfield code="d">NEG</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCF</subfield><subfield code="d">NLGGC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCE</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">MWM</subfield><subfield code="d">CPO</subfield><subfield code="d">OCLCA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SAV</subfield><subfield code="d">JBG</subfield><subfield code="d">QT7</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">LUE</subfield><subfield code="d">YDX</subfield><subfield code="d">WRM</subfield><subfield code="d">VTS</subfield><subfield code="d">AGLDB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">INT</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">AU@</subfield><subfield code="d">S9I</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">STF</subfield><subfield code="d">UMK</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">CHBRC</subfield><subfield code="d">UKSSU</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">532484407</subfield><subfield code="a">607260879</subfield><subfield code="a">961601893</subfield><subfield code="a">962568177</subfield><subfield code="a">970792830</subfield><subfield code="a">974486208</subfield><subfield code="a">974513583</subfield><subfield code="a">984517989</subfield><subfield code="a">1004496125</subfield><subfield code="a">1004792903</subfield><subfield code="a">1005043013</subfield><subfield code="a">1007414877</subfield><subfield code="a">1008898439</subfield><subfield code="a">1013727558</subfield><subfield code="a">1017948907</subfield><subfield code="a">1021230587</subfield><subfield code="a">1038554802</subfield><subfield code="a">1047656989</subfield><subfield code="a">1053009359</subfield><subfield code="a">1058050103</subfield><subfield code="a">1108906259</subfield><subfield code="a">1119024242</subfield><subfield code="a">1135376782</subfield><subfield code="a">1154875260</subfield><subfield code="a">1156641087</subfield><subfield code="a">1157110142</subfield><subfield code="a">1162028498</subfield><subfield code="a">1178688686</subfield><subfield code="a">1247720016</subfield><subfield code="a">1257357277</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0585128014</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780585128016</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0809322358</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780809322350</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)43476464</subfield><subfield code="z">(OCoLC)532484407</subfield><subfield code="z">(OCoLC)607260879</subfield><subfield code="z">(OCoLC)961601893</subfield><subfield code="z">(OCoLC)962568177</subfield><subfield code="z">(OCoLC)970792830</subfield><subfield code="z">(OCoLC)974486208</subfield><subfield code="z">(OCoLC)974513583</subfield><subfield code="z">(OCoLC)984517989</subfield><subfield code="z">(OCoLC)1004496125</subfield><subfield code="z">(OCoLC)1004792903</subfield><subfield code="z">(OCoLC)1005043013</subfield><subfield code="z">(OCoLC)1007414877</subfield><subfield code="z">(OCoLC)1008898439</subfield><subfield code="z">(OCoLC)1013727558</subfield><subfield code="z">(OCoLC)1017948907</subfield><subfield code="z">(OCoLC)1021230587</subfield><subfield code="z">(OCoLC)1038554802</subfield><subfield code="z">(OCoLC)1047656989</subfield><subfield code="z">(OCoLC)1053009359</subfield><subfield code="z">(OCoLC)1058050103</subfield><subfield code="z">(OCoLC)1108906259</subfield><subfield code="z">(OCoLC)1119024242</subfield><subfield code="z">(OCoLC)1135376782</subfield><subfield code="z">(OCoLC)1154875260</subfield><subfield code="z">(OCoLC)1156641087</subfield><subfield code="z">(OCoLC)1157110142</subfield><subfield code="z">(OCoLC)1162028498</subfield><subfield code="z">(OCoLC)1178688686</subfield><subfield code="z">(OCoLC)1247720016</subfield><subfield code="z">(OCoLC)1257357277</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">dlr</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN2058</subfield><subfield code="b">.P46 1999eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">001000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">792/.028/019</subfield><subfield code="2">21</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pelias, Ronald J.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n92038610</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Writing performance :</subfield><subfield code="b">poeticizing the researcher's body /</subfield><subfield code="c">Ronald J. Pelias.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Carbondale [Ill.] :</subfield><subfield code="b">Southern Illinois University Press,</subfield><subfield code="c">©1999.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvi, 168 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">data file</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="g">pt. 1.</subfield><subfield code="t">Performing Every Day.</subfield><subfield code="g">1.</subfield><subfield code="t">An Ethnographic Autobiography of Performance in Everyday Life.</subfield><subfield code="g">2.</subfield><subfield code="t">Naming Men: The Business of Performing Manly.</subfield><subfield code="g">3.</subfield><subfield code="t">Performing in the Classroom.</subfield><subfield code="g">4.</subfield><subfield code="t">Telling Tales.</subfield><subfield code="g">5.</subfield><subfield code="t">A Day's Talk --</subfield><subfield code="g">pt. 2.</subfield><subfield code="t">On Writing and Performing.</subfield><subfield code="g">6.</subfield><subfield code="t">The Poet and Performer Take Stage.</subfield><subfield code="g">7.</subfield><subfield code="t">Confessions of an Apprehensive Performer.</subfield><subfield code="g">8.</subfield><subfield code="t">The Audition.</subfield><subfield code="g">9.</subfield><subfield code="t">Becoming Another: A Love Song for J. Alfred Prufrock.</subfield><subfield code="g">10.</subfield><subfield code="t">Performance Is ... --</subfield><subfield code="g">pt. 3.</subfield><subfield code="t">Being a Witness.</subfield><subfield code="g">11.</subfield><subfield code="t">On Looking On.</subfield><subfield code="g">12.</subfield><subfield code="t">Doing the New York Scene.</subfield><subfield code="g">13.</subfield><subfield code="t">The DEF Comedy Jam, bell hooks, and Me.</subfield><subfield code="g">14.</subfield><subfield code="t">Moving Bodies in Space and Time.</subfield><subfield code="g">15.</subfield><subfield code="t">An Interview.</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"Ronald J. Pelias is concerned with writing about performance, from the everyday performative routines to the texts on stage. He seeks to write performatively, to offer poetic or aesthetic renderings of performance events in order to capture some sense of their nature. In his quest for the spirit of theatrical performances in a collection of essays, Pelias, of course, asks more of the written word than the word can deliver. Yet the attempt is both desirable - and necessary. To discuss performance without some accounting for its essence as art, he asserts, is at best misleading, at worst, fraud."--BOOK JACKET. ""On Writing and Performing" examines the written script and performance practices. It contains a description of a struggle between a writer and a performer as they protect their own interests; on intimate look at an apprehensive performer; a short play entitled "The Audition," which deals with what it means to be an actor; a chronicle of performance process from the perspective of an actor; and a brief essay on the nature of performance."--BOOK JACKET. ""Being a Witness" examines performance from the perspective of the audience and the director. It includes essays on the experience of being an audience member; viewing theatre in the context of New York City; directing and being directed by actors' bodies; watching The DEF Comedy Jam; and, in the form of an interview, some final reflections about working with performance for many years."--Jacket</subfield></datafield><datafield tag="506" ind1=" " ind2=" "><subfield code="3">Use copy</subfield><subfield code="f">Restrictions unspecified</subfield><subfield code="2">star</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Electronic reproduction.</subfield><subfield code="b">[Place of publication not identified] :</subfield><subfield code="c">HathiTrust Digital Library,</subfield><subfield code="d">2010.</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.</subfield><subfield code="u">http://purl.oclc.org/DLF/benchrepro0212</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="583" ind1="1" ind2=" "><subfield code="a">digitized</subfield><subfield code="c">2010</subfield><subfield code="h">HathiTrust Digital Library</subfield><subfield code="l">committed to preserve</subfield><subfield code="2">pda</subfield><subfield code="5">MiAaHDL</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Acting</subfield><subfield code="x">Psychological aspects.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Performing arts.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85099818</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Performance art.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85099809</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater audiences</subfield><subfield code="x">Psychology.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh94004081</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Human body.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85015222</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Art dramatique</subfield><subfield code="x">Aspect psychologique.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Arts du spectacle.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Art de performance.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Théâtre</subfield><subfield code="x">Publics</subfield><subfield code="x">Psychologie.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Corps humain.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">performance art.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">performing arts (discipline)</subfield><subfield code="2">aat</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Acting & Auditioning.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Acting</subfield><subfield code="x">Psychological aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Human body</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Performance art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Performing arts</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Theater audiences</subfield><subfield code="x">Psychology</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Publikum</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4047764-2</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Schauspielkunst</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4129090-2</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Theater</subfield><subfield code="2">gnd</subfield><subfield code="0">http://d-nb.info/gnd/4059702-7</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Writing performance (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGtftJwpTB4PXQJPtbpvwP</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Pelias, Ronald J.</subfield><subfield code="t">Writing performance.</subfield><subfield code="d">Carbondale [Ill.] : Southern Illinois University Press, ©1999</subfield><subfield code="z">0809322358</subfield><subfield code="w">(DLC) 98037551</subfield><subfield code="w">(OCoLC)39981188</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=11631</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="936" ind1=" " ind2=" "><subfield code="a">BATCHLOAD</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">11631</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">2307938</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-ocm43476464 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:15:01Z |
| institution | BVB |
| isbn | 0585128014 9780585128016 |
| language | English |
| oclc_num | 43476464 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvi, 168 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 1999 |
| publishDateSearch | 1999 |
| publishDateSort | 1999 |
| publisher | Southern Illinois University Press, |
| record_format | marc |
| spelling | Pelias, Ronald J. http://id.loc.gov/authorities/names/n92038610 Writing performance : poeticizing the researcher's body / Ronald J. Pelias. Carbondale [Ill.] : Southern Illinois University Press, ©1999. 1 online resource (xvi, 168 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references. Print version record. pt. 1. Performing Every Day. 1. An Ethnographic Autobiography of Performance in Everyday Life. 2. Naming Men: The Business of Performing Manly. 3. Performing in the Classroom. 4. Telling Tales. 5. A Day's Talk -- pt. 2. On Writing and Performing. 6. The Poet and Performer Take Stage. 7. Confessions of an Apprehensive Performer. 8. The Audition. 9. Becoming Another: A Love Song for J. Alfred Prufrock. 10. Performance Is ... -- pt. 3. Being a Witness. 11. On Looking On. 12. Doing the New York Scene. 13. The DEF Comedy Jam, bell hooks, and Me. 14. Moving Bodies in Space and Time. 15. An Interview. "Ronald J. Pelias is concerned with writing about performance, from the everyday performative routines to the texts on stage. He seeks to write performatively, to offer poetic or aesthetic renderings of performance events in order to capture some sense of their nature. In his quest for the spirit of theatrical performances in a collection of essays, Pelias, of course, asks more of the written word than the word can deliver. Yet the attempt is both desirable - and necessary. To discuss performance without some accounting for its essence as art, he asserts, is at best misleading, at worst, fraud."--BOOK JACKET. ""On Writing and Performing" examines the written script and performance practices. It contains a description of a struggle between a writer and a performer as they protect their own interests; on intimate look at an apprehensive performer; a short play entitled "The Audition," which deals with what it means to be an actor; a chronicle of performance process from the perspective of an actor; and a brief essay on the nature of performance."--BOOK JACKET. ""Being a Witness" examines performance from the perspective of the audience and the director. It includes essays on the experience of being an audience member; viewing theatre in the context of New York City; directing and being directed by actors' bodies; watching The DEF Comedy Jam; and, in the form of an interview, some final reflections about working with performance for many years."--Jacket Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL English. Acting Psychological aspects. Performing arts. http://id.loc.gov/authorities/subjects/sh85099818 Performance art. http://id.loc.gov/authorities/subjects/sh85099809 Theater audiences Psychology. http://id.loc.gov/authorities/subjects/sh94004081 Human body. http://id.loc.gov/authorities/subjects/sh85015222 Art dramatique Aspect psychologique. Arts du spectacle. Art de performance. Théâtre Publics Psychologie. Corps humain. performance art. aat performing arts (discipline) aat PERFORMING ARTS Acting & Auditioning. bisacsh Acting Psychological aspects fast Human body fast Performance art fast Performing arts fast Theater audiences Psychology fast Publikum gnd http://d-nb.info/gnd/4047764-2 Schauspielkunst gnd http://d-nb.info/gnd/4129090-2 Theater gnd http://d-nb.info/gnd/4059702-7 has work: Writing performance (Text) https://id.oclc.org/worldcat/entity/E39PCGtftJwpTB4PXQJPtbpvwP https://id.oclc.org/worldcat/ontology/hasWork Print version: Pelias, Ronald J. Writing performance. Carbondale [Ill.] : Southern Illinois University Press, ©1999 0809322358 (DLC) 98037551 (OCoLC)39981188 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=11631 Volltext |
| spellingShingle | Pelias, Ronald J. Writing performance : poeticizing the researcher's body / Performing Every Day. An Ethnographic Autobiography of Performance in Everyday Life. Naming Men: The Business of Performing Manly. Performing in the Classroom. Telling Tales. A Day's Talk -- On Writing and Performing. The Poet and Performer Take Stage. Confessions of an Apprehensive Performer. The Audition. Becoming Another: A Love Song for J. Alfred Prufrock. Performance Is ... -- Being a Witness. On Looking On. Doing the New York Scene. The DEF Comedy Jam, bell hooks, and Me. Moving Bodies in Space and Time. An Interview. Acting Psychological aspects. Performing arts. http://id.loc.gov/authorities/subjects/sh85099818 Performance art. http://id.loc.gov/authorities/subjects/sh85099809 Theater audiences Psychology. http://id.loc.gov/authorities/subjects/sh94004081 Human body. http://id.loc.gov/authorities/subjects/sh85015222 Art dramatique Aspect psychologique. Arts du spectacle. Art de performance. Théâtre Publics Psychologie. Corps humain. performance art. aat performing arts (discipline) aat PERFORMING ARTS Acting & Auditioning. bisacsh Acting Psychological aspects fast Human body fast Performance art fast Performing arts fast Theater audiences Psychology fast Publikum gnd http://d-nb.info/gnd/4047764-2 Schauspielkunst gnd http://d-nb.info/gnd/4129090-2 Theater gnd http://d-nb.info/gnd/4059702-7 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85099818 http://id.loc.gov/authorities/subjects/sh85099809 http://id.loc.gov/authorities/subjects/sh94004081 http://id.loc.gov/authorities/subjects/sh85015222 http://d-nb.info/gnd/4047764-2 http://d-nb.info/gnd/4129090-2 http://d-nb.info/gnd/4059702-7 |
| title | Writing performance : poeticizing the researcher's body / |
| title_alt | Performing Every Day. An Ethnographic Autobiography of Performance in Everyday Life. Naming Men: The Business of Performing Manly. Performing in the Classroom. Telling Tales. A Day's Talk -- On Writing and Performing. The Poet and Performer Take Stage. Confessions of an Apprehensive Performer. The Audition. Becoming Another: A Love Song for J. Alfred Prufrock. Performance Is ... -- Being a Witness. On Looking On. Doing the New York Scene. The DEF Comedy Jam, bell hooks, and Me. Moving Bodies in Space and Time. An Interview. |
| title_auth | Writing performance : poeticizing the researcher's body / |
| title_exact_search | Writing performance : poeticizing the researcher's body / |
| title_full | Writing performance : poeticizing the researcher's body / Ronald J. Pelias. |
| title_fullStr | Writing performance : poeticizing the researcher's body / Ronald J. Pelias. |
| title_full_unstemmed | Writing performance : poeticizing the researcher's body / Ronald J. Pelias. |
| title_short | Writing performance : |
| title_sort | writing performance poeticizing the researcher s body |
| title_sub | poeticizing the researcher's body / |
| topic | Acting Psychological aspects. Performing arts. http://id.loc.gov/authorities/subjects/sh85099818 Performance art. http://id.loc.gov/authorities/subjects/sh85099809 Theater audiences Psychology. http://id.loc.gov/authorities/subjects/sh94004081 Human body. http://id.loc.gov/authorities/subjects/sh85015222 Art dramatique Aspect psychologique. Arts du spectacle. Art de performance. Théâtre Publics Psychologie. Corps humain. performance art. aat performing arts (discipline) aat PERFORMING ARTS Acting & Auditioning. bisacsh Acting Psychological aspects fast Human body fast Performance art fast Performing arts fast Theater audiences Psychology fast Publikum gnd http://d-nb.info/gnd/4047764-2 Schauspielkunst gnd http://d-nb.info/gnd/4129090-2 Theater gnd http://d-nb.info/gnd/4059702-7 |
| topic_facet | Acting Psychological aspects. Performing arts. Performance art. Theater audiences Psychology. Human body. Art dramatique Aspect psychologique. Arts du spectacle. Art de performance. Théâtre Publics Psychologie. Corps humain. performance art. performing arts (discipline) PERFORMING ARTS Acting & Auditioning. Acting Psychological aspects Human body Performance art Performing arts Theater audiences Psychology Publikum Schauspielkunst Theater |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=11631 |
| work_keys_str_mv | AT peliasronaldj writingperformancepoeticizingtheresearchersbody |