The woman at the keyhole :: feminism and women's cinema /
The title of this book takes as its point of reference those early, primitive films in which mostly men, but occasionally women, peek through keyholes, offering bold demonstrations of the voyeuristic pleasure that has been central to virtually every contemporary theory of cinema. When we imagine a &...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington :
Indiana University Press,
[1990]
|
| Schriftenreihe: | Theories of representation and difference.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The title of this book takes as its point of reference those early, primitive films in which mostly men, but occasionally women, peek through keyholes, offering bold demonstrations of the voyeuristic pleasure that has been central to virtually every contemporary theory of cinema. When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. The question is not only who or what is on either side of the keyhole, but also what lies between them, what constitutes the threshold that makes representation possible. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative. Films discussed include Helke Sander's Redupers, Julie Dash's Illusions, Patricia Rozema's I've Heard the Mermaids Singing, Yvonne Rainer's The Man Who Envied Women, Chantal Akerman's Je tu il elle, Ulrike Ottinger's Ticket of No Return, Anne Severson's Near the Big Chakra, Suzan Pitt's Asparagus, Germaine Dulac's The Smiling Madame Beudet, Agnes Varda's Cleo from 5 to 7, Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Trin T. Minh-ha's Reassem-blage, Laleen Jayamanne's A Song of Ceylon, and the films of Dorothy Arzner. |
| Beschreibung: | 1 online resource (x, 260 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780253055767 0253055768 058500059X 9780585000596 |
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| 490 | 1 | |a Theories of representation and difference | |
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| 506 | |3 Use copy |f Restrictions unspecified |5 MiAaHDL |2 star | ||
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| 588 | 0 | |a Print version record. | |
| 520 | |a The title of this book takes as its point of reference those early, primitive films in which mostly men, but occasionally women, peek through keyholes, offering bold demonstrations of the voyeuristic pleasure that has been central to virtually every contemporary theory of cinema. When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. The question is not only who or what is on either side of the keyhole, but also what lies between them, what constitutes the threshold that makes representation possible. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative. Films discussed include Helke Sander's Redupers, Julie Dash's Illusions, Patricia Rozema's I've Heard the Mermaids Singing, Yvonne Rainer's The Man Who Envied Women, Chantal Akerman's Je tu il elle, Ulrike Ottinger's Ticket of No Return, Anne Severson's Near the Big Chakra, Suzan Pitt's Asparagus, Germaine Dulac's The Smiling Madame Beudet, Agnes Varda's Cleo from 5 to 7, Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Trin T. Minh-ha's Reassem-blage, Laleen Jayamanne's A Song of Ceylon, and the films of Dorothy Arzner. | ||
| 650 | 0 | |a Feminism and motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85047748 | |
| 650 | 0 | |a Feminist films. |0 http://id.loc.gov/authorities/subjects/sh85047754 | |
| 650 | 0 | |a Women in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85147593 | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 6 | |a Féminisme et cinéma. | |
| 650 | 6 | |a Films féministes. | |
| 650 | 6 | |a Femmes au cinéma. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
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| author | Mayne, Judith |
| author_GND | http://id.loc.gov/authorities/names/n86039415 |
| author_facet | Mayne, Judith |
| author_role | aut |
| author_sort | Mayne, Judith |
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| building | Verbundindex |
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| callnumber-search | PN1995.9.W6 M36 1990eb |
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| classification_rvk | AP 45000 |
| collection | ZDB-4-EBA |
| contents | Spectacle and narrative -- Female authorship -- Early cinema and women's films. |
| ctrlnum | (OCoLC)42854038 |
| dewey-full | 791.43/082 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/082 |
| dewey-search | 791.43/082 |
| dewey-sort | 3791.43 282 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| id | ZDB-4-EBA-ocm42854038 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:14:55Z |
| institution | BVB |
| isbn | 9780253055767 0253055768 058500059X 9780585000596 |
| language | English |
| oclc_num | 42854038 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 260 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 1990 |
| publishDateSearch | 1990 |
| publishDateSort | 1990 |
| publisher | Indiana University Press, |
| record_format | marc |
| series | Theories of representation and difference. |
| series2 | Theories of representation and difference |
| spelling | Mayne, Judith, author. http://id.loc.gov/authorities/names/n86039415 The woman at the keyhole : feminism and women's cinema / Judith Mayne. Bloomington : Indiana University Press, [1990] ©1990 1 online resource (x, 260 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Theories of representation and difference Includes bibliographical references and index. Spectacle and narrative -- Female authorship -- Early cinema and women's films. Use copy Restrictions unspecified MiAaHDL star Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve MiAaHDL pda Print version record. The title of this book takes as its point of reference those early, primitive films in which mostly men, but occasionally women, peek through keyholes, offering bold demonstrations of the voyeuristic pleasure that has been central to virtually every contemporary theory of cinema. When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. The question is not only who or what is on either side of the keyhole, but also what lies between them, what constitutes the threshold that makes representation possible. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative. Films discussed include Helke Sander's Redupers, Julie Dash's Illusions, Patricia Rozema's I've Heard the Mermaids Singing, Yvonne Rainer's The Man Who Envied Women, Chantal Akerman's Je tu il elle, Ulrike Ottinger's Ticket of No Return, Anne Severson's Near the Big Chakra, Suzan Pitt's Asparagus, Germaine Dulac's The Smiling Madame Beudet, Agnes Varda's Cleo from 5 to 7, Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Trin T. Minh-ha's Reassem-blage, Laleen Jayamanne's A Song of Ceylon, and the films of Dorothy Arzner. Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Feminist films. http://id.loc.gov/authorities/subjects/sh85047754 Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Motion pictures Philosophy. Féminisme et cinéma. Films féministes. Femmes au cinéma. Cinéma Philosophie. PERFORMING ARTS Film & Video Reference. bisacsh Feminism and motion pictures fast Feminist films fast Motion pictures Philosophy fast Women in motion pictures fast Feminismus gnd http://d-nb.info/gnd/4222126-2 Film gnd http://d-nb.info/gnd/4017102-4 Frau gnd http://d-nb.info/gnd/4018202-2 Frauenfilm gnd http://d-nb.info/gnd/4125060-6 Theatre, Film and Television Studies has work: The woman at the keyhole (Text) https://id.oclc.org/worldcat/entity/E39PCGXbmQXT7GM44hF3WgJr4m https://id.oclc.org/worldcat/ontology/hasWork Print version: Mayne, Judith. Woman at the keyhole. Bloomington : Indiana University Press, ©1990 0253337194 (DLC) 90034125 (OCoLC)21330580 Theories of representation and difference. http://id.loc.gov/authorities/names/n84717752 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=550 Volltext |
| spellingShingle | Mayne, Judith The woman at the keyhole : feminism and women's cinema / Theories of representation and difference. Spectacle and narrative -- Female authorship -- Early cinema and women's films. Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Feminist films. http://id.loc.gov/authorities/subjects/sh85047754 Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Motion pictures Philosophy. Féminisme et cinéma. Films féministes. Femmes au cinéma. Cinéma Philosophie. PERFORMING ARTS Film & Video Reference. bisacsh Feminism and motion pictures fast Feminist films fast Motion pictures Philosophy fast Women in motion pictures fast Feminismus gnd http://d-nb.info/gnd/4222126-2 Film gnd http://d-nb.info/gnd/4017102-4 Frau gnd http://d-nb.info/gnd/4018202-2 Frauenfilm gnd http://d-nb.info/gnd/4125060-6 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85047748 http://id.loc.gov/authorities/subjects/sh85047754 http://id.loc.gov/authorities/subjects/sh85147593 http://d-nb.info/gnd/4222126-2 http://d-nb.info/gnd/4017102-4 http://d-nb.info/gnd/4018202-2 http://d-nb.info/gnd/4125060-6 |
| title | The woman at the keyhole : feminism and women's cinema / |
| title_auth | The woman at the keyhole : feminism and women's cinema / |
| title_exact_search | The woman at the keyhole : feminism and women's cinema / |
| title_full | The woman at the keyhole : feminism and women's cinema / Judith Mayne. |
| title_fullStr | The woman at the keyhole : feminism and women's cinema / Judith Mayne. |
| title_full_unstemmed | The woman at the keyhole : feminism and women's cinema / Judith Mayne. |
| title_short | The woman at the keyhole : |
| title_sort | woman at the keyhole feminism and women s cinema |
| title_sub | feminism and women's cinema / |
| topic | Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Feminist films. http://id.loc.gov/authorities/subjects/sh85047754 Women in motion pictures. http://id.loc.gov/authorities/subjects/sh85147593 Motion pictures Philosophy. Féminisme et cinéma. Films féministes. Femmes au cinéma. Cinéma Philosophie. PERFORMING ARTS Film & Video Reference. bisacsh Feminism and motion pictures fast Feminist films fast Motion pictures Philosophy fast Women in motion pictures fast Feminismus gnd http://d-nb.info/gnd/4222126-2 Film gnd http://d-nb.info/gnd/4017102-4 Frau gnd http://d-nb.info/gnd/4018202-2 Frauenfilm gnd http://d-nb.info/gnd/4125060-6 |
| topic_facet | Feminism and motion pictures. Feminist films. Women in motion pictures. Motion pictures Philosophy. Féminisme et cinéma. Films féministes. Femmes au cinéma. Cinéma Philosophie. PERFORMING ARTS Film & Video Reference. Feminism and motion pictures Feminist films Motion pictures Philosophy Women in motion pictures Feminismus Film Frau Frauenfilm |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=550 |
| work_keys_str_mv | AT maynejudith thewomanatthekeyholefeminismandwomenscinema AT maynejudith womanatthekeyholefeminismandwomenscinema |