Hitchcock's bi-textuality :: Lacan, feminisms, and queer theory /
This book combines three element: an articulation of Lacan's theory of ethics; a discussion of recent theories of feminine subjectivity and queer textuality; and close readings of Hitchcock's films. Hitchcock's Bi-Textuality argues that just as Freud posited a fundamental ground of bi...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany :
State University of New York Press,
©1998.
|
| Schriftenreihe: | SUNY series in psychoanalysis and culture.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This book combines three element: an articulation of Lacan's theory of ethics; a discussion of recent theories of feminine subjectivity and queer textuality; and close readings of Hitchcock's films. Hitchcock's Bi-Textuality argues that just as Freud posited a fundamental ground of bisexuality for every subject, we can affirm a form of universal "bi-textuality" that is repressed through different modes of representation, yet returns in unconscious aspects of textuality (dreams, word play, jokes, and symbolism) In order to illustrate this notion of bi-textuality, this work discusses how Hitchcock's films are extremely heterogeneous and present multiple forms of sexual identification and desire, although they have most often been read through the reductive lens of male heterosexuality. |
| Beschreibung: | 1 online resource (ix, 166 pages) |
| Bibliographie: | Includes bibliographical references (pages 149-162) and index. |
| ISBN: | 0585089841 9780585089843 |
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| contents | Lady Vanishes, but the Letter Remains: Julia Kristeva and the Maternal Real(m) -- Fear of Women and the Writing in Spellbound: Kaja Silverman and the Question of Castration -- Rebecca, Repetition, and the Circulation of Feminine Desire: Judith Butler and the Materiality of the Letter -- Notorious: Luce Irigaray, Feminine Fluids, and Masculine (Be)Hind-Sight -- Vertigo: Sexual Dis-Orientation and the En-Gendering of the Real -- Marnie: Abjection, Marking, and Feminine Subjectivity -- Rear Window Ethics: Laura Mulvey and the Inverted Gaze -- Birds: Zizek, Ideology, and the Horror of the Real -- Psycho and the Horror of the Bi-Textual Unconscious. |
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| indexdate | 2024-11-27T13:14:54Z |
| institution | BVB |
| isbn | 0585089841 9780585089843 |
| language | English |
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| spelling | Samuels, Robert, 1961- https://id.oclc.org/worldcat/entity/E39PCjvxQPGcQJVTym9wTPDQbd http://id.loc.gov/authorities/names/n92109378 Hitchcock's bi-textuality : Lacan, feminisms, and queer theory / Robert Samuels. Albany : State University of New York Press, ©1998. 1 online resource (ix, 166 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier SUNY series in psychoanalysis and culture Includes bibliographical references (pages 149-162) and index. Print version record. 1. Lady Vanishes, but the Letter Remains: Julia Kristeva and the Maternal Real(m) -- 2. Fear of Women and the Writing in Spellbound: Kaja Silverman and the Question of Castration -- 3. Rebecca, Repetition, and the Circulation of Feminine Desire: Judith Butler and the Materiality of the Letter -- 4. Notorious: Luce Irigaray, Feminine Fluids, and Masculine (Be)Hind-Sight -- 5. Vertigo: Sexual Dis-Orientation and the En-Gendering of the Real -- 6. Marnie: Abjection, Marking, and Feminine Subjectivity -- 7. Rear Window Ethics: Laura Mulvey and the Inverted Gaze -- 8. Birds: Zizek, Ideology, and the Horror of the Real -- Epilogue. Psycho and the Horror of the Bi-Textual Unconscious. This book combines three element: an articulation of Lacan's theory of ethics; a discussion of recent theories of feminine subjectivity and queer textuality; and close readings of Hitchcock's films. Hitchcock's Bi-Textuality argues that just as Freud posited a fundamental ground of bisexuality for every subject, we can affirm a form of universal "bi-textuality" that is repressed through different modes of representation, yet returns in unconscious aspects of textuality (dreams, word play, jokes, and symbolism) In order to illustrate this notion of bi-textuality, this work discusses how Hitchcock's films are extremely heterogeneous and present multiple forms of sexual identification and desire, although they have most often been read through the reductive lens of male heterosexuality. Hitchcock, Alfred, 1899-1980 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 Critique et interprétation. Hitchcock, Alfred, 1899-1980 Et la psychologie. Hitchcock, Alfred, 1899-1980 fast https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq Hitchcock, Alfred. swd PERFORMING ARTS Film & Video Direction & Production. bisacsh Frau gnd http://d-nb.info/gnd/4018202-2 Criticism, interpretation, etc. fast has work: Hitchcock's bi-textuality (Text) https://id.oclc.org/worldcat/entity/E39PCFRTfyX7tYTkWb9xygJygq https://id.oclc.org/worldcat/ontology/hasWork Print version: Samuels, Robert, 1961- Hitchcock's bi-textuality. Albany : State University of New York Press, ©1998 0791436098 (DLC) 97001209 (OCoLC)36501199 SUNY series in psychoanalysis and culture. http://id.loc.gov/authorities/names/n92082125 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=5438 Volltext |
| spellingShingle | Samuels, Robert, 1961- Hitchcock's bi-textuality : Lacan, feminisms, and queer theory / SUNY series in psychoanalysis and culture. Lady Vanishes, but the Letter Remains: Julia Kristeva and the Maternal Real(m) -- Fear of Women and the Writing in Spellbound: Kaja Silverman and the Question of Castration -- Rebecca, Repetition, and the Circulation of Feminine Desire: Judith Butler and the Materiality of the Letter -- Notorious: Luce Irigaray, Feminine Fluids, and Masculine (Be)Hind-Sight -- Vertigo: Sexual Dis-Orientation and the En-Gendering of the Real -- Marnie: Abjection, Marking, and Feminine Subjectivity -- Rear Window Ethics: Laura Mulvey and the Inverted Gaze -- Birds: Zizek, Ideology, and the Horror of the Real -- Psycho and the Horror of the Bi-Textual Unconscious. Hitchcock, Alfred, 1899-1980 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 Critique et interprétation. Hitchcock, Alfred, 1899-1980 Et la psychologie. Hitchcock, Alfred, 1899-1980 fast https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq Hitchcock, Alfred. swd PERFORMING ARTS Film & Video Direction & Production. bisacsh Frau gnd http://d-nb.info/gnd/4018202-2 |
| subject_GND | http://d-nb.info/gnd/4018202-2 |
| title | Hitchcock's bi-textuality : Lacan, feminisms, and queer theory / |
| title_alt | Lady Vanishes, but the Letter Remains: Julia Kristeva and the Maternal Real(m) -- Fear of Women and the Writing in Spellbound: Kaja Silverman and the Question of Castration -- Rebecca, Repetition, and the Circulation of Feminine Desire: Judith Butler and the Materiality of the Letter -- Notorious: Luce Irigaray, Feminine Fluids, and Masculine (Be)Hind-Sight -- Vertigo: Sexual Dis-Orientation and the En-Gendering of the Real -- Marnie: Abjection, Marking, and Feminine Subjectivity -- Rear Window Ethics: Laura Mulvey and the Inverted Gaze -- Birds: Zizek, Ideology, and the Horror of the Real -- Psycho and the Horror of the Bi-Textual Unconscious. |
| title_auth | Hitchcock's bi-textuality : Lacan, feminisms, and queer theory / |
| title_exact_search | Hitchcock's bi-textuality : Lacan, feminisms, and queer theory / |
| title_full | Hitchcock's bi-textuality : Lacan, feminisms, and queer theory / Robert Samuels. |
| title_fullStr | Hitchcock's bi-textuality : Lacan, feminisms, and queer theory / Robert Samuels. |
| title_full_unstemmed | Hitchcock's bi-textuality : Lacan, feminisms, and queer theory / Robert Samuels. |
| title_short | Hitchcock's bi-textuality : |
| title_sort | hitchcock s bi textuality lacan feminisms and queer theory |
| title_sub | Lacan, feminisms, and queer theory / |
| topic | Hitchcock, Alfred, 1899-1980 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 Critique et interprétation. Hitchcock, Alfred, 1899-1980 Et la psychologie. Hitchcock, Alfred, 1899-1980 fast https://id.oclc.org/worldcat/entity/E39PBJwRV83CYGMBFP7BThRkDq Hitchcock, Alfred. swd PERFORMING ARTS Film & Video Direction & Production. bisacsh Frau gnd http://d-nb.info/gnd/4018202-2 |
| topic_facet | Hitchcock, Alfred, 1899-1980 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 Critique et interprétation. Hitchcock, Alfred, 1899-1980 Et la psychologie. Hitchcock, Alfred, 1899-1980 Hitchcock, Alfred. PERFORMING ARTS Film & Video Direction & Production. Frau Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=5438 |
| work_keys_str_mv | AT samuelsrobert hitchcocksbitextualitylacanfeminismsandqueertheory |