Composition studies as a creative art :: teaching, writing, scholarship, administration /
Bloom gathers twenty of her most recent essays (some previously unpublished) on critical issues in teaching writing. She addresses matters of philosophy and pedagogy, class and marginality and gender, and textual terror transformed to textual power. Yet the body of her work and this representative c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Logan, Utah :
Utah State University Press,
©1998.
©1998 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Bloom gathers twenty of her most recent essays (some previously unpublished) on critical issues in teaching writing. She addresses matters of philosophy and pedagogy, class and marginality and gender, and textual terror transformed to textual power. Yet the body of her work and this representative collection of it remains centered, coherent, and personal. This work focuses on the creative dynamics that arise from the interrelation of writing, teaching writing, and ways of reading--and the scholarship and administrative issues engendered by it. To regard composition studies as a creative art is to engage in a process of intellectual or aesthetic free play, and then to translate the results of this play into serious work that yet retains the freedom and playfulness of its origins. The book is fueled by a mixture of faith in the fields that compose composition studies, hope that efforts of composition teachers can make a difference, and a sense of community in its broadest meaning. Included are Bloom's well-known essays "Teaching College English as a Woman," "Freshman Composition as a Middle Class Enterprise," and many more recent works, equally provocative and insightful |
| Beschreibung: | 1 online resource (x, 269 pages) : illustrations |
| Format: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
| Bibliographie: | Includes bibliographical references (pages 248-259) and index. |
| ISBN: | 9780874213638 0874213630 0585028419 9780585028415 |
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| 100 | 1 | |a Bloom, Lynn Z., |d 1934- |1 https://id.oclc.org/worldcat/entity/E39PCjrjtWV7Tx6RGqwrR74qFC |0 http://id.loc.gov/authorities/names/n79145360 | |
| 245 | 1 | 0 | |a Composition studies as a creative art : |b teaching, writing, scholarship, administration / |c Lynn Z. Bloom. |
| 260 | |a Logan, Utah : |b Utah State University Press, |c ©1998. | ||
| 264 | 4 | |c ©1998 | |
| 300 | |a 1 online resource (x, 269 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 347 | |a data file | ||
| 504 | |a Includes bibliographical references (pages 248-259) and index. | ||
| 505 | 0 | |a Finding family, finding a voice : a writing teacher teaches writing teachers -- Teaching my class -- Freshman composition as a middle class enterprise -- Textual terror, textual power : teaching literature through writing literature -- American autobiography and the politics of genre -- Teaching college English as a woman -- Creative nonfiction, is there any other kind? -- Reading, writing, teaching essays as jazz -- Why don't we write what we teach? and publish it? -- Subverting the academic masterplot -- Coming of age in the field that had no name -- Anxious writers in context -- I write for myself and strangers : private diaries as public documents -- Making essay connections : editing readers for first-year writers -- The importance of external reviews in composition studies -- Want a writing director -- Why I (used to) hate to give grades -- Initiation rites, initiation rights / with Thomas Recchio -- Making difference : writing program administration as a creative process -- Bloom's laws. | |
| 520 | |a Bloom gathers twenty of her most recent essays (some previously unpublished) on critical issues in teaching writing. She addresses matters of philosophy and pedagogy, class and marginality and gender, and textual terror transformed to textual power. Yet the body of her work and this representative collection of it remains centered, coherent, and personal. This work focuses on the creative dynamics that arise from the interrelation of writing, teaching writing, and ways of reading--and the scholarship and administrative issues engendered by it. To regard composition studies as a creative art is to engage in a process of intellectual or aesthetic free play, and then to translate the results of this play into serious work that yet retains the freedom and playfulness of its origins. The book is fueled by a mixture of faith in the fields that compose composition studies, hope that efforts of composition teachers can make a difference, and a sense of community in its broadest meaning. Included are Bloom's well-known essays "Teaching College English as a Woman," "Freshman Composition as a Middle Class Enterprise," and many more recent works, equally provocative and insightful | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 650 | 0 | |a Creative writing |x Study and teaching. | |
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| 650 | 7 | |a REFERENCE |x Writing Skills. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x Composition & Creative Writing. |2 bisacsh | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x General. |2 bisacsh | |
| 650 | 7 | |a Creative writing |x Study and teaching |2 fast | |
| 650 | 7 | |a English language |x Composition and exercises |2 fast | |
| 650 | 7 | |a English language |x Rhetoric |x Study and teaching |2 fast | |
| 655 | 4 | |a Electronic book. | |
| 758 | |i has work: |a Composition studies as a creative art (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGXDpGy9FFJ4FXhddgHxKq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 773 | 0 | |t Books at JSTOR: Open Access |d JSTOR | |
| 776 | 0 | 8 | |i Print version: |a Bloom, Lynn Z., 1934- |t Composition studies as a creative art. |d Logan, Utah : Utah State University Press, ©1998 |z 0874212464 |w (DLC) 98008968 |w (OCoLC)38550099 |
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| contents | Finding family, finding a voice : a writing teacher teaches writing teachers -- Teaching my class -- Freshman composition as a middle class enterprise -- Textual terror, textual power : teaching literature through writing literature -- American autobiography and the politics of genre -- Teaching college English as a woman -- Creative nonfiction, is there any other kind? -- Reading, writing, teaching essays as jazz -- Why don't we write what we teach? and publish it? -- Subverting the academic masterplot -- Coming of age in the field that had no name -- Anxious writers in context -- I write for myself and strangers : private diaries as public documents -- Making essay connections : editing readers for first-year writers -- The importance of external reviews in composition studies -- Want a writing director -- Why I (used to) hate to give grades -- Initiation rites, initiation rights / with Thomas Recchio -- Making difference : writing program administration as a creative process -- Bloom's laws. |
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| indexdate | 2024-11-27T13:14:53Z |
| institution | BVB |
| isbn | 9780874213638 0874213630 0585028419 9780585028415 |
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| publisher | Utah State University Press, |
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| spelling | Bloom, Lynn Z., 1934- https://id.oclc.org/worldcat/entity/E39PCjrjtWV7Tx6RGqwrR74qFC http://id.loc.gov/authorities/names/n79145360 Composition studies as a creative art : teaching, writing, scholarship, administration / Lynn Z. Bloom. Logan, Utah : Utah State University Press, ©1998. ©1998 1 online resource (x, 269 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references (pages 248-259) and index. Finding family, finding a voice : a writing teacher teaches writing teachers -- Teaching my class -- Freshman composition as a middle class enterprise -- Textual terror, textual power : teaching literature through writing literature -- American autobiography and the politics of genre -- Teaching college English as a woman -- Creative nonfiction, is there any other kind? -- Reading, writing, teaching essays as jazz -- Why don't we write what we teach? and publish it? -- Subverting the academic masterplot -- Coming of age in the field that had no name -- Anxious writers in context -- I write for myself and strangers : private diaries as public documents -- Making essay connections : editing readers for first-year writers -- The importance of external reviews in composition studies -- Want a writing director -- Why I (used to) hate to give grades -- Initiation rites, initiation rights / with Thomas Recchio -- Making difference : writing program administration as a creative process -- Bloom's laws. Bloom gathers twenty of her most recent essays (some previously unpublished) on critical issues in teaching writing. She addresses matters of philosophy and pedagogy, class and marginality and gender, and textual terror transformed to textual power. Yet the body of her work and this representative collection of it remains centered, coherent, and personal. This work focuses on the creative dynamics that arise from the interrelation of writing, teaching writing, and ways of reading--and the scholarship and administrative issues engendered by it. To regard composition studies as a creative art is to engage in a process of intellectual or aesthetic free play, and then to translate the results of this play into serious work that yet retains the freedom and playfulness of its origins. The book is fueled by a mixture of faith in the fields that compose composition studies, hope that efforts of composition teachers can make a difference, and a sense of community in its broadest meaning. Included are Bloom's well-known essays "Teaching College English as a Woman," "Freshman Composition as a Middle Class Enterprise," and many more recent works, equally provocative and insightful Use copy Restrictions unspecified star MiAaHDL Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL Print version record. English. English language Rhetoric Study and teaching. http://id.loc.gov/authorities/subjects/sh85043682 English language Composition and exercises. http://id.loc.gov/authorities/subjects/sh85043462 Creative writing Study and teaching. Anglais (Langue) Composition et exercices. Création littéraire Étude et enseignement. LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES General. bisacsh Creative writing Study and teaching fast English language Composition and exercises fast English language Rhetoric Study and teaching fast Electronic book. has work: Composition studies as a creative art (Text) https://id.oclc.org/worldcat/entity/E39PCGXDpGy9FFJ4FXhddgHxKq https://id.oclc.org/worldcat/ontology/hasWork Books at JSTOR: Open Access JSTOR Print version: Bloom, Lynn Z., 1934- Composition studies as a creative art. Logan, Utah : Utah State University Press, ©1998 0874212464 (DLC) 98008968 (OCoLC)38550099 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2150 Volltext |
| spellingShingle | Bloom, Lynn Z., 1934- Composition studies as a creative art : teaching, writing, scholarship, administration / Finding family, finding a voice : a writing teacher teaches writing teachers -- Teaching my class -- Freshman composition as a middle class enterprise -- Textual terror, textual power : teaching literature through writing literature -- American autobiography and the politics of genre -- Teaching college English as a woman -- Creative nonfiction, is there any other kind? -- Reading, writing, teaching essays as jazz -- Why don't we write what we teach? and publish it? -- Subverting the academic masterplot -- Coming of age in the field that had no name -- Anxious writers in context -- I write for myself and strangers : private diaries as public documents -- Making essay connections : editing readers for first-year writers -- The importance of external reviews in composition studies -- Want a writing director -- Why I (used to) hate to give grades -- Initiation rites, initiation rights / with Thomas Recchio -- Making difference : writing program administration as a creative process -- Bloom's laws. English language Rhetoric Study and teaching. http://id.loc.gov/authorities/subjects/sh85043682 English language Composition and exercises. http://id.loc.gov/authorities/subjects/sh85043462 Creative writing Study and teaching. Anglais (Langue) Composition et exercices. Création littéraire Étude et enseignement. LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES General. bisacsh Creative writing Study and teaching fast English language Composition and exercises fast English language Rhetoric Study and teaching fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85043682 http://id.loc.gov/authorities/subjects/sh85043462 |
| title | Composition studies as a creative art : teaching, writing, scholarship, administration / |
| title_auth | Composition studies as a creative art : teaching, writing, scholarship, administration / |
| title_exact_search | Composition studies as a creative art : teaching, writing, scholarship, administration / |
| title_full | Composition studies as a creative art : teaching, writing, scholarship, administration / Lynn Z. Bloom. |
| title_fullStr | Composition studies as a creative art : teaching, writing, scholarship, administration / Lynn Z. Bloom. |
| title_full_unstemmed | Composition studies as a creative art : teaching, writing, scholarship, administration / Lynn Z. Bloom. |
| title_short | Composition studies as a creative art : |
| title_sort | composition studies as a creative art teaching writing scholarship administration |
| title_sub | teaching, writing, scholarship, administration / |
| topic | English language Rhetoric Study and teaching. http://id.loc.gov/authorities/subjects/sh85043682 English language Composition and exercises. http://id.loc.gov/authorities/subjects/sh85043462 Creative writing Study and teaching. Anglais (Langue) Composition et exercices. Création littéraire Étude et enseignement. LANGUAGE ARTS & DISCIPLINES Rhetoric. bisacsh REFERENCE Writing Skills. bisacsh LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. bisacsh LANGUAGE ARTS & DISCIPLINES General. bisacsh Creative writing Study and teaching fast English language Composition and exercises fast English language Rhetoric Study and teaching fast |
| topic_facet | English language Rhetoric Study and teaching. English language Composition and exercises. Creative writing Study and teaching. Anglais (Langue) Composition et exercices. Création littéraire Étude et enseignement. LANGUAGE ARTS & DISCIPLINES Rhetoric. REFERENCE Writing Skills. LANGUAGE ARTS & DISCIPLINES Composition & Creative Writing. LANGUAGE ARTS & DISCIPLINES General. Creative writing Study and teaching English language Composition and exercises English language Rhetoric Study and teaching Electronic book. |
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