Antifascism and the avant-garde: radical documentary in the 1960s
"Leftist filmmakers of the 1960s revolutionized the art of documentary. Often inspired by the radical art of the Soviet 1920s, filmmakers in countries like France and Japan dared to make film form a powerful weapon in the fight against fascism, weaving fiction into nonfiction and surrealism wit...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakand
University of California Press
2025
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| Schlagworte: | |
| Zusammenfassung: | "Leftist filmmakers of the 1960s revolutionized the art of documentary. Often inspired by the radical art of the Soviet 1920s, filmmakers in countries like France and Japan dared to make film form a powerful weapon in the fight against fascism, weaving fiction into nonfiction and surrealism with neorealism to rupture everyday ways of being, seeing, and thinking. Through careful readings of Matsumoto Toshio, Jean-Luc Godard, Chris Marker, Agnès Varda, Hani Susumu, and others, Julia Alekseyeva shows that avant-garde documentary films of the 1960s did not strive to inoculate the viewer with the ideology of Truth but instead aimed to unveil and estrange, so that viewers might approach capitalist, imperialist, and fascist media with critical awareness. Antifascism and the Avant-Garde thus provides a transnational ecology of antifascist art that resonates profoundly with our current age"-- |
| Beschreibung: | 2502 |
| Beschreibung: | pages cm |
| ISBN: | 9780520415669 0520415663 9780520415676 0520415671 |
Internformat
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| 520 | 3 | |a "Leftist filmmakers of the 1960s revolutionized the art of documentary. Often inspired by the radical art of the Soviet 1920s, filmmakers in countries like France and Japan dared to make film form a powerful weapon in the fight against fascism, weaving fiction into nonfiction and surrealism with neorealism to rupture everyday ways of being, seeing, and thinking. Through careful readings of Matsumoto Toshio, Jean-Luc Godard, Chris Marker, Agnès Varda, Hani Susumu, and others, Julia Alekseyeva shows that avant-garde documentary films of the 1960s did not strive to inoculate the viewer with the ideology of Truth but instead aimed to unveil and estrange, so that viewers might approach capitalist, imperialist, and fascist media with critical awareness. Antifascism and the Avant-Garde thus provides a transnational ecology of antifascist art that resonates profoundly with our current age"-- | |
| 653 | 0 | |a Documentary films / History and criticism | |
| 653 | 0 | |a Anti-fascist movements in motion pictures | |
| 653 | 0 | |a Motion pictures / Japan / History / 20th century | |
| 653 | 0 | |a Motion pictures / France / History / 20th century | |
| 653 | 0 | |a Documentaires / Histoire et critique | |
| 653 | 0 | |a Antifascisme au cinéma | |
| 653 | 0 | |a Cinéma / Japon / Histoire / 20e siècle | |
| 653 | 0 | |a Cinéma / France / Histoire / 20e siècle | |
| 776 | 0 | 8 | |i Online version |a Alekseyeva, Julia, 1988- |t Antifascism and the avant-garde |d Oakand : University of California Press, 2025 |z 9780520415690 |
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Datensatz im Suchindex
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| author | Alekseyeva, Julia |
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| illustrated | Not Illustrated |
| indexdate | 2025-03-11T11:00:55Z |
| institution | BVB |
| isbn | 9780520415669 0520415663 9780520415676 0520415671 |
| language | English |
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| physical | pages cm |
| publishDate | 2025 |
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| spelling | Alekseyeva, Julia Verfasser aut Antifascism and the avant-garde radical documentary in the 1960s Julia Alekseyeva Oakand University of California Press 2025 pages cm txt rdacontent n rdamedia nc rdacarrier 2502 "Leftist filmmakers of the 1960s revolutionized the art of documentary. Often inspired by the radical art of the Soviet 1920s, filmmakers in countries like France and Japan dared to make film form a powerful weapon in the fight against fascism, weaving fiction into nonfiction and surrealism with neorealism to rupture everyday ways of being, seeing, and thinking. Through careful readings of Matsumoto Toshio, Jean-Luc Godard, Chris Marker, Agnès Varda, Hani Susumu, and others, Julia Alekseyeva shows that avant-garde documentary films of the 1960s did not strive to inoculate the viewer with the ideology of Truth but instead aimed to unveil and estrange, so that viewers might approach capitalist, imperialist, and fascist media with critical awareness. Antifascism and the Avant-Garde thus provides a transnational ecology of antifascist art that resonates profoundly with our current age"-- Documentary films / History and criticism Anti-fascist movements in motion pictures Motion pictures / Japan / History / 20th century Motion pictures / France / History / 20th century Documentaires / Histoire et critique Antifascisme au cinéma Cinéma / Japon / Histoire / 20e siècle Cinéma / France / Histoire / 20e siècle Online version Alekseyeva, Julia, 1988- Antifascism and the avant-garde Oakand : University of California Press, 2025 9780520415690 |
| spellingShingle | Alekseyeva, Julia Antifascism and the avant-garde radical documentary in the 1960s |
| title | Antifascism and the avant-garde radical documentary in the 1960s |
| title_auth | Antifascism and the avant-garde radical documentary in the 1960s |
| title_exact_search | Antifascism and the avant-garde radical documentary in the 1960s |
| title_full | Antifascism and the avant-garde radical documentary in the 1960s Julia Alekseyeva |
| title_fullStr | Antifascism and the avant-garde radical documentary in the 1960s Julia Alekseyeva |
| title_full_unstemmed | Antifascism and the avant-garde radical documentary in the 1960s Julia Alekseyeva |
| title_short | Antifascism and the avant-garde |
| title_sort | antifascism and the avant garde radical documentary in the 1960s |
| title_sub | radical documentary in the 1960s |
| work_keys_str_mv | AT alekseyevajulia antifascismandtheavantgarderadicaldocumentaryinthe1960s |