The music of the Gothic 1789-1820:
Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the m...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2024
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Schriftenreihe: | Cambridge elements
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Schlagworte: | |
Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
Zusammenfassung: | Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book |
Beschreibung: | Title from publisher's bibliographic system (viewed on 18 Dec 2024) |
Beschreibung: | 1 Online-Ressource (88 Seiten) |
ISBN: | 9781009170369 |
DOI: | 10.1017/9781009170369 |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | McEvoy, Emma |
author_GND | (DE-588)1074955137 |
author_facet | McEvoy, Emma |
author_role | aut |
author_sort | McEvoy, Emma |
author_variant | e m em |
building | Verbundindex |
bvnumber | BV050175468 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781009170369 (DE-599)BVBBV050175468 |
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dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 823 - English fiction |
dewey-raw | 823.087209 |
dewey-search | 823.087209 |
dewey-sort | 3823.087209 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
doi_str_mv | 10.1017/9781009170369 |
format | Electronic eBook |
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id | DE-604.BV050175468 |
illustrated | Not Illustrated |
indexdate | 2025-02-19T17:46:25Z |
institution | BVB |
isbn | 9781009170369 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035511334 |
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physical | 1 Online-Ressource (88 Seiten) |
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publishDate | 2024 |
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publisher | Cambridge University Press |
record_format | marc |
series2 | Cambridge elements |
spelling | McEvoy, Emma Verfasser (DE-588)1074955137 aut The music of the Gothic 1789-1820 Emma McEvoy Cambridge Cambridge University Press 2024 1 Online-Ressource (88 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements Title from publisher's bibliographic system (viewed on 18 Dec 2024) Music plays an essential role in Gothic in the years 1789-1820, but it signifies very differently at the end of the period compared with the beginning. In the 1790s, the music of Gothic novels and plays is not Gothic music; it is celebratory, calming or transcendent rather than scary. By 1820, the music of Gothic is more likely to provoke shock, discomfort and unease. Melodrama brings about this change. Its ascendancy had long-lasting effects on the music of the Gothic more generally - in fiction and poetry, on the stage and the screen. The book considers work by writers including Ann Radcliffe, Matthew Lewis, Eliza Fenwick, Samuel Taylor Coleridge and James Boaden in conjunction with music by composers such as Michael Kelly, Stephen Storace and Samuel Arnold. Audio files of the music accompany the book English fiction / 18th century / History and criticism English fiction / 19th century / History and criticism Horror tales, English / History and criticism Gothic revival (Literature) / Great Britain Music / 18th century / History and criticism Music / 19th century / History and criticism Erscheint auch als Druck-Ausgabe 9781009532860 Erscheint auch als Druck-Ausgabe 9781009170376 https://doi.org/10.1017/9781009170369?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | McEvoy, Emma The music of the Gothic 1789-1820 English fiction / 18th century / History and criticism English fiction / 19th century / History and criticism Horror tales, English / History and criticism Gothic revival (Literature) / Great Britain Music / 18th century / History and criticism Music / 19th century / History and criticism |
title | The music of the Gothic 1789-1820 |
title_auth | The music of the Gothic 1789-1820 |
title_exact_search | The music of the Gothic 1789-1820 |
title_full | The music of the Gothic 1789-1820 Emma McEvoy |
title_fullStr | The music of the Gothic 1789-1820 Emma McEvoy |
title_full_unstemmed | The music of the Gothic 1789-1820 Emma McEvoy |
title_short | The music of the Gothic 1789-1820 |
title_sort | the music of the gothic 1789 1820 |
topic | English fiction / 18th century / History and criticism English fiction / 19th century / History and criticism Horror tales, English / History and criticism Gothic revival (Literature) / Great Britain Music / 18th century / History and criticism Music / 19th century / History and criticism |
topic_facet | English fiction / 18th century / History and criticism English fiction / 19th century / History and criticism Horror tales, English / History and criticism Gothic revival (Literature) / Great Britain Music / 18th century / History and criticism Music / 19th century / History and criticism |
url | https://doi.org/10.1017/9781009170369?locatt=mode:legacy |
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