Orpheus and Eurydice in myth, history, and analytical psychology: loss, longing, and self-awareness
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2025
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Ausgabe: | 1st ed. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xiv 192 Seiten |
ISBN: | 9781032857305 9781032857312 |
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Contents Acknowledgements and Abbreviations xiii Introduction The Greek Myth of Orpheus and Eurydice 3 A Redefinition of Myth 5 Myth as a Combination ofAffect-Charged Metaphors 6 Myth as the Expression of a Concern 7 A Myth and Its Evolution 8 Orpheus and Eurydice in Myth, History, and Analytical Psychology 9 1 PART I Orpheus, or Impossible Longing 13 1 The Myth of Orpheus and Eurydice as Moral Philosophy: Virgil’s Epyllion Aristaeus and Cyrene: Unbearable Loss (1) 16 Aristaeus and Proteus: Determination and Intuition 18 Orpheus and Eurydice: Impossible Longing 19 Orpheus Alone: Unbearable Loss (2) 21 A Tragic Narrative with a Two-Part Structure 22 Conclusion 24 2 The Myth of Orpheus and Eurydice as Psychological Process: Ovid’s ‘Song of Orpheus’ Orpheus: A Dormant Sexual Desire 30 Cypress and Apollo: A Maudlin Self-Absorption 30 The Song of Orpheus 30 15 28
viii Contents Ganymede and Jove: Inappropriate Fascination 31 Hyacinth and Apollo: Psychological Inflation 31 The Horned Beasts and the Forward Ones: The Need to Honour Venus 32 Pygmalion: The Need to Enter into a New Relationship 32 Cinyras and Myrrha: Unconscious Desire 33 Adonis and Venus: A Failure to Transition from Adolescence to Maturity 35 Hippomenes and Atalanta: The Need to Honour Venus 35 The Death ofAdonis: The Failure to Transition to Adulthood 37 The Death of Orpheus: The Failure to Enter into a New Relationship 37 The Revenge of Dionysus: The Failure to Honour Orpheus 38 Conclusions 39 3 The Myth of Orpheus and Eurydice, Classical Philosophy, and Christian Allegory: Late Antiquity and the Middle Ages Late Antiquity 41 Fulgentius: Orpheus, Music, and Profound Truth 42 Boethius: Orpheus and the Source of Moral Good 43 The Early Middle Ages 44 The Late Middle Ages 45 Scholar-Monks: A Distrust of Female Desire 46 Giovanni del Virgilio: Orpheus Becomes a Monk 46 The Divine Comedy: An Allegory about Human Choice 47 L’Ovide moralisé: Christian Belief and Human Nature 48 SirOrfeo: Love, Identity, and Socio-Political Responsibility’ 48 Robert Henryson: Orpheus, Musical Theory, and Self-Awareness 50 Conclusion 51 4 The Myth of Orpheus and Eurydice and the Exploration of Love: The Renaissance and Early Baroque Pastoral and the Exploration ofLove 54 Poliziano’s Favola: The First Play in a Modern European Language 55 Peri ’s Euridice.· The Earliest Surviving Opera 56 Monteverdi’s Orfeo: Words Enhanced by Music 57 41 54
Contents ix Orpheus, Melancholy, and Lament 59 Shakespeare: ‘Orpheus with his Lute ’ 59 Stefano Landi: Orpheus and the Importance of Music 60 Orpheus in the Golden Age ofSpain 61 Lope de Vega: From Infatuation to Constant Love 61 Calderon: Eurldice and the Creation, Fall, and Redemption of Humankind 64 Conclusion 65 5 The Myth of Orpheus and Eurydice and Social, Personal, and Political Concerns: The Late Baroque and the Age of Sensibility The Late Baroque (the Age of Reason) 69 Nicolas Poussin: Orpheus and Intimations of Mortality 69 Buti and Rossi: Calling Out Abusive Social Behaviour 70 Du Boullay and Telemann: Orpheus as Foil to an Unrestrained Passion 72 The Age ofSensibility (the Enlightenment) 73 Calzabigi and Gluck: Orpheus and Music to Pierce the Heart 74 Responses to Gluck: Felicitous and Infelicitous 76 Badini and Haydn: Orpheus and a Despotic Father/King 77 Conclusion 79 6 Romantic Identification with Orpheus: The Nineteenth Century Orpheus in the Romantic Period 82 Novalis: Orpheus and the Reconciliation of Opposites 83 Ballanche and Delacroix: Orpheus as Symbol of Redemption and Civilisation 84 Nerval and Aurélia: An Over-Identification with Orpheus 85 Orpheus in the Second Empire 87 Offenbach and Operetta: Orpheus and Social and Political Satire 87 Romanticism and Gluck: An Obsession with Orpheus 88 French Painting in the Second Empire: Failures and Successes 90 Orpheus in the Late Nineteenth Century 91 Esotericism and Symbolism: Orpheus and the Birth of Modern Art 91 Conclusions 93 68 81
X Contents PART II Eurydice, or Unbearable Loss 7 Orpheus and Eurydice, Dissociative Tendencies, and Self-Transformation: Early Twentieth-Century Modernism Re-Imagining Eurydice 100 97 99 Rilke: Eurydice Surprised by Orpheus 100 Hilda Doolittle [H.D.]: The Myth of Eurydice and Orpheus 101 Orpheus and Social Marginalisation 102 Yvan Goll: Orpheus and the Hopeless Longing of the Underprivileged 102 Lunel and Milhaud: Orpheus and the Intense Passions of the Marginalised (France) 103 Orpheus and the Perils of Self-Absorption 104 Kokoschka and Krenek: Orpheus and the Violence of Self-Centred Emotions 104 Malipiero: Orpheus, Dissociative Individuals, and a Dissociative Society 106 Orpheus and Self-Transformation through Art 107 Rilke: Orpheus, the Need to Listen, and Self-Transformation 108 Cocteau: Orphée (the Play) and the Longing to Produce a Significant Work 109 Cocteau: The Blood of a Poet, Self-Awareness, and Creativity 111 Conclusion 112 8 Orpheus and Eurydice, Dysfunctional Times, and the Need to Testify : The Second World War The Plight of Eurydice in a Patriarchal and Abusive Society 115 Tennessee Williams: Eurydice in a Dysfunctional Society 116 Caroline Gordon: Eurydice Re-Examines Her Assumptions 117 Orpheus and Self-Realisation 119 Owen Barfield: Orpheus and the Evolution of Consciousness 119 Alfred Wolfsohn: Orpheus, Voice Therapy, and Self-Awareness 120 Eurydice Descends into Herself to Find Herself 122 Charlotte Salomon: Her ‘Personal Myth ’ 123 115
Contents xi Orpheus and the German Occupation of France 127 Jean Anouilh: Eurydice and the Repression of History 127 Casablanca: Orpheus, Self-Pity, and ‘Something More Important’ 128 Conclusion 13! 9 Orpheus as Embodiment of the Creative Impulse: The 1950s Orpheus and Ballet: Tradition vs. Modernity 135 Stravinsky and Balanchine: The Yearning for a New Classicism 135 Pierre Henry and Maurice Béjart: A New Art for New Times 136 Orpheus and the Creative Impulse 137 Muriel Rukeyser: Re-Collecting Eurydice—And Orpheus 138 Cocteau: Orphée (the Film) and the Fear ofArtistic Failure 140 Black Activism/ß\ack Orpheus 142 Vinicius de Moraes: Orpheus and the Intense Passions of the Marginalised (Brazil) 143 Jacques Viot and Marcel Camus: Orpheus, Carnival, and Death 144 Orpheus and the Riddles of the Creative Imagination 145 The Testament of Orpheus: Cocteau Reflects on His Personal Myth 145 Conclusions 149 10 Orpheus Trapped Inside a Tragic Myth: 1960-1995 Orpheus and Science Fiction 152 Samuel R. Delany: Orpheus Trapped Inside a Tragic Myth 153 Poul Anderson: Orpheus and the Threat from AI 156 A Postmodern Orphic Opera 157 Zinovieffand Birtwistle: The Over-Ambitions ofPostmodern Myth 158 The Head of Orpheus in Contemporary Fantasy 160 Russell Hoban: The Head of Orpheus Corrects the Myth 160 Hoban and Birtwistle: Unbearable Loneliness, Impossible Longing 162 Neil Gaiman: Orpheus and Political Idealism 165 Conclusion 168 134 152
xii Contents 11 Orpheus and Eurydice, Confronting Reality and Self-Awareness: 1995-2020 Orpheus and the Inability to Accept Reality 172 Woody Allen: Orpheus on the Psychoanalyst’s Couch 172 Sliding Doors: Orpheus and the Fear of Losing Eurydice 174 Salman Rushdie: Orpheus, Dysfunctional Relationships, and a Dysfunctional Society 176 Eurydice and the Acceptance of Reality 179 Kathy Acker: Eurydice and Her Struggle against Terminal Cancer 179 Sarah Ruhl: Eurydice as a Father 's Daughter 181 Anaïs Mitchell: Eurydice in Hades town 183 Conclusion 185 Index 171 189
Orpheus and Eurydice in Myth, History, and Analytical Psychology This fascinating study shows how the minor Greek story of Orpheus and Eurydice came to have a more persistent and varied impact on Western culture than any other Greek myth. In the last 2,000 years, it has captivated the imagination of successive ages. Writers and other artists have turned to it to explore unexpectedly diverse concerns, from classical philosophy, through Christian values, to challenges involving individual psychology and societal well-being. Dawson’s study of the mythic imagination traces how these concerns unfold in poems, plays, novels, films, paintings, operas, ballets, and sculptures. It charts a history of responses to the experience of loss and longing and the need to grow in self-awareness. And it illustrates how responses to this myth anticipate many of the claims associated with analytical psychology. This book will be of interest to analysts, scholars, and students working with Jung’s ideas, and to all those interested in adaptations of myth and the implications they harbour. |
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spelling | Dawson, Terence 1950- Verfasser (DE-588)129887582X aut Orpheus and Eurydice in myth, history, and analytical psychology loss, longing, and self-awareness Terence Dawson London ; New York Routledge, Taylor & Francis Group 2025 xiv 192 Seiten txt rdacontent n rdamedia nc rdacarrier Orpheus Fiktive Gestalt ca. 6.-5. Jh. v. Chr. (DE-588)118590278 gnd rswk-swf Orpheus / (Greek mythological character) / In literature Eurydice / (Greek mythological character) / In literature Orpheus / (Greek mythological character) / Psychology Eurydice / (Greek mythological character) / Psychology Jungian psychology Orpheus Fiktive Gestalt ca. 6.-5. Jh. v. Chr. (DE-588)118590278 p DE-604 Erscheint auch als Online-Ausgabe 978-1-003--51958-4 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035505455&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035505455&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Dawson, Terence 1950- Orpheus and Eurydice in myth, history, and analytical psychology loss, longing, and self-awareness Orpheus Fiktive Gestalt ca. 6.-5. Jh. v. Chr. (DE-588)118590278 gnd |
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title | Orpheus and Eurydice in myth, history, and analytical psychology loss, longing, and self-awareness |
title_auth | Orpheus and Eurydice in myth, history, and analytical psychology loss, longing, and self-awareness |
title_exact_search | Orpheus and Eurydice in myth, history, and analytical psychology loss, longing, and self-awareness |
title_full | Orpheus and Eurydice in myth, history, and analytical psychology loss, longing, and self-awareness Terence Dawson |
title_fullStr | Orpheus and Eurydice in myth, history, and analytical psychology loss, longing, and self-awareness Terence Dawson |
title_full_unstemmed | Orpheus and Eurydice in myth, history, and analytical psychology loss, longing, and self-awareness Terence Dawson |
title_short | Orpheus and Eurydice in myth, history, and analytical psychology |
title_sort | orpheus and eurydice in myth history and analytical psychology loss longing and self awareness |
title_sub | loss, longing, and self-awareness |
topic | Orpheus Fiktive Gestalt ca. 6.-5. Jh. v. Chr. (DE-588)118590278 gnd |
topic_facet | Orpheus Fiktive Gestalt ca. 6.-5. Jh. v. Chr. |
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