Medieval Music and the Art of Memory:
This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of m...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Russian |
| Veröffentlicht: |
Boston, MA
Academic Studies Press
[2023]
|
| Schriftenreihe: | Contemporary European Studies
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2025) |
| Beschreibung: | 1 Online-Ressource |
| DOI: | 10.1515/9798887193427 |
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| language | Russian |
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| spelling | Berger, Anna Maria Busse Verfasser aut Medieval Music and the Art of Memory Anna Maria Busse Berger Boston, MA Academic Studies Press [2023] 2023 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Contemporary European Studies Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2025) This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory In Russian MUSIC / History & Criticism bisacsh Akimova, Marina Sonstige oth https://doi.org/10.1515/9798887193427?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Berger, Anna Maria Busse Medieval Music and the Art of Memory MUSIC / History & Criticism bisacsh |
| title | Medieval Music and the Art of Memory |
| title_auth | Medieval Music and the Art of Memory |
| title_exact_search | Medieval Music and the Art of Memory |
| title_full | Medieval Music and the Art of Memory Anna Maria Busse Berger |
| title_fullStr | Medieval Music and the Art of Memory Anna Maria Busse Berger |
| title_full_unstemmed | Medieval Music and the Art of Memory Anna Maria Busse Berger |
| title_short | Medieval Music and the Art of Memory |
| title_sort | medieval music and the art of memory |
| topic | MUSIC / History & Criticism bisacsh |
| topic_facet | MUSIC / History & Criticism |
| url | https://doi.org/10.1515/9798887193427?locatt=mode:legacy |
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