The African ancestors garden: history and memory at the International African American Museum
"The African Ancestors Garden is the first book to be published in conjunction with the International African American Museum (IAAM) in Charleston, South Carolina. The museum's landscape design by Hood Design Studio, led by award-winning Walter Hood, exemplifies the museum's mission t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, New York
Monacelli
[2024]
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| Schlagworte: | |
| Zusammenfassung: | "The African Ancestors Garden is the first book to be published in conjunction with the International African American Museum (IAAM) in Charleston, South Carolina. The museum's landscape design by Hood Design Studio, led by award-winning Walter Hood, exemplifies the museum's mission to reflect on its location at Gadsden's Wharf, the point at which nearly half of all enslaved Africans arrived in North America. With contributions by figures critical to the realization of the International African American Museum, this significant book presents the intensive site research and concepts that went into the distinct spaces at the museum, including an infinity reflecting pool and an ethnobotanical showcase of African plants brought to North America though that landing. Hood's design response to these historic grounds addresses memory, tragedy, and culture, a moving homage to the living Charleston community and the African diaspora at large. Hood Design Studio, led by MacArthur 'Genius' Grant-winner Walter Hood, is at the forefront of the expanding field of social activism through design, and this book allows us a detailed overview of the conceptualization and creation of a remarkable and deeply meaningful landscape, proposing a way of designing public spaces and cultural institutions that embody the African American experience."--Amazon.com |
| Beschreibung: | Includes loose sheet between unnumbered pages 4 and 5 describing this book as "the first publication to document the International African American Museum's landscape design by Hood Design Studio" |
| Beschreibung: | 287 Seiten Illustrationen 28 cm 1 sheet (27 x 21 cm) |
| ISBN: | 9781580935845 |
Internformat
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|---|---|---|---|
| 001 | BV050147803 | ||
| 003 | DE-604 | ||
| 007 | t| | ||
| 008 | 250131s2024 xx a||| |||| 00||| eng d | ||
| 020 | |a 9781580935845 |c hbk |9 9781580935845 | ||
| 035 | |a (DE-599)BVBBV050147803 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 100 | 1 | |a Hood, Walter |d 1958- |e Verfasser |0 (DE-588)1089269382 |4 aut | |
| 245 | 1 | 0 | |a The African ancestors garden |b history and memory at the International African American Museum |c Walter Hood ; foreword by Tonya M. Matthews, PhD. |
| 264 | 1 | |a New York, New York |b Monacelli |c [2024] | |
| 300 | |a 287 Seiten |b Illustrationen |c 28 cm |e 1 sheet (27 x 21 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes loose sheet between unnumbered pages 4 and 5 describing this book as "the first publication to document the International African American Museum's landscape design by Hood Design Studio" | ||
| 505 | 8 | 0 | |t Foreword: reckoning: a time to fly |r Tonya M. Matthews, PhD |t Introduction |r Walter Hood |t The middle passage |r Bernard E. Powers Jr. |t The door of no return |r Chinwe Ohajuruka |t Hidden in plain sight: making visible Gullah Geechee |r Michael Allen |t Bridgetown port city |r Rhoda Green |t Journey to freedom: the Lowcountry's other Atlantic crossing |r Bernard E. Powers Jr. |t Documenting Charleston and the Lowcountry |r Lewis Watts |t Photographs |r by Lewis Watts |t Repressed memories |r Dell Upton |t "Where have I seen these faces before?" |r Nathaniel Robert Walker |t A walk through the garden and beyond |r Robert R. Macdonald |t Remembering the ancestors |r Louise Bernard |t Respect for my heritage |r Jonathan Green |t Our ancestors' garden |r Walter Hood |t A story told in this order |r Jonathan Moody |t The threshold |r Matteo Milani |t Spectral nature |r Mabel O. Wilson |t In the spirit of the garden: a reflection on nature, culture, and reconciliation |r Paul Peters |t Facing Africa, facing America |r Walter Hood, Matteo Milani, and Guy Nordenson in conversation |t Epilogue |r Walter Hood |
| 520 | 3 | |a "The African Ancestors Garden is the first book to be published in conjunction with the International African American Museum (IAAM) in Charleston, South Carolina. The museum's landscape design by Hood Design Studio, led by award-winning Walter Hood, exemplifies the museum's mission to reflect on its location at Gadsden's Wharf, the point at which nearly half of all enslaved Africans arrived in North America. With contributions by figures critical to the realization of the International African American Museum, this significant book presents the intensive site research and concepts that went into the distinct spaces at the museum, including an infinity reflecting pool and an ethnobotanical showcase of African plants brought to North America though that landing. Hood's design response to these historic grounds addresses memory, tragedy, and culture, a moving homage to the living Charleston community and the African diaspora at large. Hood Design Studio, led by MacArthur 'Genius' Grant-winner Walter Hood, is at the forefront of the expanding field of social activism through design, and this book allows us a detailed overview of the conceptualization and creation of a remarkable and deeply meaningful landscape, proposing a way of designing public spaces and cultural institutions that embody the African American experience."--Amazon.com | |
| 653 | 2 | |a International African American Museum | |
| 653 | 0 | |a Collective memory / North America | |
| 653 | 0 | |a African Americans / History | |
| 653 | 0 | |a Gardens / South Carolina / Charleston / Design | |
| 653 | 0 | |a Memorials / South Carolina / Charleston / Design | |
| 653 | 0 | |a Slavery in art | |
| 653 | 2 | |a Charleston (S.C.) / History | |
| 653 | 6 | |a Informational works | |
| 700 | 1 | |a Matthews, Tonya Maria |e Sonstige |4 oth | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035484184 | |
Datensatz im Suchindex
| _version_ | 1822769542666911744 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Hood, Walter 1958- |
| author_GND | (DE-588)1089269382 |
| author_additional | Tonya M. Matthews, PhD Walter Hood Bernard E. Powers Jr. Chinwe Ohajuruka Michael Allen Rhoda Green Lewis Watts by Lewis Watts Dell Upton Nathaniel Robert Walker Robert R. Macdonald Louise Bernard Jonathan Green Jonathan Moody Matteo Milani Mabel O. Wilson Paul Peters Walter Hood, Matteo Milani, and Guy Nordenson in conversation |
| author_facet | Hood, Walter 1958- |
| author_role | aut |
| author_sort | Hood, Walter 1958- |
| author_variant | w h wh |
| building | Verbundindex |
| bvnumber | BV050147803 |
| contents | Foreword: reckoning: a time to fly Introduction The middle passage The door of no return Hidden in plain sight: making visible Gullah Geechee Bridgetown port city Journey to freedom: the Lowcountry's other Atlantic crossing Documenting Charleston and the Lowcountry Photographs Repressed memories "Where have I seen these faces before?" A walk through the garden and beyond Remembering the ancestors Respect for my heritage Our ancestors' garden A story told in this order The threshold Spectral nature In the spirit of the garden: a reflection on nature, culture, and reconciliation Facing Africa, facing America Epilogue |
| ctrlnum | (DE-599)BVBBV050147803 |
| format | Book |
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| id | DE-604.BV050147803 |
| illustrated | Illustrated |
| indexdate | 2025-01-31T13:01:37Z |
| institution | BVB |
| isbn | 9781580935845 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035484184 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 287 Seiten Illustrationen 28 cm 1 sheet (27 x 21 cm) |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Monacelli |
| record_format | marc |
| spelling | Hood, Walter 1958- Verfasser (DE-588)1089269382 aut The African ancestors garden history and memory at the International African American Museum Walter Hood ; foreword by Tonya M. Matthews, PhD. New York, New York Monacelli [2024] 287 Seiten Illustrationen 28 cm 1 sheet (27 x 21 cm) txt rdacontent n rdamedia nc rdacarrier Includes loose sheet between unnumbered pages 4 and 5 describing this book as "the first publication to document the International African American Museum's landscape design by Hood Design Studio" Foreword: reckoning: a time to fly Tonya M. Matthews, PhD Introduction Walter Hood The middle passage Bernard E. Powers Jr. The door of no return Chinwe Ohajuruka Hidden in plain sight: making visible Gullah Geechee Michael Allen Bridgetown port city Rhoda Green Journey to freedom: the Lowcountry's other Atlantic crossing Bernard E. Powers Jr. Documenting Charleston and the Lowcountry Lewis Watts Photographs by Lewis Watts Repressed memories Dell Upton "Where have I seen these faces before?" Nathaniel Robert Walker A walk through the garden and beyond Robert R. Macdonald Remembering the ancestors Louise Bernard Respect for my heritage Jonathan Green Our ancestors' garden Walter Hood A story told in this order Jonathan Moody The threshold Matteo Milani Spectral nature Mabel O. Wilson In the spirit of the garden: a reflection on nature, culture, and reconciliation Paul Peters Facing Africa, facing America Walter Hood, Matteo Milani, and Guy Nordenson in conversation Epilogue Walter Hood "The African Ancestors Garden is the first book to be published in conjunction with the International African American Museum (IAAM) in Charleston, South Carolina. The museum's landscape design by Hood Design Studio, led by award-winning Walter Hood, exemplifies the museum's mission to reflect on its location at Gadsden's Wharf, the point at which nearly half of all enslaved Africans arrived in North America. With contributions by figures critical to the realization of the International African American Museum, this significant book presents the intensive site research and concepts that went into the distinct spaces at the museum, including an infinity reflecting pool and an ethnobotanical showcase of African plants brought to North America though that landing. Hood's design response to these historic grounds addresses memory, tragedy, and culture, a moving homage to the living Charleston community and the African diaspora at large. Hood Design Studio, led by MacArthur 'Genius' Grant-winner Walter Hood, is at the forefront of the expanding field of social activism through design, and this book allows us a detailed overview of the conceptualization and creation of a remarkable and deeply meaningful landscape, proposing a way of designing public spaces and cultural institutions that embody the African American experience."--Amazon.com International African American Museum Collective memory / North America African Americans / History Gardens / South Carolina / Charleston / Design Memorials / South Carolina / Charleston / Design Slavery in art Charleston (S.C.) / History Informational works Matthews, Tonya Maria Sonstige oth |
| spellingShingle | Hood, Walter 1958- The African ancestors garden history and memory at the International African American Museum Foreword: reckoning: a time to fly Introduction The middle passage The door of no return Hidden in plain sight: making visible Gullah Geechee Bridgetown port city Journey to freedom: the Lowcountry's other Atlantic crossing Documenting Charleston and the Lowcountry Photographs Repressed memories "Where have I seen these faces before?" A walk through the garden and beyond Remembering the ancestors Respect for my heritage Our ancestors' garden A story told in this order The threshold Spectral nature In the spirit of the garden: a reflection on nature, culture, and reconciliation Facing Africa, facing America Epilogue |
| title | The African ancestors garden history and memory at the International African American Museum |
| title_alt | Foreword: reckoning: a time to fly Introduction The middle passage The door of no return Hidden in plain sight: making visible Gullah Geechee Bridgetown port city Journey to freedom: the Lowcountry's other Atlantic crossing Documenting Charleston and the Lowcountry Photographs Repressed memories "Where have I seen these faces before?" A walk through the garden and beyond Remembering the ancestors Respect for my heritage Our ancestors' garden A story told in this order The threshold Spectral nature In the spirit of the garden: a reflection on nature, culture, and reconciliation Facing Africa, facing America Epilogue |
| title_auth | The African ancestors garden history and memory at the International African American Museum |
| title_exact_search | The African ancestors garden history and memory at the International African American Museum |
| title_full | The African ancestors garden history and memory at the International African American Museum Walter Hood ; foreword by Tonya M. Matthews, PhD. |
| title_fullStr | The African ancestors garden history and memory at the International African American Museum Walter Hood ; foreword by Tonya M. Matthews, PhD. |
| title_full_unstemmed | The African ancestors garden history and memory at the International African American Museum Walter Hood ; foreword by Tonya M. Matthews, PhD. |
| title_short | The African ancestors garden |
| title_sort | the african ancestors garden history and memory at the international african american museum |
| title_sub | history and memory at the International African American Museum |
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