"As a token of appreciation for her dauntless struggle...": the many portraits of Aletta Jacobs by Isaac Israels
In this article, Mineke Bosch links art historical objects and interpretations to historical documents associated with the women’s movement in the Netherlands. Her focus is on a portrait of the prominent feminist Aletta Jacobs by the impressionist painter Isaac Israels. After the suffrage bill passe...
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| Format: | Artikel |
| Sprache: | English |
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2024
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| Zusammenfassung: | In this article, Mineke Bosch links art historical objects and interpretations to historical documents associated with the women’s movement in the Netherlands. Her focus is on a portrait of the prominent feminist Aletta Jacobs by the impressionist painter Isaac Israels. After the suffrage bill passed in 1919, the portrait was commissioned by the Vereeniging voor Vrouwenkiesrecht to honour its president, with the implicit objective that the portrait be accepted into the collection of a national museum, i.e. the Rijksmuseum. Israels made five substantial portraits and two sketches of Jacobs, before finalizing one formal portrait. On the instigation of the minister of Art and Sciences, however, the Rijksmuseum turned down the offer, probably for political reasons. Open questions that remain are: why was Israels chosen to paint the portrait of Aletta Jacobs? Why did he produce such a large number of portraits and why in so many different poses? And why was this not noticed until only very recently? A key concept in answering these questions is gender: how notions about women and men have influenced the way in which portraits of women and men were painted, the dissimilarity in how their portraits have been used, and also whether, and if so, in what way(s), a woman like Aletta Jacobs has been integrated into the Dutch collective memory. |
| Beschreibung: | Illustrationen |
| ISSN: | 0165-9510 |
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| 520 | 3 | |a In this article, Mineke Bosch links art historical objects and interpretations to historical documents associated with the women’s movement in the Netherlands. Her focus is on a portrait of the prominent feminist Aletta Jacobs by the impressionist painter Isaac Israels. After the suffrage bill passed in 1919, the portrait was commissioned by the Vereeniging voor Vrouwenkiesrecht to honour its president, with the implicit objective that the portrait be accepted into the collection of a national museum, i.e. the Rijksmuseum. Israels made five substantial portraits and two sketches of Jacobs, before finalizing one formal portrait. On the instigation of the minister of Art and Sciences, however, the Rijksmuseum turned down the offer, probably for political reasons. Open questions that remain are: why was Israels chosen to paint the portrait of Aletta Jacobs? Why did he produce such a large number of portraits and why in so many different poses? And why was this not noticed until only very recently? A key concept in answering these questions is gender: how notions about women and men have influenced the way in which portraits of women and men were painted, the dissimilarity in how their portraits have been used, and also whether, and if so, in what way(s), a woman like Aletta Jacobs has been integrated into the Dutch collective memory. | |
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| indexdate | 2025-03-20T19:08:18Z |
| institution | BVB |
| issn | 0165-9510 |
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| spelling | Bosch, Mineke 1954- Verfasser (DE-588)172518598 aut "As a token of appreciation for her dauntless struggle..." the many portraits of Aletta Jacobs by Isaac Israels Mineke Bosch 2024 Illustrationen txt rdacontent n rdamedia nc rdacarrier In this article, Mineke Bosch links art historical objects and interpretations to historical documents associated with the women’s movement in the Netherlands. Her focus is on a portrait of the prominent feminist Aletta Jacobs by the impressionist painter Isaac Israels. After the suffrage bill passed in 1919, the portrait was commissioned by the Vereeniging voor Vrouwenkiesrecht to honour its president, with the implicit objective that the portrait be accepted into the collection of a national museum, i.e. the Rijksmuseum. Israels made five substantial portraits and two sketches of Jacobs, before finalizing one formal portrait. On the instigation of the minister of Art and Sciences, however, the Rijksmuseum turned down the offer, probably for political reasons. Open questions that remain are: why was Israels chosen to paint the portrait of Aletta Jacobs? Why did he produce such a large number of portraits and why in so many different poses? And why was this not noticed until only very recently? A key concept in answering these questions is gender: how notions about women and men have influenced the way in which portraits of women and men were painted, the dissimilarity in how their portraits have been used, and also whether, and if so, in what way(s), a woman like Aletta Jacobs has been integrated into the Dutch collective memory. Jacobs, Aletta H. 1854-1929 (DE-588)119317540 gnd rswk-swf Israëls, Isaac 1865-1934 (DE-588)121751775 gnd rswk-swf Rijksmuseum Amsterdam (DE-588)1009452-0 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Geschlechterforschung (DE-588)4482930-9 gnd rswk-swf Israëls, Isaac 1865-1934 (DE-588)121751775 p Bildnis (DE-588)4006627-7 s Jacobs, Aletta H. 1854-1929 (DE-588)119317540 p Geschlechterforschung (DE-588)4482930-9 s Rijksmuseum Amsterdam (DE-588)1009452-0 b DE-604 volume:72 number:4 year:2024 pages:292-314 The Rijksmuseum bulletin Amsterdam, 2024 Volume 72, 4 (2024), Seite 292-314 (DE-604)BV002682963 0165-9510 (DE-600)427489-1 |
| spellingShingle | Bosch, Mineke 1954- "As a token of appreciation for her dauntless struggle..." the many portraits of Aletta Jacobs by Isaac Israels Jacobs, Aletta H. 1854-1929 (DE-588)119317540 gnd Israëls, Isaac 1865-1934 (DE-588)121751775 gnd Rijksmuseum Amsterdam (DE-588)1009452-0 gnd Bildnis (DE-588)4006627-7 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| subject_GND | (DE-588)119317540 (DE-588)121751775 (DE-588)1009452-0 (DE-588)4006627-7 (DE-588)4482930-9 |
| title | "As a token of appreciation for her dauntless struggle..." the many portraits of Aletta Jacobs by Isaac Israels |
| title_auth | "As a token of appreciation for her dauntless struggle..." the many portraits of Aletta Jacobs by Isaac Israels |
| title_exact_search | "As a token of appreciation for her dauntless struggle..." the many portraits of Aletta Jacobs by Isaac Israels |
| title_full | "As a token of appreciation for her dauntless struggle..." the many portraits of Aletta Jacobs by Isaac Israels Mineke Bosch |
| title_fullStr | "As a token of appreciation for her dauntless struggle..." the many portraits of Aletta Jacobs by Isaac Israels Mineke Bosch |
| title_full_unstemmed | "As a token of appreciation for her dauntless struggle..." the many portraits of Aletta Jacobs by Isaac Israels Mineke Bosch |
| title_short | "As a token of appreciation for her dauntless struggle..." |
| title_sort | as a token of appreciation for her dauntless struggle the many portraits of aletta jacobs by isaac israels |
| title_sub | the many portraits of Aletta Jacobs by Isaac Israels |
| topic | Jacobs, Aletta H. 1854-1929 (DE-588)119317540 gnd Israëls, Isaac 1865-1934 (DE-588)121751775 gnd Rijksmuseum Amsterdam (DE-588)1009452-0 gnd Bildnis (DE-588)4006627-7 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| topic_facet | Jacobs, Aletta H. 1854-1929 Israëls, Isaac 1865-1934 Rijksmuseum Amsterdam Bildnis Geschlechterforschung |
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