Traditional Iranian music: orality, physicality and improvisation
"Improvisation is a defining characteristic of traditional Iranian music. Iranian musicians describe their music as 'impossible to play in the same way twice' or 'able to be performed in many ways,' emphasizing that they do not perform prepared compositions. What exactly do...
Saved in:
| Main Author: | |
|---|---|
| Format: | Musical Score Book |
| Language: | English |
| Published: |
Boston, MA
Trans Pacific Press
2024
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "Improvisation is a defining characteristic of traditional Iranian music. Iranian musicians describe their music as 'impossible to play in the same way twice' or 'able to be performed in many ways,' emphasizing that they do not perform prepared compositions. What exactly do musicians play and how do they play it? How does the musician's individuality and originality come into play? What norms are acquired during the learning process that make improvisation possible? What is the concept of "improvisation" in Iranian culture? The author, a researcher as well as a santoor player, explores these various points based on field studies and personal experiences from studying and playing traditional Iranian music over many years. This auto-ethnography is an attempt to academically elucidate the senses, physicality, and mentality of musicians by engaging with the subject through first-hand participation"-- |
| Item Description: | Aus dem Japanischen übersetzt |
| Physical Description: | xii, 234 Seitn Illustrationen, Notenbeispiele (schwarz/weiß) 22,8 cm |
| ISBN: | 9781920850357 192085035X 9781920850340 1920850341 |
Staff View
MARC
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| 245 | 1 | 0 | |a Traditional Iranian music |b orality, physicality and improvisation |c Masato Tani |
| 264 | 1 | |a Boston, MA |b Trans Pacific Press |c 2024 | |
| 300 | |a xii, 234 Seitn |b Illustrationen, Notenbeispiele (schwarz/weiß) |c 22,8 cm | ||
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| 500 | |a Aus dem Japanischen übersetzt | ||
| 505 | 8 | |a What is radīf : Toward a Redefinition of the Word -- The Vocal Image Underlying Notation Reading -- Improvisation, Mental State and Memory -- Charkh : The Circulatory Paradigm in Performance Form and Musical Structure -- Analysis of Gūshes -- Change in the Context for Learning Improvisation : The Influence of Writing on Iranian Music -- How Can Individuality be Described and Explained? -- Verbal Rhythm and Musical Rhythm -- Trial and Error on Hammered Dulcimers : Iranian and Indian Santūr -- Perceiving and Understanding Through the Fingers : Toward a Comparative Study of Instrumental Somatic Sensibilities -- The Santūr's New Physicality : Toward a Geopolitics on the Board of the Instrument -- What We Learn from the Radīf | |
| 520 | 3 | |a "Improvisation is a defining characteristic of traditional Iranian music. Iranian musicians describe their music as 'impossible to play in the same way twice' or 'able to be performed in many ways,' emphasizing that they do not perform prepared compositions. What exactly do musicians play and how do they play it? How does the musician's individuality and originality come into play? What norms are acquired during the learning process that make improvisation possible? What is the concept of "improvisation" in Iranian culture? The author, a researcher as well as a santoor player, explores these various points based on field studies and personal experiences from studying and playing traditional Iranian music over many years. This auto-ethnography is an attempt to academically elucidate the senses, physicality, and mentality of musicians by engaging with the subject through first-hand participation"-- | |
| 650 | 0 | 7 | |a Volksmusik |0 (DE-588)4063854-6 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Iran |0 (DE-588)4027653-3 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Music / Iran / History and criticism | |
| 653 | 0 | |a Music / Iran / Analysis, appreciation | |
| 653 | 0 | |a Music / Performance / Iran | |
| 653 | 0 | |a Improvisation (Music) | |
| 653 | 0 | |a Dastgāh | |
| 653 | 0 | |a Musique / Iran / Histoire et critique | |
| 653 | 0 | |a Improvisation (Musique) | |
| 653 | 0 | |a Dastgāh (Forme musicale) | |
| 653 | 0 | |a Musique / Exécution / Iran | |
| 689 | 0 | 0 | |a Iran |0 (DE-588)4027653-3 |D g |
| 689 | 0 | 1 | |a Volksmusik |0 (DE-588)4063854-6 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Online version |a Tani, Masato |t Traditional Iranian music |d Boston : Trans Pacific Press, 2024 |z 9781920850364 |
| 856 | 4 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |u https://bvbr.bib-bvb.de:443/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035481770&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |z Inhaltsverzeichnis | |
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Record in the Search Index
| _version_ | 1830111732516782080 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Tani, Masato |
| author_GND | (DE-588)1362724254 |
| author_facet | Tani, Masato |
| author_role | cmp |
| author_sort | Tani, Masato |
| author_variant | m t mt |
| building | Verbundindex |
| bvnumber | BV050145322 |
| contents | What is radīf : Toward a Redefinition of the Word -- The Vocal Image Underlying Notation Reading -- Improvisation, Mental State and Memory -- Charkh : The Circulatory Paradigm in Performance Form and Musical Structure -- Analysis of Gūshes -- Change in the Context for Learning Improvisation : The Influence of Writing on Iranian Music -- How Can Individuality be Described and Explained? -- Verbal Rhythm and Musical Rhythm -- Trial and Error on Hammered Dulcimers : Iranian and Indian Santūr -- Perceiving and Understanding Through the Fingers : Toward a Comparative Study of Instrumental Somatic Sensibilities -- The Santūr's New Physicality : Toward a Geopolitics on the Board of the Instrument -- What We Learn from the Radīf |
| ctrlnum | (DE-599)BVBBV050145322 |
| format | Musical Score Book |
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| geographic | Iran (DE-588)4027653-3 gnd |
| geographic_facet | Iran |
| id | DE-604.BV050145322 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-22T14:02:35Z |
| institution | BVB |
| isbn | 9781920850357 192085035X 9781920850340 1920850341 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035481770 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xii, 234 Seitn Illustrationen, Notenbeispiele (schwarz/weiß) 22,8 cm |
| psigel | BSB_NED_20250414 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Trans Pacific Press |
| record_format | marc |
| spelling | Tani, Masato (DE-588)1362724254 cmp Traditional Iranian music orality, physicality and improvisation Masato Tani Boston, MA Trans Pacific Press 2024 xii, 234 Seitn Illustrationen, Notenbeispiele (schwarz/weiß) 22,8 cm txt rdacontent ntm rdacontent n rdamedia nc rdacarrier Aus dem Japanischen übersetzt What is radīf : Toward a Redefinition of the Word -- The Vocal Image Underlying Notation Reading -- Improvisation, Mental State and Memory -- Charkh : The Circulatory Paradigm in Performance Form and Musical Structure -- Analysis of Gūshes -- Change in the Context for Learning Improvisation : The Influence of Writing on Iranian Music -- How Can Individuality be Described and Explained? -- Verbal Rhythm and Musical Rhythm -- Trial and Error on Hammered Dulcimers : Iranian and Indian Santūr -- Perceiving and Understanding Through the Fingers : Toward a Comparative Study of Instrumental Somatic Sensibilities -- The Santūr's New Physicality : Toward a Geopolitics on the Board of the Instrument -- What We Learn from the Radīf "Improvisation is a defining characteristic of traditional Iranian music. Iranian musicians describe their music as 'impossible to play in the same way twice' or 'able to be performed in many ways,' emphasizing that they do not perform prepared compositions. What exactly do musicians play and how do they play it? How does the musician's individuality and originality come into play? What norms are acquired during the learning process that make improvisation possible? What is the concept of "improvisation" in Iranian culture? The author, a researcher as well as a santoor player, explores these various points based on field studies and personal experiences from studying and playing traditional Iranian music over many years. This auto-ethnography is an attempt to academically elucidate the senses, physicality, and mentality of musicians by engaging with the subject through first-hand participation"-- Volksmusik (DE-588)4063854-6 gnd rswk-swf Iran (DE-588)4027653-3 gnd rswk-swf Music / Iran / History and criticism Music / Iran / Analysis, appreciation Music / Performance / Iran Improvisation (Music) Dastgāh Musique / Iran / Histoire et critique Improvisation (Musique) Dastgāh (Forme musicale) Musique / Exécution / Iran Iran (DE-588)4027653-3 g Volksmusik (DE-588)4063854-6 s DE-604 Online version Tani, Masato Traditional Iranian music Boston : Trans Pacific Press, 2024 9781920850364 Digitalisierung BSB München - ADAM Catalogue Enrichment https://bvbr.bib-bvb.de:443/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035481770&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tani, Masato Traditional Iranian music orality, physicality and improvisation What is radīf : Toward a Redefinition of the Word -- The Vocal Image Underlying Notation Reading -- Improvisation, Mental State and Memory -- Charkh : The Circulatory Paradigm in Performance Form and Musical Structure -- Analysis of Gūshes -- Change in the Context for Learning Improvisation : The Influence of Writing on Iranian Music -- How Can Individuality be Described and Explained? -- Verbal Rhythm and Musical Rhythm -- Trial and Error on Hammered Dulcimers : Iranian and Indian Santūr -- Perceiving and Understanding Through the Fingers : Toward a Comparative Study of Instrumental Somatic Sensibilities -- The Santūr's New Physicality : Toward a Geopolitics on the Board of the Instrument -- What We Learn from the Radīf Volksmusik (DE-588)4063854-6 gnd |
| subject_GND | (DE-588)4063854-6 (DE-588)4027653-3 |
| title | Traditional Iranian music orality, physicality and improvisation |
| title_auth | Traditional Iranian music orality, physicality and improvisation |
| title_exact_search | Traditional Iranian music orality, physicality and improvisation |
| title_full | Traditional Iranian music orality, physicality and improvisation Masato Tani |
| title_fullStr | Traditional Iranian music orality, physicality and improvisation Masato Tani |
| title_full_unstemmed | Traditional Iranian music orality, physicality and improvisation Masato Tani |
| title_short | Traditional Iranian music |
| title_sort | traditional iranian music orality physicality and improvisation |
| title_sub | orality, physicality and improvisation |
| topic | Volksmusik (DE-588)4063854-6 gnd |
| topic_facet | Volksmusik Iran |
| url | https://bvbr.bib-bvb.de:443/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035481770&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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