Traditional Iranian music: orality, physicality and improvisation
"Improvisation is a defining characteristic of traditional Iranian music. Iranian musicians describe their music as 'impossible to play in the same way twice' or 'able to be performed in many ways,' emphasizing that they do not perform prepared compositions. What exactly do...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston, MA
Trans Pacific Press
2024
|
| Schlagworte: | |
| Zusammenfassung: | "Improvisation is a defining characteristic of traditional Iranian music. Iranian musicians describe their music as 'impossible to play in the same way twice' or 'able to be performed in many ways,' emphasizing that they do not perform prepared compositions. What exactly do musicians play and how do they play it? How does the musician's individuality and originality come into play? What norms are acquired during the learning process that make improvisation possible? What is the concept of "improvisation" in Iranian culture? The author, a researcher as well as a santoor player, explores these various points based on field studies and personal experiences from studying and playing traditional Iranian music over many years. This auto-ethnography is an attempt to academically elucidate the senses, physicality, and mentality of musicians by engaging with the subject through first-hand participation"-- |
| Beschreibung: | Aus dem Japanischen übersetzt |
| Beschreibung: | xii, 234 Seitn Illustrationen, Notenbeispiele (schwarz/weiß) 22,8 cm |
| ISBN: | 9781920850357 192085035X 9781920850340 1920850341 |
Internformat
MARC
| LEADER | 00000ncm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV050145322 | ||
| 003 | DE-604 | ||
| 005 | 20250414 | ||
| 007 | q| | ||
| 008 | 250130s2024 xx |||| |||||||| | eng d | ||
| 020 | |a 9781920850357 |c paperback |9 978-1-920850-35-7 | ||
| 020 | |a 192085035X |c paperback |9 1-920850-35-X | ||
| 020 | |a 9781920850340 |9 9781920850340 | ||
| 020 | |a 1920850341 |9 1920850341 | ||
| 035 | |a (DE-599)BVBBV050145322 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Tani, Masato |0 (DE-588)1362724254 |4 cmp | |
| 245 | 1 | 0 | |a Traditional Iranian music |b orality, physicality and improvisation |c Masato Tani |
| 264 | 1 | |a Boston, MA |b Trans Pacific Press |c 2024 | |
| 300 | |a xii, 234 Seitn |b Illustrationen, Notenbeispiele (schwarz/weiß) |c 22,8 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b ntm |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Aus dem Japanischen übersetzt | ||
| 505 | 8 | |a What is radīf : Toward a Redefinition of the Word -- The Vocal Image Underlying Notation Reading -- Improvisation, Mental State and Memory -- Charkh : The Circulatory Paradigm in Performance Form and Musical Structure -- Analysis of Gūshes -- Change in the Context for Learning Improvisation : The Influence of Writing on Iranian Music -- How Can Individuality be Described and Explained? -- Verbal Rhythm and Musical Rhythm -- Trial and Error on Hammered Dulcimers : Iranian and Indian Santūr -- Perceiving and Understanding Through the Fingers : Toward a Comparative Study of Instrumental Somatic Sensibilities -- The Santūr's New Physicality : Toward a Geopolitics on the Board of the Instrument -- What We Learn from the Radīf | |
| 520 | 3 | |a "Improvisation is a defining characteristic of traditional Iranian music. Iranian musicians describe their music as 'impossible to play in the same way twice' or 'able to be performed in many ways,' emphasizing that they do not perform prepared compositions. What exactly do musicians play and how do they play it? How does the musician's individuality and originality come into play? What norms are acquired during the learning process that make improvisation possible? What is the concept of "improvisation" in Iranian culture? The author, a researcher as well as a santoor player, explores these various points based on field studies and personal experiences from studying and playing traditional Iranian music over many years. This auto-ethnography is an attempt to academically elucidate the senses, physicality, and mentality of musicians by engaging with the subject through first-hand participation"-- | |
| 650 | 0 | 7 | |a Volksmusik |0 (DE-588)4063854-6 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Iran |0 (DE-588)4027653-3 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Music / Iran / History and criticism | |
| 653 | 0 | |a Music / Iran / Analysis, appreciation | |
| 653 | 0 | |a Music / Performance / Iran | |
| 653 | 0 | |a Improvisation (Music) | |
| 653 | 0 | |a Dastgāh | |
| 653 | 0 | |a Musique / Iran / Histoire et critique | |
| 653 | 0 | |a Improvisation (Musique) | |
| 653 | 0 | |a Dastgāh (Forme musicale) | |
| 653 | 0 | |a Musique / Exécution / Iran | |
| 689 | 0 | 0 | |a Iran |0 (DE-588)4027653-3 |D g |
| 689 | 0 | 1 | |a Volksmusik |0 (DE-588)4063854-6 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Online version |a Tani, Masato |t Traditional Iranian music |d Boston : Trans Pacific Press, 2024 |z 9781920850364 |
| 940 | 1 | |q BSB_NED_20250414 | |
| 942 | 1 | 1 | |c 781.6 |e 22/bsb |g 55 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035481770 | |
Datensatz im Suchindex
| _version_ | 1829386885626068992 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Tani, Masato |
| author_GND | (DE-588)1362724254 |
| author_facet | Tani, Masato |
| author_role | cmp |
| author_sort | Tani, Masato |
| author_variant | m t mt |
| building | Verbundindex |
| bvnumber | BV050145322 |
| contents | What is radīf : Toward a Redefinition of the Word -- The Vocal Image Underlying Notation Reading -- Improvisation, Mental State and Memory -- Charkh : The Circulatory Paradigm in Performance Form and Musical Structure -- Analysis of Gūshes -- Change in the Context for Learning Improvisation : The Influence of Writing on Iranian Music -- How Can Individuality be Described and Explained? -- Verbal Rhythm and Musical Rhythm -- Trial and Error on Hammered Dulcimers : Iranian and Indian Santūr -- Perceiving and Understanding Through the Fingers : Toward a Comparative Study of Instrumental Somatic Sensibilities -- The Santūr's New Physicality : Toward a Geopolitics on the Board of the Instrument -- What We Learn from the Radīf |
| ctrlnum | (DE-599)BVBBV050145322 |
| format | Musical Score Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000ncm a2200000 c 4500</leader><controlfield tag="001">BV050145322</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250414</controlfield><controlfield tag="007">q|</controlfield><controlfield tag="008">250130s2024 xx |||| |||||||| | eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781920850357</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-920850-35-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">192085035X</subfield><subfield code="c">paperback</subfield><subfield code="9">1-920850-35-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781920850340</subfield><subfield code="9">9781920850340</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1920850341</subfield><subfield code="9">1920850341</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV050145322</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tani, Masato</subfield><subfield code="0">(DE-588)1362724254</subfield><subfield code="4">cmp</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Traditional Iranian music</subfield><subfield code="b">orality, physicality and improvisation</subfield><subfield code="c">Masato Tani</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Boston, MA</subfield><subfield code="b">Trans Pacific Press</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 234 Seitn</subfield><subfield code="b">Illustrationen, Notenbeispiele (schwarz/weiß)</subfield><subfield code="c">22,8 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">ntm</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Aus dem Japanischen übersetzt</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">What is radīf : Toward a Redefinition of the Word -- The Vocal Image Underlying Notation Reading -- Improvisation, Mental State and Memory -- Charkh : The Circulatory Paradigm in Performance Form and Musical Structure -- Analysis of Gūshes -- Change in the Context for Learning Improvisation : The Influence of Writing on Iranian Music -- How Can Individuality be Described and Explained? -- Verbal Rhythm and Musical Rhythm -- Trial and Error on Hammered Dulcimers : Iranian and Indian Santūr -- Perceiving and Understanding Through the Fingers : Toward a Comparative Study of Instrumental Somatic Sensibilities -- The Santūr's New Physicality : Toward a Geopolitics on the Board of the Instrument -- What We Learn from the Radīf</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Improvisation is a defining characteristic of traditional Iranian music. Iranian musicians describe their music as 'impossible to play in the same way twice' or 'able to be performed in many ways,' emphasizing that they do not perform prepared compositions. What exactly do musicians play and how do they play it? How does the musician's individuality and originality come into play? What norms are acquired during the learning process that make improvisation possible? What is the concept of "improvisation" in Iranian culture? The author, a researcher as well as a santoor player, explores these various points based on field studies and personal experiences from studying and playing traditional Iranian music over many years. This auto-ethnography is an attempt to academically elucidate the senses, physicality, and mentality of musicians by engaging with the subject through first-hand participation"--</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Volksmusik</subfield><subfield code="0">(DE-588)4063854-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Iran</subfield><subfield code="0">(DE-588)4027653-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Iran / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Iran / Analysis, appreciation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Performance / Iran</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Improvisation (Music)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dastgāh</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musique / Iran / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Improvisation (Musique)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Dastgāh (Forme musicale)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musique / Exécution / Iran</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Iran</subfield><subfield code="0">(DE-588)4027653-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Volksmusik</subfield><subfield code="0">(DE-588)4063854-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="a">Tani, Masato</subfield><subfield code="t">Traditional Iranian music</subfield><subfield code="d">Boston : Trans Pacific Press, 2024</subfield><subfield code="z">9781920850364</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20250414</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.6</subfield><subfield code="e">22/bsb</subfield><subfield code="g">55</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035481770</subfield></datafield></record></collection> |
| geographic | Iran (DE-588)4027653-3 gnd |
| geographic_facet | Iran |
| id | DE-604.BV050145322 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-14T14:01:27Z |
| institution | BVB |
| isbn | 9781920850357 192085035X 9781920850340 1920850341 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035481770 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xii, 234 Seitn Illustrationen, Notenbeispiele (schwarz/weiß) 22,8 cm |
| psigel | BSB_NED_20250414 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Trans Pacific Press |
| record_format | marc |
| spelling | Tani, Masato (DE-588)1362724254 cmp Traditional Iranian music orality, physicality and improvisation Masato Tani Boston, MA Trans Pacific Press 2024 xii, 234 Seitn Illustrationen, Notenbeispiele (schwarz/weiß) 22,8 cm txt rdacontent ntm rdacontent n rdamedia nc rdacarrier Aus dem Japanischen übersetzt What is radīf : Toward a Redefinition of the Word -- The Vocal Image Underlying Notation Reading -- Improvisation, Mental State and Memory -- Charkh : The Circulatory Paradigm in Performance Form and Musical Structure -- Analysis of Gūshes -- Change in the Context for Learning Improvisation : The Influence of Writing on Iranian Music -- How Can Individuality be Described and Explained? -- Verbal Rhythm and Musical Rhythm -- Trial and Error on Hammered Dulcimers : Iranian and Indian Santūr -- Perceiving and Understanding Through the Fingers : Toward a Comparative Study of Instrumental Somatic Sensibilities -- The Santūr's New Physicality : Toward a Geopolitics on the Board of the Instrument -- What We Learn from the Radīf "Improvisation is a defining characteristic of traditional Iranian music. Iranian musicians describe their music as 'impossible to play in the same way twice' or 'able to be performed in many ways,' emphasizing that they do not perform prepared compositions. What exactly do musicians play and how do they play it? How does the musician's individuality and originality come into play? What norms are acquired during the learning process that make improvisation possible? What is the concept of "improvisation" in Iranian culture? The author, a researcher as well as a santoor player, explores these various points based on field studies and personal experiences from studying and playing traditional Iranian music over many years. This auto-ethnography is an attempt to academically elucidate the senses, physicality, and mentality of musicians by engaging with the subject through first-hand participation"-- Volksmusik (DE-588)4063854-6 gnd rswk-swf Iran (DE-588)4027653-3 gnd rswk-swf Music / Iran / History and criticism Music / Iran / Analysis, appreciation Music / Performance / Iran Improvisation (Music) Dastgāh Musique / Iran / Histoire et critique Improvisation (Musique) Dastgāh (Forme musicale) Musique / Exécution / Iran Iran (DE-588)4027653-3 g Volksmusik (DE-588)4063854-6 s DE-604 Online version Tani, Masato Traditional Iranian music Boston : Trans Pacific Press, 2024 9781920850364 |
| spellingShingle | Tani, Masato Traditional Iranian music orality, physicality and improvisation What is radīf : Toward a Redefinition of the Word -- The Vocal Image Underlying Notation Reading -- Improvisation, Mental State and Memory -- Charkh : The Circulatory Paradigm in Performance Form and Musical Structure -- Analysis of Gūshes -- Change in the Context for Learning Improvisation : The Influence of Writing on Iranian Music -- How Can Individuality be Described and Explained? -- Verbal Rhythm and Musical Rhythm -- Trial and Error on Hammered Dulcimers : Iranian and Indian Santūr -- Perceiving and Understanding Through the Fingers : Toward a Comparative Study of Instrumental Somatic Sensibilities -- The Santūr's New Physicality : Toward a Geopolitics on the Board of the Instrument -- What We Learn from the Radīf Volksmusik (DE-588)4063854-6 gnd |
| subject_GND | (DE-588)4063854-6 (DE-588)4027653-3 |
| title | Traditional Iranian music orality, physicality and improvisation |
| title_auth | Traditional Iranian music orality, physicality and improvisation |
| title_exact_search | Traditional Iranian music orality, physicality and improvisation |
| title_full | Traditional Iranian music orality, physicality and improvisation Masato Tani |
| title_fullStr | Traditional Iranian music orality, physicality and improvisation Masato Tani |
| title_full_unstemmed | Traditional Iranian music orality, physicality and improvisation Masato Tani |
| title_short | Traditional Iranian music |
| title_sort | traditional iranian music orality physicality and improvisation |
| title_sub | orality, physicality and improvisation |
| topic | Volksmusik (DE-588)4063854-6 gnd |
| topic_facet | Volksmusik Iran |
| work_keys_str_mv | AT tanimasato traditionaliranianmusicoralityphysicalityandimprovisation |