Beyond the bandstand: Paul Whiteman in American musical culture
"The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a wh...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana
University of Illinois Press
[2024]
|
| Schriftenreihe: | Music in American life
|
| Schlagworte: | |
| Zusammenfassung: | "The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history. W. Anthony Sheppard's collection of essays confronts the racial implications of Whiteman's career. The contributors explore Whiteman's broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television. Multifaceted and cutting-edge, Beyond the Bandstand explores the racial politics and artistic questions surrounding a controversial figure in popular music." -- |
| Beschreibung: | ix, 316 pages illustrations 24 cm |
| ISBN: | 9780252046100 0252046102 9780252088209 0252088204 |
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| 264 | 1 | |a Urbana |b University of Illinois Press |c [2024] | |
| 300 | |a ix, 316 pages |b illustrations |c 24 cm | ||
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| 490 | 0 | |a Music in American life | |
| 505 | 8 | 0 | |t A note on the Paul Whiteman collection at Williams College |r Lisa Conathan |t Naming and placing Whiteman |r W. Anthony Sheppard |t Black music, white bodies, Paul Whiteman's body |r Stephanie Doktor |t Paul Whiteman, cultural ownership, and jazz historiography in Dave Peyton's "the musical bunch" |r Christi Jay Wells |t Paul Whiteman and modern metropolitan music, 1927-40 |r John Howland |t Arranging orientalism for Whiteman |r Ryan Raul Bañagale |t Concertized jazz : the divergent motives of Whiteman (1924) and Goodman (1938) |r Sarah Caissie Provost |t "Symphonised syncopation" : Paul Whiteman in the United Kingdom and Europe in the 1920s |r Catherine Tackley |r Katherine M. Leo |t Integration and segregation in Whiteman's music television, 1948-55 |r W. Anthony Sheppard |t Afterword |r Elijah Wald |
| 520 | 3 | |a "The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history. W. Anthony Sheppard's collection of essays confronts the racial implications of Whiteman's career. The contributors explore Whiteman's broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television. Multifaceted and cutting-edge, Beyond the Bandstand explores the racial politics and artistic questions surrounding a controversial figure in popular music." -- | |
| 653 | 1 | |a Whiteman, Paul / 1890-1967 / Criticism and interpretation | |
| 653 | 0 | |a Music and race / United States / History / 20th century | |
| 653 | 0 | |a Jazz / Social aspects / United States / History / 20th century | |
| 653 | 0 | |a Jazz / History and criticism | |
| 653 | 0 | |a Musique et race / États-Unis / Histoire / 20e siècle | |
| 700 | 1 | |a Sheppard, William Anthony |d 1969- |0 (DE-588)1146307101 |4 edt | |
| 776 | 0 | 8 | |i Online version |t Beyond the bandstand |d Urbana : University of Illinois Press, [2024] |z 025204732X |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035481769 | |
Datensatz im Suchindex
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| author2 | Sheppard, William Anthony 1969- |
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| author_GND | (DE-588)1146307101 |
| author_additional | Lisa Conathan W. Anthony Sheppard Stephanie Doktor Christi Jay Wells John Howland Ryan Raul Bañagale Sarah Caissie Provost Catherine Tackley Katherine M. Leo Elijah Wald |
| author_facet | Sheppard, William Anthony 1969- |
| building | Verbundindex |
| bvnumber | BV050145321 |
| contents | A note on the Paul Whiteman collection at Williams College Naming and placing Whiteman Black music, white bodies, Paul Whiteman's body Paul Whiteman, cultural ownership, and jazz historiography in Dave Peyton's "the musical bunch" Paul Whiteman and modern metropolitan music, 1927-40 Arranging orientalism for Whiteman Concertized jazz : the divergent motives of Whiteman (1924) and Goodman (1938) "Symphonised syncopation" : Paul Whiteman in the United Kingdom and Europe in the 1920s Integration and segregation in Whiteman's music television, 1948-55 Afterword |
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| id | DE-604.BV050145321 |
| illustrated | Illustrated |
| indexdate | 2025-01-30T07:00:13Z |
| institution | BVB |
| isbn | 9780252046100 0252046102 9780252088209 0252088204 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035481769 |
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| physical | ix, 316 pages illustrations 24 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | University of Illinois Press |
| record_format | marc |
| series2 | Music in American life |
| spelling | Beyond the bandstand Paul Whiteman in American musical culture edited by W. Anthony Sheppard Urbana University of Illinois Press [2024] ix, 316 pages illustrations 24 cm txt rdacontent n rdamedia nc rdacarrier Music in American life A note on the Paul Whiteman collection at Williams College Lisa Conathan Naming and placing Whiteman W. Anthony Sheppard Black music, white bodies, Paul Whiteman's body Stephanie Doktor Paul Whiteman, cultural ownership, and jazz historiography in Dave Peyton's "the musical bunch" Christi Jay Wells Paul Whiteman and modern metropolitan music, 1927-40 John Howland Arranging orientalism for Whiteman Ryan Raul Bañagale Concertized jazz : the divergent motives of Whiteman (1924) and Goodman (1938) Sarah Caissie Provost "Symphonised syncopation" : Paul Whiteman in the United Kingdom and Europe in the 1920s Catherine Tackley Katherine M. Leo Integration and segregation in Whiteman's music television, 1948-55 W. Anthony Sheppard Afterword Elijah Wald "The most successful bandleader of the 1920s, Paul Whiteman was an entertainment icon who played a major role in the mainstreaming of jazz. Whiteman and his band premiered Gershwin's Rhapsody in Blue. Duke Ellington acknowledged his achievements. His astonishing ear for talent vaulted a who's who of artists toward prominence. But Whiteman's oversized presence eclipsed Black jazz musicians while his middlebrow music prompted later generations to jettison him from jazz history. W. Anthony Sheppard's collection of essays confronts the racial implications of Whiteman's career. The contributors explore Whiteman's broad impact on popular culture, tracking his work and influence in American marketing, animated films, the Black press, Hollywood, and the music publication industry, and following him behind the scenes with arrangers, into grand concert halls, across the Atlantic, into the courtroom, and on television. Multifaceted and cutting-edge, Beyond the Bandstand explores the racial politics and artistic questions surrounding a controversial figure in popular music." -- Whiteman, Paul / 1890-1967 / Criticism and interpretation Music and race / United States / History / 20th century Jazz / Social aspects / United States / History / 20th century Jazz / History and criticism Musique et race / États-Unis / Histoire / 20e siècle Sheppard, William Anthony 1969- (DE-588)1146307101 edt Online version Beyond the bandstand Urbana : University of Illinois Press, [2024] 025204732X |
| spellingShingle | Beyond the bandstand Paul Whiteman in American musical culture A note on the Paul Whiteman collection at Williams College Naming and placing Whiteman Black music, white bodies, Paul Whiteman's body Paul Whiteman, cultural ownership, and jazz historiography in Dave Peyton's "the musical bunch" Paul Whiteman and modern metropolitan music, 1927-40 Arranging orientalism for Whiteman Concertized jazz : the divergent motives of Whiteman (1924) and Goodman (1938) "Symphonised syncopation" : Paul Whiteman in the United Kingdom and Europe in the 1920s Integration and segregation in Whiteman's music television, 1948-55 Afterword |
| title | Beyond the bandstand Paul Whiteman in American musical culture |
| title_alt | A note on the Paul Whiteman collection at Williams College Naming and placing Whiteman Black music, white bodies, Paul Whiteman's body Paul Whiteman, cultural ownership, and jazz historiography in Dave Peyton's "the musical bunch" Paul Whiteman and modern metropolitan music, 1927-40 Arranging orientalism for Whiteman Concertized jazz : the divergent motives of Whiteman (1924) and Goodman (1938) "Symphonised syncopation" : Paul Whiteman in the United Kingdom and Europe in the 1920s Integration and segregation in Whiteman's music television, 1948-55 Afterword |
| title_auth | Beyond the bandstand Paul Whiteman in American musical culture |
| title_exact_search | Beyond the bandstand Paul Whiteman in American musical culture |
| title_full | Beyond the bandstand Paul Whiteman in American musical culture edited by W. Anthony Sheppard |
| title_fullStr | Beyond the bandstand Paul Whiteman in American musical culture edited by W. Anthony Sheppard |
| title_full_unstemmed | Beyond the bandstand Paul Whiteman in American musical culture edited by W. Anthony Sheppard |
| title_short | Beyond the bandstand |
| title_sort | beyond the bandstand paul whiteman in american musical culture |
| title_sub | Paul Whiteman in American musical culture |
| work_keys_str_mv | AT sheppardwilliamanthony beyondthebandstandpaulwhitemaninamericanmusicalculture |