A bronze passion ensemble by François du Quesnoy and François Girardon:
A fine bronze statuette representing a Christ at the Column recently entered the collection of the Rijksmuseum, sparking an inquiry into why it shares so many commonalities with a bronze Ecce Homo acquired by the museum in 1957. In addition to observable stylistic parallels, technical analysis condu...
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| Format: | Artikel |
| Sprache: | English |
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2024
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| Schlagworte: | |
| Zusammenfassung: | A fine bronze statuette representing a Christ at the Column recently entered the collection of the Rijksmuseum, sparking an inquiry into why it shares so many commonalities with a bronze Ecce Homo acquired by the museum in 1957. In addition to observable stylistic parallels, technical analysis conducted by Rijksmuseum scientist Arie Pappot revealed that both statuettes were cast in the same (probably Parisian) workshop around 1700. The original model of the Christ at the Column is attributed to François du Quesnoy (1597-1643), whose models circulated around France and Italy. Among the many who collected his works was the French court sculptor François Girardon (1628-1715), whose collection, illustrated on a series of thirteen plates, comprised no less than eighty-three terracotta and four bronzes by Du Quesnoy himself or made after his models. In pursuit of symmetry in the presentaion of his sculptures, the accomplished sculptor Girardon, as argued here, could very conceivably have created and cast the Ecce Homo as a companion piece to the Christ at the Column already held in his collection. The outcome is a harmonious ensemble of mirrored contrapposto figures, an exceptional religious duo calling for an introspective pilgrimage to the suffering of Christ. |
| Beschreibung: | Illustrationen |
| ISSN: | 0165-9510 |
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| 245 | 1 | 0 | |a A bronze passion ensemble by François du Quesnoy and François Girardon |c Esther Pitoun ; technical notes by Arie Pappot |
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| 520 | 3 | |a A fine bronze statuette representing a Christ at the Column recently entered the collection of the Rijksmuseum, sparking an inquiry into why it shares so many commonalities with a bronze Ecce Homo acquired by the museum in 1957. In addition to observable stylistic parallels, technical analysis conducted by Rijksmuseum scientist Arie Pappot revealed that both statuettes were cast in the same (probably Parisian) workshop around 1700. The original model of the Christ at the Column is attributed to François du Quesnoy (1597-1643), whose models circulated around France and Italy. Among the many who collected his works was the French court sculptor François Girardon (1628-1715), whose collection, illustrated on a series of thirteen plates, comprised no less than eighty-three terracotta and four bronzes by Du Quesnoy himself or made after his models. In pursuit of symmetry in the presentaion of his sculptures, the accomplished sculptor Girardon, as argued here, could very conceivably have created and cast the Ecce Homo as a companion piece to the Christ at the Column already held in his collection. The outcome is a harmonious ensemble of mirrored contrapposto figures, an exceptional religious duo calling for an introspective pilgrimage to the suffering of Christ. | |
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Datensatz im Suchindex
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| author | Pitoun, Esther Pappot, Arie |
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| id | DE-604.BV050144036 |
| illustrated | Illustrated |
| indexdate | 2025-03-20T19:08:01Z |
| institution | BVB |
| issn | 0165-9510 |
| language | English |
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| spelling | Pitoun, Esther Verfasser aut A bronze passion ensemble by François du Quesnoy and François Girardon Esther Pitoun ; technical notes by Arie Pappot 2024 Illustrationen txt rdacontent n rdamedia nc rdacarrier A fine bronze statuette representing a Christ at the Column recently entered the collection of the Rijksmuseum, sparking an inquiry into why it shares so many commonalities with a bronze Ecce Homo acquired by the museum in 1957. In addition to observable stylistic parallels, technical analysis conducted by Rijksmuseum scientist Arie Pappot revealed that both statuettes were cast in the same (probably Parisian) workshop around 1700. The original model of the Christ at the Column is attributed to François du Quesnoy (1597-1643), whose models circulated around France and Italy. Among the many who collected his works was the French court sculptor François Girardon (1628-1715), whose collection, illustrated on a series of thirteen plates, comprised no less than eighty-three terracotta and four bronzes by Du Quesnoy himself or made after his models. In pursuit of symmetry in the presentaion of his sculptures, the accomplished sculptor Girardon, as argued here, could very conceivably have created and cast the Ecce Homo as a companion piece to the Christ at the Column already held in his collection. The outcome is a harmonious ensemble of mirrored contrapposto figures, an exceptional religious duo calling for an introspective pilgrimage to the suffering of Christ. Duquesnoy, François 1597-1643 (DE-588)122968840 gnd rswk-swf Girardon, François 1628-1715 (DE-588)118717642 gnd rswk-swf Ecce homo (DE-588)4134818-7 gnd rswk-swf Gegeißelter Heiland (DE-588)4156275-6 gnd rswk-swf Bronzeplastik (DE-588)4279289-7 gnd rswk-swf Duquesnoy, François 1597-1643 (DE-588)122968840 p Girardon, François 1628-1715 (DE-588)118717642 p Bronzeplastik (DE-588)4279289-7 s Gegeißelter Heiland (DE-588)4156275-6 s Ecce homo (DE-588)4134818-7 u DE-604 Pappot, Arie Verfasser aut volume:72 number:3 year:2024 pages:218-235 The Rijksmuseum bulletin Amsterdam, 2024 Volume 72, 3 (2024), Seite 218-235 (DE-604)BV002682963 0165-9510 (DE-600)427489-1 |
| spellingShingle | Pitoun, Esther Pappot, Arie A bronze passion ensemble by François du Quesnoy and François Girardon Duquesnoy, François 1597-1643 (DE-588)122968840 gnd Girardon, François 1628-1715 (DE-588)118717642 gnd Ecce homo (DE-588)4134818-7 gnd Gegeißelter Heiland (DE-588)4156275-6 gnd Bronzeplastik (DE-588)4279289-7 gnd |
| subject_GND | (DE-588)122968840 (DE-588)118717642 (DE-588)4134818-7 (DE-588)4156275-6 (DE-588)4279289-7 |
| title | A bronze passion ensemble by François du Quesnoy and François Girardon |
| title_auth | A bronze passion ensemble by François du Quesnoy and François Girardon |
| title_exact_search | A bronze passion ensemble by François du Quesnoy and François Girardon |
| title_full | A bronze passion ensemble by François du Quesnoy and François Girardon Esther Pitoun ; technical notes by Arie Pappot |
| title_fullStr | A bronze passion ensemble by François du Quesnoy and François Girardon Esther Pitoun ; technical notes by Arie Pappot |
| title_full_unstemmed | A bronze passion ensemble by François du Quesnoy and François Girardon Esther Pitoun ; technical notes by Arie Pappot |
| title_short | A bronze passion ensemble by François du Quesnoy and François Girardon |
| title_sort | a bronze passion ensemble by francois du quesnoy and francois girardon |
| topic | Duquesnoy, François 1597-1643 (DE-588)122968840 gnd Girardon, François 1628-1715 (DE-588)118717642 gnd Ecce homo (DE-588)4134818-7 gnd Gegeißelter Heiland (DE-588)4156275-6 gnd Bronzeplastik (DE-588)4279289-7 gnd |
| topic_facet | Duquesnoy, François 1597-1643 Girardon, François 1628-1715 Ecce homo Gegeißelter Heiland Bronzeplastik |
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