The Oxford handbook of critical improvisation studies, Volume 1:
Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide...
Gespeichert in:
Format: | Elektronisch Nachschlagewerke |
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Sprache: | English |
Veröffentlicht: |
New York
Oxford University Press
2013-2016
|
Schriftenreihe: | Oxford handbooks online
|
Schlagworte: | |
Online-Zugang: | DE-739 URL des Erstveröffentlichers |
Zusammenfassung: | Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others |
Beschreibung: | 1 Online-Ressource |
ISBN: | 9780199983827 |
DOI: | 10.1093/oxfordhb/9780195370935.001.0001 |
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indexdate | 2025-01-21T07:00:25Z |
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isbn | 9780199983827 |
language | English |
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spelling | The Oxford handbook of critical improvisation studies, Volume 1 edited by George E. Lewis and Benjamin Piekut Critical improvisation studies New York Oxford University Press 2013-2016 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Oxford handbooks online Includes bibliographical references and index Monthly Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others Improvisation (Music) Creation (Literary, artistic, etc.) Lewis, George 1952- Sonstige oth Piekut, Benjamin 1975- Sonstige oth Erscheint auch als Druck-Ausgabe 9780195370935 https://doi.org/10.1093/oxfordhb/9780195370935.001.0001 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | The Oxford handbook of critical improvisation studies, Volume 1 Includes bibliographical references and index Improvisation (Music) Creation (Literary, artistic, etc.) |
title | The Oxford handbook of critical improvisation studies, Volume 1 |
title_alt | Critical improvisation studies |
title_auth | The Oxford handbook of critical improvisation studies, Volume 1 |
title_exact_search | The Oxford handbook of critical improvisation studies, Volume 1 |
title_full | The Oxford handbook of critical improvisation studies, Volume 1 edited by George E. Lewis and Benjamin Piekut |
title_fullStr | The Oxford handbook of critical improvisation studies, Volume 1 edited by George E. Lewis and Benjamin Piekut |
title_full_unstemmed | The Oxford handbook of critical improvisation studies, Volume 1 edited by George E. Lewis and Benjamin Piekut |
title_short | The Oxford handbook of critical improvisation studies, Volume 1 |
title_sort | the oxford handbook of critical improvisation studies volume 1 |
topic | Improvisation (Music) Creation (Literary, artistic, etc.) |
topic_facet | Improvisation (Music) Creation (Literary, artistic, etc.) |
url | https://doi.org/10.1093/oxfordhb/9780195370935.001.0001 |
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