The Oxford handbook of sound and imagination, Volume 1:
Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
2019
|
| Schriftenreihe: | Oxford handbooks online
|
| Schlagworte: | |
| Online-Zugang: | DE-739 Volltext |
| Zusammenfassung: | Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games |
| Beschreibung: | 1 808 Seiten |
| ISBN: | 9780190460198 |
| DOI: | 10.1093/oxfordhb/9780190460167.001.0001 |
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| 245 | 1 | 0 | |a The Oxford handbook of sound and imagination, Volume 1 |c edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard |
| 246 | 1 | 3 | |a Sound and imagination |
| 264 | 1 | |a New York |b Oxford University Press |c 2019 | |
| 300 | |a 1 808 Seiten | ||
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| 490 | 0 | |a Oxford handbooks online | |
| 505 | 8 | |a Includes bibliographical references and index | |
| 520 | |a Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games | ||
| 650 | 4 | |a Music / Psychological aspects | |
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| dewey-full | 781.11 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.11 |
| dewey-search | 781.11 |
| dewey-sort | 3781.11 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
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| isbn | 9780190460198 |
| language | English |
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| spelling | The Oxford handbook of sound and imagination, Volume 1 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard Sound and imagination New York Oxford University Press 2019 1 808 Seiten txt rdacontent c rdamedia cr rdacarrier Oxford handbooks online Includes bibliographical references and index Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games Music / Psychological aspects Sound / Psychological aspects Imagination Grimshaw, Mark 1963- Sonstige oth Hansen, Mads Sonstige oth Knakkergaard, Martin 1955- Sonstige oth Erscheint auch als Druck-Ausgabe 9780190460167 https://doi.org/10.1093/oxfordhb/9780190460167.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Oxford handbook of sound and imagination, Volume 1 Includes bibliographical references and index Music / Psychological aspects Sound / Psychological aspects Imagination |
| title | The Oxford handbook of sound and imagination, Volume 1 |
| title_alt | Sound and imagination |
| title_auth | The Oxford handbook of sound and imagination, Volume 1 |
| title_exact_search | The Oxford handbook of sound and imagination, Volume 1 |
| title_full | The Oxford handbook of sound and imagination, Volume 1 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard |
| title_fullStr | The Oxford handbook of sound and imagination, Volume 1 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard |
| title_full_unstemmed | The Oxford handbook of sound and imagination, Volume 1 edited by Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard |
| title_short | The Oxford handbook of sound and imagination, Volume 1 |
| title_sort | the oxford handbook of sound and imagination volume 1 |
| topic | Music / Psychological aspects Sound / Psychological aspects Imagination |
| topic_facet | Music / Psychological aspects Sound / Psychological aspects Imagination |
| url | https://doi.org/10.1093/oxfordhb/9780190460167.001.0001 |
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