Colonial Diplomacy Through Art: Jerusalem 1918-1926
This art historical study asks what possibilities individual colonial actors had to influence official colonial policy. In the example of Jerusalem under British rule, it shows how three pro-Arab members of the British administration, all identifying with the International Arts and Crafts Movement,...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Boston
BRILL
2024
|
Ausgabe: | 1st ed. |
Online-Zugang: | DE-Y3 DE-Y2 Volltext |
Zusammenfassung: | This art historical study asks what possibilities individual colonial actors had to influence official colonial policy. In the example of Jerusalem under British rule, it shows how three pro-Arab members of the British administration, all identifying with the International Arts and Crafts Movement, used art as a sphere of British colonial anti-Zionist resistance. Front Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Archives -- Figures -- Abbreviations -- Introduction -- 1 Critical Colonialism as Counterpoint to the "War on Palestine" -- 2 Ashbee, Richmond, and Storrs in Scholarly Research -- 3 Three Methodological Revisions -- 4 Critical Colonialism as Counterculture -- Part 1 Prerequisites 1833-1917 -- 1 Discourses on the Demolition of Jerusalem -- 1 Vulnerable Jerusalem -- 2 The Dome of the Rock -- 3 Aesthetic Interest in Loosened Tiles -- 4 The Question of the Byzantine Origins of the Dome of the Rock -- 5 Systematic Knocking Down of the Dome of the Rock's Façade -- 6 Plans for the Reconstruction of the Jewish Temple -- 2 English and Armenian Sensitivity to Middle Eastern Tiles -- 1 Frederick Leighton and William De Morgan -- 2 Mark Sykes and David Ohannessian -- 3 C. R. Ashbee and the Preservation Movement -- 4 Ronald Storrs and the Souls -- 5 The Friendship of Storrs and Ernest Tatham Richmond -- 1 "The Weighing of Souls" -- 2 Somers Clarke's Teaching -- 3 Richmond's House in Zenin -- 4 Maison Storrs -- 5 T. E. Lawrence's and Storrs' Hejaz Stamps -- 6 Gertrude Bell and the Preservation of Baghdad's Architecture -- 6 Early Stages of the Balfour Declaration -- 1 Warnings from the Arab Bureau in Cairo -- 2 Coming to Jerusalem -- 3 Focus on the Haram -- 4 Focus on the Jewish University -- 5 Storrs' Initial Fundraising -- 6 Longing for Harry Cust -- Part 2 Military Rule: "the Plastic Period" 1918-1919 -- 7 Storrs' Early Pro-Arab Advocacy -- 1 Obstructing Chaim Weizmann and the Zionist Commission -- 2 The Visit of the Muslim Orphans' Theatre-Play -- 3 Military Display of Power on the Haram -- 4 Nabi Musa Celebration at the Governorate -- 8 Prohibitive Legislations -- 1 Improvement Acts -- 2 The Public Notice -- 3 The City of Jerusalem Town Planning Scheme. |
Beschreibung: | Description based on publisher supplied metadata and other sources |
Beschreibung: | 1 Online-Ressource |
ISBN: | 9789004703568 |
DOI: | 10.1163/9789004703568 |
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520 | 3 | |a This art historical study asks what possibilities individual colonial actors had to influence official colonial policy. In the example of Jerusalem under British rule, it shows how three pro-Arab members of the British administration, all identifying with the International Arts and Crafts Movement, used art as a sphere of British colonial anti-Zionist resistance. | |
520 | 3 | |a Front Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Archives -- Figures -- Abbreviations -- Introduction -- 1 Critical Colonialism as Counterpoint to the "War on Palestine" -- 2 Ashbee, Richmond, and Storrs in Scholarly Research -- 3 Three Methodological Revisions -- 4 Critical Colonialism as Counterculture -- Part 1 Prerequisites 1833-1917 -- 1 Discourses on the Demolition of Jerusalem -- 1 Vulnerable Jerusalem -- 2 The Dome of the Rock -- 3 Aesthetic Interest in Loosened Tiles -- 4 The Question of the Byzantine Origins of the Dome of the Rock -- 5 Systematic Knocking Down of the Dome of the Rock's Façade -- 6 Plans for the Reconstruction of the Jewish Temple -- 2 English and Armenian Sensitivity to Middle Eastern Tiles -- 1 Frederick Leighton and William De Morgan -- 2 Mark Sykes and David Ohannessian -- 3 C. R. Ashbee and the Preservation Movement -- 4 Ronald Storrs and the Souls -- 5 The Friendship of Storrs and Ernest Tatham Richmond -- 1 "The Weighing of Souls" -- 2 Somers Clarke's Teaching -- 3 Richmond's House in Zenin -- 4 Maison Storrs -- 5 T. E. Lawrence's and Storrs' Hejaz Stamps -- 6 Gertrude Bell and the Preservation of Baghdad's Architecture -- 6 Early Stages of the Balfour Declaration -- 1 Warnings from the Arab Bureau in Cairo -- 2 Coming to Jerusalem -- 3 Focus on the Haram -- 4 Focus on the Jewish University -- 5 Storrs' Initial Fundraising -- 6 Longing for Harry Cust -- Part 2 Military Rule: "the Plastic Period" 1918-1919 -- 7 Storrs' Early Pro-Arab Advocacy -- 1 Obstructing Chaim Weizmann and the Zionist Commission -- 2 The Visit of the Muslim Orphans' Theatre-Play -- 3 Military Display of Power on the Haram -- 4 Nabi Musa Celebration at the Governorate -- 8 Prohibitive Legislations -- 1 Improvement Acts -- 2 The Public Notice -- 3 The City of Jerusalem Town Planning Scheme. | |
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Datensatz im Suchindex
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---|---|
adam_text | |
any_adam_object | |
author | Tönnies, Moya |
author_facet | Tönnies, Moya |
author_role | aut |
author_sort | Tönnies, Moya |
author_variant | m t mt |
building | Verbundindex |
bvnumber | BV050128826 |
collection | ZDB-95-BOC |
ctrlnum | (ZDB-95-BOC)BRILL9789004703568 (DE-599)BVBBV050128826 |
dewey-full | 956.944204 |
dewey-hundreds | 900 - History & geography |
dewey-ones | 956 - Middle East (Near East) |
dewey-raw | 956.944204 |
dewey-search | 956.944204 |
dewey-sort | 3956.944204 |
dewey-tens | 950 - History of Asia |
discipline | Geschichte |
doi_str_mv | 10.1163/9789004703568 |
edition | 1st ed. |
format | Electronic eBook |
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illustrated | Not Illustrated |
indexdate | 2025-01-20T13:01:45Z |
institution | BVB |
isbn | 9789004703568 |
language | English |
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spelling | Tönnies, Moya Verfasser aut Colonial Diplomacy Through Art Jerusalem 1918-1926 1st ed. Boston BRILL 2024 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources This art historical study asks what possibilities individual colonial actors had to influence official colonial policy. In the example of Jerusalem under British rule, it shows how three pro-Arab members of the British administration, all identifying with the International Arts and Crafts Movement, used art as a sphere of British colonial anti-Zionist resistance. Front Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Archives -- Figures -- Abbreviations -- Introduction -- 1 Critical Colonialism as Counterpoint to the "War on Palestine" -- 2 Ashbee, Richmond, and Storrs in Scholarly Research -- 3 Three Methodological Revisions -- 4 Critical Colonialism as Counterculture -- Part 1 Prerequisites 1833-1917 -- 1 Discourses on the Demolition of Jerusalem -- 1 Vulnerable Jerusalem -- 2 The Dome of the Rock -- 3 Aesthetic Interest in Loosened Tiles -- 4 The Question of the Byzantine Origins of the Dome of the Rock -- 5 Systematic Knocking Down of the Dome of the Rock's Façade -- 6 Plans for the Reconstruction of the Jewish Temple -- 2 English and Armenian Sensitivity to Middle Eastern Tiles -- 1 Frederick Leighton and William De Morgan -- 2 Mark Sykes and David Ohannessian -- 3 C. R. Ashbee and the Preservation Movement -- 4 Ronald Storrs and the Souls -- 5 The Friendship of Storrs and Ernest Tatham Richmond -- 1 "The Weighing of Souls" -- 2 Somers Clarke's Teaching -- 3 Richmond's House in Zenin -- 4 Maison Storrs -- 5 T. E. Lawrence's and Storrs' Hejaz Stamps -- 6 Gertrude Bell and the Preservation of Baghdad's Architecture -- 6 Early Stages of the Balfour Declaration -- 1 Warnings from the Arab Bureau in Cairo -- 2 Coming to Jerusalem -- 3 Focus on the Haram -- 4 Focus on the Jewish University -- 5 Storrs' Initial Fundraising -- 6 Longing for Harry Cust -- Part 2 Military Rule: "the Plastic Period" 1918-1919 -- 7 Storrs' Early Pro-Arab Advocacy -- 1 Obstructing Chaim Weizmann and the Zionist Commission -- 2 The Visit of the Muslim Orphans' Theatre-Play -- 3 Military Display of Power on the Haram -- 4 Nabi Musa Celebration at the Governorate -- 8 Prohibitive Legislations -- 1 Improvement Acts -- 2 The Public Notice -- 3 The City of Jerusalem Town Planning Scheme. Erscheint auch als Druck-Ausgabe 978-90-04-70356-8 https://doi.org/10.1163/9789004703568 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Tönnies, Moya Colonial Diplomacy Through Art Jerusalem 1918-1926 |
title | Colonial Diplomacy Through Art Jerusalem 1918-1926 |
title_auth | Colonial Diplomacy Through Art Jerusalem 1918-1926 |
title_exact_search | Colonial Diplomacy Through Art Jerusalem 1918-1926 |
title_full | Colonial Diplomacy Through Art Jerusalem 1918-1926 |
title_fullStr | Colonial Diplomacy Through Art Jerusalem 1918-1926 |
title_full_unstemmed | Colonial Diplomacy Through Art Jerusalem 1918-1926 |
title_short | Colonial Diplomacy Through Art |
title_sort | colonial diplomacy through art jerusalem 1918 1926 |
title_sub | Jerusalem 1918-1926 |
url | https://doi.org/10.1163/9789004703568 |
work_keys_str_mv | AT tonniesmoya colonialdiplomacythroughartjerusalem19181926 |