Orpheus in the underworld: essays on music and its mediation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
London ; New York ; Calcutta
Seagull books
[2024]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "The source texts of this translation can be found in volumes 17, 18, 19 and 20 of Theodor W. Adorno's Gesammelte Schriften in 20 Bänden." Includes bibliographical references |
| Beschreibung: | vii, 218 Seiten 24 cm |
| ISBN: | 9781803093222 1803093226 |
Internformat
MARC
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|---|---|---|---|
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| 008 | 250117s2024 xx |||| 00||| eng d | ||
| 016 | 7 | |a 1347165878 |2 DE-101 | |
| 020 | |a 9781803093222 |c Festeinband |9 978-1-80309-322-2 | ||
| 020 | |a 1803093226 |9 1-80309-322-6 | ||
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| 050 | 0 | |a ML60 |2 lcc | |
| 100 | 1 | |a Adorno, Theodor W. |d 1903-1969 |e Verfasser |0 (DE-588)118500775 |4 aut | |
| 240 | 1 | 0 | |a Gesammelte Schriften |k Auswahl |
| 245 | 1 | 0 | |a Orpheus in the underworld |b essays on music and its mediation |c Theodor W. Adorno ; translated by Douglas Robertson |
| 264 | 1 | |a London ; New York ; Calcutta |b Seagull books |c [2024] | |
| 264 | 4 | |c © 2024 | |
| 300 | |a vii, 218 Seiten |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a "The source texts of this translation can be found in volumes 17, 18, 19 and 20 of Theodor W. Adorno's Gesammelte Schriften in 20 Bänden." | ||
| 500 | |a Includes bibliographical references | ||
| 505 | 8 | |a Béla Bartók -- Béla Bartók's Dance suite -- Remarks on a few of Béla Bartók's works -- Metronomization -- Alban Berg's early songs -- On The threepenny opera -- On twelve-tone technique -- Béla Bartók's Third string quartet -- A polemic exchange with H. H. Stuckenschmidt on the topic of lightheartedness -- Schoenberg, Von heute auf morgen, op. 32 (i) : world premiere in Frankfurt -- Schoenberg, Von heute auf morgen, op. 32 (ii) : world premiere in Frankfurt -- Stylistic developments in Schoenberg's work -- Bartók -- Berg and Webern -- An initiate's reply to Hans F. Redlich -- Brahms' present importance -- Schoenberg : songs and piano pieces -- Strictures on Sibelius -- Introduction to Schoenberg's Second chamber symphony -- Schoenberg's piano music -- Haringer and Schoenberg -- Letter to the editors of the Lippisches Volksblatt regarding Béla Bartók -- Klemperer's Don Giovanni -- Reflections on music criticism -- Televised music is a pointless rigmarole : an interview in Der Spiegel (26 February 1968) -- Orpheus in the underworld : on chart-topping gramophone records and the German record-buying public. | |
| 650 | 0 | |a Music--Philosophy and aesthetics. | |
| 650 | 7 | |a Musique--Philosophie et esthétique. |2 rvm | |
| 700 | 1 | |a Robertson, Douglas |4 trl | |
| 856 | 4 | 2 | |m B:DE-101 |q application/pdf |u https://d-nb.info/1347165878/04 |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035463144 | |
Datensatz im Suchindex
| _version_ | 1821493598900715520 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Adorno, Theodor W. 1903-1969 |
| author2 | Robertson, Douglas |
| author2_role | trl |
| author2_variant | d r dr |
| author_GND | (DE-588)118500775 |
| author_facet | Adorno, Theodor W. 1903-1969 Robertson, Douglas |
| author_role | aut |
| author_sort | Adorno, Theodor W. 1903-1969 |
| author_variant | t w a tw twa |
| building | Verbundindex |
| bvnumber | BV050126343 |
| callnumber-first | M - Music |
| callnumber-label | ML60 |
| callnumber-raw | ML60 |
| callnumber-search | ML60 |
| callnumber-sort | ML 260 |
| callnumber-subject | ML - Literature on Music |
| contents | Béla Bartók -- Béla Bartók's Dance suite -- Remarks on a few of Béla Bartók's works -- Metronomization -- Alban Berg's early songs -- On The threepenny opera -- On twelve-tone technique -- Béla Bartók's Third string quartet -- A polemic exchange with H. H. Stuckenschmidt on the topic of lightheartedness -- Schoenberg, Von heute auf morgen, op. 32 (i) : world premiere in Frankfurt -- Schoenberg, Von heute auf morgen, op. 32 (ii) : world premiere in Frankfurt -- Stylistic developments in Schoenberg's work -- Bartók -- Berg and Webern -- An initiate's reply to Hans F. Redlich -- Brahms' present importance -- Schoenberg : songs and piano pieces -- Strictures on Sibelius -- Introduction to Schoenberg's Second chamber symphony -- Schoenberg's piano music -- Haringer and Schoenberg -- Letter to the editors of the Lippisches Volksblatt regarding Béla Bartók -- Klemperer's Don Giovanni -- Reflections on music criticism -- Televised music is a pointless rigmarole : an interview in Der Spiegel (26 February 1968) -- Orpheus in the underworld : on chart-topping gramophone records and the German record-buying public. |
| ctrlnum | (DE-599)DNB1347165878 |
| format | Book |
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| id | DE-604.BV050126343 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-17T11:01:02Z |
| institution | BVB |
| isbn | 9781803093222 1803093226 |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035463144 |
| open_access_boolean | |
| owner | DE-B486 |
| owner_facet | DE-B486 |
| physical | vii, 218 Seiten 24 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Seagull books |
| record_format | marc |
| spelling | Adorno, Theodor W. 1903-1969 Verfasser (DE-588)118500775 aut Gesammelte Schriften Auswahl Orpheus in the underworld essays on music and its mediation Theodor W. Adorno ; translated by Douglas Robertson London ; New York ; Calcutta Seagull books [2024] © 2024 vii, 218 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier "The source texts of this translation can be found in volumes 17, 18, 19 and 20 of Theodor W. Adorno's Gesammelte Schriften in 20 Bänden." Includes bibliographical references Béla Bartók -- Béla Bartók's Dance suite -- Remarks on a few of Béla Bartók's works -- Metronomization -- Alban Berg's early songs -- On The threepenny opera -- On twelve-tone technique -- Béla Bartók's Third string quartet -- A polemic exchange with H. H. Stuckenschmidt on the topic of lightheartedness -- Schoenberg, Von heute auf morgen, op. 32 (i) : world premiere in Frankfurt -- Schoenberg, Von heute auf morgen, op. 32 (ii) : world premiere in Frankfurt -- Stylistic developments in Schoenberg's work -- Bartók -- Berg and Webern -- An initiate's reply to Hans F. Redlich -- Brahms' present importance -- Schoenberg : songs and piano pieces -- Strictures on Sibelius -- Introduction to Schoenberg's Second chamber symphony -- Schoenberg's piano music -- Haringer and Schoenberg -- Letter to the editors of the Lippisches Volksblatt regarding Béla Bartók -- Klemperer's Don Giovanni -- Reflections on music criticism -- Televised music is a pointless rigmarole : an interview in Der Spiegel (26 February 1968) -- Orpheus in the underworld : on chart-topping gramophone records and the German record-buying public. Music--Philosophy and aesthetics. Musique--Philosophie et esthétique. rvm Robertson, Douglas trl B:DE-101 application/pdf https://d-nb.info/1347165878/04 Inhaltsverzeichnis |
| spellingShingle | Adorno, Theodor W. 1903-1969 Orpheus in the underworld essays on music and its mediation Béla Bartók -- Béla Bartók's Dance suite -- Remarks on a few of Béla Bartók's works -- Metronomization -- Alban Berg's early songs -- On The threepenny opera -- On twelve-tone technique -- Béla Bartók's Third string quartet -- A polemic exchange with H. H. Stuckenschmidt on the topic of lightheartedness -- Schoenberg, Von heute auf morgen, op. 32 (i) : world premiere in Frankfurt -- Schoenberg, Von heute auf morgen, op. 32 (ii) : world premiere in Frankfurt -- Stylistic developments in Schoenberg's work -- Bartók -- Berg and Webern -- An initiate's reply to Hans F. Redlich -- Brahms' present importance -- Schoenberg : songs and piano pieces -- Strictures on Sibelius -- Introduction to Schoenberg's Second chamber symphony -- Schoenberg's piano music -- Haringer and Schoenberg -- Letter to the editors of the Lippisches Volksblatt regarding Béla Bartók -- Klemperer's Don Giovanni -- Reflections on music criticism -- Televised music is a pointless rigmarole : an interview in Der Spiegel (26 February 1968) -- Orpheus in the underworld : on chart-topping gramophone records and the German record-buying public. Music--Philosophy and aesthetics. Musique--Philosophie et esthétique. rvm |
| title | Orpheus in the underworld essays on music and its mediation |
| title_alt | Gesammelte Schriften |
| title_auth | Orpheus in the underworld essays on music and its mediation |
| title_exact_search | Orpheus in the underworld essays on music and its mediation |
| title_full | Orpheus in the underworld essays on music and its mediation Theodor W. Adorno ; translated by Douglas Robertson |
| title_fullStr | Orpheus in the underworld essays on music and its mediation Theodor W. Adorno ; translated by Douglas Robertson |
| title_full_unstemmed | Orpheus in the underworld essays on music and its mediation Theodor W. Adorno ; translated by Douglas Robertson |
| title_short | Orpheus in the underworld |
| title_sort | orpheus in the underworld essays on music and its mediation |
| title_sub | essays on music and its mediation |
| topic | Music--Philosophy and aesthetics. Musique--Philosophie et esthétique. rvm |
| topic_facet | Music--Philosophy and aesthetics. Musique--Philosophie et esthétique. |
| url | https://d-nb.info/1347165878/04 |
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