Cinema under national reconstruction: state censorship and South Korea's Cold War film culture
"Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censor...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, Camden ; Newark, New Jersey ; London ; Oxford
Rutgers University Press
2024
|
| Schlagworte: | |
| Zusammenfassung: | "Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen." |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xvi, 232 Seiten Illustrationen |
| ISBN: | 9781978838710 9781978838727 |
Internformat
MARC
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| 100 | 1 | |a Chung, Hye Seung |d 1971- |e Verfasser |0 (DE-588)1089592191 |4 aut | |
| 245 | 1 | 0 | |a Cinema under national reconstruction |b state censorship and South Korea's Cold War film culture |c Hye Seung Chung |
| 264 | 1 | |a New Brunswick, Camden ; Newark, New Jersey ; London ; Oxford |b Rutgers University Press |c 2024 | |
| 300 | |a xvi, 232 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a "Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen." | |
| 648 | 7 | |a Geschichte 1961-1988 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Filmzensur |0 (DE-588)4154386-5 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Südkorea |0 (DE-588)4078029-6 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Motion pictures / Korea (South) / History / 20th century | |
| 653 | 0 | |a Cold War in motion pictures | |
| 653 | 0 | |a Guerre froide au cinéma | |
| 689 | 0 | 0 | |a Südkorea |0 (DE-588)4078029-6 |D g |
| 689 | 0 | 1 | |a Filmzensur |0 (DE-588)4154386-5 |D s |
| 689 | 0 | 2 | |a Geschichte 1961-1988 |A z |
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| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-9788-3874-1 |
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| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035457212 | |
Datensatz im Suchindex
| _version_ | 1826831309216940032 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Chung, Hye Seung 1971- |
| author_GND | (DE-588)1089592191 |
| author_facet | Chung, Hye Seung 1971- |
| author_role | aut |
| author_sort | Chung, Hye Seung 1971- |
| author_variant | h s c hs hsc |
| building | Verbundindex |
| bvnumber | BV050120361 |
| ctrlnum | (DE-599)BVBBV050120361 |
| dewey-full | 791.43095195 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43095195 |
| dewey-search | 791.43095195 |
| dewey-sort | 3791.43095195 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1961-1988 gnd |
| era_facet | Geschichte 1961-1988 |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2025-03-17T09:01:39Z |
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| isbn | 9781978838710 9781978838727 |
| language | English |
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| spelling | Chung, Hye Seung 1971- Verfasser (DE-588)1089592191 aut Cinema under national reconstruction state censorship and South Korea's Cold War film culture Hye Seung Chung New Brunswick, Camden ; Newark, New Jersey ; London ; Oxford Rutgers University Press 2024 xvi, 232 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen." Geschichte 1961-1988 gnd rswk-swf Filmzensur (DE-588)4154386-5 gnd rswk-swf Südkorea (DE-588)4078029-6 gnd rswk-swf Motion pictures / Korea (South) / History / 20th century Cold War in motion pictures Guerre froide au cinéma Südkorea (DE-588)4078029-6 g Filmzensur (DE-588)4154386-5 s Geschichte 1961-1988 z DE-604 Erscheint auch als Online-Ausgabe, PDF 978-1-9788-3874-1 Erscheint auch als Online-Ausgabe, EPUB 978-1-9788-3873-4 |
| spellingShingle | Chung, Hye Seung 1971- Cinema under national reconstruction state censorship and South Korea's Cold War film culture Filmzensur (DE-588)4154386-5 gnd |
| subject_GND | (DE-588)4154386-5 (DE-588)4078029-6 |
| title | Cinema under national reconstruction state censorship and South Korea's Cold War film culture |
| title_auth | Cinema under national reconstruction state censorship and South Korea's Cold War film culture |
| title_exact_search | Cinema under national reconstruction state censorship and South Korea's Cold War film culture |
| title_full | Cinema under national reconstruction state censorship and South Korea's Cold War film culture Hye Seung Chung |
| title_fullStr | Cinema under national reconstruction state censorship and South Korea's Cold War film culture Hye Seung Chung |
| title_full_unstemmed | Cinema under national reconstruction state censorship and South Korea's Cold War film culture Hye Seung Chung |
| title_short | Cinema under national reconstruction |
| title_sort | cinema under national reconstruction state censorship and south korea s cold war film culture |
| title_sub | state censorship and South Korea's Cold War film culture |
| topic | Filmzensur (DE-588)4154386-5 gnd |
| topic_facet | Filmzensur Südkorea |
| work_keys_str_mv | AT chunghyeseung cinemaundernationalreconstructionstatecensorshipandsouthkoreascoldwarfilmculture |