Cinema under national reconstruction: state censorship and South Korea's Cold War film culture
"Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censor...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick
Rutgers University Press
2024
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| Schlagworte: | |
| Zusammenfassung: | "Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 232 pages |
| ISBN: | 9781978838710 9781978838727 |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a "Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen | |
| 653 | 0 | |a Motion pictures / Korea (South) / History / 20th century | |
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| 653 | 0 | |a Guerre froide au cinéma | |
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| author | Chung, Hye Seung 1971- |
| author_GND | (DE-588)1089592191 |
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| bvnumber | BV050120361 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43095195 |
| dewey-search | 791.43095195 |
| dewey-sort | 3791.43095195 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV050120361 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-14T09:00:39Z |
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| isbn | 9781978838710 9781978838727 |
| language | English |
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| physical | 232 pages |
| publishDate | 2024 |
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| spelling | Chung, Hye Seung 1971- Verfasser (DE-588)1089592191 aut Cinema under national reconstruction state censorship and South Korea's Cold War film culture Hye Seung Chung New Brunswick Rutgers University Press 2024 232 pages txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen Motion pictures / Korea (South) / History / 20th century Cold War in motion pictures Guerre froide au cinéma 9781978838734 epub 9781978838741 pdf |
| spellingShingle | Chung, Hye Seung 1971- Cinema under national reconstruction state censorship and South Korea's Cold War film culture |
| title | Cinema under national reconstruction state censorship and South Korea's Cold War film culture |
| title_auth | Cinema under national reconstruction state censorship and South Korea's Cold War film culture |
| title_exact_search | Cinema under national reconstruction state censorship and South Korea's Cold War film culture |
| title_full | Cinema under national reconstruction state censorship and South Korea's Cold War film culture Hye Seung Chung |
| title_fullStr | Cinema under national reconstruction state censorship and South Korea's Cold War film culture Hye Seung Chung |
| title_full_unstemmed | Cinema under national reconstruction state censorship and South Korea's Cold War film culture Hye Seung Chung |
| title_short | Cinema under national reconstruction |
| title_sort | cinema under national reconstruction state censorship and south korea s cold war film culture |
| title_sub | state censorship and South Korea's Cold War film culture |
| work_keys_str_mv | AT chunghyeseung cinemaundernationalreconstructionstatecensorshipandsouthkoreascoldwarfilmculture |