Thinking with Tolstoy and Wittgenstein: Expression, Emotion, and Art
In this highly original interdisciplinary study incorporating close readings of literary texts and philosophical argumentation, Henry W. Pickford develops a theory of meaning and expression in art intended to counter the meaning skepticism most commonly associated with the theories of Jacques Derrid...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | Russian |
| Veröffentlicht: |
Boston, MA
Academic Studies Press
[2021]
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-Aug4 DE-473 Volltext |
| Zusammenfassung: | In this highly original interdisciplinary study incorporating close readings of literary texts and philosophical argumentation, Henry W. Pickford develops a theory of meaning and expression in art intended to counter the meaning skepticism most commonly associated with the theories of Jacques Derrida. Pickford arrives at his theory by drawing on the writings of Wittgenstein to develop and modify the insights of Tolstoy's philosophy of art. Pickford shows how Tolstoy's encounter with Schopenhauer's thought on the one hand provided support for his ethical views but on the other hand presented a problem, exemplified in the case of music, for his aesthetic theory, a problem that Tolstoy did not successfully resolve. Wittgenstein's critical appreciation of Tolstoy's thinking, however, not only recovers its viability but also constructs a formidable position within contemporary debates concerning theories of emotion, ethics, and aesthetic expression |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 16. Dec 2024) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9781644699676 |
| DOI: | 10.1515/9781644699676 |
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| 520 | |a In this highly original interdisciplinary study incorporating close readings of literary texts and philosophical argumentation, Henry W. Pickford develops a theory of meaning and expression in art intended to counter the meaning skepticism most commonly associated with the theories of Jacques Derrida. Pickford arrives at his theory by drawing on the writings of Wittgenstein to develop and modify the insights of Tolstoy's philosophy of art. Pickford shows how Tolstoy's encounter with Schopenhauer's thought on the one hand provided support for his ethical views but on the other hand presented a problem, exemplified in the case of music, for his aesthetic theory, a problem that Tolstoy did not successfully resolve. Wittgenstein's critical appreciation of Tolstoy's thinking, however, not only recovers its viability but also constructs a formidable position within contemporary debates concerning theories of emotion, ethics, and aesthetic expression | ||
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Datensatz im Suchindex
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| author_facet | Pickford, Henry W. |
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| dewey-full | 891.73/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 891 - East Indo-European and Celtic literatures |
| dewey-raw | 891.73/3 |
| dewey-search | 891.73/3 |
| dewey-sort | 3891.73 13 |
| dewey-tens | 890 - Literatures of other languages |
| discipline | Slavistik |
| doi_str_mv | 10.1515/9781644699676 |
| format | Electronic eBook |
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| spelling | Pickford, Henry W. Verfasser aut Thinking with Tolstoy and Wittgenstein Expression, Emotion, and Art Henry W. Pickford Boston, MA Academic Studies Press [2021] 2021 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 16. Dec 2024) In this highly original interdisciplinary study incorporating close readings of literary texts and philosophical argumentation, Henry W. Pickford develops a theory of meaning and expression in art intended to counter the meaning skepticism most commonly associated with the theories of Jacques Derrida. Pickford arrives at his theory by drawing on the writings of Wittgenstein to develop and modify the insights of Tolstoy's philosophy of art. Pickford shows how Tolstoy's encounter with Schopenhauer's thought on the one hand provided support for his ethical views but on the other hand presented a problem, exemplified in the case of music, for his aesthetic theory, a problem that Tolstoy did not successfully resolve. Wittgenstein's critical appreciation of Tolstoy's thinking, however, not only recovers its viability but also constructs a formidable position within contemporary debates concerning theories of emotion, ethics, and aesthetic expression In Russian PHILOSOPHY / Aesthetics bisacsh Barash, Olga Sonstige oth https://doi.org/10.1515/9781644699676 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pickford, Henry W. Thinking with Tolstoy and Wittgenstein Expression, Emotion, and Art PHILOSOPHY / Aesthetics bisacsh |
| title | Thinking with Tolstoy and Wittgenstein Expression, Emotion, and Art |
| title_auth | Thinking with Tolstoy and Wittgenstein Expression, Emotion, and Art |
| title_exact_search | Thinking with Tolstoy and Wittgenstein Expression, Emotion, and Art |
| title_full | Thinking with Tolstoy and Wittgenstein Expression, Emotion, and Art Henry W. Pickford |
| title_fullStr | Thinking with Tolstoy and Wittgenstein Expression, Emotion, and Art Henry W. Pickford |
| title_full_unstemmed | Thinking with Tolstoy and Wittgenstein Expression, Emotion, and Art Henry W. Pickford |
| title_short | Thinking with Tolstoy and Wittgenstein |
| title_sort | thinking with tolstoy and wittgenstein expression emotion and art |
| title_sub | Expression, Emotion, and Art |
| topic | PHILOSOPHY / Aesthetics bisacsh |
| topic_facet | PHILOSOPHY / Aesthetics |
| url | https://doi.org/10.1515/9781644699676 |
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