Mobilizing music in wartime British film:
In 'Mobilizing Music in Wartime British Film', author Heather Wiebe traces a preoccupation with art music and total war that animated British films of the 1940s. In acclaimed films such as 'The Red Shoes' and 'Brief Encounter' as well as experimental documentaries, colo...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2024]
|
| Schriftenreihe: | The Oxford music/media series
|
| Schlagworte: | |
| Online-Zugang: | DE-12 Volltext |
| Zusammenfassung: | In 'Mobilizing Music in Wartime British Film', author Heather Wiebe traces a preoccupation with art music and total war that animated British films of the 1940s. In acclaimed films such as 'The Red Shoes' and 'Brief Encounter' as well as experimental documentaries, colonial propaganda films, and largely forgotten melodramas, music was persistently given a central role in the action. As this book demonstrates, these films were driven by questions around the efficacy of art music, not just in the conventional sense of uplift or morale-building, but as a sonic force acting on bodies, minds, and materials, and as a resource to be mobilized or demobilized. Wiebe explores what these films tell us about the experience of World War Two, but also about more contemporary pressures on the arts to be useful and productive |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 Online-Ressource (x, 197 Seiten) Illustrationen |
| ISBN: | 9780197631751 |
| DOI: | 10.1093/oso/9780197631713.001.0001 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV050114972 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 250109s2024 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9780197631751 |9 978-0-19-763175-1 | ||
| 024 | 7 | |a 10.1093/oso/9780197631713.001.0001 |2 doi | |
| 035 | |a (ZDB-28-OSM)9780197631751 | ||
| 035 | |a (DE-599)BVBBV050114972 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 082 | 0 | |a 781.542094109044 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Wiebe, Heather |e Verfasser |0 (DE-588)1058663208 |4 aut | |
| 245 | 1 | 0 | |a Mobilizing music in wartime British film |c Heather Wiebe |
| 264 | 1 | |a New York, NY |b Oxford University Press |c [2024] | |
| 300 | |a 1 Online-Ressource (x, 197 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a The Oxford music/media series | |
| 500 | |a Includes bibliographical references, filmography and index | ||
| 520 | |a In 'Mobilizing Music in Wartime British Film', author Heather Wiebe traces a preoccupation with art music and total war that animated British films of the 1940s. In acclaimed films such as 'The Red Shoes' and 'Brief Encounter' as well as experimental documentaries, colonial propaganda films, and largely forgotten melodramas, music was persistently given a central role in the action. As this book demonstrates, these films were driven by questions around the efficacy of art music, not just in the conventional sense of uplift or morale-building, but as a sonic force acting on bodies, minds, and materials, and as a resource to be mobilized or demobilized. Wiebe explores what these films tell us about the experience of World War Two, but also about more contemporary pressures on the arts to be useful and productive | ||
| 650 | 4 | |a Music / ukslc | |
| 650 | 4 | |a Music / thema | |
| 650 | 4 | |a Motion picture music |x Great Britain |x History and criticism | |
| 650 | 4 | |a Motion pictures |x Great Britain |x History |x 20th century | |
| 650 | 4 | |a World War, 1939-1945 |x Motion pictures and the war | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9780197631713 |
| 856 | 4 | 0 | |u https://doi.org/10.1093/oso/9780197631713.001.0001 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-28-OSM | ||
| 912 | |a ZDB-1-UMC | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035451911 | |
| 966 | e | |u https://doi.org/10.1093/oso/9780197631713.001.0001 |l DE-12 |p ZDB-1-UMC |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1093/oso/9780197631713.001.0001 |l DE-12 |p ZDB-28-OSM |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1820791445099905024 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Wiebe, Heather |
| author_GND | (DE-588)1058663208 |
| author_facet | Wiebe, Heather |
| author_role | aut |
| author_sort | Wiebe, Heather |
| author_variant | h w hw |
| building | Verbundindex |
| bvnumber | BV050114972 |
| collection | ZDB-28-OSM ZDB-1-UMC |
| ctrlnum | (ZDB-28-OSM)9780197631751 (DE-599)BVBBV050114972 |
| dewey-full | 781.542094109044 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.542094109044 |
| dewey-search | 781.542094109044 |
| dewey-sort | 3781.542094109044 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1093/oso/9780197631713.001.0001 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV050114972</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">250109s2024 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780197631751</subfield><subfield code="9">978-0-19-763175-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1093/oso/9780197631713.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-28-OSM)9780197631751</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV050114972</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.542094109044</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wiebe, Heather</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1058663208</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Mobilizing music in wartime British film</subfield><subfield code="c">Heather Wiebe</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 197 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">The Oxford music/media series</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references, filmography and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In 'Mobilizing Music in Wartime British Film', author Heather Wiebe traces a preoccupation with art music and total war that animated British films of the 1940s. In acclaimed films such as 'The Red Shoes' and 'Brief Encounter' as well as experimental documentaries, colonial propaganda films, and largely forgotten melodramas, music was persistently given a central role in the action. As this book demonstrates, these films were driven by questions around the efficacy of art music, not just in the conventional sense of uplift or morale-building, but as a sonic force acting on bodies, minds, and materials, and as a resource to be mobilized or demobilized. Wiebe explores what these films tell us about the experience of World War Two, but also about more contemporary pressures on the arts to be useful and productive</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / ukslc</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / thema</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture music</subfield><subfield code="x">Great Britain</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Great Britain</subfield><subfield code="x">History</subfield><subfield code="x">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">World War, 1939-1945</subfield><subfield code="x">Motion pictures and the war</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9780197631713</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1093/oso/9780197631713.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSM</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-UMC</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035451911</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/oso/9780197631713.001.0001</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-1-UMC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/oso/9780197631713.001.0001</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-28-OSM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV050114972 |
| illustrated | Illustrated |
| indexdate | 2025-01-09T17:00:36Z |
| institution | BVB |
| isbn | 9780197631751 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035451911 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (x, 197 Seiten) Illustrationen |
| psigel | ZDB-28-OSM ZDB-1-UMC |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | The Oxford music/media series |
| spelling | Wiebe, Heather Verfasser (DE-588)1058663208 aut Mobilizing music in wartime British film Heather Wiebe New York, NY Oxford University Press [2024] 1 Online-Ressource (x, 197 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The Oxford music/media series Includes bibliographical references, filmography and index In 'Mobilizing Music in Wartime British Film', author Heather Wiebe traces a preoccupation with art music and total war that animated British films of the 1940s. In acclaimed films such as 'The Red Shoes' and 'Brief Encounter' as well as experimental documentaries, colonial propaganda films, and largely forgotten melodramas, music was persistently given a central role in the action. As this book demonstrates, these films were driven by questions around the efficacy of art music, not just in the conventional sense of uplift or morale-building, but as a sonic force acting on bodies, minds, and materials, and as a resource to be mobilized or demobilized. Wiebe explores what these films tell us about the experience of World War Two, but also about more contemporary pressures on the arts to be useful and productive Music / ukslc Music / thema Motion picture music Great Britain History and criticism Motion pictures Great Britain History 20th century World War, 1939-1945 Motion pictures and the war Erscheint auch als Druck-Ausgabe 9780197631713 https://doi.org/10.1093/oso/9780197631713.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wiebe, Heather Mobilizing music in wartime British film Music / ukslc Music / thema Motion picture music Great Britain History and criticism Motion pictures Great Britain History 20th century World War, 1939-1945 Motion pictures and the war |
| title | Mobilizing music in wartime British film |
| title_auth | Mobilizing music in wartime British film |
| title_exact_search | Mobilizing music in wartime British film |
| title_full | Mobilizing music in wartime British film Heather Wiebe |
| title_fullStr | Mobilizing music in wartime British film Heather Wiebe |
| title_full_unstemmed | Mobilizing music in wartime British film Heather Wiebe |
| title_short | Mobilizing music in wartime British film |
| title_sort | mobilizing music in wartime british film |
| topic | Music / ukslc Music / thema Motion picture music Great Britain History and criticism Motion pictures Great Britain History 20th century World War, 1939-1945 Motion pictures and the war |
| topic_facet | Music / ukslc Music / thema Motion picture music Great Britain History and criticism Motion pictures Great Britain History 20th century World War, 1939-1945 Motion pictures and the war |
| url | https://doi.org/10.1093/oso/9780197631713.001.0001 |
| work_keys_str_mv | AT wiebeheather mobilizingmusicinwartimebritishfilm |