Perception and cognition of music: the Sorbonne lectures
Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Université Paris-Sorbonne in 2009 and the Université de Montréal in 2010, originally published in French. The book bridges the fields of music psychology, m...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford ; New York
Oxford University Press
[2024]
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| Schlagworte: | |
| Zusammenfassung: | Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Université Paris-Sorbonne in 2009 and the Université de Montréal in 2010, originally published in French. The book bridges the fields of music psychology, music theory, and music analysis by considering several aspects of music listening through the lens of cognitive psychology. Auditory grouping processes play a role in organizing the continuous incoming sensory information into events, streams of events, and segments of streams that form musical units. Perceived properties of events and streams depend on how the incoming information is organized. Special attention is given to timbre as an understudied musical parameter, which can be a strong structuring force and form-bearing element in music through orchestration practice. The development of systems of abstract knowledge built on different musical parameters within a given culture focuses on the cognitive processing of pitch systems and structures and their role in the mental representation of hierarchical event structures in listeners' minds. Finally, given that music is a temporal art par excellence, the temporality of music listening is explored through a collaborative project involving a composer, psychologists, and musicologists around the conception and creation of a musical work and the perception and affective response it engenders in a live-concert experiment. Each chapter concludes with elements for reflection to expand the necessary transdisciplinary approach that music scholarship needs |
| Beschreibung: | xxii, 261 Seiten Illustrationen, Notenbeispiele 24 cm |
| ISBN: | 9780198939177 |
Internformat
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| 505 | 8 | 0 | |t Perception and cognition in music listening -- |t Processes of auditory organization during music listening -- |t The perception of musical timbre -- |t Cognitive processing of pitch structures and systems -- |t The temporality of music listening |
| 520 | 3 | |a Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Université Paris-Sorbonne in 2009 and the Université de Montréal in 2010, originally published in French. The book bridges the fields of music psychology, music theory, and music analysis by considering several aspects of music listening through the lens of cognitive psychology. Auditory grouping processes play a role in organizing the continuous incoming sensory information into events, streams of events, and segments of streams that form musical units. Perceived properties of events and streams depend on how the incoming information is organized. Special attention is given to timbre as an understudied musical parameter, which can be a strong structuring force and form-bearing element in music through orchestration practice. The development of systems of abstract knowledge built on different musical parameters within a given culture focuses on the cognitive processing of pitch systems and structures and their role in the mental representation of hierarchical event structures in listeners' minds. Finally, given that music is a temporal art par excellence, the temporality of music listening is explored through a collaborative project involving a composer, psychologists, and musicologists around the conception and creation of a musical work and the perception and affective response it engenders in a live-concert experiment. Each chapter concludes with elements for reflection to expand the necessary transdisciplinary approach that music scholarship needs | |
| 653 | 0 | |a Musical perception | |
| 653 | 0 | |a Cognition | |
| 653 | 0 | |a Music / Psychological aspects | |
| 653 | 0 | |a Perception de la musique | |
| 653 | 0 | |a Cognition | |
| 653 | 0 | |a Musique / Aspect psychologique | |
| 653 | 0 | |a cognition | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9780198939207 |
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Datensatz im Suchindex
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| author | McAdams, Stephen |
| author_GND | (DE-588)1030294992 |
| author_facet | McAdams, Stephen |
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| author_sort | McAdams, Stephen |
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| building | Verbundindex |
| bvnumber | BV050113450 |
| contents | Perception and cognition in music listening -- Processes of auditory organization during music listening -- The perception of musical timbre -- Cognitive processing of pitch structures and systems -- The temporality of music listening |
| ctrlnum | (DE-599)BVBBV050113450 |
| format | Book |
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| id | DE-604.BV050113450 |
| illustrated | Illustrated |
| indexdate | 2025-01-09T11:00:51Z |
| institution | BVB |
| isbn | 9780198939177 |
| language | English |
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| physical | xxii, 261 Seiten Illustrationen, Notenbeispiele 24 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Oxford University Press |
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| spelling | McAdams, Stephen Verfasser (DE-588)1030294992 aut Perception and cognition of music the Sorbonne lectures Stephen McAdams Oxford ; New York Oxford University Press [2024] xxii, 261 Seiten Illustrationen, Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier Perception and cognition in music listening -- Processes of auditory organization during music listening -- The perception of musical timbre -- Cognitive processing of pitch structures and systems -- The temporality of music listening Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Université Paris-Sorbonne in 2009 and the Université de Montréal in 2010, originally published in French. The book bridges the fields of music psychology, music theory, and music analysis by considering several aspects of music listening through the lens of cognitive psychology. Auditory grouping processes play a role in organizing the continuous incoming sensory information into events, streams of events, and segments of streams that form musical units. Perceived properties of events and streams depend on how the incoming information is organized. Special attention is given to timbre as an understudied musical parameter, which can be a strong structuring force and form-bearing element in music through orchestration practice. The development of systems of abstract knowledge built on different musical parameters within a given culture focuses on the cognitive processing of pitch systems and structures and their role in the mental representation of hierarchical event structures in listeners' minds. Finally, given that music is a temporal art par excellence, the temporality of music listening is explored through a collaborative project involving a composer, psychologists, and musicologists around the conception and creation of a musical work and the perception and affective response it engenders in a live-concert experiment. Each chapter concludes with elements for reflection to expand the necessary transdisciplinary approach that music scholarship needs Musical perception Cognition Music / Psychological aspects Perception de la musique Musique / Aspect psychologique cognition Erscheint auch als Online-Ausgabe 9780198939207 |
| spellingShingle | McAdams, Stephen Perception and cognition of music the Sorbonne lectures Perception and cognition in music listening -- Processes of auditory organization during music listening -- The perception of musical timbre -- Cognitive processing of pitch structures and systems -- The temporality of music listening |
| title | Perception and cognition of music the Sorbonne lectures |
| title_alt | Perception and cognition in music listening -- Processes of auditory organization during music listening -- The perception of musical timbre -- Cognitive processing of pitch structures and systems -- The temporality of music listening |
| title_auth | Perception and cognition of music the Sorbonne lectures |
| title_exact_search | Perception and cognition of music the Sorbonne lectures |
| title_full | Perception and cognition of music the Sorbonne lectures Stephen McAdams |
| title_fullStr | Perception and cognition of music the Sorbonne lectures Stephen McAdams |
| title_full_unstemmed | Perception and cognition of music the Sorbonne lectures Stephen McAdams |
| title_short | Perception and cognition of music |
| title_sort | perception and cognition of music the sorbonne lectures |
| title_sub | the Sorbonne lectures |
| work_keys_str_mv | AT mcadamsstephen perceptionandcognitionofmusicthesorbonnelectures |