Film X: autochthonous struggles today
"Film X Autochthonous Struggles Today brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aborigi...
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Sternberg Press
[2024]
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| Schlagworte: | |
| Zusammenfassung: | "Film X Autochthonous Struggles Today brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio's 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema's forms and means of production, increasingly reclaiming their right for self-representation by way of film and video. Along with the vibrant forms of moving images arising from within the communities, close to their existential political concerns, filmmaking has also become a potent tool in Autochthonous struggles. This book answers the need to take a global look at the diverse ways of filmmaking that fight for land rights and against environmental injustice (Brazil, Morocco, Taiwan, USA), that resist neocolonial domination, economic and political exploitation (Japan, Philippines), that offer a counterpoint during low intensity or drawn-out armed conflicts (Colombia, Mexico), that invent strategies of counter information and representation (Australia, Canada, Russia, Samoa), and that strive for visibility." |
| Beschreibung: | 543 Seiten Illustrationen 17 x 24 cm |
| ISBN: | 9783956796500 |
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| spelling | Film X autochthonous struggles today edited by Nicole Brenez, Jonathan Larcher, Alo Paistik, Skaya Siku London Sternberg Press [2024] 543 Seiten Illustrationen 17 x 24 cm txt rdacontent n rdamedia nc rdacarrier "Film X Autochthonous Struggles Today brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide. Starting with the Edison Studio's 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema's forms and means of production, increasingly reclaiming their right for self-representation by way of film and video. Along with the vibrant forms of moving images arising from within the communities, close to their existential political concerns, filmmaking has also become a potent tool in Autochthonous struggles. This book answers the need to take a global look at the diverse ways of filmmaking that fight for land rights and against environmental injustice (Brazil, Morocco, Taiwan, USA), that resist neocolonial domination, economic and political exploitation (Japan, Philippines), that offer a counterpoint during low intensity or drawn-out armed conflicts (Colombia, Mexico), that invent strategies of counter information and representation (Australia, Canada, Russia, Samoa), and that strive for visibility." Geschichte gnd rswk-swf Indigenes Volk (DE-588)4187207-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Indigenes Volk (DE-588)4187207-1 s Film (DE-588)4017102-4 s Geschichte z DE-604 Brenez, Nicole 1961- (DE-588)188354166 edt Larcher, Jonathan edt Paistik, Alo edt Siku, Skaya edt |
| spellingShingle | Film X autochthonous struggles today Indigenes Volk (DE-588)4187207-1 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4187207-1 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | Film X autochthonous struggles today |
| title_auth | Film X autochthonous struggles today |
| title_exact_search | Film X autochthonous struggles today |
| title_full | Film X autochthonous struggles today edited by Nicole Brenez, Jonathan Larcher, Alo Paistik, Skaya Siku |
| title_fullStr | Film X autochthonous struggles today edited by Nicole Brenez, Jonathan Larcher, Alo Paistik, Skaya Siku |
| title_full_unstemmed | Film X autochthonous struggles today edited by Nicole Brenez, Jonathan Larcher, Alo Paistik, Skaya Siku |
| title_short | Film X |
| title_sort | film x autochthonous struggles today |
| title_sub | autochthonous struggles today |
| topic | Indigenes Volk (DE-588)4187207-1 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Indigenes Volk Film Aufsatzsammlung |
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