Semiotics of Images: the analysis of pictorial texts
Gespeichert in:
Hauptverfasser: | , , , , , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Berlin
De Gruyter Mouton
2024
|
Schriftenreihe: | Semiotics, Communication and Cognition [SCC]
volume 37 |
Schlagworte: | |
Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
Beschreibung: | XVI, 437 Seiten Illustrationen, Diagramme 23 cm x 15.5 cm |
ISBN: | 9783110991840 3110991845 |
Internformat
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020 | |a 9783110991840 |c : EUR 134.95 (DE) (freier Preis), EUR 134.95 (AT) (freier Preis) |9 978-3-11-099184-0 | ||
020 | |a 3110991845 |9 3-11-099184-5 | ||
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100 | 1 | |a Lagopulos, Alexandros Phaidōn |d 1939- |e Verfasser |0 (DE-588)118150413 |4 aut | |
245 | 1 | 0 | |a Semiotics of Images |b the analysis of pictorial texts |c Alexandros Ph. Lagopoulos, Karin Boklund-Lagopoulou, Maria Giulia Dondero, Jacques Fontanille, Maria Ilia Katsaridou, Rea Walldén |
264 | 1 | |a Berlin |b De Gruyter Mouton |c 2024 | |
300 | |a XVI, 437 Seiten |b Illustrationen, Diagramme |c 23 cm x 15.5 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Semiotics, Communication and Cognition [SCC] |v volume 37 | |
653 | |a Visual Semiotics | ||
653 | |a Greimasian and Post-Greimasian Semiotics | ||
653 | |a Pictorial Semiotics | ||
653 | |a Semiotics of Cinema | ||
653 | |a Animation Studies and Digital Games | ||
700 | 1 | |a Mpoklunt-Lagopulu, Karin |d 1948- |e Verfasser |0 (DE-588)1055764259 |4 aut | |
700 | 1 | |a Dondero, Maria Giulia |d 1975- |e Verfasser |0 (DE-588)132968533 |4 aut | |
700 | 1 | |a Fontanille, Jacques |d 1948- |e Verfasser |0 (DE-588)131759868 |4 aut | |
700 | 1 | |a Katsaridu, Maria |e Verfasser |0 (DE-588)1304533182 |4 aut | |
700 | 1 | |a Walldén, Rea |e Verfasser |0 (DE-588)1351034138 |4 aut | |
710 | 2 | |a De Gruyter Mouton |0 (DE-588)1065653190 |4 pbl | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-3-11-098028-8 |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-3-11-098025-7 |
830 | 0 | |a Semiotics, Communication and Cognition [SCC] |v volume 37 |w (DE-604)BV036027776 |9 37 | |
856 | 4 | 2 | |m X:MVB |q text/html |u https://www.degruyter.com/isbn/9783110991840 |3 Inhaltstext |
856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035448566&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
_version_ | 1823675979906678785 |
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adam_text |
CONTENTS
LIST
OF
FIGURES
-
XIII
LIST
OF
TABLES
-
XVII
INTRODUCTION
-
1
1
THE
IMAGE
AND
THE
THEORIES
OF
VISUAL
SEMIOTICS
-
1
2
THE
EPISTEMOLOGY
OF
THE
IMAGE
-
4
3
GREIMASIAN
SEMIOTICS
OF
THE
IMAGE
-
7
4
THE
ORGANISATION
OF
THE
BOOK
-
9
PART
I:
THEORETICAL
ISSUES
CHAPTER
1
APPROACHES
TO
THE
SEMIOTICS
OF
IMAGES:
THE
OBJECT
OF
STUDY
-
15
ALEXANDROS
PH.
LAGOPOULOS
AND
KARIN
BOKLUND-LAGOPOULOU
1
INTRODUCTION
-
15
2
PEIRCE
'
S
SEMIOTIC
AS
A
FOUNDATION
FOR
VISUAL
SEMIOTICS
-
15
2.1
THEORETICAL
PREMISES
-
15
2.2
THE
ANALYSIS
OF
THE
IMAGE
-
19
3
HALLIDAY
'
S
SOCIAL
SEMIOTIC
AS
A
FOUNDATION
FOR
VISUAL
SEMIOTICS
-
24
3.1
THEORETICAL
PREMISES
-
24
3.2
A
FRAGMENTARY
THEORY
-
28
3.3
THE
NEED
FOR
A
COHERENT
AND
UNIFIED
SEMIOTIC
THEORY
OF
IMAGES
-
33
4
THE
NATURE
OF
IMAGES
-
34
4.1
THE
VISUAL
ASPECTS
-
34
4.2
THE
STRUCTURE
OF
IMAGES
-
35
5
THE
EPISTEMOLOGICAL
OBJECTS
OF
VISUAL
SEMIOTICS
-
37
5.1
DIAGRAMS
AND
MAPS
-
37
5.2
ARCHITECTURE
AND
OTHER
FUNCTIONAL
OBJECTS
-
41
5.3
THE
FIELD
OF
THE
SEMIOTICS
OF
IMAGES
-
43
CHAPTER
2
THE
SEMIOTICS
OF
THE
STATIC
IMAGE:
THE
STRUCTURALIST
TRADITION
-
46
ALEXANDROS
PH.
LAGOPOULOS
AND
KARIN
BOKLUND-LAGOPOULOU
1
ECO
ON
THE
STATIC
IMAGE
-
46
2
ECO
AND
PHYSICALISM
-
49
VI
-
CONTENTS
3
GROUP
U
ON
THE
VISUAL
SIGN
----
54
4
LEVELS,
LAYERS
AND
HIERARCHIES
OF
FIGURATIVITY
-
58
5
FIGURATIVE
LAYERS
AND
VISUAL
SYNTAX
-
63
6
A
METHOD
FOR
THE
ANALYSIS
OF
THE
STATIC
IMAGE
-
69
6.1
FONTANILLE
ON
CIURLIONIS
-----
69
6.2
A
BYZANTINE
MOSAIC
-----
71
6.2.1
VISUAL
SYNTAX
AND
ISOTOPIES
-
71
6.2.2
THE
STRUCTURE
OF
THE
ISOTOPIES
----
76
6.3
WHY
ELKINS
IS
WRONG
ABOUT
MODERN
ART
-
79
7
THE
VISUAL
SYNTAX
OF
SCULPTURE
-
80
8
MOVEMENT,
TEMPORALITY
AND
NARRATIVITY
IN
IMAGES
-
83
9
IMAGE
AND
NATURAL
LANGUAGE:
MULTIMODALITY
-
85
CHAPTER
3
THE
SEMIOTICS
OF
THE
DYNAMIC
IMAGE
-
88
ALEXANDROS
PH.
LAGOPOULOS
AND
KARIN
BOKLUND-LAGOPOULOU
1
ECO
ON
CINEMA
AS
LANGUE
-
88
2
METZ
ON
CINEMA
AS
PAROLE
-
94
3
CINEMA
VS
VISUAL
SYNTAX
-
103
4
ISOTOPIES
IN
CINEMA
-
108
5
THE
CINEMATIC
SYSTEM
-
110
5.1
THE
SEMIOTIC
COMPONENTS
OF
THE
CINEMATOGRAPHIC
SYSTEM
-
110
5.2
THE
ARTICULATION
OF
THE
CINEMATIC
SYSTEM
WITH
NARRATIVE
STRUCTURE
-
113
5.3
THE
COGNITIVIST
APPROACHES
TO
CINEMA
THEORY
-
115
6
DIGITAL
GAMES
AND
SEMIOTICS
-
117
CHAPTER
4
THE
ICONIC
AND
THE
PLASTIC
DIMENSIONS
-
123
JACQUES
FONTANILLE
1
TERMINOLOGICAL
AND
METHODOLOGICAL
PREAMBLE
-
123
2
THE
EMERGENCE
OF
THE
ICONO-PLASTIC
PROBLEMATIC
IN
ART
HISTORY
-
126
3
ICONIC
AND
PLASTIC:
SEMIOTIC
STATUS
-
129
4
ON
ICONO-PLASTIC
RELATIONS:
IN
SEARCH
OF
LOST
TIME
-
132
4.1
LOST
TIME
-----
132
4.2
TIME
RECOVERED
THROUGH
ASPECTUALISATION
-
133
4.3
THE
PROMISE
OF
THE
PLASTIC
DIMENSION
-
134
4.4
THE
NORM
AND
ITS
TRANSGRESSION
VS
THE
COOPETITION
OF
ICONIC
AND
PLASTIC
-
135
4.5
PLASTIC
SYNTHESIS
AND
THE
SINGULARITY
OF
THE
WORK
-
136
5
CONCLUSION
----
137
CONTENTS
-
VII
CHAPTER
5
THE
PLASTIC
SIGNIFIER
-
139
ALEXANDROS
PH.
LAGOPOULOS
1
2
3
4
5
THE
NATURE
OF
THE
PLASTIC
SIGNIFIER:
GROUP
P
-
139
THE
NATURE
OF
THE
PLASTIC
SIGNIFIER:
THE
GREIMASIAN
APPROACH
-
142
THE
COMPONENTS
OF
THE
PLASTIC
SIGNIFIER
-
153
VISUAL
FIELDS
IN
CINEMA
-
157
THE
EXPRESSION
SUBSTANCE
OF
THE
PLASTIC
SIGNIFIER
-
159
CHAPTER
6
VISUAL
SEMIOTICS:
FROM
STRUCTURALISM
TO
THE
MATERIAL
TURN
OF
BIG
VISUAL
DATA
-
165
MARIA
GIULIA
DONDERO
1
2
2.1
2.2
2.3
3
3.1
3.2
4
INTRODUCTION
-
165
STRUCTURALIST
VISUAL
SEMIOTICS
AFTER
BARTHES
-
166
THE
IMAGE
FROM
THE
PERSPECTIVE
OF
PLASTIC
CATEGORIES
-
166
ENUNCIATION
AND
THE
METAVISUAL
-
167
THE
METAVISUAL
IN
THE
DIGITAL
IMAGE
UNDERSTOOD
AS
INSCRIPTION
-
170
APPLICATES,
SUBSTRATES
AND
GESTURES
OF
INSCRIPTION
-
172
PAINTING,
PHOTOGRAPHY
AND
DIGITAL
PRODUCTION
-
172
FORM
AS
THE
RESULT
OF
AN
INSCRIPTION
OF
FORCES
-
177
SEMIOTICS
AND
ART
HISTORY
IN
THE
WAKE
OF
THE
BIG
VISUAL
DATA
REVOLUTION
-
181
4.1
4.2
5
COMPUTATIONAL
LANGUAGE
AND
VISUAL
LANGUAGE
-
181
THE
IMAGE
AS
A
CONDENSATION
OF
ENERGIES
-
184
TO
CONCLUDE
----
188
PART
II:
INTERPRETING
THE
STATIC
IMAGE
CHAPTER
7
ISOTOPIES
IN
PAINTING
-
191
KARIN
BOKLUND-LAGOPOULOU
1
2
PICTORIAL
ISOTOPIES
-
191
THE
VIRGIN
AND
CHILD
WITH
NICOLAS
ROLIN
BY
JAN
VAN
EYCK:
RELIGIOUS
DEVOTION
AS
POWER
-
193
3
THE
CENSUS
AT
BETHLEHEM
BY
PIETER
BRUEGEL
THE
ELDER:
THE
DIVINE
IN
THE
EVERYDAY
-
201
VIII
-
CONTENTS
CHAPTER
8
SERIAL
ANALYSIS
OF
THE
PICTORIAL
WORK:
SERIES,
NETWORKS,
RHIZOMES,
INTERSTITIAL
SPACE-TIMES
-
208
JACQUES
FONTANILLE
1
1.1
1.2
1.3
2
2.1
PREAMBLE
-
208
THE
WORK
OF
ART
-
208
THE
STRATEGY
OF
SERIAL
ANALYSIS
-
209
TWO
PAINTERS,
TWO
DIFFERENT
SERIALITIES
-
210
THE
OBJECTIVES
OF
THE
SERIAL
ANALYSIS
OF
THE
WORK
-
211
VARIATIONS
AND
INVARIANTS:
A
SPACE-TIME
DEDICATED
TO
THE
TREATMENT
OF
ITERATION
-
211
2.2
2.3
SYNTAGMATIC
DISPOSITIONS
OF
A
SEMIOTIC
PRESENTATION
-
212
THE
SENSIBLE
AND
THE
TRANS-SENSIBLE:
A
TRAJECTORY
OF
THE
INTUITION
----
213
3
3.1
3.2
4
THE
MULTILINEAR
SPACE-TIME
OF
THE
SAHABI
SERIES
-
214
ICONO-PLASTIC
TENSIONS
-
214
GRAFFITI:
THE
DETAILS
OF
THE
NETWORK
OF
TRANSFORMATIONS
-
215
THE
PROGRESSIVE
AND
MULTIDIRECTIONAL
SPACE-TIME
OF
THE
SERIES
OF
LAURENT
-
221
CHAPTER
9
THE
GREIMASIAN
AND
POST-GREIMASIAN
SEMIOTICS
OF
PHOTOGRAPHY
-
226
MARIA
GIULIA
DONDERO
1
2
INTRODUCTION
----
226
PHOTOGRAPHIC
ONTOLOGY
IN
KRAUSS,
BARTHES,
AND
THE
LEGACY
OF
PEIRCE
----
228
2.1
2.2
2.3
3
3.1
3.2
PHOTOGRAPHY
AS
A
PRETEXT
-
228
AGAINST
PHOTOGRAPHY
AS
A
READY-MADE
-
230
AIMING
BEYOND
THE
FIGURATIVE
IN
PHOTOGRAPHY
-
231
THE
GENETIC
AND
THE
GENERATIVE
-
233
FLOCH
AS
A
FORERUNNER
-
233
FROM
THE
GENESIS
OF
THE
UTTERANCE
TO
THE
GENERATION
OF
MEANING
-
234
3.3
THE
PHOTOGRAPHIC
UTTERANCE
AS
FIELDWORK
FOR
SEMIOTIC
THEORIES
----
237
4
4.1
4.2
4.3
SEMIOTICS
OF
DISCOURSE
AND
MEDIA
SPECIFICITY
-
241
ONTOLOGY
OF
THE
MEDIUM
OR
SEMIOTICS
OF
DISCOURSE?
-
241
ACT
OF
PRODUCTION
AND
DISCURSIVE
MEMORY
-
244
FROM
THE
SEMIOTICS
OF
DISCOURSE
TO
THE
SEMIOTICS
OF
THE
IMPRINT
-
245
CONTENTS
-
IX
4
.4
THE
MODUS
OPERANDI
IN
PAINTING
AND
PHOTOGRAPHY
--246
5
FROM
PHOTOGRAPHIC
TEXTUALITY
TO
THE
STATUSES
OF
PHOTOGRAPHY:
FLOCH
AND
FONTANILLE
------249
6
CONCLUSIONS
----
253
PART
III:
INTERPRETING
THE
DYNAMIC
IMAGE
CHAPTER
10
LIGHT,
SHADOWS
AND
REVOLUTION:
CINEMA
'
S
EXPRESSION
SUBSTANCE
AND
THE
QUESTION
OF
THE
AVANT-GARDE
-
257
REA
WALLDEN
1
THE
STRUCTURING
OF
THE
SEMIOTIC
SUBSTANCE
-
257
2
CINEMA
AS
A
COMPLEX
SEMIOTIC
SYSTEM
AND
THE
STRUCTURING
OF
ITS
EXPRESSION
PLANE
-
259
3
A
SEMIOTIC
META-DEFINITION
OF
AVANT-GARDE
ART
-
265
4
THE
PECULIAR
CASE
OF
AVANT-GARDE
CINEMA
-
271
5
STRATEGIES,
TACTICS
AND
TECHNIQUES
IN
AVANT-GARDE
FILMS
-
276
CHAPTER
11
HOW
THE
STORY
IS
TOLD:
ARRIVAL
-
281
KARIN
BOKLUND-LAGOPOULOU
1
FABULA
AND
SJUZET
-
281
2
STORY
OF
YOUR
LIFE:
THE
NOVELLA
------282
3
ARRIVAL:
THE
FILM
-----
285
4
ARRIVAL:
THE
ISOTOPIES
------289
4.1
THE
NATURE
OF
THE
ISOTOPIES
IN
ARRIVAL
-
289
4.2
THE
STRUCTURE
OF
THE
ISOTOPIES
IN
ARRIVAL
-----293
4.3
THE
SEMIOTIC
SQUARE
OF
ARRIVAL
-
296
5
A
DIFFERENT
SEMIOTIC
SQUARE:
STORY
OF
YOUR
LIFE
-
300
CHAPTER
12
INGMAR
BERGMAN
'
S
THE
SEVENTH
SEAL:
WHAT
KIND
OF
PLAY
IS
LIFE?
-
303
REA
WALLDEN
1
INTRODUCTION
-----
303
2
DISCURSIVE
STRUCTURE
-----
306
2.1
SUMMARY
-----
306
2.2
TEMPORALISATION
AND
SPATIALISATION
-
306
2.3
ACTORIALISATION
------308
2.4
DRAMATURGICAL
STRUCTURE
-
310
X
-
CONTENTS
3
4
4.1
4.2
5
NARRATIVE
SYNTAX
-
312
SEMANTIC
STRUCTURE
-
314
THEMES
AND
ISOTOPIES
-
314
THE
ALLEGORY
OF
THE
CHARACTERS
-
318
THE
PHILOSOPHICAL
STRUCTURE
-
319
CHAPTER
13
SEMIOTIC
ANALYSIS
OF
ANIMATION
FILMS:
A
CASE
STUDY
OF
RATATOUILLE
-
324
MARIA
ILIA
KATSARIDOU
1
2
3
3.1
3.2
3.2.1
3.2.2
3.2.3
3.2.4
3.2.5
3.3
3.3.1
3.3.2
4
WHAT
IS
ANIMATION?
-
324
THEORETICAL
AND
METHODOLOGICAL
APPROACHES
-
328
A
CASE
STUDY:
RATATOUILLE
-
332
INTRODUCTION
AND
PLOT
SUMMARY
-
332
SYNTACTIC
ANALYSIS:
NARRATIVE
TRAJECTORIES
-
334
REMY
'
S
NARRATIVE
TRAJECTORY
-
334
LINGUINI
'
S
NARRATIVE
TRAJECTORY
-
338
COLETTE
'
S
NARRATIVE
TRAJECTORY
-
340
SKINNER
'
S
NARRATIVE
TRAJECTORY
-
342
NOTES
ON
THE
NARRATIVE
SYNTAX
-
344
PARADIGMATIC
ANALYSIS:
THE
SEMANTICS
OF
RATATOUILLE
-
344
THE
ISOTOPIES
-----344
THE
RELATIONS
BETWEEN
ISOTOPIES
-
345
A
SOCIO-CULTURAL
CONCLUSION
-
350
CHAPTER
14
SEMIOTIC
ANALYSIS
OF
DIGITAL
GAMES
-
354
MARIA
ILIA
KATSARIDOU
WITH
KOSMAS
(MAKIS)
STERGIOU
1
1.1
1.2
2
DIGITAL
GAMES
-
354
WHAT
ARE
DIGITAL
GAMES?
-
354
THE
PARTICULARITIES
OF
DIGITAL
GAMES
-
356
THEORETICAL
AND
METHODOLOGICAL
APPROACHES
TO
THE
ANALYSIS
OF
DIGITAL
GAMES
-
359
3
3.1
3.1.1
3.1.2
3.1.3
3.2
3.2.1
3.2.2
CASE
STUDY:
RESIDENT
EVIL
-
363
THE
RESIDENT
EVIL
SERIES
-
363
THE
PLOT
OF
THE
SERIES
-
363
THE
ACTANTIAL
ROLES
OF
THE
SERIES
-
366
THE
ISOTOPIES
OF
THE
SERIES
-
367
RESIDENT
EVIL
1996
----
369
THE
PLOT
OF
THE
GAME
AND
ITS
ACTANTIAL
ROLES
-
369
THE
NARRATIVE
SYNTAX
-
370
CONTENTS
-
XI
3.2
.3
THE
ISOTOPIES
OF
THE
GAME
-
370
4
CASE
STUDY:
EVE
ONLINE
-----
371
4.1
THE
NATURE
OF
THE
GAME
-
371
4.2
THE
ACTANTIAL
ROLES
-
375
4.3
THE
NARRATIVE
SYNTAX
-
376
4.4
THE
ISOTOPIES
-
377
5
SOME
COMPARISONS
AND
CONCLUSIONS
-
377
CHAPTER
15
A
SEMIOTICS-BASED
METHODOLOGY
FOR
SCRIPT
CREATION:
LINEAR
AND
INTERACTIVE
NARRATIVES
-
379
MARIA
ILIA
KATSARIDOU
1
INTRODUCTION
-
379
2
WHAT
IS
A
SCRIPT?
-
379
3
BRIEF
OVERVIEW
OF
EXISTING
SCRIPTWRITING
LITERATURE
-
383
4
A
NARRATOLOGICAL
APPROACH
TO
SCRIPTWRITING
-
387
5
A
CASE
STUDY:
THE
CREATION
OF
AN
INTERACTIVE
NARRATIVE
-
391
5.1
INA
'
S
FOREST:
A
BRANCHING
INTERACTIVE
NARRATIVE
-
391
5.2
THE
CREATION
OF
INA
'
S
FOREST.
FROM
THE
SEMIOTIC
SQUARE
TO
THE
EMERGING
ISOTOPIES
-
392
5.3
NARRATIVE
SYNTAX
AND
MODALITIES
-
396
5.3.1
NARRATIVE
SYNTAX
-
396
5.3.2
MODALITIES
-----
397
5.4
THE
NARRATIVE
PATHS
-
398
REFERENCES
-
405
ABOUT
THE
AUTHORS
-
421
INDEX
-
423 |
any_adam_object | 1 |
author | Lagopulos, Alexandros Phaidōn 1939- Mpoklunt-Lagopulu, Karin 1948- Dondero, Maria Giulia 1975- Fontanille, Jacques 1948- Katsaridu, Maria Walldén, Rea |
author_GND | (DE-588)118150413 (DE-588)1055764259 (DE-588)132968533 (DE-588)131759868 (DE-588)1304533182 (DE-588)1351034138 |
author_facet | Lagopulos, Alexandros Phaidōn 1939- Mpoklunt-Lagopulu, Karin 1948- Dondero, Maria Giulia 1975- Fontanille, Jacques 1948- Katsaridu, Maria Walldén, Rea |
author_role | aut aut aut aut aut aut |
author_sort | Lagopulos, Alexandros Phaidōn 1939- |
author_variant | a p l ap apl k m l kml m g d mg mgd j f jf m k mk r w rw |
building | Verbundindex |
bvnumber | BV050111576 |
ctrlnum | (OCoLC)1492138603 (DE-599)DNB1331203406 |
format | Book |
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id | DE-604.BV050111576 |
illustrated | Illustrated |
indexdate | 2025-02-10T13:09:03Z |
institution | BVB |
institution_GND | (DE-588)1065653190 |
isbn | 9783110991840 3110991845 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035448566 |
oclc_num | 1492138603 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | XVI, 437 Seiten Illustrationen, Diagramme 23 cm x 15.5 cm |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | De Gruyter Mouton |
record_format | marc |
series | Semiotics, Communication and Cognition [SCC] |
series2 | Semiotics, Communication and Cognition [SCC] |
spelling | Lagopulos, Alexandros Phaidōn 1939- Verfasser (DE-588)118150413 aut Semiotics of Images the analysis of pictorial texts Alexandros Ph. Lagopoulos, Karin Boklund-Lagopoulou, Maria Giulia Dondero, Jacques Fontanille, Maria Ilia Katsaridou, Rea Walldén Berlin De Gruyter Mouton 2024 XVI, 437 Seiten Illustrationen, Diagramme 23 cm x 15.5 cm txt rdacontent n rdamedia nc rdacarrier Semiotics, Communication and Cognition [SCC] volume 37 Visual Semiotics Greimasian and Post-Greimasian Semiotics Pictorial Semiotics Semiotics of Cinema Animation Studies and Digital Games Mpoklunt-Lagopulu, Karin 1948- Verfasser (DE-588)1055764259 aut Dondero, Maria Giulia 1975- Verfasser (DE-588)132968533 aut Fontanille, Jacques 1948- Verfasser (DE-588)131759868 aut Katsaridu, Maria Verfasser (DE-588)1304533182 aut Walldén, Rea Verfasser (DE-588)1351034138 aut De Gruyter Mouton (DE-588)1065653190 pbl Erscheint auch als Online-Ausgabe, EPUB 978-3-11-098028-8 Erscheint auch als Online-Ausgabe, PDF 978-3-11-098025-7 Semiotics, Communication and Cognition [SCC] volume 37 (DE-604)BV036027776 37 X:MVB text/html https://www.degruyter.com/isbn/9783110991840 Inhaltstext DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035448566&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p vlb 20240530 DE-101 https://d-nb.info/provenance/plan#vlb |
spellingShingle | Lagopulos, Alexandros Phaidōn 1939- Mpoklunt-Lagopulu, Karin 1948- Dondero, Maria Giulia 1975- Fontanille, Jacques 1948- Katsaridu, Maria Walldén, Rea Semiotics of Images the analysis of pictorial texts Semiotics, Communication and Cognition [SCC] |
title | Semiotics of Images the analysis of pictorial texts |
title_auth | Semiotics of Images the analysis of pictorial texts |
title_exact_search | Semiotics of Images the analysis of pictorial texts |
title_full | Semiotics of Images the analysis of pictorial texts Alexandros Ph. Lagopoulos, Karin Boklund-Lagopoulou, Maria Giulia Dondero, Jacques Fontanille, Maria Ilia Katsaridou, Rea Walldén |
title_fullStr | Semiotics of Images the analysis of pictorial texts Alexandros Ph. Lagopoulos, Karin Boklund-Lagopoulou, Maria Giulia Dondero, Jacques Fontanille, Maria Ilia Katsaridou, Rea Walldén |
title_full_unstemmed | Semiotics of Images the analysis of pictorial texts Alexandros Ph. Lagopoulos, Karin Boklund-Lagopoulou, Maria Giulia Dondero, Jacques Fontanille, Maria Ilia Katsaridou, Rea Walldén |
title_short | Semiotics of Images |
title_sort | semiotics of images the analysis of pictorial texts |
title_sub | the analysis of pictorial texts |
url | https://www.degruyter.com/isbn/9783110991840 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035448566&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV036027776 |
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