Routledge handbook of African theatre and performance:
The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, peop...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
[2024]
|
Schriftenreihe: | Routledge handbooks
|
Schlagworte: | |
Zusammenfassung: | The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice. Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication. An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association |
Beschreibung: | xxv, 542 Seiten |
ISBN: | 9781032008400 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV050110530 | ||
003 | DE-604 | ||
007 | t| | ||
008 | 250107s2024 xx |||| 00||| eng d | ||
020 | |a 9781032008400 |9 978-1-032-00840-0 | ||
035 | |a (DE-599)BVBBV050110530 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-11 | ||
245 | 1 | 0 | |a Routledge handbook of African theatre and performance |c edited by Kene Igweonu |
246 | 1 | 3 | |a African theatre and performance |
246 | 1 | 0 | |a African theatre and performance |
264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c [2024] | |
264 | 4 | |c © 2024 | |
300 | |a xxv, 542 Seiten | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Routledge handbooks | |
520 | 3 | |a The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice. | |
520 | 3 | |a Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication. | |
520 | 3 | |a An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association | |
653 | 0 | |a Theater / Africa | |
653 | 0 | |a Performing arts / Africa | |
653 | 0 | |a Théâtre / Afrique | |
653 | 0 | |a Arts du spectacle / Afrique | |
653 | 0 | |a DRAMA / African | |
653 | 0 | |a PERFORMING ARTS / Theater / General | |
700 | 1 | |a Igweonu, Kene |d ca. 20. Jh. |0 (DE-588)134863183X |4 edt | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-00-317606-0 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035447541 |
Datensatz im Suchindex
_version_ | 1820587865592037376 |
---|---|
adam_text | |
any_adam_object | |
author2 | Igweonu, Kene ca. 20. Jh |
author2_role | edt |
author2_variant | k i ki |
author_GND | (DE-588)134863183X |
author_facet | Igweonu, Kene ca. 20. Jh |
building | Verbundindex |
bvnumber | BV050110530 |
ctrlnum | (DE-599)BVBBV050110530 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV050110530</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">250107s2024 xx |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032008400</subfield><subfield code="9">978-1-032-00840-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV050110530</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Routledge handbook of African theatre and performance</subfield><subfield code="c">edited by Kene Igweonu</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">African theatre and performance</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">African theatre and performance</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxv, 542 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge handbooks</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication.</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater / Africa</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Performing arts / Africa</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Théâtre / Afrique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts du spectacle / Afrique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">DRAMA / African</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">PERFORMING ARTS / Theater / General</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Igweonu, Kene</subfield><subfield code="d">ca. 20. Jh.</subfield><subfield code="0">(DE-588)134863183X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-00-317606-0</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035447541</subfield></datafield></record></collection> |
id | DE-604.BV050110530 |
illustrated | Not Illustrated |
indexdate | 2025-01-07T11:04:48Z |
institution | BVB |
isbn | 9781032008400 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035447541 |
open_access_boolean | |
owner | DE-11 |
owner_facet | DE-11 |
physical | xxv, 542 Seiten |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Routledge, Taylor & Francis Group |
record_format | marc |
series2 | Routledge handbooks |
spelling | Routledge handbook of African theatre and performance edited by Kene Igweonu African theatre and performance London ; New York Routledge, Taylor & Francis Group [2024] © 2024 xxv, 542 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge handbooks The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African theatre and performance practice. Contributors aim to answer some of the big questions about the content (nature, form) and context (processes, practice) of theatre, whilst also painting a pluralistic and complex picture of the diversity of cultural, political and artistic exigencies across the continent. Covering a broad range of themes including postcolonialism, transnationalism, interculturalism, Afropolitanism, development and the diaspora, the handbook concludes by projecting possible future directions for African theatre and performance as we continue to advance into the 21st century and beyond. This ground-breaking new handbook will be essential reading for students and researchers studying theatre and performance practices across Africa and the diaspora. Kene Igweonu is Professor of Creative Education at University of the Arts London, where he is also Pro Vice-Chancellor and Head of London College of Communication. An interdisciplinary researcher, Professor Igweonu has extensive experience of senior academic leadership in immersive and interactive practices and performance practice. His practice research and publication interests are in storytelling, theatre, and performance in Africa and its Diaspora, as well as the Feldenkrais Method in health, wellbeing, and performance training. A champion for arts and creative industries, Professor Igweonu is Chair of DramaHE, Council Member for Creative UK, and until August 2023, President of the African Theatre Association Theater / Africa Performing arts / Africa Théâtre / Afrique Arts du spectacle / Afrique DRAMA / African PERFORMING ARTS / Theater / General Igweonu, Kene ca. 20. Jh. (DE-588)134863183X edt Erscheint auch als Online-Ausgabe 978-1-00-317606-0 |
spellingShingle | Routledge handbook of African theatre and performance |
title | Routledge handbook of African theatre and performance |
title_alt | African theatre and performance |
title_auth | Routledge handbook of African theatre and performance |
title_exact_search | Routledge handbook of African theatre and performance |
title_full | Routledge handbook of African theatre and performance edited by Kene Igweonu |
title_fullStr | Routledge handbook of African theatre and performance edited by Kene Igweonu |
title_full_unstemmed | Routledge handbook of African theatre and performance edited by Kene Igweonu |
title_short | Routledge handbook of African theatre and performance |
title_sort | routledge handbook of african theatre and performance |
work_keys_str_mv | AT igweonukene routledgehandbookofafricantheatreandperformance AT igweonukene africantheatreandperformance |