Campaspe talks back: women who made a difference in early modern art
With forty-three contributions this book pays homage to Katlijne Van der Stighelen, who has shown exceptional range in her own contributions to the history of art in the Southern Netherlands and beyond. With monographs on Peter Paul Rubens and Anthony van Dyck, she has considerably expanded scholars...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
[Turnhout]
Brepols
[2024]
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Schlagworte: | |
Zusammenfassung: | With forty-three contributions this book pays homage to Katlijne Van der Stighelen, who has shown exceptional range in her own contributions to the history of art in the Southern Netherlands and beyond. With monographs on Peter Paul Rubens and Anthony van Dyck, she has considerably expanded scholarship on canonical artists. Yet early on, a catalogue raisonné of the portraits of the lesser-known Cornelis de Vos revealed that Van der Stighelen was not one to preserve the status quo but to challenge it. Mindful of protagonists and their historiographical pull, she has consistently rehabilitated artists relegated to the background, in some cases by single-handedly saving them from total oblivion and – remarkable feat – having them added to the canon. Portraiture, supposedly a sijd-wegh der consten, was paved into a central avenue of inquiry in Van der Stighelen’s work. Her approach to the genre made it into a pathway for the introduction of women artists. What was a sijd-wegh became a zij-weg. From seminal publications on Anna-Maria van Schurman to revelatory exhibitions on Michaelina Wautier, Van der Stighelen’s particular brand of feminism has impacted scholarship as deeply as it has touched the museum-going public. Women and portraiture are the core themes of the essays assembled in this book. The resulting group portrait is crowded and rambunctious and reflects the varied subject matter that has attracted Van der Stighelen’s professional attention. It also paints a partial portrait of the community of scholars that she has so generously fostered. In trying to summarize the motivations of authors to contribute to this volume or the gratitude of generations of art historians trained by her, it is best to quote the title of the first exhibition on women artists in Belgium and The Netherlands, which Van der Stighelen curated in 1999: Elck zijn waerom |
Beschreibung: | Rückseite Titelblatt: "Essays in honour of Katlijne van der Stighelen" Schriftenverzeichnis Katlijne van der Stighelen Seite 416-428 |
Beschreibung: | 436 Seiten Illustrationen 29 cm |
ISBN: | 9782503613055 2503613055 |
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illustrated | Illustrated |
indexdate | 2025-01-07T11:03:33Z |
institution | BVB |
isbn | 9782503613055 2503613055 |
language | English |
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physical | 436 Seiten Illustrationen 29 cm |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Brepols |
record_format | marc |
spelling | Campaspe talks back women who made a difference in early modern art edited by Lieke van Deinsen, Bert Schepers, Marjan Sterckx, Hans Vlieghe, Bert Watteeuw [Turnhout] Brepols [2024] 436 Seiten Illustrationen 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: "Essays in honour of Katlijne van der Stighelen" Schriftenverzeichnis Katlijne van der Stighelen Seite 416-428 With forty-three contributions this book pays homage to Katlijne Van der Stighelen, who has shown exceptional range in her own contributions to the history of art in the Southern Netherlands and beyond. With monographs on Peter Paul Rubens and Anthony van Dyck, she has considerably expanded scholarship on canonical artists. Yet early on, a catalogue raisonné of the portraits of the lesser-known Cornelis de Vos revealed that Van der Stighelen was not one to preserve the status quo but to challenge it. Mindful of protagonists and their historiographical pull, she has consistently rehabilitated artists relegated to the background, in some cases by single-handedly saving them from total oblivion and – remarkable feat – having them added to the canon. Portraiture, supposedly a sijd-wegh der consten, was paved into a central avenue of inquiry in Van der Stighelen’s work. Her approach to the genre made it into a pathway for the introduction of women artists. What was a sijd-wegh became a zij-weg. From seminal publications on Anna-Maria van Schurman to revelatory exhibitions on Michaelina Wautier, Van der Stighelen’s particular brand of feminism has impacted scholarship as deeply as it has touched the museum-going public. Women and portraiture are the core themes of the essays assembled in this book. The resulting group portrait is crowded and rambunctious and reflects the varied subject matter that has attracted Van der Stighelen’s professional attention. It also paints a partial portrait of the community of scholars that she has so generously fostered. In trying to summarize the motivations of authors to contribute to this volume or the gratitude of generations of art historians trained by her, it is best to quote the title of the first exhibition on women artists in Belgium and The Netherlands, which Van der Stighelen curated in 1999: Elck zijn waerom Archivierung/Langzeitarchivierung gewährleistet FID XA-DE-BW pdager DE-16 Geschichte 1500-1700 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Künstlerin (DE-588)4033430-2 gnd rswk-swf Frauenbild (DE-588)4125057-6 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Flandern (DE-588)4071249-7 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Stighelen, Katlijne van der Van der Stighelen, Katlijne - (1959-....) Portrait painting / History Women in art Women artists Peinture de portraits - Histoire Femmes dans l'art Femmes artistes Art - Pays-Bas Art - Belgique Portraits (peinture) - Histoire Femmes - Dans l'art Mélanges et hommages (DE-588)4016928-5 Festschrift gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Niederlande (DE-588)4042203-3 g Flandern (DE-588)4071249-7 g Künstlerin (DE-588)4033430-2 s Frau (DE-588)4018202-2 s Kunst (DE-588)4114333-4 s Geschichte 1500-1700 z DE-604 Frau Motiv (DE-588)4113617-2 s Frauenbild (DE-588)4125057-6 s Deinsen, Lieke van 1987- (DE-588)113160010X edt Schepers, Bert 1977- (DE-588)1102551287 edt Sterckx, Marjan 1978- (DE-588)1038318319 edt Vlieghe, Hans 1939- (DE-588)127199160 edt Watteeuw, Bert (DE-588)143735268 edt Stighelen, Katlijne van der 1959- (DE-588)132251566 hnr |
spellingShingle | Campaspe talks back women who made a difference in early modern art Frau Motiv (DE-588)4113617-2 gnd Kunst (DE-588)4114333-4 gnd Künstlerin (DE-588)4033430-2 gnd Frauenbild (DE-588)4125057-6 gnd Frau (DE-588)4018202-2 gnd |
subject_GND | (DE-588)4113617-2 (DE-588)4114333-4 (DE-588)4033430-2 (DE-588)4125057-6 (DE-588)4018202-2 (DE-588)4071249-7 (DE-588)4042203-3 (DE-588)4016928-5 (DE-588)4143413-4 |
title | Campaspe talks back women who made a difference in early modern art |
title_auth | Campaspe talks back women who made a difference in early modern art |
title_exact_search | Campaspe talks back women who made a difference in early modern art |
title_full | Campaspe talks back women who made a difference in early modern art edited by Lieke van Deinsen, Bert Schepers, Marjan Sterckx, Hans Vlieghe, Bert Watteeuw |
title_fullStr | Campaspe talks back women who made a difference in early modern art edited by Lieke van Deinsen, Bert Schepers, Marjan Sterckx, Hans Vlieghe, Bert Watteeuw |
title_full_unstemmed | Campaspe talks back women who made a difference in early modern art edited by Lieke van Deinsen, Bert Schepers, Marjan Sterckx, Hans Vlieghe, Bert Watteeuw |
title_short | Campaspe talks back |
title_sort | campaspe talks back women who made a difference in early modern art |
title_sub | women who made a difference in early modern art |
topic | Frau Motiv (DE-588)4113617-2 gnd Kunst (DE-588)4114333-4 gnd Künstlerin (DE-588)4033430-2 gnd Frauenbild (DE-588)4125057-6 gnd Frau (DE-588)4018202-2 gnd |
topic_facet | Frau Motiv Kunst Künstlerin Frauenbild Frau Flandern Niederlande Festschrift Aufsatzsammlung |
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