The Eye of the Cinematograph: Lévinas and Realisms of the Body
Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2023]
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| Schlagworte: | |
| Zusammenfassung: | Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) |
| Beschreibung: | 248 Seiten 27 B/W illustrations 27 B&W images |
| ISBN: | 9781399507240 |
Internformat
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| 245 | 1 | 0 | |a The Eye of the Cinematograph |b Lévinas and Realisms of the Body |c Keyvan Manafi |
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| 264 | 4 | |c © 2023 | |
| 300 | |a 248 Seiten |b 27 B/W illustrations 27 B&W images | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) | ||
| 520 | |a Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure | ||
| 546 | |a In English | ||
| 650 | 4 | |a Film, Media & Cultural Studies | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Human body in motion pictures | |
| 650 | 4 | |a Motion pictures |x Philosophy | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-399-50726-4 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035446282 | |
Datensatz im Suchindex
| _version_ | 1820225277142237184 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Manafi, Keyvan |
| author_facet | Manafi, Keyvan |
| author_role | aut |
| author_sort | Manafi, Keyvan |
| author_variant | k m km |
| building | Verbundindex |
| bvnumber | BV050109250 |
| ctrlnum | (DE-599)BVBBV050109250 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2025-01-03T11:01:36Z |
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| isbn | 9781399507240 |
| language | English |
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| physical | 248 Seiten 27 B/W illustrations 27 B&W images |
| publishDate | 2023 |
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| publisher | Edinburgh University Press |
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| spelling | Manafi, Keyvan Verfasser aut The Eye of the Cinematograph Lévinas and Realisms of the Body Keyvan Manafi Edinburgh Edinburgh University Press [2023] © 2023 248 Seiten 27 B/W illustrations 27 B&W images txt rdacontent n rdamedia nc rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) Explores the encounter between Emmanuel Levinas' ethical thought and aesthetic realisms of the bodyPresents an interdisciplinary approach that brings together film studies, philosophies of ethics, cultural studies and critical theory to contribute to the fields of film-philosophy and cinematic thinkingExpands the existing enquiries into the consequences of Emmanuel Levinas' philosophy for aesthetics and draws out a new encounter between his ethical thought and filmMakes a case for the hospitality of the cinematic image by investigating its unique visual being as a gift and proposes an affirmative account of the ethics of the cinematograph through discussions of cinematic realismThe Eye of the Cinematograph investigates the ethical and aesthetic implications of the automatic formation of the body's image by the camera. Drawing on Emmanuel Levinas' thought, Manafi asks what happens when the other makes their body available to the gaze of the camera to be automatically recorded, and this giving of the body is preserved within the image, juxtaposed with other images to allude to a story that might otherwise remain untold.To locate the ethical at this intersection of the body and the aesthetic, this book articulates an ethical account of a diverse range of film theories to demonstrate alternative encounters with the other that realisms of the body offer. Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Human body in motion pictures Motion pictures Philosophy Erscheint auch als Online-Ausgabe 978-1-399-50726-4 |
| spellingShingle | Manafi, Keyvan The Eye of the Cinematograph Lévinas and Realisms of the Body Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Human body in motion pictures Motion pictures Philosophy |
| title | The Eye of the Cinematograph Lévinas and Realisms of the Body |
| title_auth | The Eye of the Cinematograph Lévinas and Realisms of the Body |
| title_exact_search | The Eye of the Cinematograph Lévinas and Realisms of the Body |
| title_full | The Eye of the Cinematograph Lévinas and Realisms of the Body Keyvan Manafi |
| title_fullStr | The Eye of the Cinematograph Lévinas and Realisms of the Body Keyvan Manafi |
| title_full_unstemmed | The Eye of the Cinematograph Lévinas and Realisms of the Body Keyvan Manafi |
| title_short | The Eye of the Cinematograph |
| title_sort | the eye of the cinematograph levinas and realisms of the body |
| title_sub | Lévinas and Realisms of the Body |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Human body in motion pictures Motion pictures Philosophy |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism Human body in motion pictures Motion pictures Philosophy |
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