Adolfo Winternitz and the Atelier Chiara: an example of international artistic collaboration (part I)
This two-part article provides an overview of the work of one of the most important creators of religious art in Latin America in the second half of the twentieth century, the Austro-Peruvian painter Adolfo Winternitz (1906-1993). His stained glass windows were made by the famous Chiara workshop in...
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Zusammenfassung: | This two-part article provides an overview of the work of one of the most important creators of religious art in Latin America in the second half of the twentieth century, the Austro-Peruvian painter Adolfo Winternitz (1906-1993). His stained glass windows were made by the famous Chiara workshop in Lausanne, in Switzerland (which operated between 1880 and 1994). The fruit of this intercontinental exchange, a body of work consisting mainly of dalles de verre, is preserved in churches and public and private buildings in Europe and America. This first study, aimed at situating this artist in the history of stained glass, is transcontinental in scope and is one of the first to look at the production of Swiss artists and master glaziers exported to Latin America. This first part presents biographical details about the artist, his vision of art and the context of his creations. The second part will offer a brief analysis of nine of his works |
Beschreibung: | 11 Illustrationen |
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spelling | Araos, Andrea Verfasser (DE-588)1326723472 aut Adolfo Winternitz and the Atelier Chiara an example of international artistic collaboration (part I) Dr Andrea Araos, Centro Latinoamericano del Vitral [2024] 11 Illustrationen txt rdacontent c rdamedia cr rdacarrier This two-part article provides an overview of the work of one of the most important creators of religious art in Latin America in the second half of the twentieth century, the Austro-Peruvian painter Adolfo Winternitz (1906-1993). His stained glass windows were made by the famous Chiara workshop in Lausanne, in Switzerland (which operated between 1880 and 1994). The fruit of this intercontinental exchange, a body of work consisting mainly of dalles de verre, is preserved in churches and public and private buildings in Europe and America. This first study, aimed at situating this artist in the history of stained glass, is transcontinental in scope and is one of the first to look at the production of Swiss artists and master glaziers exported to Latin America. This first part presents biographical details about the artist, his vision of art and the context of his creations. The second part will offer a brief analysis of nine of his works number:149 year:2024 Vidimus [S.l.], 2024 Issue 149 (DE-604)BV035153013 (DE-600)2464278-2 text/html https://www.vidimus.org/issues/issue-149/adolfo-winternitz-atelier-chiara-part-i/ Verlag kostenfrei Volltext |
spellingShingle | Araos, Andrea Adolfo Winternitz and the Atelier Chiara an example of international artistic collaboration (part I) |
title | Adolfo Winternitz and the Atelier Chiara an example of international artistic collaboration (part I) |
title_auth | Adolfo Winternitz and the Atelier Chiara an example of international artistic collaboration (part I) |
title_exact_search | Adolfo Winternitz and the Atelier Chiara an example of international artistic collaboration (part I) |
title_full | Adolfo Winternitz and the Atelier Chiara an example of international artistic collaboration (part I) Dr Andrea Araos, Centro Latinoamericano del Vitral |
title_fullStr | Adolfo Winternitz and the Atelier Chiara an example of international artistic collaboration (part I) Dr Andrea Araos, Centro Latinoamericano del Vitral |
title_full_unstemmed | Adolfo Winternitz and the Atelier Chiara an example of international artistic collaboration (part I) Dr Andrea Araos, Centro Latinoamericano del Vitral |
title_short | Adolfo Winternitz and the Atelier Chiara |
title_sort | adolfo winternitz and the atelier chiara an example of international artistic collaboration part i |
title_sub | an example of international artistic collaboration (part I) |
url | https://www.vidimus.org/issues/issue-149/adolfo-winternitz-atelier-chiara-part-i/ |
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