Remixing Wong Kar-wai: Music, Bricolage, and the Aesthetics of Oblivion
Like his fellow filmmakers Stanley Kubrick, Quentin Tarantino, and Sofia Coppola, Wong Kar-wai crafts the soundtracks of his films by jettisoning original scores in favor of commercial recordings. In Remixing Wong Kar-wai, Giorgio Biancorosso examines the combinatorial practice at the heart of Wong&...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2024]
|
| Schriftenreihe: | Asia-Pacific: Culture, Politics, and Society : 44
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| Schlagworte: | |
| Online-Zugang: | DE-Aug4 Volltext |
| Zusammenfassung: | Like his fellow filmmakers Stanley Kubrick, Quentin Tarantino, and Sofia Coppola, Wong Kar-wai crafts the soundtracks of his films by jettisoning original scores in favor of commercial recordings. In Remixing Wong Kar-wai, Giorgio Biancorosso examines the combinatorial practice at the heart of Wong's cinema to retheorize musical borrowing, appropriation, and repurposing. Wong's irrepressible penchant for poaching music from other films-whether old Chinese melodramas, Hollywood blockbusters, or European art films-subsumes familiar music under his own brand of cinema. As Wong combs through musical and cinematic archives and splices disparate music together, exceedingly well-known music loses its previous associations and acquires an infinite new constellation of meanings in his films. Drawing on Claude Lévi-Strauss's concept of bricolage, Biancorosso contends that Wong's borrowing is akin to a practice of creative destruction in which Wong becomes a bricoleur who remixes music at hand to create new and complete, self-sustaining statements. By outlining Wong's modus operandi of indiscriminate borrowing and remixing, Biancorosso prompts readers to reconsider the significance of transforming preexisting music into new compositions for film and beyond |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) |
| Beschreibung: | 1 Online-Ressource (240 pages) |
| ISBN: | 9781478060161 |
| DOI: | 10.1515/9781478060161 |
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| series2 | Asia-Pacific: Culture, Politics, and Society : 44 |
| spelling | Biancorosso, Giorgio Verfasser aut Remixing Wong Kar-wai Music, Bricolage, and the Aesthetics of Oblivion Giorgio Biancorosso Durham Duke University Press [2024] 2025 1 Online-Ressource (240 pages) txt rdacontent c rdamedia cr rdacarrier Asia-Pacific: Culture, Politics, and Society : 44 Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) Like his fellow filmmakers Stanley Kubrick, Quentin Tarantino, and Sofia Coppola, Wong Kar-wai crafts the soundtracks of his films by jettisoning original scores in favor of commercial recordings. In Remixing Wong Kar-wai, Giorgio Biancorosso examines the combinatorial practice at the heart of Wong's cinema to retheorize musical borrowing, appropriation, and repurposing. Wong's irrepressible penchant for poaching music from other films-whether old Chinese melodramas, Hollywood blockbusters, or European art films-subsumes familiar music under his own brand of cinema. As Wong combs through musical and cinematic archives and splices disparate music together, exceedingly well-known music loses its previous associations and acquires an infinite new constellation of meanings in his films. Drawing on Claude Lévi-Strauss's concept of bricolage, Biancorosso contends that Wong's borrowing is akin to a practice of creative destruction in which Wong becomes a bricoleur who remixes music at hand to create new and complete, self-sustaining statements. By outlining Wong's modus operandi of indiscriminate borrowing and remixing, Biancorosso prompts readers to reconsider the significance of transforming preexisting music into new compositions for film and beyond In English SOCIAL SCIENCE / Ethnic Studies / Asian Studies bisacsh Motion picture authorship Motion picture industry China Hong Kong Motion picture music Philosophy and aesthetics Quotation in music https://doi.org/10.1515/9781478060161?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Biancorosso, Giorgio Remixing Wong Kar-wai Music, Bricolage, and the Aesthetics of Oblivion SOCIAL SCIENCE / Ethnic Studies / Asian Studies bisacsh Motion picture authorship Motion picture industry China Hong Kong Motion picture music Philosophy and aesthetics Quotation in music |
| title | Remixing Wong Kar-wai Music, Bricolage, and the Aesthetics of Oblivion |
| title_auth | Remixing Wong Kar-wai Music, Bricolage, and the Aesthetics of Oblivion |
| title_exact_search | Remixing Wong Kar-wai Music, Bricolage, and the Aesthetics of Oblivion |
| title_full | Remixing Wong Kar-wai Music, Bricolage, and the Aesthetics of Oblivion Giorgio Biancorosso |
| title_fullStr | Remixing Wong Kar-wai Music, Bricolage, and the Aesthetics of Oblivion Giorgio Biancorosso |
| title_full_unstemmed | Remixing Wong Kar-wai Music, Bricolage, and the Aesthetics of Oblivion Giorgio Biancorosso |
| title_short | Remixing Wong Kar-wai |
| title_sort | remixing wong kar wai music bricolage and the aesthetics of oblivion |
| title_sub | Music, Bricolage, and the Aesthetics of Oblivion |
| topic | SOCIAL SCIENCE / Ethnic Studies / Asian Studies bisacsh Motion picture authorship Motion picture industry China Hong Kong Motion picture music Philosophy and aesthetics Quotation in music |
| topic_facet | SOCIAL SCIENCE / Ethnic Studies / Asian Studies Motion picture authorship Motion picture industry China Hong Kong Motion picture music Philosophy and aesthetics Quotation in music |
| url | https://doi.org/10.1515/9781478060161?locatt=mode:legacy |
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