Eternal Sovereigns: Indigenous Artists, Activists, and Travelers Reframing Rome
In 1925, Pius XI staged the Vatican Missionary Exposition in Rome's Vatican City. Offering a narrative of the Catholic Church's beneficence to a global congregation, the exposition displayed thousands of cultural belongings stolen from Indigenous communities, which were seen by one million...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2024]
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| Online-Zugang: | Volltext |
| Zusammenfassung: | In 1925, Pius XI staged the Vatican Missionary Exposition in Rome's Vatican City. Offering a narrative of the Catholic Church's beneficence to a global congregation, the exposition displayed thousands of cultural belongings stolen from Indigenous communities, which were seen by one million pilgrims. Gloria Jane Bell's Eternal Sovereigns offers critical revision to that story. Bell reveals the tenacity, mobility, and reception of Indigenous artists, travelers, and activists in 1920s Rome. Animating these conjunctures, the book foregrounds competing claims to sovereignty from Indigenous and papal perspectives. Bell deftly juxtaposes the "Indian Museum" of nineteenth-century sculptor Ferdinand Pettrich, acquired by the Vatican, with the oeuvre of Indigenous artist Edmonia Lewis. Focusing on Turtle Island, Bell analyzes Indigenous cultural belongings made by artists from nations including Cree, Lakota, Anishinaabe, Nipissing, Kanien'kehá:ka, Wolastoqiyik, and Kwakwaka'wakw. Drawing on years of archival research and field interviews, Bell provides insight into the Catholic Church's colonial collecting and its ongoing ethnological display practices. Written in a voice that questions the academy's staid conventions, the book reclaims Indigenous belongings and other stolen treasures that remain imprisoned in the stronghold of the Vatican Museums |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) |
| Beschreibung: | 1 Online-Ressource (240 pages) |
| ISBN: | 9781478059844 |
| DOI: | 10.1515/9781478059844 |
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| 520 | |a In 1925, Pius XI staged the Vatican Missionary Exposition in Rome's Vatican City. Offering a narrative of the Catholic Church's beneficence to a global congregation, the exposition displayed thousands of cultural belongings stolen from Indigenous communities, which were seen by one million pilgrims. Gloria Jane Bell's Eternal Sovereigns offers critical revision to that story. Bell reveals the tenacity, mobility, and reception of Indigenous artists, travelers, and activists in 1920s Rome. Animating these conjunctures, the book foregrounds competing claims to sovereignty from Indigenous and papal perspectives. Bell deftly juxtaposes the "Indian Museum" of nineteenth-century sculptor Ferdinand Pettrich, acquired by the Vatican, with the oeuvre of Indigenous artist Edmonia Lewis. Focusing on Turtle Island, Bell analyzes Indigenous cultural belongings made by artists from nations including Cree, Lakota, Anishinaabe, Nipissing, Kanien'kehá:ka, Wolastoqiyik, and Kwakwaka'wakw. Drawing on years of archival research and field interviews, Bell provides insight into the Catholic Church's colonial collecting and its ongoing ethnological display practices. Written in a voice that questions the academy's staid conventions, the book reclaims Indigenous belongings and other stolen treasures that remain imprisoned in the stronghold of the Vatican Museums | ||
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| author | Bell, Gloria Jane |
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| dewey-full | 708.008997 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 708 - Galleries, museums & private collections |
| dewey-raw | 708.008997 |
| dewey-search | 708.008997 |
| dewey-sort | 3708.008997 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9781478059844 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2025-02-19T17:38:18Z |
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| spelling | Bell, Gloria Jane Verfasser aut Eternal Sovereigns Indigenous Artists, Activists, and Travelers Reframing Rome Gloria Jane Bell Durham Duke University Press [2024] 2024 1 Online-Ressource (240 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) In 1925, Pius XI staged the Vatican Missionary Exposition in Rome's Vatican City. Offering a narrative of the Catholic Church's beneficence to a global congregation, the exposition displayed thousands of cultural belongings stolen from Indigenous communities, which were seen by one million pilgrims. Gloria Jane Bell's Eternal Sovereigns offers critical revision to that story. Bell reveals the tenacity, mobility, and reception of Indigenous artists, travelers, and activists in 1920s Rome. Animating these conjunctures, the book foregrounds competing claims to sovereignty from Indigenous and papal perspectives. Bell deftly juxtaposes the "Indian Museum" of nineteenth-century sculptor Ferdinand Pettrich, acquired by the Vatican, with the oeuvre of Indigenous artist Edmonia Lewis. Focusing on Turtle Island, Bell analyzes Indigenous cultural belongings made by artists from nations including Cree, Lakota, Anishinaabe, Nipissing, Kanien'kehá:ka, Wolastoqiyik, and Kwakwaka'wakw. Drawing on years of archival research and field interviews, Bell provides insight into the Catholic Church's colonial collecting and its ongoing ethnological display practices. Written in a voice that questions the academy's staid conventions, the book reclaims Indigenous belongings and other stolen treasures that remain imprisoned in the stronghold of the Vatican Museums In English ART / Museum Studies bisacsh Colonization Religious aspects Catholic Church Ethnological museums and collections Vatican City Indian art North America Indians of North America Material culture Museums and Indigenous peoples Museums Acquisitions Moral and ethical aspects Pettrich, Ferdinand Sonstige oth Wildfire Lewis, Edmonia Sonstige oth https://doi.org/10.1515/9781478059844?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bell, Gloria Jane Eternal Sovereigns Indigenous Artists, Activists, and Travelers Reframing Rome ART / Museum Studies bisacsh Colonization Religious aspects Catholic Church Ethnological museums and collections Vatican City Indian art North America Indians of North America Material culture Museums and Indigenous peoples Museums Acquisitions Moral and ethical aspects |
| title | Eternal Sovereigns Indigenous Artists, Activists, and Travelers Reframing Rome |
| title_auth | Eternal Sovereigns Indigenous Artists, Activists, and Travelers Reframing Rome |
| title_exact_search | Eternal Sovereigns Indigenous Artists, Activists, and Travelers Reframing Rome |
| title_full | Eternal Sovereigns Indigenous Artists, Activists, and Travelers Reframing Rome Gloria Jane Bell |
| title_fullStr | Eternal Sovereigns Indigenous Artists, Activists, and Travelers Reframing Rome Gloria Jane Bell |
| title_full_unstemmed | Eternal Sovereigns Indigenous Artists, Activists, and Travelers Reframing Rome Gloria Jane Bell |
| title_short | Eternal Sovereigns |
| title_sort | eternal sovereigns indigenous artists activists and travelers reframing rome |
| title_sub | Indigenous Artists, Activists, and Travelers Reframing Rome |
| topic | ART / Museum Studies bisacsh Colonization Religious aspects Catholic Church Ethnological museums and collections Vatican City Indian art North America Indians of North America Material culture Museums and Indigenous peoples Museums Acquisitions Moral and ethical aspects |
| topic_facet | ART / Museum Studies Colonization Religious aspects Catholic Church Ethnological museums and collections Vatican City Indian art North America Indians of North America Material culture Museums and Indigenous peoples Museums Acquisitions Moral and ethical aspects |
| url | https://doi.org/10.1515/9781478059844?locatt=mode:legacy |
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