Pop Cinema:
Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art. The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various glo...
Gespeichert in:
Format: | Elektronisch E-Book |
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Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2024]
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Schlagworte: | |
Online-Zugang: | DE-Aug4 URL des Erstveröffentlichers |
Zusammenfassung: | Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art. The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book's contributors also identify the ways in which dominant Pop aesthetics - flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources - were adopted, reworked, or abandoned by such filmmakers. At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say? |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) |
Beschreibung: | 1 Online-Ressource (280 pages) 48 black and white illustrations |
ISBN: | 9781474497923 |
DOI: | 10.1515/9781474497923 |
Internformat
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245 | 1 | 0 | |a Pop Cinema |c ed. by Glyn Davis, Tom Day |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2024] | |
264 | 4 | |c 2024 | |
300 | |a 1 Online-Ressource (280 pages) |b 48 black and white illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) | ||
520 | |a Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art. The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book's contributors also identify the ways in which dominant Pop aesthetics - flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources - were adopted, reworked, or abandoned by such filmmakers. At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say? | ||
546 | |a In English | ||
650 | 4 | |a Film Studies | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
650 | 4 | |a Art in motion pictures | |
650 | 4 | |a Pop art | |
700 | 1 | |a Carmack, Kara |e Sonstige |4 oth | |
700 | 1 | |a Crowley, David |e Sonstige |4 oth | |
700 | 1 | |a Davies, Jon |e Sonstige |4 oth | |
700 | 1 | |a Davis, Glyn |e Sonstige |4 oth | |
700 | 1 | |a Davis, Glyn |e Sonstige |4 oth | |
700 | 1 | |a Day, Tom |e Sonstige |4 oth | |
700 | 1 | |a Day, Tom |e Sonstige |4 oth | |
700 | 1 | |a Enns, Clint |e Sonstige |4 oth | |
700 | 1 | |a Guerrero-Hernández, Juan Carlos |e Sonstige |4 oth | |
700 | 1 | |a Halter, Ed |e Sonstige |4 oth | |
700 | 1 | |a Kaizen, William |e Sonstige |4 oth | |
700 | 1 | |a Lamm, Kimberly |e Sonstige |4 oth | |
700 | 1 | |a Remes, Justin |e Sonstige |4 oth | |
700 | 1 | |a Sneed, Gillian |e Sonstige |4 oth | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474497923?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
940 | 1 | |q FHA_PDA_EMB | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035414506 | |
966 | e | |u https://doi.org/10.1515/9781474497923?locatt=mode:legacy |l DE-Aug4 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
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adam_text | |
any_adam_object | |
building | Verbundindex |
bvnumber | BV050077174 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781474497923 (DE-599)BVBBV050077174 |
dewey-full | 791.43/657 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/657 |
dewey-search | 791.43/657 |
dewey-sort | 3791.43 3657 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
doi_str_mv | 10.1515/9781474497923 |
format | Electronic eBook |
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id | DE-604.BV050077174 |
illustrated | Illustrated |
indexdate | 2024-12-10T07:00:20Z |
institution | BVB |
isbn | 9781474497923 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035414506 |
open_access_boolean | |
owner | DE-Aug4 |
owner_facet | DE-Aug4 |
physical | 1 Online-Ressource (280 pages) 48 black and white illustrations |
psigel | ZDB-23-DGG FHA_PDA_EMB ZDB-23-DGG FHA_PDA_DGG |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Edinburgh University Press |
record_format | marc |
spelling | Pop Cinema ed. by Glyn Davis, Tom Day Edinburgh Edinburgh University Press [2024] 2024 1 Online-Ressource (280 pages) 48 black and white illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 20. Nov 2024) Pop Cinema is the first book devoted to moving image works which engage with the central thematics and aesthetics of Pop Art. The essays in the collection focus in on the core concerns of Pop as a widespread and ideologically complex art movement, and examine the ways in which artists in various global locations have used forms of film practice outside of the mainstream to explore those preoccupations. The book's contributors also identify the ways in which dominant Pop aesthetics - flat planes of bold colour, mechanical forms of repetition, appropriation of materials from popular culture sources - were adopted, reworked, or abandoned by such filmmakers. At root, the book asks three basic questions: what shapes might a Pop form of cinema take, what materials would it engage with, and what might it have to say? In English Film Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Art in motion pictures Pop art Carmack, Kara Sonstige oth Crowley, David Sonstige oth Davies, Jon Sonstige oth Davis, Glyn Sonstige oth Day, Tom Sonstige oth Enns, Clint Sonstige oth Guerrero-Hernández, Juan Carlos Sonstige oth Halter, Ed Sonstige oth Kaizen, William Sonstige oth Lamm, Kimberly Sonstige oth Remes, Justin Sonstige oth Sneed, Gillian Sonstige oth https://doi.org/10.1515/9781474497923?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Pop Cinema Film Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Art in motion pictures Pop art |
title | Pop Cinema |
title_auth | Pop Cinema |
title_exact_search | Pop Cinema |
title_full | Pop Cinema ed. by Glyn Davis, Tom Day |
title_fullStr | Pop Cinema ed. by Glyn Davis, Tom Day |
title_full_unstemmed | Pop Cinema ed. by Glyn Davis, Tom Day |
title_short | Pop Cinema |
title_sort | pop cinema |
topic | Film Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Art in motion pictures Pop art |
topic_facet | Film Studies PERFORMING ARTS / Film & Video / History & Criticism Art in motion pictures Pop art |
url | https://doi.org/10.1515/9781474497923?locatt=mode:legacy |
work_keys_str_mv | AT carmackkara popcinema AT crowleydavid popcinema AT daviesjon popcinema AT davisglyn popcinema AT daytom popcinema AT ennsclint popcinema AT guerrerohernandezjuancarlos popcinema AT haltered popcinema AT kaizenwilliam popcinema AT lammkimberly popcinema AT remesjustin popcinema AT sneedgillian popcinema |